• 한국실내디자인학회논문집
• /
• 제21권6호
• /
• pp.3-11
• /
• 2012

As most modern architectures had been constructed aiming at only both self-reliance and the purity without considering the place, the contemporary architectures have been also exposed to 'the loss of the place' similarly. From recognizing these problems, studying new spatial approach and various movements to create new modern place overcoming this have been progressed. It is meant that building shouldn't exist away from a land, without meanings. It is need to create new space aggressively against varying spaces. Thus, This thesis focus on architect Jean Nouvel among the architects having the insight of space and study his architectural design philosophy through his works creating new space. The aim of this study is to review how to define the 'placeness', and the light as a mediator of place. First of all, this thesis begins with a review what is the 'placeness' as spatial analysis and how to define 'light' as a mediator of place with his books, scholarly lectures, interviews, writing and papers and then analyse how light is represented through 'the place program of light' from his selected works. As a result of it, the thesis provides the possibilities of his constant challenges about 'existence-space-essence' by deriving the characteristics of 'the place program of light' focused on what his architectural approach constructs new space all the time through a regular program even if hard to define all his works as one model.

• 한국추진공학회:학술대회논문집
• /
• 한국추진공학회 2012년도 제38회 춘계학술대회논문집
• /
• pp.238-238
• /
• 2012

Report is devoted to place and role of numerical simulation in design of rocket propulsion systems. In introduction advanced solutions in liquid propellant rocket engines design are presented. Further essence of design process described briefly. The central place of method of solution of direct problem in design process was shown. Numerical simulation for solving direct problem of fluid dynamic was used as the alternative to theoretical and experimental approaches. Main features of numerical models of processes in propulsion systems were observed. Some results of simulation and (or) design of different types of chemical propulsion system were presented also. The combined rocket engine, rocket engine with injection of after-turbine gas into supersonic part of the nozzle, solid propellant engine and hybrid propulsion engine are under consideration.

• 한국의사학회지
• /
• 제14권2호
• /
• pp.25-44
• /
• 2001

Through the discussions on ascending, descending, in and out of functional activity of Ki, Nature and Life(性命) based on the correlations among essence of life, Ki and vitality, and the Heart which is the complex of heart and place of mental activity, orientation of 'Life(生命)' in "Dongeuibogam" is that heart and body are in a single construction not in two. Although "Dongeuibogam" has the characteristics of substantial discussions about prevalent inner Dan thought in those days in the medical field, it is quoted in the aspect of guiding and leading the Nature and Life(性命). As the nature of heart was developed psycological and physically, we could sense the influences of Confucian-medicine that accounted the Heart which is the place of mental activity and the Sung Confucianism trend of Chosun dynasty.

• 한국조경학회지
• /
• 제35권3호
• /
• pp.71-81
• /
• 2007

This study focused on the one and only temple of on the coastline of the West Sea, Kimje's Manghae Temple and Mt. Jinbong. The purpose of this study was to research the unique sense of place of the area by researching the location and view that clearly shapes the identity of the landscape. The following are the results. 1. The cultural landscape of Manghae Temple and the natural landscape of Mt. Jinbong have characteristics which take in the coastline and skyline, respectively. Specifically, from the existential vertical-horizontal images of "sky - land - Mt. Jinbong" and "moon - cloud - sea", an ascending reflection of the landscape surroundings can be found. 2. The "Sea - Manghae temple - Mt. Jinbong - sky" is the representation of the moderate 'inside-space' which belongs to the particular landscape area and which also shows the topophilia to Manghae Temple. Through this kind of interpretation, the sense of place of Manghae Temple and Mt. Jinbong reveals an intra-structure of an Imaging Landscape implying harmony and moderation, which is a unified organization of the surrounding phenomena(Temple and Mountain) and the essence (the doctrine of Buddhism) that matches Jin-muk's asceticism and lifestyle. 3. While the cultural landscape of Manghae Temple has a strong religious reference, the natural landscape Mt. Jinbong emphasizes the geography of the landscape. In other words, the motivating factor of Manghae Temple is a metaphorical sense of place such as through the "prospect of the sea" or "the Western Sea Paradise" and Mt. Jinbong, the landmark of the Kimje-Mankyung Plains and the focal point of the West Sea sunset, is highlighted as a simile for this sense of place. 4. Keeping this sense of place and territory respectively and showing the. bond with the sense of place which develops rhythmically and continuously, Manghae Temple and Mt. Jinbong are sublimated into a unified intra-structure, which reflects the Imaging landscape characteristics of "Mt. Jinbong, a focal point of the Mankyung Plains facing the West Sea" and "Manghae Temple, looking out to sea".

