• 대한치과기공학회지
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• 제18권1호
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• pp.95-115
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• 1996

The esthetic factor for the esthetic prosthesis were studied on 300 persons. The praaticipants were 150 students registered under the Deparment of Dental Laboratoy Technology, Jisan Junior College at the present day of June, 1995 and their mothers. The results were as follows; 1. The number of persons with 28 teeth in their oralcatity was highest(P<0.01). They complained that they have only 28 teeth bacaues of the loss(deficiency) fo teeth due to their impacted teeth and dental caries. 2. The presons with feelings of dissatisfaction were large in number(P<0.01). They were dissatisfied with an abnormal tooth form(33.5%), tooth position(31.7%), tooth color(31.1%), and tooth size(3.7%) in order(P<0.01). 3. In their facial form, the most numerous were men with square form and women with ovoid form(P<0.01). Among the whloe number fo facial forms it appeared to decresae in the order of ovoied(41.8%), square(32.7%), square+tapered(20.5%), and tapered form(5%)(P<0.01). In a profile form, the most numerous were men with A form and women with B. Among the whole participants the most numerous were persons with B form and persons with A and C form were next in oder of numbers(P<0.01). 4. In discoloration of teeth, the most numerous were persons who have no discoloration. 5. In the esthetic recovery of anterior prosthesis the color matching of proximal teeth was not correct, but the outline of proximal teeth was to be reproduced correctly. 6. In the diastema of teeth, the number of persons who have no diastema was higher than that of persons who have a disatema(P<0.01) Among the persons who have diastema the most numerous were persons who have a diastema, and next were 2, 4, 3 and 5 diastemas in order. 7. In a meeting point of the midline of the body and the tooth the number of person hanving a meeting point was higher than that of persons who did not fit each other(P<0.01). The bias direction of midline teeth appeared to be affected by chewing direction, prosthesis location, and posterior location. 8. The length and width of teeth in the tooth size were suitable(P<0.01). The number of persons who have central teeth longer than lateral teeth was high(P<0.0). 9. In the results of smile analysis, the line form connected with incisal edge of upper canine were parallel(P<0.01). When smile the location fo upper lips should be in accord with the central area of teeth(P<0.01) and lower lip should be atteched to the edge of anterior teeth in order to be esthetic. 10. Among the number of upper teeth we can see the most numerous were 8 teeth and next were 10, 6 and 12 in order.

• 박물관보존과학
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• 제31권
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• pp.71-103
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• 2024

국립중앙박물관 보존과학부는 야외 석조물 정원에 전시하고 있는 여주 고달사지 쌍사자 석등의 정밀진단 및 비파괴 조사 등을 바탕으로 종합적인 손상도를 평가하고, 보존관리 방안을 검토하여 보존처리하였다. 보존처리는 정밀 진단-석등 옥개석 기존 복원부 해체-석등 옥개석 신석재 구조 보강 및 복원-석등 중석 기존 복원부 신석재 복원-복원부 표면 질감처리-세척(습식, 레이저)-고색 처리 순으로 진행하였다. 석등의 옥개석은 기존 복원부에서 발생한 이격에 대한 안전 진단 결과를 토대로 기존 복원부를 제거하고 신석재로 복원하였다. 복원용 석재는 광물 분석 결과를 참고하고 표면 색상 및 입자 크기 등을 고려하여 상주석 화강암으로 선정하였다. 신석재는 옥개석의 팔각 모서리 내림마루선 기준으로 3개의 조각으로 분할하여 에폭시 수지로 접합하였고 티타늄봉을 삽입하여 구조 보강하였다. 이번에 진행한 여주 고달사지 쌍사자 석등의 정밀진단 및 보존처리는 향후 야외에 위치한 석조문화유산의 보존 관리에 참고자료로 활용되기를 기대한다.

• 복식문화연구
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• 제17권5호
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• pp.923-938
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• 2009

Since the end of 1960s, an era of internationalization, Interculturalism has been reflected in intercultural plays which borrow concepts of foreign-cultural aesthetics for the performance and create a new stage language. Among many writers and performers, Oh, Tae-seok created his own unique aesthetic performances through experimental and avant-garde methodologies connected with various areas of art. His plays are worth studying since they suggest us a point of view which helps us to get out of the ordinary, fixed thought and try to see variety of reality. Therefore, our study categorized Oh, Tae-seok's play into four areas according to grotesquery interculturalism : Evil sprit, Abhorrence, Exaggeration and distort, and Heterogeneity. Based on this category, we analyzed plastic artistic characteristics of his plays' stage costume, for example, shapes, materials, and color, and tried to enhance the aesthetic value of his plays. We made a conclusion that the play showed grotesquery features in stage costume, which represented death, tragedy, evil sprit of human negligence, surprising and grotesquery abhorrence by deformity of the body, exaggeration and distortion, ridiculousness, and heterogeneity, the mixture of abnormality and unstableness. Our study could help produce adequate stage costume matching the features of the performance, and be the cornerstone of grotesquery aesthetic interculturalism study reflected in stage costume.

