• 한국콘텐츠학회논문지
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• 제21권6호
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• pp.155-164
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• 2021

본 연구의 목적은 공영방송사 KBS와 MBC의 방송독립성과 뉴스 신뢰도에 대한 시청자 평가가 채널브랜드자산(인지도, 이미지, 충성도, 품질)에 미치는 영향을 확인하고, 연령대와 정치성향에 따라 모든 변인들이 어떤 차이를 보이는지 살펴보는 것이다. 연구결과, KBS와 MBC에 대한 시청자의 뉴스 신뢰도 평가는 방송독립성에 대한 평가보다 채널브랜드자산에 더 강한 영향력을 나타냈다. 연령대의 경우, KBS는 장년층 집단이 대학생 집단보다 채널 이미지와 충성도가 더 높았고, MBC는 대학생 집단이 장년층 집단보다 채널 인지도와 품질에 더 긍정적인 인식을 나타냈다. 정치성향의 경우, KBS와 MBC 모두 정치적으로 보수적인 집단이 중도 또는 진보적인 집단에 비해 방송독립성, 뉴스 신뢰도, 그리고 채널브랜드자산에 대해 더 긍정적인 인식을 가지고 있는 것으로 나타났다. 결과적으로, 공영방송은 방송독립성 확보 노력을 뉴스 신뢰도 제고에서 찾아야 하는 것으로 보인다. 공영방송은 시청자들의 채널브랜드자산 인식 제고를 위해 뉴스의 진실성 회복과 전문성 향상에 집중해야 한다. 공영방송 채널브랜드자산 관리를 위해 시청자의 연령대와 그들의 정치성향에 대한 심도있는 연구가 필요하다.

• 디자인융복합연구
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• 제15권3호
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• pp.117-131
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• 2016

종합편성채널의 도입으로 인해 시청자들의 욕구는 점차 다양해지고 있으며 채널 경쟁이 날로 과열되고 있다. 지속적인 웰빙(Well-being)과 그린소비 열풍으로 인해 웰빙 채널에 대한 요구도 높아지고 있다. 국내·외 채널 브랜드 전략 사례 및 국내 웰빙 라이프 프로그램에 관하여 현황조사 결과 현재 우리나라는 의, 식, 주 전반에 관한 웰빙 정보를 제공하는 채널은 존재하지 않으며 교양, 오락 등의 프로그램에서 단편적으로 제공되고 있는 실정임을 파악하고 웰빙 라이프 채널 브랜드 전략을 제안하고 채널 브랜드 마크와 스테이션 ID(station Identification) 제작하였다. 채널 브랜드 전략과 디자인의 객관적 검증을 위해 환경 관련 프로젝트에 참여한 경험이 있는 20대 이상 남녀 50명을 대상으로 사용자 인식조사를 실시하였으며 그 결과 대체로 해당 채널의 필요성과 연구자가 제안한 컨텐츠에 긍정적인 응답을 보였다. 그러나 브랜드마크와 관련된 가독성과 같은 개선의 필요성이 제기되어 이를 개선하였으며 비교 검증 설문을 실시하였다. 그 결과 개선된 브랜드마크에 대해 이전과는 달리 긍정적인 결과가 타나났다. 본 연구가 향후 그린 소비자를 대상으로 한 웰빙 라이프 스타일 채널 제작에 도움이 되길 바란다.

• International Journal of Human Ecology
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• 제4권1호
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• pp.1-14
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• 2003

This study examines apparel brand extensions in terms of types and leverage effects. The researchers identified types of apparel brand extensions based on recent data gathered from the Korean apparel market. Three hundred forty eight Korean female subjects in their 20's evaluated three hypothetically extended brands from a major casual brand which actually exists in the Korean market. Major findings of the study follow. First, apparel brands are extended to different product categories by adjusting mostly target profiles as well as product usage, product class, and distribution channel. Secondly, leverage effects, the extent of image transfer from the parent brand to extended brands, are different according to the extension types.

• 한국식생활문화학회지
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• 제20권2호
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• pp.261-272
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• 2005

The color and its coordination should intensify the customer's memory and awareness in a brand website, through the consistent communication strategy by which a variety of brand identification in the offline could be expressed efficiently. We evaluated top 5 brand-valuable family restaurants in this study, how they made the best use of the website as a new communication channel, and how they constructed the brand identification by the coloring of a website. We found out that they employed colors with a dynamic and lilting feelings matching the concept of a family restaurant. In addition, A color scheme was well designed for the specific character of a brand, though web-safe colors were seldom employed. This report can be a guide to a corporation for the color and its coordination in the website, when existing brand images need to be intensified and enhanced, or when a new brand image need to be constructed.

• 한국유통학회지:유통연구
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• 제3권1호
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• pp.7-29
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• 1998

Manufacturers want brand promotions at the stores. In contrast, retailers want promotions for the stores rather than for the brands since better store promotions can attract customers from the competing retail stores. In this paper, three scenarios are assumed for the promotions in terms of the allowances or the side-payments form the manufacturer to the retailer and the pass-through rate for the allowances being used for the brand promotions by the retailer. An analytical model for the marketing channel distribution is used for the analysis. Then, several marketing implications are suggested based on the findings.

