• Title/Summary/Keyword: Digital audio

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Implementation of personal Digital Recorder for HDTV (HDTV를 위한 개인형 디지털 녹화기 구현)

  • Kim Yun-Sang;Lee Seok-Pil;Yang Chang-Mo
    • 한국정보통신설비학회:학술대회논문집
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    • 2006.08a
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    • pp.141-144
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    • 2006
  • The personal digital recorder is a consumer electronics device that records television shows to a hard disk in digital format. In this paper, we propose an implementation method of personal digital recorder for HDTV. The proposed personal recorder includes CPU and system control modules, graphics and display module, audio DSP module, digital I/O module, NIM module, graphic software library, and embedded software modules for providing a lot of personal digital recorder functions such as live or reserved recordings, browsing of recorder content list, trick lay and time shifting. Especially, combining trick play with time shifting makes much more convenient functions such as pausing live TV, instant replay of interesting scenes, and skipping advertising.

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A digital Audio Watermarking Algorithm using 2D Barcode (2차원 바코드를 이용한 오디오 워터마킹 알고리즘)

  • Bae, Kyoung-Yul
    • Journal of Intelligence and Information Systems
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    • v.17 no.2
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    • pp.97-107
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    • 2011
  • Nowadays there are a lot of issues about copyright infringement in the Internet world because the digital content on the network can be copied and delivered easily. Indeed the copied version has same quality with the original one. So, copyright owners and content provider want a powerful solution to protect their content. The popular one of the solutions was DRM (digital rights management) that is based on encryption technology and rights control. However, DRM-free service was launched after Steve Jobs who is CEO of Apple proposed a new music service paradigm without DRM, and the DRM is disappeared at the online music market. Even though the online music service decided to not equip the DRM solution, copyright owners and content providers are still searching a solution to protect their content. A solution to replace the DRM technology is digital audio watermarking technology which can embed copyright information into the music. In this paper, the author proposed a new audio watermarking algorithm with two approaches. First, the watermark information is generated by two dimensional barcode which has error correction code. So, the information can be recovered by itself if the errors fall into the range of the error tolerance. The other one is to use chirp sequence of CDMA (code division multiple access). These make the algorithm robust to the several malicious attacks. There are many 2D barcodes. Especially, QR code which is one of the matrix barcodes can express the information and the expression is freer than that of the other matrix barcodes. QR code has the square patterns with double at the three corners and these indicate the boundary of the symbol. This feature of the QR code is proper to express the watermark information. That is, because the QR code is 2D barcodes, nonlinear code and matrix code, it can be modulated to the spread spectrum and can be used for the watermarking algorithm. The proposed algorithm assigns the different spread spectrum sequences to the individual users respectively. In the case that the assigned code sequences are orthogonal, we can identify the watermark information of the individual user from an audio content. The algorithm used the Walsh code as an orthogonal code. The watermark information is rearranged to the 1D sequence from 2D barcode and modulated by the Walsh code. The modulated watermark information is embedded into the DCT (discrete cosine transform) domain of the original audio content. For the performance evaluation, I used 3 audio samples, "Amazing Grace", "Oh! Carol" and "Take me home country roads", The attacks for the robustness test were MP3 compression, echo attack, and sub woofer boost. The MP3 compression was performed by a tool of Cool Edit Pro 2.0. The specification of MP3 was CBR(Constant Bit Rate) 128kbps, 44,100Hz, and stereo. The echo attack had the echo with initial volume 70%, decay 75%, and delay 100msec. The sub woofer boost attack was a modification attack of low frequency part in the Fourier coefficients. The test results showed the proposed algorithm is robust to the attacks. In the MP3 attack, the strength of the watermark information is not affected, and then the watermark can be detected from all of the sample audios. In the sub woofer boost attack, the watermark was detected when the strength is 0.3. Also, in the case of echo attack, the watermark can be identified if the strength is greater and equal than 0.5.