• 전자공학회논문지CI
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• 제48권3호
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• pp.91-101
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• 2011

정보통신 기술의 급격한 발전으로 인해 인터넷이 대중화됨에 따라 인터넷을 이용한 사이버 공간상에 정보의 상호교환, 전자 상거래, 인터넷뱅킹 등의 사회 활동이 활발해지고 있다. 하지만, 인터넷 사용의 편리함을 추구하는 경향에 의해 개인식별용 증명서(주민등록증, 운전면허증, 여권, 학생증 등)들이 전자적인 매체로 표현되어 인터넷상에서 노출되는 경우가 빈번하게 발생하고 있다. 따라서 본 연구에서는 인터넷상에 노출된 개인정보가 포함된 이미지들을 효율적으로 검색하기 위한 방안을 제안한다. 제안한 방안은 이미지의 색상과 질감, 그리고 모양 특징정보들 중에서 개인식별정보가 포함된 이미지들에서 고유한 특징정보들을 분석하여 추출한 후 이를 이용하여 개인식별정보가 포함된 이미지들을 검색한다. 제안한 방안을 실험한 결과, 전체 개인 식별정보가 포함된 이미지들 중에서 약 89%이상의 검색 성공률과 이미지 파일 당 수행시간은 약 0.17초가 소모되었다. 이러한 결과를 바탕으로 실제 인터넷상에서 개인식별정보가 포함된 이미지 파일들의 검색과 노출 여부 판단을 위한 시스템에 효과적으로 적용할 수 있다.

• 복식문화연구
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• 제23권4호
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• pp.661-672
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• 2015

In this study, nine scarf designs expected to be effective for accent design for the fashion style of new senior women were suggested by reflecting purchase behavior and scarf preference after conducting surveys and an analysis by targeting 136 new senior women in order to propose scarf design-matching with the preferences of new seniors. As a result of the study on the scarf purchase features of new seniors, it was revealed that the purchase time for scarves was mainly autumn and winter, even though it is regardless of season, and in spring and summer, they seldom purchased scarves. The purchase frequency was four times a year, and what they first thought of at the time of purchase was represented in the order of color, design, and the material of the scarf. They most preferred department stores, mixed and achromatic colors, cotton and silk fabrics, natural and geometric patterns, and long scarves of a rectangular shape. In the case of the consumer attributes of scarves, it was revealed that $50^{th}$ desired more individuality-oriented, unique scarf designs than $60^{th}$, and $60^{th}$ desired scarf designs with convenient management considering others' attention compared with $50^{th}$. As concepts for scarf designs, the aspects of individuality, co-existence, and maturity were extracted by reflecting the features of new senior women, and a total of nine scarf designs were suggested by developing three sub-designs for each concept.

• 제어로봇시스템학회논문지
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• 제20권12호
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• pp.1259-1266
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• 2014

Road signs provide important safety information about road and traffic conditions to drivers. Road signs include not only common traffic signs but also warning information regarding unexpected obstacles and road constructions. Therefore, accurate detection and identification of road signs is one of the most important research topics related to safe driving. In this paper, we propose a 3-D vision technique to automatically detect and track road signs in a video sequence which is acquired from a stereo vision camera mounted on a vehicle. First, color information is used to initially detect the sign candidates. Second, the SVM (Support Vector Machine) is employed to determine true signs from the candidates. Once a road sign is detected in a video frame, it is continuously tracked from the next frame until it is disappeared. The 2-D position of a detected sign in the next frame is predicted by the 3-D motion of the vehicle. Here, the 3-D vehicle motion is acquired by using the 3-D pose information of the detected sign. Finally, the predicted 2-D position is corrected by template-matching of the scaled template of the detected sign within a window area around the predicted position. Experimental results show that the proposed method can detect and track many types of road signs successfully. Tracking comparisons with two different methods are shown.

• 정보과학회 논문지
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• 제44권2호
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• pp.186-194
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• 2017

깊이 영상 기반 렌더링은 깊이 정보를 활용하여 가상 시점의 영상을 생성하는 기술로 다양한 3차원 영상시스템에서 필요로 하는 기술이다. 깊이 영상 기반 렌더링에서 가장 어려운 과제는 가상 시점 영상에서 새롭게 드러나는 부분을 채우는 과정이다. 영상 인페인팅은 이 과정에서 보편적으로 활용되는 방법이다. 본 논문에서는 홀을 채우는 과정에서 발생하는 오류를 줄이고 자연스럽게 채우는 방법을 제안한다. 먼저 색상 영상의 정보와 깊이 정보를 활용하여 지역적으로 적응적 패치 크기를 선택하도록 하였다. 또한 패치 간 유사도에 따라 홀을 채우는 방법을 한 번에 채우는 경우와 부분적으로 채우는 경우로 구분하였다. 이를 통해 오류의 발생을 줄이고 깊이 영상 기반 렌더링에서 가장 큰 문제가 되는 오류의 전파를 억제하였다. 실험을 통해 제안한 방법이 기존의 방법보다 시각적으로 자연스러운 가상 시점 영상을 생성하는 것을 확인하였다.

