• 대한간호학회지
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• 제25권2호
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• pp.351-361
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• 1995

The main purpose of the study is to identify critical risk factors for development of a family assessment tool to screen high risk family. This study used a conceptual framework of family diagnosis developed by Eui-sook Kim's (1993) and analyzed risk factors to identify the high risk family. As employing a explorative and methodological study design, this study has four stages. 1. In the first stage, 34 family risk factors were identified by doing intensive literature review on conceptual framework of family diagnoses. 2. In the second stage, above risk factors were tested for content validity by consultation with 29 persons in community health nursing, nursing education, family theory, and social work. 3. In the third stage, existing survey data was used for actual application of the identified risk factors. The survey data used for this purpose was previously collected for the community diagnosis in a region of Seoul. At the final stage, through the comparison between high risk and low risk families, initially identified 34 risk factors decreased to 25 risk factors. Among 34 risk factors, six factors did not agree with content of questionnaries sand two factors were not significant in differentiating the high risk family Also, two risk factors showed high correlation between themselves, so only one of those two factors was chosen. As a result, twenty-five risk factors chosen to identify the high risk family are following ; 1. A single parent family due to divorce or death of a partner, or unweded single mother 2. A family with an unrelated household members 3. A family with a working mother with a young child 4. A family with no regular income 5. A family with no rule in family or too strict rules 6. A family with little or no support from other lam-ily members 7. A family with little or no support from friends or relatives 8. A family with little or no time to share with each other 9. A family with family history of hypertension, diabetus, cancer 10. A family with a sick person 11. A family with a mentally ill person 12. A family with a disabled person 13. A family with an alcoholic person 14. A family with a excessive smoker who smokes more than 1 pack / day 15. A family with too much salt intake in their diet. 16. A family with inappropriate management skills for family health 17. A family with high utilization of drug store than hospital to solve the health problems of the family 18. A family with disharmony between husband and wife 19. A family with conflicts among the family members 20. A family with unequal division of labor among family members 21. An authoritative family structure 22. A socially isolated family 23. The location of house is not residential area 24. A family with high risk of accidents 25. The drinking water and sewage systems are not hygienic. The main implication of the results of this study is clinical use. The high risk factors can be used to identify the high risk family effectively and efficiently. The use of high risk factors woule contribute to develop a conceptual framework of family diagnosis in Korea and the list of risk factors need to be revised continuously. Further researches are needed to develop an index of weight of each risk factor and to validate the risk factors.

• 미술이론과 현장
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• 제16호
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• pp.225-256
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• 2013

As the great catastrophe in the modern and contemporary history of China, the Cultural Revolution(CR) is an object, which must have sutured the past of darkness. At the same time it is a continuous event and also a scar of memory. In other words, for history is "a dialog between the past and the reality"(E.H.Kar), CR intervenes in the reality and, on the contrary, the reality recomposes CR. From this point of view, CR is a historical event, which so far is not ended, and it is an object of memory, which is still being composed at the moment. As the saying: "Poetry is greater than history"(Aristoteles), artistic works more intensively reflect the past. The works related to CR can not be an exception. And CR is endlessly exposed in the contemporary Chinese fine arts and the works of the contemporary Chinese artists-Wang Guangyi, Yue Minjun, Zhang Xiaogang and others are proved to be those who suffer from the trauma of CR and who feel no liberty from CR. For example, CR probably is a symbol showing the "identity" of the Chinese artists. And the diversity of the symbol is the experience and pattern of the dialog between artistic works and CR (i.e., intervention in reality). For example, with withering of grand-narrative and appearance of micro-narrative, the CR critical works of Guan Zhoudao were the root of the Chinese fine arts in the late 70s and early 80s. In the contemporary cultural situation, the literary works about CR actively analyzed the history (CR) from the personal point of views and explained in the way of monolog and micro-method led the 1990s' works. In this way they tried to recompose the history "randomly", like looking at reality with their own eyes. In this process, CR is continuously exposing new features and the real facts are appearing before us as unfamiliar phenomena. This is a way of combination and "reappearance" of contemporary arts and reality. In conclusion, the purpose of this article is to make it possible to see a section of the contemporary Chinese fine arts through the study of the icon image of CR and to analyze the way of fine arts recomposing the history and the intervening in the reality. In this sense, the author has entitled the article "Icon and Form". It means how to reshape (the present) the typically formed icon of the CR (the past).