The Development of Integrated Mobile Measurement System for Terrestrial DMB (지상파 DMB를 위한 통합 이동 측정 시스템 개발)

  • Kim Sang-Hun;Yim Zung-Kon;Chae Young-Seok;Kim Man-Sik
    • Journal of Broadcast Engineering
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    • v.9 no.4 s.25
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    • pp.411-423
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    • 2004
  • In Korea, Eureka-147 DAB (Digital Audio Broadcasting) temporarily decided as the standard system for digital audio broadcasting was evolved into DMB (Digital Multimedia Broadcasting) to complement the technical vulnerability in mobile reception of terrestrial DTV. According to introducing video service in T-DMB (Terrestrial DMB), 'Terrestrial DMB Experimental Broadcasting for Video Service', a national project of the MIC (Ministry of Information and Communication), was done for verifying the possibility of video service via T-DMB. The main objective of the project is computing the effective field strength and coverage for making a plan to build T-DMB broadcasting network and developing transmitting and receiving equipment. In case of digital broadcasting, it is absolutely essential to measure BER (Bit Error Rate) and electric field strength in order to evaluate coverage and quality of received signal. In this paper, we implement an integrated mobile measurement system for T-DMB. For this purpose, we propose efficient data structure and algorithm for BER measurement. By adding GPS (Global Positioning System) and electric field strength measurement parts into BER measurement part, we complete the integrated mobile measurement system, and then verify it by experiments and field tests. The developed system was used in a national project, 'Terrestrial DMB Experimental Broadcasting for Video Service' and measurement results will be used as fundamental data for building T-DMB broadcasting network.

An Implementation of the DSP-based Digital Radio Modiale Receiver (DSP 기반 DRM 수신기 구현)

  • Park, Kyung-Won;Kim, Sung-Jun;Seo, Jeong-Wook;Kwon, Ki-Won;Park, Se-Ho;Paik, Jong-Ho
    • IEMEK Journal of Embedded Systems and Applications
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    • v.3 no.4
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    • pp.235-243
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    • 2008
  • In this paper, a software-based Digital Radio Modiale(DRM) receiver is implemented on a Digital Signal Processor(DSP). DRM stands for the European radio broadcasting standard to bring AM radio into digital radio, designed to work at frequencies below 30MHz. DRM can offer various data services such as text messaging and slideshow services as well as audio services. The DRM receiver implemented on the Tensilica DSP core performs well at low signal strength indication of -102dBm.

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A Framework for MPEG-4 Contents Delivery over DMB

  • Lee, Bong-Ho;Yang, Kyu-Tae;Hahm, Young-Kwon;Lee, Soo-In;Ahn, Chie-Teuk
    • ETRI Journal
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    • v.26 no.2
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    • pp.112-121
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    • 2004
  • Digital Multimedia Broadcasting (DMB) is an upcoming standard in Korea used to provide mobile multimedia broadcasting service based on the Eureka-147 Digital Audio Broadcasting (DAB) system. The current dominant multimedia coding standard, MPEG-4, is foreseen to play an important role in forthcoming DMB services. However, the current approaches for transporting MPEG-4 content over DMB networks are not optimized. To address this issue we propose a novel MPEG-4 stream multiplexer, called M4SMux, which provides better stream multiplexing and delivery over DMB networks. M4SMux features an MPEG-4 elementary-stream interleaving mechanism that reduces the multiplexing overhead and a multiplex configuration mechanism that utilizes M4SLinkTable for easy content access. In addition, we propose an error correction method which enhances transport efficiency.

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Digital Watermarking by Rearranging and Modifying DCT Coefficients

  • Lee, Hee sup;Oh, Sang-Heun;Lee, Keun-Young
    • Proceedings of the IEEK Conference
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    • 2000.07b
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    • pp.902-905
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    • 2000
  • Because of the rapid growth of Internet and multimedia applications, how to protect IPR (intellectual property rights) has become a critical issue. Is one of the ways to overcome the problem of the protection of IPR. Digital watermarking call be applied to multimedia data, such as digital images, digital video, and digital audio. In this paper, we propose a digital watermarking technique for digital images to authenticate an owner or an image by embedding visually recognizable patterns, such as logos, signatures, or stamps into images In BDCT (block discrete cosine transform) frequency domain. The proposed method sorts the components of an original image twice. At the same time, the method, also, rearranges the components of a watermark twice in order to be more robust, and finally embeds the watermark into the image. From the experimental results, the conjunction of three similarity measurements shows that our proposed method is robust to image cropping, image filtering, and JPEG (the Joint Photographic Experts Group) both subjectively and objectively.

