• 디지털융복합연구
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• 제20권1호
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• pp.369-378
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• 2022

본 연구는 중국 사극 드라마에서 캐릭터의 미적요소가 시청 몰입도와 재시청 의도에 미치는 영향에 대해 분석하였다. 실증조사를 위해 사극 드라마 <연희공략(延禧攻略)>을 시청한 중국인 330명의 설문을 바탕으로 SPSS 23.0을 사용하여 빈도분석, 요인분석, 신뢰도분석, 상관관계분석 및 회귀분석을 실시하였다. 연구결과 헤어스타일, 의상이 적용된 중국 사극의 캐릭터 미적요소는 시청몰입도, 재시청 의도에 정(+)의 영향을 미치는 것으로 확인되었다. 또한 미적요소와 재시청 의도 간의 관계에서 시청 몰입도는 매개효과가 있는 것으로 나타났다. 향후 드라마의 가치를 높이기 위한 헤어, 의상을 비롯한 다양한 미적요소를 통해 지속적인 캐릭터 창출을 기대할 수 있을 것으로 사료된다.

• Journal of Information Technology Applications and Management
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• 제27권4호
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• pp.85-91
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• 2020

Animation is a field of popular visual art that is established in human life, and the form of characters appearing is an important factor that is highly anticipated by the public. Designing animation characters according to aesthetic characteristics not only satisfies people's aesthetic needs but can also increase their artistic immersion in animation works. In addition, animation storytelling is delivered around characters and enhances the value of the work by encouraging more public to focus on it. In this paper, we tried to analyze the design elements of Minions characters to derive the reason why they are loved by the public. Among the morphological characteristics of bicepsin characters, a study was conducted on the fact that bicepsin characters visually express 'cute' through the study of infantile eating and color. The visual cuteness elements of a bisung character will soon be linked to the psychological satisfaction of the audience's work and will be a factor in the appreciation of the value of the work. By studying the elements of expression that represent isosin characters, I would like to discuss the factors that help the audience to immerse and get satisfaction with the characters. This will be used as an important factor for an animation character to have for the audience and will reveal its value. Second-class animation images belong to the art of small pieces, suitable for all the audience to enjoy. The two-size animated image has a strong appeal and entertainment, is a confusing visual attribute, can stimulate the audience's five senses. Compared with the actors in the movie, the visual form of the animation is more important.

• 한국콘텐츠학회논문지
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• 제13권10호
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• pp.132-139
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• 2013

본 연구는 영화 <전우치>의 텍스트 분석을 통해 한국형 슈퍼히어로 영화의 영상 미학적 특성을 고찰하고 있다. 기본적으로 영상 미학이라 함은 이야기의 구조, 인물 그리고 미장센 등 다양한 요소들을 포함한다. 따라서 본 연구에서는 영화<전우치>의 플롯구조에 대한 일차적 분석을 토대로 인물과 화면 등 기타 미학적 요소의 구성과 특징을 분석해 보았다. 본 연구가 특별히 영화 <전우치>를 텍스트로 선택한 이유는 기존의 할리우드 슈퍼히어로 영화와 비교될 만한 유사한 스토리 진행과 구성 그리고 장르적 스타일 때문이었다. 따라서 본 연구를 통해서 기존의 할리우드 슈퍼히어로 영화와 영화 <전우치> 사이에서의 공통된 영상미학적 특징들을 발견할 수 있었음과 동시에 국내 고전소설과 서구형 영웅장르의 새로운 접목으로 인한 제작상의 한계점 또한 존재함을 확인할 수 있었다.

• 복식
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• 제60권2호
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• pp.35-50
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• 2010

