• 디자인학연구
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• 제14권3호
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• pp.49-58
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• 2001

멀티미디어 시대의 커뮤니케이션 디자이너는 색채, 형태, 시간, 움직임과 같은 시각적인 요소뿐만 아니라 사운드까지도 메시지를 전달하는 표현요소로서 인식하여야 한다. 잘 알려졌다시피 시각이나 청각 어느 하나만으로 메시지를 전달할 때보다 시청각을 조화시켜 메시지를 전달할 경우 인지도가 높기 때문이다. 시각과 청각의 만남은 공감각에 근거하는데 이것은 색채와 음, 형태와 사운드의 연상작용으로 나타난다. 기초적인 예를 들면 낮은 음은 어두운 색을 연상시키며 높은 음은 밝은 색을 연상시킨다. 또 타악기는 원을, 멜로디는 선을 연상시킨다. 멀티미디어에서 시각적 요소와 청각적 요소는 이전의 시청각매체에서와 달리 단순히 보이는 장면과 관련된 소리를 들려주는 동시성의 수준에서 벗어나 각각 독립적인 표현요소로 작용하여야 한다 이렇게 독립적인 표현요소로서의 시각과 청각이 만나서 상호작용을 일으킴으로써 그 중 어느 하나만으로는 도달할 수 없는 새로운 감동을 불러일으킬 수 있는 것이다. 멀티미디어 시대의 디자인 교육은 이렇게 시각과 청각의 상호작용의 원리를 이해하고 메시지를 시청각적으로 표현할 수 있는 능력을 개발하는 교육 프로그램을 필요로 한다. 본 논문에서는 이러한 교육 프로그램을 시청각 조형, 시청각 구성, 시청각 디자인으로 구분하여 구체적인 과제들을 예로서 제시하였다.

• 한국언론정보학보
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• 제46권
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• pp.420-448
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• 2009

이 연구는 시간의식이 무엇인지를 이론적으로 재정립하고 이것이 TV 커뮤니케이션에서 어떠한 역할을 하는지를 고찰함으로써 인간의 커뮤니케이션 행위에 대한 새로운 관점을 제공하는 것을 목표로 삼고 있다. 과거, 현재, 미래는 독립된 현실이 아니라 인간의 의식속에 공존하고 있으므로 '경험'과 '기대'는 시간의식의 작동방식을 설명하는 데 핵심적인 개념적 도구로 활용되었다. 인간은 현재에 인식되는 경험을 통해 미래를 예측하고 바로 이 예측된 미래, 즉 기대에 따라서 현재의 행동을 결정하거나 감정을 느끼게 된다. 시간의식은 사회화 과정 속에서 상징적 시간도구와 사회의 지배적 세계관을 구성하는 시간관으로 확장된다. TV 커뮤니케이션에서 시간의식의 역할은 TV의 매체적 특수성에 대한 이해를 기초로 하여 뉴스와 드라마 두 장르에서 분석되었다. 뉴스와 드라마에서 공통적으로 경험과 기대의 상호의미작용에 의해 작동하는 시청자들의 시간의식을 어떻게 활용하는가에 따라 재미, 흥미, 새로움 등과 같은 커뮤니케이션 효과의 달성 여부가 달려 있음을 파악할 수 있었다.

• 대한가정학회지
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• 제50권8호
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• pp.79-95
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• 2012

The purpose of this study is to seek improvement in clothing life education through a development and application of the clothing life education program for middle schools based on the education and experience in arts & culture. On the basis of art & culture education as well as, Dewey's experience, the clothing life area education program was designed and developed for the 2nd year students in the middle school. This program was applied to 350 students of 9 2nd year classes in M middle school during the 17 periods of clothing life area classes, beginning from May 23rd, 2011 and lasting to September 30th, 2011. The leaner-evaluation was performed in terms of the level of learning interest and academic achievement. To measure the level of academic achievement, a mind-map evaluation was performed and a learning effect survey, which evaluates the level of achievement of learning objectives, was carried out. For the purpose of class observation, classes were filmed and analyzed. Characteristics of a class were recorded on a teacher's diary and was used to support the qualitative evaluation. According to the results, the education program is analyzed as being helpful and useful in student understanding of fiber, textile and, clothes, which are materials and outcomes of culture and art; moreover, they have a historical, cultural and artistic value in themselves. It is also analyzed as being helpful for the development of student aesthetic sensibility and emotion, for the construction of meaningful experience through a learning process, for the improvement of learning interest and the level of academic achievement, and for the positive recognition of the learning effect.

