• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2014.05a
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• pp.531-532
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• 2014

The visibility of the aiming point used in shooting game based on the present interactive gun ride is too low. This research tries to improve the visibility to apply the aiming point used in FPS(Fisrt Person Shooting) game to interactive gun shooting game in order to overcome the problem of an existing bodily sensation type arcade game. This research try to investigate the effective visibility through the experiment that 20's college students took part in. We identify the optimal aiming point from the results of this experiment. We will determine the compatability to use in the real commercial game to apply it to the ride based shooting game.

• Journal of Korea Game Society
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• v.5 no.1
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• pp.3-10
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• 2005

In this paper, we propose an infrared LED tacking system called IRED Gun, which is designed for the game gun interface. The conventional systems are practically restricted by physical environment and are not robust to the measurement variations. We suggest the IRED Gun system to solve theses problems. Unlike conventional systems, our tracking system uses three infrared LED lights attached on monitor. Since the coordinate calibration is designed to regulate the detected target coordinates, more accurate aim position is calculated, which enables a game player to interact with a game more reliably. The experimental results verify the feasibility and validity of the calibration method and the infrared LED tacking system.

• Proceedings of the Korea Contents Association Conference
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• 2011.05a
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• pp.411-412
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• 2011

6축 모션시뮬레이터를 기반으로 빔 프로젝터 2대를 이용하여 3D환경을 구축하고, 6축 모션시뮬레이터에 게임용 핸들과 페달을 장착하여 입력된 신호를 PC와 PCI8134, 8132 모션카드, 제어판을 통해 제어, 분배하여 사용자의 요구에 따라 6축 모션시뮬레이터의 움직임을 표현하는 3D레이싱게임콘텐츠를 위한 인터페이스 개발을 제안한다.

• International Journal of Contents
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• v.6 no.1
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• pp.20-25
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• 2010

This paper discusses an academic study on electronic games and their incredibly vast and rapid growth over the years. It specifically addresses the evolution of electronic games from the 1960s to today, the ripple effects of electronic games, and the development of electronic game platforms. In terms of scope, the study first describes the ripple effects of the emergence of electronic games in chronological order and from the "immersion" and "convergence" perspectives, and then explores the evolution of electronic game platforms such as arcade machines, video consoles, personal computers, and mobile game devices.

• Journal of Digital Convergence
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• v.12 no.1
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• pp.81-88
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• 2014

The patent right is that creators are received the right of monopoly for supporting their creation work perseveringly but sometimes it causes infringement of freedom of creation. In this study, we examine the patent of music game in arcade game field and also examine Konami's, which is a main producer in this field, institutes many lawsuits repeatedly. It brought on diversion of rivals and depression of game market. We examine the abuse of music game patent through the case of Konami. We examine the negative influence through all music game market that creativity blocked by repetitive patent lawsuit institutes from little change of operation device and music game hardware even though it is reasonable for guarantee of new technology patent in game field which is a idea industry. We examine the lawsuit cases of abuse of music game patent in Korea, China and Japan and we analyze market change through the cases. We recommend policy for this industry development.

• Proceedings of the Korea Contents Association Conference
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• 2012.05a
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• pp.303-304
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• 2012

본 논문에서는 사용자가 보다 현실감 있는 체감형 콘텐츠 사용을 위해 빠르게 움직이는 객체의 운동 요소 추출에 있어서 객체의 움직이는 방향과 거리, 각도 등 중요한 요소인 회전각을 추출하는 방법을 제안한다. 빠르게 회전을 하는 객체에 특징점 생성을 위하여 마커 제작을 제안하고 접목하며 패턴 인식을 통하여 마커의 특징점을 추출하도록 한다. 추출된 특징점은 제안하는 POSIT 알고리즘을 통하여 특징점을 분석하여 회전하는 객체의 회전각을 추출 할 수 있도록 하였다. 본 시스템은 향후 보다 다양한 콘텐츠에 접목함으로 인하여 체감형 콘텐츠를 사용함에 있어서 객체의 회전각을 추출할 수 있는 인식 디바이스로써 활용이 가능하다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2013.10a
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• pp.553-555
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• 2013