In this dissertation, the analysis of the study of female customs from late Joseon Dynasty and their genre painting to research humors and its aesthetic senses in that certain era. The purpose of the genre paintings is to look at general populations in an objective point of view and endeavor better value of public life style to embody clear understandings of humanity. The artists such as Hong-Do Kim and Youn-Bok Shin expressed their arts based on reasonable reality with sarcastic but humorous and creative ways to criticize the society's problems with clear statements. Therefore, the formative characters are realism, exaggeration and coloring of the whole arts that represents as innovative and original genre of it's time. Hong-Do Kim and Youn-Bok Shin expressed the women in society as open minded with versatile and refined looks in their paintings as the reality was repressed and closed mind for women figures in late Joseon Dynasty. The female customs in the paintings has both suppression and expression in their dresses and exaggerated shapes of accessories and the use of color were also found. All of these elements has the aesthetic values of satirized eroticism, the hint of next evolution of the late Joseon Era under the conservative disposition of social characters and freedom of expression of playfulness. These elements were new developments and a step forward of female 'sex' and expression of satirized eroticism. The exaggerated and distorted forms and accessories demonstrates unbalanced and asymmetrical elements in humorous characters and they include spontaneity. Also, using the five traditional color schemes of Korean art displays humor in playfulness of an art with splendid and purity, duality of positiveness and artless, smart and elegance looks.

• 복식문화연구
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• 제14권4호
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• pp.529-541
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• 2006

The purpose of this study is to analyze the aesthetic characteristics of PRADA's sports fashion, leading the fashion trend and one of the most influenced designers in 1990's, and thereby, helps to forecast them in the future. We studied the concept of sports fashion and the historic background of PRADA sports fashion. We also used corroborative method resolving Internet illustrated magazine, fashion journals and magazines so as to analyze the aesthetic and formative features from 1990's up to now. The results were summarized as follows ; The sports fashion in 1990's was classified into functional sportswear and town sports look. The functional sportswear can be separated into active sportswear and street sportswear. Town sports look that has been combined the elements of design in active sportswear had characters slim silhouette and simple details influenced by minimalism and reflected on the mainstream of 1990's lifestyle. Especially, PRADA's town-wear using high-tec textiles for sportswear affected on other couturiers and settled down them in the world wide fashion trend with her aesthetic expression. The aesthetic characteristics of PRADA's sports fashion appear the zenith of the minimalism and the elements of postmodernism which expressed remarkably the advanced future and familiar past at the same time as like high-tec materials, and classic silhouettes with functional details. Finally, we are able to anticipate that the aesthetics of PRADA sports look will be continued in the 21C with concerning about well-being, health, and sports & leisure.

• 복식문화연구
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• 제17권2호
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• pp.283-295
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• 2009

This research covers the ways in which typography, which has been expressed in a diverse range of fields and changed communication functions from the era of reading to the era of feeling according to the change in the times and social demands, has been represented in modem fashion, along with examining its inherent aesthetic characteristics. I reviewed the general information of typography's fundamental notions and functions through documented records, and analyzed the inherent aesthetic characteristics by examining the typographical patterns shown in modem fashion based on art works in domestic and international collections after 2000. The result of this research is that typography in modem fashion has been used for improving brand image, expressing social slogans, expressing images, linguistic function for playful expression and the interdependent relationships of modeling functions. Typography in modem fashion has always been diversely expressed harmoniously with linguistic and modeling functions. Through this, the aesthetic characteristics were firstly parodies through direct sentences addressing political and social ideologies, economic gaps, environmental issues and anti-war protests. Secondly, by using brand logos, typography was used as a commercial means like brand-image transfer and separation through customization of other brands. Thirdly, the aesthetic and artistic value of fashion were expressed after being used as experimental visual components like image, motive and patterns which are all elements of fashion design. Fourthly, by distortion and transformation of characters or childish decorations, along with the harmonization of words, cathartic humor was provided for the calloused senses of modern people.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제11권2호
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• pp.63-71
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• 2005

The purpose of this study is to find the complementary idea of the psychological elements in aesthetic expression of architectural space in the sense of healing. Marks $L\ddot{u}scher$, the swiss psychologist suggested reasonable categories of emotional character according to the couple combinations among Content, Self-Esteem, Confidence, and Liberty. His theory on healing is not only the concept but the practical method to understand and control the conflict between contrary elements of emotion. Compared to the Freud's objective theory of cause and consequence, his idea is focused on the subjective and autonomous harmony. This theory based on complementary idea is applied to psychological attitude of architects on Spatial Expression in this study. Refuge, Prospect, Flow and Void are assumed as equivalent spatial elements to the four major emotional conditions suggested by $M.L\ddot{u}scher$. The couple combinations among them also characterize the architectural characters definitely and it is expected to be the reasonable criteria in analysing aesthetic value and motive of creating human space.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.119-127
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• 2010