• 한국실내디자인학회논문집
• /
• 제23권3호
• /
• pp.75-82
• /
• 2014

The aim of this study is to review phenomenological characteristics in Alvaro Siza's works through his design intention, methods and results. As a Portuguese architect, his personal and local background as well as pursuing the essence of architecture made phenomenological characteristics of his works. The emphasis of the placeness of site and the existence of architecture has close relationship with Heidegger's concept of dwelling and the role of architecture. Although Siza has maintained white plat plane of interior space which is one of features of modern architecture, he provides dramatic and dynamic experiences of space using curved and acute angle of plane in his latter part of works. Another his phenomenological nature of buildings is a striking display of space and light which is remarkable especially in his museum designs. He made this character in adopting various shapes of double ceilings, openings and their combination with natural light which he always emphasizes. As a result, Alvaro Siza's phenomenological characteristics comes not from clear architectural or philosophical theory but from continuous practice based on pursuing the essence of architecture.

• 혜화의학회지
• /
• 제8권2호
• /
• pp.123-132
• /
• 2000

The following results were obtained through studies related to bao(胞). 1 Bao(胞) is also called as uterus, zizang(子臟), baogong(胞宮), xieshi(血室), dantian(丹田), mingmen(命門), baomen(胞門), and guanyuan(關元). It is one of the extraordinary organs. Both of man and woman have it. 2 Man controls qi(氣), so dantian(丹田) which is considered xieshi(血室) for man doesn't have it's own shape and woman controls blood so xieshi(血室) has it's own shape. 3 Bao(胞) is in front of rectum, back of bladder, between guanyuan(關元) and 氣海. shape of 女子胞 is up side down triangle, the lower one branch is neck of uterus and the upper two branches are oviduct. Inside of Bao(胞) is vacant. 4 Bao(胞) is the origin of making essence and blood, and the place of completing essence, energy, and spirit(精氣神). Bao(胞) controls menstruation and also conceives and brings up embryo in woman. 5 Bao(胞) is related with channels of Du, Ren, Chong, and Dai directly and also related with twelve main meridians. Especially channels of Ren, and Chong control Bao(胞) the most importantly. 6 Bao(胞) is related with kidney, liver, and spleen very intimately.

• 한국실내디자인학회논문집
• /
• 제23권3호
• /
• pp.56-63
• /
• 2014

Furniture has been developed in pursuit of human convenience and comfort, but nowadays it does not consider human users and gradually loses the essence of furniture. Especially furniture design that disregards the relation with space loses both the meaning and purpose of furniture. In this regards, it is necessary to understand the essence of furniture design and establish a design direction for future progress. Based on the relation between furniture and space, this paper intended to study on John Pawson's works that pursued the essence of design focusing on users, and propose a direction in a sense of real meaning for modern furniture design after exploring the characteristic of the furniture design of John Pawson. The study method of this paper was to investigate the design language of John Pawson and analyze his furniture in the morphological structural, functional, and material aspects. Based on such analysis, this study investigated the characteristics of the furniture design and found out what the core of the design that he pursued was. The scope of the study included the Independent Furniture that was restricted furniture collections of Driade and Spatial Furniture designed and installed at the stage of space construction. The study result showed that the design of John Pawson considered 'the suitability to a specific place' as important factor and furniture was planned at the stage of planning space. Each independent furniture defines all spaces in the morphological, lay-out and functional aspects of furniture and emphasizes their own property. As Spatial Furniture shares the function of spatial composition element, Pawson's furniture can be all called Spatial Furniture.

