• Journal of Chest Surgery
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• 제12권4호
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• pp.361-364
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• 1979

The first Mitral Commissurotomy was performed for tight mitral stenosis on March 1957. The patient was at that time 22-year-old male, student. The longest follow 9p for 22 years and 8 months has been obtained. During the follow up period, late deterioration due to restenosis developed 4 years after initial good result and reoperation was succeeded by transventricular Mitral Valvotomy with Tubb`s ilator on April 1964. The possible cause of restenosis was attributed to recurrent rheumatic activity. After more than 13 years long-good life following 2nd operation, Endocarditis such as episode of high fever & chill intermittently followed by mild fever and night sweat, I t. tibial artery embolization and rupture of aortic cusp. At present, patient complained of no subjective symptom, enjoying ordinary life {NYHA II]. Blood pressure has been 110/50-60 mmHg, trivial diastolic murmur at apex and moderate degree of mechanical murmur on diastole at Erb`s rea. Neither signs of RVH for mitral stenosis nor sign of LVH. ST-T change for aortic regurgitation appeared yet during last 2 yrs. The patient`s are for prevention of Rheumatic activity and development of endocarditis is important for obtaining the better long-term result.

• 디지털산업정보학회논문지
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• 제15권4호
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• pp.213-225
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• 2019

Privacy paradox is a paradoxical behavior that provides personal information even though you are concerned about privacy. Social media users are also often concerned about their personal information exposure. It is even reluctant to describe personal information in profile. However, some users describe their personal information in detail on their profile, provide it freely when others request it, or post their own personal information. The survey was conducted using Google Docs centered on Facebook users. Structural equation model analysis was used for hypothesis testing. As an independent variable, we use personal information infringement experiences. As a mediator, we use privacy indifference, privacy concern, and the relationship with the act of providing personal information. Social media users have become increasingly aware of the fact that they can not distinguish between the real world and online world by strengthening their image and enhancing their image in the process of strengthening ties, sharing lots of information and enjoying themselves through various relationships. Therefore, despite the high degree of privacy indifference and high degree of privacy concern, the phenomenon of privacy paradox is also present in social media.

• 한국의상디자인학회지
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• 제16권3호
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• pp.33-48
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• 2014

Based on the advent and dissemination of new developments concerning information & telecommunications technology, web services have brought new paradigms into society, thus facilitating the birth and evolution of various service industries to society as a whole. This study is aimed at investigating the expansion of the first Birthday party culture and design examples of the first Birthday partywear appearing in social media, through an inquiry into the communication functions inherent in social media. Also, the development of the first Birthday partywear designs for women aged 20 to 30 years was accomplished by categorically analyzing design characteristics in preferred fashion styles uploaded and shared within online childcare communities. First, it can be concluded that due to the bidirectional flow of information between corporations and consumers occurring from the expansion of social media, the entire structure of the market is undergoing great changes. Next, the need for the supply of professionalized the first Birthday partywear can be proved by the influx of party planners and caterers into this new industry. Third, Through a categorical analysis of these 523 photos, elegance style was the most preferred while classic and romantic styles followed. Last of all, 5 pieces of partywear reflecting contemporary consumer lifestyles which focus on 'enjoying one's own life' were created under the concept of 'Romantic chic'. The created designs aim to present a style which follows the predominant trend of elegance, classic and romantic, whilst keeping sensitivity in moderation. In this context, this study has aimed to present fundamental research data in the field of online the first Birthday partywear, through the development of the first Birthday partywear design based on the first Birthday party consumer characteristics gleaned from various forms of social media.