• 미술이론과 현장
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• 제16호
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• pp.175-199
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• 2013

Capriccio which has emersed in Italy of the 18th century is a new genre of the landscape painting. This genre represents reality, but it is very artificial product correspondingly its concept and character. It's birth place is distributed on various regions in Italy, but the main stage was Rome. Till the middle of the 18th century Rome was the Holy city of the Grand tour, the home of the Neo-Classicism and furthermore the field where archaeology and art history began to be instituted. On such historical situation the Capriccio came out and was recognized as the best popular genre in the visual art. It was favor of the art collection with the antiquity together and reflected the consciousness of the contemporary to the ancient. This study will examine the phenomena in the newly-developed archaeology and with few representative works of Giovanni Paolo Pannini as central term consider the Capriccio and the archaeological connotation. The systematical and institutional archeology which appeared at the age of the Enlightenment, on the contrary to the critical theories at the same time against capriccio, because it was regarded by them as paradoxical and too much sensitive, utilized it as a theoretical method very actively. Some among Historians and archaeologists did it, especially Francesco Bianchini distinguished the capriccio from simple imagination and made it a capacity of the knowledge. And through it he wanted to find out the historical truth. The visual art was influenced and encouraged by such attitude of the archaeology. However it's output spreaded out in various courses. While Giovanni Battista Piranesi, the best known Capriccist of the 18th century, tried to revive the antique through the epical value and his own imagination, Pannini gave priority to the strict historical research. In the such context Panni succeed Giovanni Battista Nolli who made the great map of the city Rome. Their Capriccio profited motive and was inspired by the historians and archaeologists such as Bianchini and Muratori. The Capriccio reflects not only the academic and popular interest for the antique, but also influenced on the upcoming scientific archaeology vice versa. It caused by their reasonable Interpretation and restoration of the antique through the visual medium. Finally as archaeological landscape Pannini's Capriccio is a historical case, in that the Capriccio applied the theoretical method of the archaeology to make art. It served as a momentum for the connotation to the archaeological thought.

• 미술이론과 현장
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• 제16호
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• pp.107-137
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• 2013

This paper examines a number of Korean artists-Whanki Kim, Po Kim, Byungki Kim, Lim Choong-Sup, Min Byung-Ok and etc-working in New York in the 1960s and 1970s, focusing on their motivations to head for the U.S. and their life and activity in the newly-emerged city of international art. The thesis was conceived based upon the fact that New York has been one of the major venues for Korean artists in which to live, study, travel and stay after the Korean War. Moreover, the United States, since 1945, has had a tremendous influence upon Korea politically, socially, economically, and, above all, culturally. This study is divided into three major sections. The first one attends to the reasons that these artists moved out of Korea while including in this discussion, the long-standing yearning of the Korean intelligentsia to experience more modernized cultures, and American postwar cultural policies that stimulated them to envision life beyond their national parameters, in a country heavily entrenched in Cold War ideology. The second part examines these artists' pursuit of abstraction in New York where it was already losing its avant-garde status as opposed to the style's cutting edge cache in Korea. While their turn to abstraction was outdated from New York's critical perspective, it was seen to be de rigueur for Koreans that had developed through phases from Art Informel in the 1960s to Dansaekhwa (monochromatic paintings) in the 1970s. The third part focuses on the artists' struggle while caught between a dualistic framework such as Korea/U.S, East/West, center/margin, traditional/modern, and abstraction/figuration. Despite such dichotomic frames, they identified abstract art as the epitome of pure, absolute art, which revealed their beliefs inherited from western modernism during the colonial period before 1910-1945. In fact, their reality as immigrants in America put them in a diasporic space where they oscillated between the fixed, essentialist Korean identity and the floating, transforming identity as international artists in New York or Korean-American artists. Thus their abstract and semi-abstract art reflect the in-between identity from the diasporic space while demonstrating their yearning for a land of political freedom, intellectual fulfillment and the continuity of modern art's legacy imposed upon them over the course of Korea's tumultuous history in the twentieth century and making the artists as precursor of transnational, transcultural art of the global age in the twenty-first century.

• 한국수학교육학회지시리즈E:수학교육논문집
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• 제30권3호
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• pp.393-418
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• 2016

명제를 반박하는 과정에서 생성되는 반례는 명제가 거짓이라는 추론의 타당성을 보이는 방법이자 수학교수 학습 측면에서도 수학적 사고력 향상에 중요한 역할을 기대하고 있다. 이에 본 연구에서는 현 교과서에서 다루어지고 있는 반례 활용에 대해 살펴보고, 학교 현장에서 교육학적 전략으로 활용할 수 있는 반례 활용 교육을 위한 자료를 개발하였다. 개발 자료는 거짓 명제 만들기와 참인명제 만들기로 구성하였고, 학생들에게 반례 활용 실험 수업을 통해 학생들의 반응을 살펴보았다. 연구 결과 정의적 영역의 측면에서는 명제에 관한 흥미를 높이고 자신감을 향상시키는 효과가 있었으며, 인지적 영역의 측면에서는 다양한 반례를 찾고 그 반례를 탐구하여 참인 명제를 만들어 보는 다양한 수학적 추론 활동을 통해 명제에 대한 유연한 사고와 함께 명제의 조건을 명확히 인지하면서 명제 개념을 학습하는데 도움이 되는 것으로 나타났다.