• 디지털융복합연구
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• 제12권10호
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• pp.541-556
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• 2014

본 연구의 목적은 스토리텔링광고의 실제적인 광고효과과정을 총체적으로 설명하는 것이다. 연구결과 스토리텔링광고는 소비자들의 광고효과 인식에 과정에서 감정적 반응이 공감과 몰입 태도간의 강한 연합관계를 갖는 것을 확인 할 수 있었다. 이는 광고에 대한 보다 체계적이고 강력한 태도를 유인할 수 있는 측면으로 해석 할 수 있다. 특히 기존 연구에서 논의된 광고에 의해 생성된 감정이 수용자의 광고에 대한 태도와 브랜드 태도에 영향을 준다는 주장이 다시 확인되었다. 이를 통해 특징적인 광고전략이 있음을 보여줌으로서 광고전략과 광고 형태에 대한 관계를 제시할 수 있으며, 광고 유형에 따라 수용자의 반응 유발을 위한 고려가 있음을 확인 할 수 있었다.

• 수산해양교육연구
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• 제27권4호
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• pp.1147-1159
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• 2015

The purpose of this study was to verify the analysis of level of importance and satisfaction in recognitions of elementary school students on useful classes among school sport clubs using Importance-Performance analysis. In order to achieve this objective, samples were taken by using convenience sampling method among non-probability sampling methods, and 384 data were used as the final valid samples for this study except 16 data with missing items or insincere responses. The results of frequency analysis, exploratory factor analysis, independent samples t-test, IPA analysis by using SPSS 20.0 were as follows. First, Iquadrant included education contents of enhance ability to ingenuity, teaching method of provides option, teaching method of encourage participation activity, education contents of the aspect of fun, evaluation of motor function and emotion, education contents of explains key contents easily, and education contents of understanding overall context. II quadrant included education environment of good sport facility, class environment of fair opportunity for activity, class atmosphere of arouses interest, and class atmosphere of autonomous and voluntary. III quadrant included diverse teaching method and instructor's demonstration, class atmosphere of systematic learning, evaluation of fairness, objectivity, and credibility, and an atmosphere that can exercise. IV quadrant included education contents of enable acquisition of knowledge and degree of improvement into consideration, and class atmosphere of trust and respect between instructor and student.

• 디지털콘텐츠학회 논문지
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• 제16권5호
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• pp.741-748
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• 2015

본 연구의 목적은 미디어 파사드(Media Facade)의 사용자 감성을 이해하기 위한 감성어휘를 연구하여, 정량적이고 객관적인 미디어 파사드 감성 평가척도의 기초를 마련하고자 하였다. 연구 방법은 먼저, 내용분석을 위해 다양한 분야에서 수집된 기존의 감성어휘들을 조사하여 통합하였고, 유튜브 사이트의 미디어 파사드에 남긴 사용자들의 댓글을 통해 감성어휘를 수집하였다. 또한 자유연상방법을 활용한 비구조적 설문조사를 위해, 실험실에서 사용자들에게 미디어 파사드 영상을 보여주고 자신의 느낌을 글로 표현하도록 하였다. 이렇게 수집된 어휘들은 일관성을 위해 표준어 형용사의 형태로 통일 하고, 유사 어휘 및 유사 개념의 어휘는 하나로 통합하여 설문에 사용할 수 있는 39개의 어휘로 정리하였다. 최종적으로 미디어 파사드에 의한 사용자들의 감성어휘는 '기발하다', '멋있다', '대단하다', '화려하다', '흥미롭다', '놀랍다', '신기하다', '현란하다', '굉장하다', '강렬하다', '좋다', '웅장하다', '다채롭다', '독특하다', '다양하다', '새롭다', '재미있다', '아름답다', '고급스럽다', '신비롭다', '만족스럽다' 등 총 21개로 추출되었다. 미디어 파사드의 제작에 있어 이러한 감성어휘를 다양한 효과로 활용하면 사용자의 감성을 충족시킬 수 있는 디자인 방향을 설정하는데 효과적일 뿐 아니라, 감성평가의 기본 자료로 활용될 수 있을 것으로 사료된다.

• 지역사회간호학회지
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• 제14권3호
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• pp.445-456
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• 2003

Purpose: This study attempted to propose the basic framework for spiritual nursing intervention by understanding live spiritual experiences of terminal cancer patients. The study duration was from July 2002 to January 2003, and the subjects of this study were patients who were expected to live less than six months. The number of subjects was six and the average time of each interview was about an hour. Method: The data were analyzed using the method of phenomenological study analysis, which Colaizzi (1978) proposed. Result: Through live spiritual experiences. terminal cancer patients showed complex emotion about the Absolute, human, disease, and death: depended on the Absolute through recognizing death and spiritual acknowledgement: recollected the past life: accepted death believing salvation and immortality: recovered relationships with others through forgiving and reconciling with the Absolute and neighbors. Also, they pursued the meaning of pain. death, and life while feeling pain: demanded love and concern to the Absolute and neighbors: had a sense of futility about life and a hope for the future life: transcendental energy towards the world after death. Wishing to have a peaceful end to life. they felt peaceful and comfortable. Conclusion: Terminal cancer patients want to meet a peaceful end to life with a hope for the future and accept the meaning of death with peace and comfort minds(##-minds), which will allow them to carry on peaceful and satisfactory days for the rest of their lives. Thus, it is very important for caregivers to let them have spiritual experiences and care for them.