This study investigates the examples of artistic intervention especially on the surface of architecture as a meeting place of art and architecture. Artistic intervention demonstrates the possibilities for the meaningful integration of arts into architectural spaces. This study summarizes the characteristics of artistic intervention on the surfaces of architectures as follow; first, the artistic intervention is applied to the broad ranges of designs including public art, architectural design and sign design that establish identities and unique characters to the spaces. Second, the artistic intervention on the surfaces is conducted by the participation of the various fields of artists, i.e. painters, installation artists, graphic designers and landscape designers. The artistic intervention is also conducted by individual collaboration between artists and architects as well as by the forms of public art of art-in-architecture program. Third, the artistic intervention on the surfaces is expressed using the complex combination of images, colors, patterns, and texts. They are applied to enhance the aesthetic and symbolic characters of buildings in public arts, to improve the visual characters of architectural design with graphics, colors, and patterns, as well as to increase communication skills and cognitive effects of sign design with letters and colors on walls and floor surfaces. Fourth, the artistic intervention is also applied on the surfaces to encourage people to communicate historic and symbolic meanings related to the locations and functions. Thus, graphics on the architectural surfaces could provide a public space, with which people could share common feeling on public arts. As a conclusion, the study finds that artistic intervention either as artworks or as elements of architectural design can not only enhance the aesthetic quality of architectural space but also expand the techniques of design representation. In addition, the artistic intervention can contribute to create a new realm of design where artists and architects work together to enrich our surroundings.

• 디지털콘텐츠학회 논문지
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• 제15권5호
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• pp.613-620
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• 2014

본 논문에서 논의하고 있는 애니메이션의 젠더담론은 동시대 관객과의 원활한 소통과 관련된 의미론적 치원이라고 할 수 있다. 애니메이션 캐릭터의 젠더 문제는 관객과의 의미작용을 위한 언어적 요소가 구체화된 것이라고 할 수 있기 때문에 관객과의 소통 차원에서 상당히 중요한 가치를 지니고 있다고 할 수 있다. 디즈니의 장편 애니메이션 <겨울왕국>의 상업적 성공은 먼저 작품이 보여주는 우수한 미학적 기법과 원리, 그리고 디즈니 스튜디오의 글로벌 마케팅 역량에서 그 요인을 찾아볼 수 있으나, 무엇보다 기존 디즈니 애니메이션에서 볼 수 없었던 여성 캐릭터의 젠더 표상에서 그 가치를 논의해 볼 수 있다. <겨울왕국>의 주요 여성 캐릭터 엘사와 안나의 젠더 표상은 동시대 관객들이 공감하고 몰입할 수 있는 시대정신과 이데올로기를 잘 반영함으로써 문화와 언어의 장벽을 뛰어넘는 보편적인 의미체계를 구축하고 있다. 그러므로 애니메이션에서 보이는 캐릭터의 젠더 담론에 관한 고찰은 소통적 관점에서 작품을 풍요롭게 읽어내는 기초적인 연구라고 할 수 있다.

• 패션비즈니스
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• 제8권1호
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• pp.91-106
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• 2004

This study focuses on the sportism expressed in the modern fashion. Many factors attribute to the advent of sportism such as rapid development and cultural changes toward sports, increase in leisure time, new fashion materials resulting from new technologies, youth culture and postmodernism. Designers gazing into the future are inspired by the details and functionality of clothing for snow boarding, skiing, rock-climbing and fitness. While the sportswear is the term whith stemmed from the need for functionally in sports, the Sportism is the style inspired by the formative elements, that is, the details, the silhouette, and the colors of the sportswear. New technologies for sports, the powerful influence of youthful culture, and the celebritizations of the sports stars made the sports look more popular. It can be categorized into three aesthetic values, i.e., the functional sportism, the street sportism, and the futuristic sportism. The functional sportism is expressed with the details of function, simplicity, and no useless ornament, the street sportism with fun, androgynous and unisex mode and the image of hip-hop look and traditional look, the futuristic sportism with new high tech fabrics and cyber style. The characters of these are a sence of unisex, sensualness, ostentation, renovation.