• 비교문화연구
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• 제25권
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• pp.291-312
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• 2011

The academic world in Korea demands internationally competitive researches at the moment. However, there is a lack of understanding on research trends of Western countries. This research aims to understand how discussions on early modern Japanese plays are developed in Western countries such as America. Also, it aims to consider and compare the present situation of researches on early modern Japanese plays in Western countries, Japan and Korea. In Western countries, modern Japanese plays such as Kabuki and Joruri is accepted and enjoyed as universal plays of the world. It is not only because there is a background of enjoying plays such as Shakespeare's but also researches and translations are accumulated continuously from the early 20th century. In the early 20th century, the main theme of researches was about Kabuki actors in Ukiyoe which was collected because of an interest in orientalism. After 1930s, Japanese arts and handcrafts were sent to art museums in America in order to promote Japanese culture. Also, many Japanese books were donated to university libraries in order to form institutes of Japanology. The war was started when the foundation of Japanology was about to be laid. Students who were interested in Japan were mobilized to the war as agents to understand Japan. After the war, those students started to do researches on Japan on a full scale. There were researchers such as Donald Keen who did researches on Kabuki and Joruri. In western countries, there are researches on patterns of behavior and thoughts of Japanese people, comparison with Shakespeare's plays, dramaturgie, theatricalism as well as censorship of Kabuki during the war and mobilization of Kabuki to the war. It is necessary to understand where my researches are positioned in those research trends. It is also necessary to break away from overlapped and repeated researches of the same point of view and find out new research paradigms.

• 헤리티지:역사와 과학
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• 제42권1호
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• pp.100-121
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• 2009

본 연구는 1920년대 외암리 민속마을을 사례로 정원의 전환기적 양상에 대해 정원요소를 중심으로 다루었다. 이 시기에는 사회 경제 문화적 변화에 따른 종래의 전통적 정원양식과 다른 양식의 정원구성요소가 나타날 것이라는 가설하에 정원구성요소로 수경, 식물, 구조물, 포장 등의 변화를 중심으로 고찰하였다. 연구결과는 다음과 같이 요약될 수 있다. 전환기적 시기인 1920년대는 외부적으로는 외세의 영향과 안으로 실학사상, 개화사상과 더불어 신분제도상의 붕괴조짐이 정원설계요소 변화의 요인으로 작용하였다. 외세의 영향으로 외래양식의 도입과 외래수종의 사용이 증가하였으며, 내부적 신분제도상의 변화는 정원양식의 탈규범화를 촉진하여 상위지향적 형태 및 재료의 사용과 공간기능의 변용을 초래하였다. 전환기적 정원의 특성이 나타나는 정원 조영자는 신분제도상의 붕괴에 불구하고 경제력을 바탕으로 새로운 사회변화에 지배계급으로 위치를 공고히 한 상류계층에 국한되어 있으며, 식민치하의 사회 혼란상으로부터의 도피적 행태나 선진문물을 선구적으로 받아들이는 행위를 통하여 정원의 변화에 직 간접적으로 영향을 미치게 된다. 이의 결과로, 자연에 심산 유곡에 위치한 정원의 입지와 지형처리기술을 발달시켰으며, 외래의 양식을 차용하고 사랑마당 정원을 변모시키는 정원조성행태를 보이게 된다. 정원의 배치 및 공간구성에서 전환기적 양상이 두드러진 유형은 건물과 마당(내원)으로 공간구획의 유형이 가장 높은 빈도를 보이고 있는데, 이는 전환기적 정원설계요소의 출현이 빈번한 유형으로 수경관의 형태와 정원공간의 변화는 사랑 마당을 중심으로 변화하고 있으며, 외래적인 요소의 영향이 지대한 수경관과 수목, 점경물 등의 도입이 주요한 공간변화를 일으킨 요인으로 볼 수 있다. 전환기적 정원요소로 수경관에서는 계류를 중심으로 한 부정형지의 회유식 연못이 주를 이루며, 식물은 전통수종이 주를 이루는 가운데 외래수종과 토피아리형 수목인 상록침엽수, 관목류의 출현이 두드러지며 건조물은 외래형식이 가미되고 점경물은 형태와 배치기법 등에 변화가 나타나며 원로가 자주 사용되기도 한다. 전환기적 정원조성기법의 특징은 적극적인 지형처리기법과 정원소유를 위한 영역성의 증대, 정원재료 및 형태의 변화와 양식의 혼재, 정원의 장식미 추구, 정원 내 의식공간의 퇴조, 동선처리 기법의 변화, 차경에서 선경으로의 취경기법의 변화, 사랑마당 공간 변화, 정적인 정원감상기법에서 동적으로의 변화 및 은유에서 직유로 정원표현기법이 달라지고 있다. 또한 정원을 중심으로 한 내부지향적 시각구조로의 변화를 들 수 있다. 본 연구는 한국전통정원의 정체성을 찾고자 하는 일환으로 전통과 현대의 교량 역할을 하는 근대시기에 대해 접근해 본 것으로 시기적 양상은 전통정원에서 근대정원으로 전이되는 전환기적 양상을 중심으로 고찰한 것이다. 향후, 한국조경사의 한 부분으로 근대조경의 시기가 인식되기 위해서는 보다 많은 사례의 다각적인 접근을 통한 연구가 지속되어야 할 것이며, 이는 추후 과제로 삼는다.