• 한국수학교육학회지시리즈E:수학교육논문집
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• 제30권2호
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• pp.161-178
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• 2016

창의 융합 능력은 교육과정 문서상에 새롭고 의미 있는 아이디어를 다양하고 풍부하게 산출할 수 있는 수학적 과제를 제공하여 학생의 창의적 사고를 촉진시키도록 하는 것이며, 또한 수학과 이외의 타 교과나 실생활의 지식, 기능, 경험을 연결 융합하여 새로운 지식, 기능, 경험을 생성하고 문제를 해결하게 하는 것으로 규정되고 있다(교육부, 2015). 이렇듯, 최근 교육의 변화를 반영하여 수학 지식의 일방적인 전달이 아닌 학습자 스스로 개념을 구성하고 능동적으로 발전시키는 데 초점을 두고 타 교과와의 연계를 통한 문제 상황 및 이로부터의 해결은 PBL(Problem Based Learning)이 이론이 추구하는 목적과 그 역할이 부합한다고 하겠다. 본고에서는 타교과와의 연계를 통한 융합적 사고력 요소 탐색을 위한 기초 연구로서, 역사 교과를 대상으로 수학 PBL의 수업 및 평가 활동을 통하여 수학개념에 관한 이해를 돈독히 하고, 이러한 두 교과의 연계를 통해 도달 가능한 융합적 사고력 요소를 마련하는데 중점을 두고자 한다. 또한, 역사 소재를 활용한 PBL 수업 진행을 위한 문제 및 이의 수업지도안을 마련하여 제시하고자 한다.

• Asian Journal for Public Opinion Research
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• 제5권4호
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• pp.319-345
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• 2018

Effective higher educational management in undergraduate nursing programs is an important issue from the viewpoint of stakeholders. This qualitative research aimed to examine the characteristics of nursing students and curriculum development of undergraduate nursing education from the opinions of Boromarajonani College of Nursing Saraburi, Thailand stakeholders. The population included 4 groups: 1) the alumni who have graduated within the past 5 years and currently work in primary, secondary, and tertiary care units, 2) the supervisors and colleagues of the alumni, 3) nursing lecturers, and 4) the current nursing students. The respondents who are the alumni, nursing lecturers, and current nursing student were selected using a purposive sampling, for the supervisors and colleagues were selected using snowball techniques. Semi-structured interview questions were used for data collection. Group discussions were conducted until saturation on 55 key informants. The qualitative data was analyzed using content analysis. Results showed the viewpoints of stakeholders on the characteristics of future nurse graduates were comprised of four elements: knowledge that meets standards; essential skills for self-development and lifelong learning process; good morals and professional ethics in providing nursing care; and nurse competencies in teamwork, communication, language, research, management, IT, life skills, and global literacy. The viewpoints on the development of the nursing curriculum focus on four elements: the learner, teaching and learning, course content, and instructor tasks. For learners, the admission criteria should include a minimum not only of knowledge, but also positive attitude, science, and art skills, since the nursing profession is both a science and the art of caring. Teaching and learning elements should be authentic, including exposure to real situations, an integrated network, and activities that improve nursing care. Course content was comprised of an updated curriculum, humanized nursing care, student center, theory and practice with moral integration, case-based study, critical thinking, multidisciplinary work, and love for the nursing profession. Instructor tasks are to elicit student ideas, provide opportunities to learn, support infrastructure, support technology use, and extra-curricular activities to develop the competencies of nursing students. Recommendations were that the curriculum administration should review the selection process of student candidates and instructional management to achieve expected outcomes of nursing characteristics in the future. The nurse lecturer should provide authentic and integrated instruction, decrease lecturing, cultivate a lifelong learning process, and sustain the nursing characteristics.

• 한국농림기상학회지
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• 제11권1호
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• pp.27-38
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• 2009