Game Rating Board(GRB) of Korea set up in 29 October, 2006 has been 7th years and it will disappear in 23 November, 2013. For the first time the 'GRB' of Korea has the goal which held the nonofficial transfer of rating classification for game. But it had the justification which become more distant from the nonofficial transfer due to the affairs of 'See Story' in August, 2006. As a result, because of rapid normalization of game rating rather than the systematic transfer from 'Video Rating Board' of Korea cause no preparation of scientific professional rating review. It showed the entry-level appearance though stressing profession from the beginning of setup. Specially more transaction expense were increased because of no consistency and predictability for game review. However, it could be overcome by preparation for definite global standard and scientific rating system. Consequently technological possibility of BMM Korea based on 'Gaming Laboratory Institute(GLI)' standard expected to be alternative in the technical review of the adult arcade game.

• Journal of Korea Game Society
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• v.11 no.5
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• pp.43-52
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• 2011

This study assumed the competitive structure based on genre classification for Korean online game market, and carried out the analysis on the degree and characteristics of the competition that appear differently in each sub market classified according to the genre. Analysis result can be summarized as follows. (1) In the view of the total play time, the proportions of the online games in each genre were appeared in the order of "RPG > FPS/RTS > Sports > Arcade/Poker > Go-stop > Board/Racing". (2) In the view of the shares in the play time, the degree of competition between games in the sub market structure of the online games according to the genre was found in the order of "RTS > Racing > FPS/Sports > Go-stop > Poker > Arcade/Board > RPG". The evaluation and interpretation of the high and low of the competition degree are as follows. As the degree of competition is higher, (RTS > Racing > ${\cdots}$) the royalty and the ratio of reusing of the users for the game is lower, and on the other hand, the tendency of replacing and using appeared higher, so the market entry barrier for a new game can be evaluated to be low. Reversely, as the degree of competition is lower, (${\cdots}$ > Arcade/Board > RPG) the royalty and the ratio of reusing of the users for the game is higher, and on the other hand, the tendency of replacing and using appeared lower, so the market entry barrier for a new game can be evaluated to be high.

• The Journal of the Korea Contents Association
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• v.11 no.12
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• pp.145-151
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• 2011

This study assumed the competitive structure based on genre classification for Korean online game contents market, and carried out the analysis on the degree and characteristics of the competition that appear differently in each sub market classified according to the genre. First, to analyze the market power of the rank 1 and 2 game contents in each genre, using the play time share ratio and standard deviation statistics values in the genre, ANOVA analysis and Cluster analysis were carried out for each genre. According to ANOVA analysis result, in the rank 1 game share ratio in each genre, there was a relationship of 'FPS/Racing > RST/Sports > Poker > Go-stop > RPG > Arcade > Board', and in the play time total share ratio of rank 1 and 2 games, the relationship of 'RTS > FPS/Racing > Sports > RPG > Go-stop > Poker > Arcade > Board' was verified. And in Cluster analysis, the groups of the genres with the degree of market power tendency and the variability at similar level were classified and stated.

• Journal of Korea Game Society
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• v.22 no.1
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• pp.77-86
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• 2022

This article argues that electronic entertainment has continued to this day, contrary to the existing view that it has been absorbed by digital games since the 1990s. From a media archaeological point of view, it tracks in what cultural and technical context the electronic entertainment called "Pump It Up", which has been popular since the late 1990s, has been accepted and used by gamers. The big trend of 'Pump' took place through a "performative shift" of gamers' creative game performing, and the rise and fall of the 'Pump' took place through competitions and interactions between imaginaries and practices that each subject surrounded the game had. In conclusion, it suggests the necessity of media archaeological research on various genres of arcade games.