• 한국진공학회:학술대회논문집
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• 한국진공학회 2015년도 제49회 하계 정기학술대회 초록집
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• pp.76.1-76.1
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• 2015

Optical resonances of metallic or dielectric nanoantennas enable to effectively convert free-propagating electromagnetic waves to localized electromagnetic fields and vice versa. Plasmonic resonances of metal nanoantennas extremely modify the local density of optical states beyond the optical diffraction limit and thus facilitate highly-efficient light-emitting, nonlinear signal conversion, photovoltaics, and optical trapping. The leaky-mode resonances, or termed Mie resonances, allow dielectric nanoantennas to have a compact size even less than the wavelength scale. The dielectric nanoantennas exhibiting low optical losses and supporting both electric and magnetic resonances provide an alternative to their metallic counterparts. To extend the utility of metal and dielectric nanoantennas in further applications, e.g. metasurfaces and metamaterials, it is required to understand and engineer their scattering characteristics. At first, we characterize resonant plasmonic antenna radiations of a single-crystalline Ag nanowire over a wide spectral range from visible to near infrared regions. Dark-field optical microscope and direct far-field scanning measurements successfully identify the FP resonances and mode matching conditions of the antenna radiation, and reveal the mutual relation between the SPP dispersion and the far-field antenna radiation. Secondly, we perform a systematical study on resonant scattering properties of high-refractive-index dielectric nanoantennas. In this research, we examined Si nanoblock and electron-beam induced deposition (EBID) carbonaceous nanorod structures. Scattering spectra of the transverse-electric (TE) and transverse-magnetic (TM) leaky-mode resonances are measured by dark-field microscope spectroscopy. The leaky-mode resonances result a large scattering cross section approaching the theoretical single-channel scattering limit, and their wide tuning ranges enable vivid structural color generation over the full visible spectrum range from blue to green, yellow, and red. In particular, the lowest-order TM01 mode overcomes the diffraction limit. The finite-difference time-domain method and modal dispersion model successfully reproduce the experimental results.

• 대한의용생체공학회:의공학회지
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• 제24권2호
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• pp.61-68
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• 2003

본 논문에서는 의학적 진단 및 처치 방법의 결정에 중요한 역할을 하는 뇌경색 환자의 각 시기별 특징을 정량화하기 위해 3 가지 MRI 촬영기법을 이용하여 획득한 영상의 특징과 그들의 상관관계들을 객체중심 계층적계획기법을 이용하여 분석하였다. 3 가지 영상의 비교를 위하여 다항워핑 알고리즘과 어파인 변환기법을 수행하여 영상을 정합하였으며, 정합된 영상을 기반으로 뇌경색 시기별 정량화를 수행하였다. 그리고 각 시기별로 색을 설정하여 수 작업으로 얻어진 데이터를 바탕으로 의사 컬러로 나타내었다. 본 연구에서 구한 뇌경색 시기별 정량화 자료를 바탕으로 구분된 결과와 전문의가 판단한 결과를 비교하였다.

• 복식
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• 제52권5호
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• pp.91-107
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• 2002

The purpose of this study was to investigate the experimental design by using deconstructive design and mobile design depicted on Hussein Chalayan' works. Hussein Chalayan, the Turkish-Cypriot who is based in London, says' Challenging is the best word for me'. And so word, 'radical' that has difficult connotations was chosen for this study It implies two menainigs for the word. The first thing is "extreme" - something that is drastic. And 'Applied to clothes', it can probably mean "experimental". He has iconoclastic ideas and his ramp shows are always high on concept, experimentation of art and utility. His approach to fashion derives from philosophical and intellectual theories of deconstruction and mobility, which he expresses through his designs. Deconstructionism, in fashion, rejects customary rules and breaks all conventions. It questions aesthetic norms about bodily proportions and the criteria of beauty, emphasizes the adding on, or discovery of, an irrational moment, and reveals the processes of tailoring in clothing. The shape and the construction of the garment is more important than the color. Cuts. tears, asymmetries, matching different materials are among the most evident features of the deconstructive design. And Chalayan performed the mobile design of transforming furniture into clothes. Chair covers became dresses. a coffee table became a skirt which were designed by Chalayan, with geometric and architectural references. Chalayan says he was inspired by the idea of refugees fleeing. Besides Chalayan uses clothing as an art to reinterpret and reform the human body in a continuous tour de force of body/identity conceptualism and dressmaking. He reflect the body's function in the cultural context of architecture, science, or nature - and then attempt to translate his findings into clothing.dings into clothing.