• 한국실내디자인학회논문집
• /
• 제22권6호
• /
• pp.79-87
• /
• 2013

The purpose of this study clarifies an expression characteristic of the phenomenal space. The architecture is an interface between human and nature. Nature presents herself as phenomena. Thus, the phenomenal space should be approached as the essence of architecture that is to accommodate nature. Phenomenon is related to everyday life and shares flow naturally within it. The phenomenon and everyday life form a relationship through the mediating elements that are time, place, and image. If these mediating elements are developed as spatialized elements, time becomes the converse, place becomes the overlap, and shape becomes the revealing. Also, spatial components that are substituted with these elements are void/solid, form, and materials. The relational characteristics of phenomenal space can be identified through these, and such characteristics are one-ness, continuity, and coincidence of opposites. Phenomenal space is expressed with spatial tones and accepted as spatial atmospheres. For the analysis, 15 works of swiss architects were selected to which spatial elements were applied. And It were composed that analysis by arranging these components as the relational network found that expression characteristics. Trough the analysis, It was found that expression characteristics of phenomenal space of the architecture of Swiss architects were prototypicality, primitiveness, and originality. As a results, It is considered that the role of the space that contains the value of everyday life, the value of the phenomenon is necessary.

• 대중서사연구
• /
• 제25권4호
• /
• pp.469-506
• /
• 2019

'장소'에 주목하는 기존의 대중서사 연구들에서는 공간과 장소의 구별을 이론적 토대로 하는 경향이 있다. 이에 따르면 한마디로 공간은 이동적이고 장소는 정주적이다. 그렇다면 고도 모빌리티 시대, 즉 이동의 공간이 정주의 장소를 빠르고 광범위하게 잠식하는 것처럼 보이는 시대에도 이러한 의미의 장소에 주목하는 대중서사 연구는 여전히 유효할 것인가? 이 글은 데이비드 시먼(David Seamon)의 저서 『삶은 장소에서 일어난다: 현상학, 생활세계들, 그리고 장소 만들기(Life Takes Place: Phenomenology, Lifeworlds, and Place Making)』를 중심으로 고도 모빌리티 시대에 장소에 주목하는 대중서사 연구의 가능성을 모색한다. 이 책은 현상학적 방법론에 기초하여 장소를 탐구하기 위해, 통합적 관계성(synergistic relationality)을 디딤돌로 하여 이른바 전진적 점근(progressive approximation)이라는 이론적 틀을 활용한다. 이에 따르면 장소는 먼저 하나의 전체, 즉 단자(monad)로 연구되어야 한다. 하나의 전체로서의 장소 단자에 대한 현상학적 연구는 장소가 인간의 근본 조건임을 식별한다. 그 다음 연구의 '전진적' 순서에 따라, 장소를 이항대립들의 결합체인 양자(dyad)로서 연구한다. 이에 따르면 운동/정지, 내부성/외부성, 평범함/비범함, 내향성/외향성, 본향/이향이 다섯 가지의 양자로 식별된다. 그러나 이러한 이항대립을 넘어서기 위해 이제 연구는 장소 삼자(triad)라는 상위 차수(order)로 이행하는데, 여기에는 장소상호작용, 장소 정체성, 장소 해방, 장소 실현, 장소 강화, 장소 창조가 포함된다. 이를 통해 장소에 대한 연구는 장소의 본질을 향해 전진적으로 점근하여 가는 것이다. 이 풍부하고 통찰적인 책의 저자는 고도 모빌리티 시대의 장소라는 물음을 스스로 제기하면서, 이에 대해 장소가 여전히 인간의 근본 운명이라는 답변을 제출한다. 그러나 이러한 답변은 여전히 공간/장소 및 이동/정주라는 이항대립에 머물러 있는 듯 보인다. 이 글에서는 이러한 이항대립을 넘어설 가능성, 그리고 이동의 실천을 통해 '장소 만들기'를 수행할 가능성을 대안적 답변으로 제시하고, 이러한 관점에서 대중서사 연구가 어떻게 이루어질 수 있는지 사례를 제시하고자 한다.

• 국제초고층학회논문집
• /
• 제5권2호
• /
• pp.105-115
• /
• 2016

In the process of exploring sustainable development, major cities in China are expanding metro systems as a strategy to reduce the negative environmental and social consequences of fast-paced motorization. A metro station is not only a transportation node, but also a place where diverse activities can be performed. Therefore, the realization of the spatial potential for human interaction is the essence of the strategy for integrated development in metro station areas. For this paper, 10 well-developed metro stations in Central Shanghai were selected to investigate the correlation between accessibility and spatial performance in station areas. The spatial performance in station areas is significantly affected by metro configuration. However, both vehicle and pedestrian accessibility show weak influence on spatial performance. A synergistic model was then developed to provide quantitative support for transit-oriented development in metro station areas.