• 대한산업공학회지
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• 제36권3호
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• pp.186-192
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• 2010

The present study classified the auto-parts makers into four groups according to their investment ownership. Four groups consist the one fully owned by Koreans, the one fully owned by foreigners, the one owned less than 100% but more than 50% by foreigners, lastly the one owned by less than or equal to 50% by foreigners. Among these, the auto-parts makers, 100% foreign ownership, have the highest Malmquist productivity index while 100% Korean-owned part-makers has the lowest productivity. In case of the 100% foreign ownership companies, the cause of Malmquist change, however, is attributed to the technical efficiency change. In particular, the pure technical change is the main source of the Malmquist change. This may indicate that the 100% foreign-owned companies have successfully transferred their production process technologies to the Korean plants. They are enjoying so called the "imitation-effect." 100% Korean-owned companies were not able to create the "imitationeffect" and therefore failed to close the gap with the foreign-owned companies in terms of the production efficiency. 100% Korean-owned auto-parts makers, however, outperformed the foreign-owned companies in the technological change. The outstanding technological change may indicate that Korean-owned part makers were able to narrow the gap with the foreign-owned companies in the area of engineering technological capabilities. The same results were also observed for 50% foreign-owned companies. Knowing that the core competence of the auto-parts makers lies on the engineering technological capabilities, the research found that the most desirable form of the foreign investment was 50% of foreign ownership.

• Journal of Forest and Environmental Science
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• 제29권1호
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• pp.15-28
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• 2013

Protected area based ecotourism is now the most interesting topic to the nature lover and policy maker throughout the world because of its linkage with economic benefits, protected area management and biodiversity conservation. Based on this premise our study explores the visitors' perception on the recreational potential of Kaptai National park and its potentiality in ecotourism development in Bangladesh. The field survey was carried out both in holidays and non-holidays of the week from the late winter season in 2009 to the spring season in 2010. A total of 118 visitors were interviewed with the help of a semi-structured questionnaire. Study findings revealed that about 62% male constitute the visitors group with the maximum number of visitors in the age of between 15-25 years (35.59%). The tourists were very much attracted by boat riding (93.22%) followed by scenic beauty of Rampahar-Sitapahar (85.59%). A major portion of about 57.14% tourists wished to visit the park within a year because they got a lot of pleasure from Natural and green environment (86.44%) followed by boating on Kaptai Lake (85.59%). Most of the visitors (36%) were happy about existing facilities but defined some problems such as tour guiding facility, food and drinking water supply, etc. About 71% and 66% respondents perceived that Kaptai National Park made them to be concerned and protective of nature and supports and sustains local ecosystem respectively and 43% respondents agreed that Kaptai National Park ensures the social equity and involve local people in ecotourism which are the most important elements of sustainable ecotourism. The present study results also predict that the park might be a good recreational area for enjoying with family members and group of friends through proper management and promoting the relationships among tourism, local people and biodiversity conservation.