• Asia Marketing Journal
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• 제21권2호
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• pp.99-115
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• 2019

Branding strategy is important in the hyper-competitive luxury industry. In digitalized market environments, it is critical for luxury brands to transfer their established brand equity from the offline market to the online market. The purpose of this study is to examine the causal relationships between offline brand equity (i.e., brand awareness, brand image, and perceived quality)toward online consumer responses, including satisfaction and loyalty, in the context of luxury brands. In addition, this study investigates the moderating effects of offline brand trust on the relationship between offline brand equity and online satisfaction and loyalty. Data was collected via online surveys. For empirical validation of the proposed hypotheses, a structural equation modeling technique was employed. The results show that offline luxury brand awareness, brand image, and perceived quality have a positive effect on consumers' online satisfaction. Also, offline brand image has a positive effect on online consumer loyalty. The results indicate that there is a significant moderating effect of offline brand trust on the relationship between brand image and e-loyalty. The results of the present study provide implications for luxury brand managers and retailers to develop effective online sales strategies.

• Journal of Information Technology Applications and Management
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• 제22권4호
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• pp.181-203
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• 2015

Customers who show high level of brand loyalty are one of the most important corporate assets. Accordingly, customers' brand loyalty has been addressed as a critical issue for the business success. In today's business environment where business channels to customers have expanded and diversified continuously, especially the use of social network services (SNSs) have drawn a lot of attention as an effective channel to promote customers' brand loyalty. This study, thus, analyzes the impact of the virtual brand community identity on customers' brand loyalty, focusing on the role of the sense of communities as mediators. The analysis was conducted by using the data collected from 239 users of Chinese virtual brand communities. The results show that both virtual brand community identity and the sense of communities significantly influence on customers' brand loyalty. Furthermore, the results reveal that both of the community belongingness and community trust composing the sense of community partially mediate virtual brand community and brand loyalty as hypothesized. Based on the results, the strategic implications are suggested and discussed, focusing on improving the customers' brand loyalty in the context of SNSs. Our findings and discussions can help companies develop their customer strategies for utilizing the virtual communities to strengthen customers' brand loyalty.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.209-216
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• 2007

Some may call Peter Marine as 'an ego-less architect', or 'palace maker' due to his designs or attitudes that appearantly please world's most well known clients. However, his eclectic taste and artistic expressions combined with his minimal and abstract architectural approaches are being recognized in many places globally, especially in many fashion brand stores such as Channel, Louis Vuitton, Christian Dior, and Fendi. Born and educated in U.S., Peter Marino designs are influenced by two most famous designers of our modern art history Andy Warhol and Jean-Micheal Franks, that are obvious in his traditionally modern French style designs and abstract expressions. The current study introduces Peter Marine designs through analyses of Channel and Louis Vuitton. The objectives are to understand the designer and find patterns in his brand store designs that has made him now one of the most famous fashion store designers. Educational, social, and personal interest were found to strongly form his design characteristics and four main characteristics were identified by the researcher that are use of LED lightings, emphasis on vortical circulations, graphical application of brand identities, and repetition of simple geometric forms.

• 한국의류학회지
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• 제35권5호
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• pp.587-600
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• 2011

This study presents the strategic directions for Korean multi-brand fashion stores by running in-depth industry research and market analysis. Over 20 professionals were selected from Korean multi-brand fashion stores for this study and in-depth interviews were conducted to evaluate related subjects. The results of the study were as follows. First, Korean multi-brand fashion stores could be classified into three criteria: operating ownership, merchandise mix, and store identity. Second, operating ownership criterion was chosen for further investigations of strategies and directions of the multi-brand fashion stores. The operating ownership criterion consists of three types; department store types, specialty store types, and boutique types. Each type deploys different buying practice, organizational strategies, and distribution channels. Lastly, the suggested strategic directions for each type are summarized as follows. The 'department store type' should utilize its strong direct buying capabilities and acquisition of merchandising can be more effectively managed. The store should utilize its strong buying power as a tool to develop new private brands (PBs). For 'specialty store type', two key factors have been derived: market share expansion and positioning themselves to become a new distribution channel. To respond to these factors, the store needs to be perceived as a brand then diversify its business. Strengthening its brand will allow it to expand into a new distribution channel and also enable a strategic partnership with its competitor brands. The factors influencing 'boutique type' is personalization and uniqueness. With an emphasis on the uniqueness of products and merchandising it will be able to implement the role as a personal shopper and stylist to provide a very personalized service to its customers.

• 한국의류산업학회지
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• 제22권6호
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• pp.716-726
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• 2020

This study presents methods and alternative examples for fashion brands to effectively use video-based communication channels to form brand identity that analyzes the definition, status and type of YouTube channel fashion films as well as enables the ability to derive brand identity characteristics. Literature studies focused on Christian Dior's official website and related previous studies. The temporal range of the case studies was from October 7, 2010, the date when the first fashion film was uploaded to current Christian Dior YouTube to July 17, 2020 (the survey date), and there are a total of 550 subjects for quantitative analysis. The succession of the couture spirit means that Christian Dior's craftsmanship was created and passed down by Musée Christian Dior to act as a contemporary key element of brand identity. The iconic expression of femininity is Dior's core design philosophy that began when the woman image of a new era was presented through a new look, and Dior's femininity means a woman that reflects the character of the times as is interpreted as her own personality from the perspective of modernism through the creative directors of future generations. The brand's core identity code 'Miss Dior' expresses the brand's vision and eternity through perfume as well as targets Z generation male consumers through an emotional approach based on forms that used emotional images such as movie-type films.