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Multichannel Audio Reproduction Technology based on 10.2ch for UHDTV (UHDTV를 위한 10.2 채널 기반 다채널 오디오 재현 기술)

  • Lee, Tae-Jin;Yoo, Jae-Hyoun;Seo, Jeong-Il;Kang, Kyeong-Ok;Kim, Whan-Woo
    • Journal of Broadcast Engineering
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    • v.17 no.5
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    • pp.827-837
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    • 2012
  • As broadcasting environments change rapidly to digital, user requirements for next-generation broadcasting service which surpass current HDTV service become bigger and bigger. The next-generation broadcasting service progress from 2D to 3D, from HD to UHD and from 5.1ch audio to more than 10ch audio for high quality realistic broadcasting service. In this paper, we propose 10.2ch based multichannel audio reproduction system for UHDTV. The 10.2ch-based audio reproduction system add two side loudspeakers to enhance the surround sound localization effect and add two height and one ceiling loudspeakers to enhance the elevation localization effect. To evaluate the proposed system, we used APM(Auditory Process Model) for objective localization test and conducted subjective localization test. As a result of objective/subjective localization test, the proposed system shows the statistically same performance compare with 22.2ch audio system and shows the significantly better performance compared with 5.1ch audio system.

A Novel Method for Inserting an MPEG-2 TS into Ensemble in a DMB Transmission System

  • Lee, Gwang-Soon;Bae, Byung-Jun;Hahm, Young-Kwon;Lee, Soo-In
    • ETRI Journal
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    • v.26 no.6
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    • pp.653-656
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    • 2004
  • This paper presents an effective algorithm for inserting an MPEG-2 transport stream (TS) into a Digital Audio Broadcasting (DAB) ensemble without any bandwidth waste in a Digital Multimedia Broadcasting (DMB) transmission system. The key technologies of this algorithm include packet rate control and program clock reference correction, which are important for TS processing. The proposed algorithms are applied to the various DMB transmission systems based on Eureka-147, and the performance of the proposed algorithm is confirmed through the experimental DMB broadcasting.

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Design methodology of analog circuits for a digital-audio-signal processing 1-bit ???? DAC (디지털 오디오 신호처리용 1-bit Δ$\Sigma$ DAC 아날로그 단의 설계기법)

  • 이지행;김상호;손영철;김선호;김대정;김동명
    • Proceedings of the IEEK Conference
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    • 2002.06b
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    • pp.149-152
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    • 2002
  • The performance of a 1-bit DAC depends on that of the analog circuits. The mixed SC-CT (switched capacitor-continuous time) architecture is an effective design methodology for the analog circuits. This paper Proposes a new buffer scheme for the 1-bit digital-to-analog subconverter and a new SF-DSC(smoothing filter and differential-to-sig le converter) which performs both the smoothing filter and the differential-to-single convertor simultaneously.

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Design methodology of digital circuits for an audio-signal-processing DAC (오디오 신호처리용 DAC디지털 단의 설계기법)

  • 김선호;손영철;김상호;이지행;김대정;김동명
    • Proceedings of the IEEK Conference
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    • 2002.06b
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    • pp.157-160
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    • 2002
  • This paper proposed a guideline for selecting the arithmetic circuit architecture. The guideline incorpo-rates the new concept of PDSP (power-delay-size product) and the weighting method. HSPICE simulations havc been performed to several full adders in order to prove the validity of the proposed guideline. We applied this guideline to select an optimized FA (full adder) architecture and successfully implemented the DAC's digital blocks.

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