• KIEAE Journal
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• 제16권4호
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• pp.5-20
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• 2016

Purpose: The objective of this study is to divide personal traits of the elderly living in a rural area into extraversion, agreeableness, openness, conscientiousness, neuroticism, and loneliness and to identify the relationship between personal traits and receptivitiy to sharing living space in communal shared housing. Method: Subjects of this study are the elderly of ages greater than 55 living in Yeongwol-gun, Gangwon-do. Depending on how often elderly welfare facility was used, places where the elderly gathered were divided into a senior citizen center, senior welfare center, and other places where they often gathered. The researchers visited each of the places directly and conducted a survey with face-to-face interviews. Result: The collected data consisting of 124 respondents were analyzed through SPSS statistical program. It showed that 5 personal traits, except for agreeableness, had statistically significant difference. Extrovert and low lonely elderly people had high receptivity. The relationship between personal traits and acceptable shared space revealed differently depending on the function of space. Especially, shared resting space was related to low emotion-oriented trait, such as neuroticism and loneliness, while shared hobby and sanitary space were related to strong management-oriented trait of conscientiousness. These findings demonstrate the importance of understanding personal traits in predicting receptivitiy to sharing living space. Also, it is necessary to compare the degree of receptivity to sharing living space based on personal traits and to plan shared space in several levels, such as full sharing, partial sharing, and individual use, to develop and supply communal shared housing successfully.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.181-188
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• 2012

Body movements of humans have emotions and these movements have meanings of 'Living Spirits' and 'Emotions'. Also emotions of humans indicate all body movements which are made within the environment. This study aims at providing new potentials to emotional design research methods not only by understanding the characteristics of visual perception according to body movements and but by investigating correlations between sequence which arise by the visual perception and emotions through experiments. As for the scope and method of this study, the emotional space designs were analyzed through the emotional theory study, SD method was used to evaluate emotions and the movements in the modern village and traditional village with similar elements were compared and analyzed for the empirical study. As a result, first it was confirmed waling hours in the traditional village took more than the modern village and it is thought movements of humans are affected by the visual environments. Second, it was confirmed values of the emotional evaluation were higher in the traditional village than the modern village. Third, according to a result of the correlation analysis between space sequence and emotions, it was closed with negative emotions such as 'Closed', and 'Complicated' from positive emotional words such as 'Natural'. 'Open', 'Curious', etc. as spaces are experienced more through movements in the modern village. On the contrary, the emotional intensity of the positive words such as 'In Harmony', 'Beautiful' and 'Warn' through movements in the traditional village increased as spaces were experienced more. As a result of this study, it was confirmed the time, space and emotions have correlations each other.

• 한국실내디자인학회논문집
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• 제17권4호
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• pp.92-101
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• 2008

A new paradigm of design lays stress on the world of metaphysical concepts, and various attempts are being made to give meaning to psychological values. Hotel is a memorable place to remind of a special moment in one's life such as travel, marriage, meeting and so on. It also contains even more symbolism than other spaces as it is the place where the most primary and private act takes place apart from one's residence. As a result, it is also possible to communicate the message which a designer intends to convey through the user's recognition in the form of various symbolic expressions in space design. The designer communicates a meaning into a space through a symbolic system and creates a mutual consensus by means of the understanding structure of "designer-space-user". The user's diverse interpretations through a symbol are based on epistemology and consist of the primary, the secondary and the tertiary recognition structure system in the aspect of their contents. The primary structure depends on sensual perception, impressive idea and transcendental recognition based on metaphysical and perceptional association. The secondary structure includes casualty, continuous deduction and rational(integral) recognition. Finally, the tertiary structure is sublimation to the transcendental mental world beyond the boundary of emotion and it is classified into fundamental recognition structure on an object and archetypical recognition structure on an ego. These characteristics can derive systematic understandings and diverse interpretations on the symbol from the space of a hotel through the frame of analysis based on the artistic form of monosemous, polysemous and multidimensional frameworks and symbols. The framework of this analysis includes all the cases, and various methods which haven't been attempted in practice are presented. Therefore this study is not just a simple analysis of space but rather it will serve as a methodological tool for design that allows for various attempts of symbolic design concepts in the recognition structure system.