연직으로 여러 높이에서 측정된 기체의 농도는 다양한 목적에 활용될 수 있다. 예를 들어, 복잡지형에 위치한 우리나라의 일반적인 산림유역에서 에디공분산방법에 의한 증발산 및 이산화탄소 순생태 교환량(Net Ecosystem Exchange, NEE)을 관측하기 위해서는 수평 및 연직 이류(advection)와 저류(storage)항의 효과를 정량화해야 한다. 그리고 미량 기체의 발원 및 흡원을 추적하거나 관측의 발자국 분석을 위해서도 필요하다. 수증기와 이산화탄소의 연직 농도 분포는 일반적으로 에디공분산 플럭스 타워에 보조 장치로 설치되는 다중 기체 프로파일 관측시스템(이하 프로파일 시스템)에 의해 측정된다. 이 시스템은 다른 미기상 관측기기와는 달리 서로 독립된 여러 기기와 장치들이 하나의 목적을 위해 결합되어 작동되기 때문에 사용방법과 기기의 운영/유지/보수에 많은 어려움이 따른다. 현재 전세계적으로 플럭스 타워 관측과 함께 이용되고 있는 프로파일 시스템은 대부분 미국의 캠벨사(Campbell Sci. Inc.)에서 제작/판매하는 시스템과 개별 연구자들이 각자의 목적과 관측환경에 적합하도록 자체 제작한 시스템으로 구분된다. 연세대학교 대기과학과 생물기상/생지화학 연구팀은 2005년부터 광릉 산림유역의 활엽수림과 침엽수림에 미국 캠벨사에서 제작한 두 개의 프로파일 시스템을 설치/운영하며 다양한 기술적, 이론적 경험과 지식을 축적해 왔다. 이 총설에서는 복잡지형 산림에서의 물과 탄소의 순생태 교환량 관측에 중요한 도구로 사용되는 프로파일 시스템의 원리, 구성, 활용 방법에 대해서 소개한다.

• 통상정보연구
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• 제18권3호
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• pp.249-273
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• 2016

과거 산업경제의 기업 경쟁력은 생산력에서 비롯되었다면, 최근에는 무형자산인 특허의 확보력이 기업의 글로벌경제 성공요인의 중요한 조건이 되고 있다. 특히 기술의 변화가 빠르고, 국제적 특허분쟁이 심한 IT산업에서는 국내외 특허의 전략적 확보 및 관리의 중요성이 대두되고 있다. 따라서 본 연구는 코스닥기업 중 하드웨어와 소프트웨어 217개 IT기업들의 특허활동을 양적인 요인인 생산성과 질적인 요인인 효율성 및 고급성으로 구분하고, 기업의 재무성과와의 영향관계를 검증하고 시사점을 도출하였다. 본 연구는 자원기반이론을 기반으로 선행연구를 실시하여 개념적 연구모형과 연구가설을 도출하고, 데이터 자료를 다중회귀모델로 실증 분석하여 다음과 같은 연구결과를 얻었다. 첫째, IT기업의 총자산 증가율에 대해 특허의 효율성과 고급성이 유의한 양(+)의 영향을 미쳤다. 둘째, IT기업의 평균매출 증가율에 대해서는 특허의 세 가지 활동요인 모두 유의한 결과를 가져오지 못했다. 셋째, IT기업의 평균 순이익 증가율에 대해서는 특허의 고급성만이 양(+)의 영향을 가져왔다. 본 연구의 선행연구와의 차별성으로 특허활동을 양적인 요인과 질적인 요인으로 구분하여 재무성과와의 영향관계에 대한 연구를 진행하였고, 실무적 기여도에서는 국제적 특허분쟁이 심각한 IT기업들의 특허활동에 대해 전략적인 방향성을 제시하였다는데 의의가 있다.

• 한국과학교육학회지
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• 제40권2호
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• pp.141-150
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• 2020

본 연구의 목적은 과학 탐구에 대한 기능 중심의 접근에 대해 비판적으로 살펴보고 최근 과학 교육 개혁에서 강조되고 있는 과학적 실천의 의미를 시험적으로 탐색하는 것이었다. 이를 위하여 관련 문헌들을 수집하여 고찰하였으며, 그 결과를 세부 주제에 따라 정리하였다. Science-A Process Approach (SAPA)로 대표되는 기능 중심의 접근에서는 과학 탐구 기능들을 위계적으로 연계하여 제시하고, 이들은 전이성 또는 일반화 가능성이 높다고 주장하였으며, 발견을 통한 과학 학습을 강조하였다. 하지만 이러한 입장은 기능의 사용에 이론이 적재되어 있다는 현대 과학 철학의 관점과 상충되었으며, 탐구에서 사용되는 기능들이 내용-특이적 또는 맥락-의존적이라는 사실과 추상적인 과학 이론이나 원리는 귀납적으로 발견될 수 없다는 점에서 비판을 받아 왔다. 이와는 달리 과학적 실천을 강조하는 최근의 입장에서는 과학적 실천을 총체적인 행위로 이해하고, 그것이 전개되는 양상은 내용이나 맥락에 따라 다르다는 점을 강조하며, 과학 수업에서도 학생의 아이디어를 중요하게 고려하고자 한다. 이러한 연구 결과는 과학 탐구에 관한 일관된 관점을 정립하는 데 시사점을 제공함으로써 새로운 과학 교육과정 개발에 기여할 수 있을 것이다.