• 문화기술의 융합
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• 제8권6호
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• pp.59-65
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• 2022

최근에 신중년이라 불리는 1955년에서 1974년 사이에 태어난 베이비붐 세대는 거대 인구 집단을 형성하며 이전의 전통적 노인 세대와는 다른 특성을 보이고 있다. 전체 국가 인구의 33%를 차지하는 이들의 은퇴가 본격화되면서 신세대 노인인구집단의 등장과 이에 따른 정책변화가 요구되고 있다. 오팔세대라고 불리기도 하는 신중년층은 평균수명의 증가로 늘어난 노년기를 생산적이고 자율적으로 보내고 싶어 하며 노후에 해외여행을 즐기는 등 어느 정도 경제적 능력도 지니고 있지만, 다른 한편 여가·취미활동, 대인관계 등 활동적 노년에 대한 준비가 미흡해서 신세대로서의 신중년층을 위한 정책적 관심이 요구되고 있다. 본 논문에서는 베이비붐 세대를 중심으로 오팔세대의 정의, 그들의 소비생활을 비롯한 태도, 사회활동, 여가활동, 건강에 대한 노력 등의 라이프스타일에 대해 알아보고, 오팔세대에 맞는 고용창출, 사회적 재교육, 지역의료시설 구축, 여가문화 생활을 위한 사회적 배려 등 노후준비에 대해 실천적 방안을 제시하고자 한다.

• 한국콘텐츠학회논문지
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• 제21권9호
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• pp.477-492
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• 2021

이 논문은 방송콘텐츠의 개념이 제도적으로 정립되지 않음에 따라 발생한 문제를 살피고, 방송콘텐츠 개념의 범주와 의의를 제시하여 관련한 논의를 활성화하는데 그 목적이 있다. 콘텐츠 향유 패턴이 점차 파편화됨에 따라, 드라마·예능·다큐멘터리 등 방송콘텐츠는 전통적인 방송산업의 유통구조를 벗어나 N스크린을 통해 다양하게 향유되며 그 부가가치를 극대화한다. 그러나 법률상 방송콘텐츠의 개념은 방송산업의 전통적인 유통망에 종속되어 있거나, 심지어는 부재한 실정이다. 이 논문은 방송콘텐츠에 대한 새로운 정의를 제안하여 이와 같은 문제를 바로잡고자 하였다. 방송콘텐츠 개념 정의의 필요성을 원론적·법률적·산업적 측면에서 다각적으로 살핀 결과, 방송콘텐츠는 방송미디어로부터 독립된 새로운 개념으로 정의될 필요가 있었다. 이를 바탕으로 방송콘텐츠의 개념과 유형 분류에 관한 기존의 논의를 검토하여 방송콘텐츠 개념 정립을 위한 방향성을 확인하였고, 방송콘텐츠를 상위범주(교양, 오락)와 하위범주('다큐멘터리·시사교양·교육', '드라마·애니메이션·예능·음악·스포츠')로 구분하여 정의하는 방안을 제시하였다.

• 한국의류산업학회지
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• 제22권4호
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• pp.432-445
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• 2020

This study identified the utilization characteristics of individual fashion taste expression on Instagram, and examined the impact of the use of the media on the formation and change of fashion taste. The research method conducted 1:1 indepth interviews with 19 people in their 20s and 30s using 501 images for analysis. The results of this study are as follows. Posting, searching, and reading behavior on Instagram were identified in three dimensions (self-expression, information gathering, and relationship orientation). In the image of self-expression, clothes were displayed at the time so that they could be checked and applied in other ways. Accumulated posts inspired people to look back on past styles and use them to reflect on the present. A media environment that was constantly exposed to information in real time allowed people to try various styles by imitating other users' posts and share in a process of creatively exploring styles to help organize fashion tastes developmentally. Participants had selective relationships with people of similar tastes who experienced the pleasure of enjoying through the exchange of tastes in fashion. These taste mates directly influenced the formation or change of tastes, serving as a criteria for styles or presenting new styles. In this study, fashion taste was formed by individual efforts of pursuit (not a collective social class choice) and was a continuous process of constantly changing that also exploring discriminatory styles.