• 복식
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• 제66권5호
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• pp.113-121
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• 2016

The purpose of this study is to analyze the types and characteristics of wedding ceremony robes in the Jeju area from the 1950's to the 1980's. The analysis used 413 wedding pictures. The results of the study are as follows: 1. The following are the propotion of robe types used wedding ceremonies. 1.0% of Danryeong & Jangot, 6.5% of Danryeong & Wonsam, 1.5% of Danryeong & Chima+Jegori, 2.7% of Durumaki & Chima+Jegori, 24.7% of suit & Chima+Jegori and 63.7% of suit & wedding dress from the 1950's to the 1980's. 2. The Korean-style robes gradually decreased from the 1950's, and disappeared in the 1970's. The Chima+Jegori was introduced in the 1950's, reached its peak in the 1960's and its popularity continued to the 1970's. In the 1980's, after the Korean-style robes disappeared, the western ceremony robes were used in all the ceremonies. 3. After the Western-style robes, in which a bride wears a wedding dress, was introduced in the 1960's, its usage rapidly increased in the 1970's and is still popular today.

• 한국가정과교육학회지
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• 제19권4호
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• pp.137-151
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• 2007

1950년대 현모양처가 구성되는 조건은 매우 다양했다. 가사교과서와 여학교의 교육과정을 통해 본 1950년대의 현모양처주의의 특징은 다음과 같이 정리해 볼 수 있다. 첫째, 1950년대 가사교과서에 나타난 현모양처론은 일제시기와 달리, 유교적 여성 규율을 배제함으로써 성별분업에 근거한 '근대적' 전업주부상을 이상화하였다. 1950년대 가사교과서는 일제시기 여학생 수신교과서에 등장하는 '순종', '정절', '삼종지도' 등과 같은 유교적인 여성덕목이 사라지고 직분론에 근거한 '근대적' 주부상을 강조하였다. 이는 '민주주의'를 표방한 신생 대한민국의 국가 이념이 여성교육에 차별적으로 적용된 결과였다. 둘째, 가사교과서에서 여성 직업에 관한 내용을 강화하고 구체화함으로써 1950년대 현모양처론은 여성에게 가사 관리자 뿐 아니라 생계 담당자의 역할도 아울러 부과하였다. 기혼여성의 직업활동은 현모양처 역할을 수행하는 것을 어렵게 만드는 것이었지만, 가사교과서는 이것을 가정경제를 운용하는 '현대적' 현모양처의 임무로 수렴하였다. 셋째, 1950년대 여학교의 교육이념과 생활관교육과 같은 실제 교육 내용을 통해 본 현모양처론은 '근대적' 주부상과 '전통적' 규범을 내재한 여성상을 접목한 것이었다. 1950년대 여학교의 교육이념은 순종적 부덕보다는 '민주주의'에 부합하는 여성 인재의 양성에 목표를 두었지만, 실제 교육은 여전히 현모양처주의를 중시했다. 교육이념과 실제 교육의 이중성은 50년대 처음 시도되었던 생활관 교육에서 그 전형을 볼 수 있다. 생활관 교육은 가사의 합리적 설계자로서 '근대적' 전업주부를 이상적 모델로 하면서도 '전통적' 여성 규범을 강조하였다. 이것은 50년대 현모양처론의 특징을 잘 보여주는 것이라고 할 수 있다. 이상과 같은 사실을 종합해 볼 때, 1950년대 여학교 교육은 가사교과서와 여학교의 교육이념에서 유교적 여성규범을 일면 강조했던 일제시기의 그것을 탈피하면서도 실제 교육 내용은 여전히 '전통적 부덕'을 중시하였다. 이러한 사실을 통해 볼 때, 1950년대 현모양처는 가정개량과 양육을 책임지는 '근대적' 전업주부 모델이었지만, 또 한편으로 '서구화'에 물들지 않고 '전통적 부덕'을 계승해야 하는 존재였다고 할 수 있다. 따라서 1950년대의 현모양처는 서구의 '근대적' 전업주부상과는 달리, 윤리적으로는 '전통성'을 체현하는 한편 가정을 '근대적'으로 개량하는 주부상이었다고 하겠다.

• 복식문화연구
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• 제28권1호
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• pp.114-130
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• 2020

The purpose of this study is to reveal the cultural meaning behind modern experiences of diversity through the history of clothing in Korea. To this end, this study examines aspects that dictate clothing culture acceptance experienced and practiced by women by analyzing the case of the Naju rural area in Jeollanam-do from the 1950s to 1980s. Modern clothing was accepted later in the 20 century in this village, and the Satgolnai traditional textile tradition was an important factor after 1950s. In addition, the continuity of the rural five-day market is different from practices in the city. Limitations in access to media such as TV, films, and magazines, and the functional meaning of clothing in rural areas contributed to limitations for women to get the opportunity to access modern clothing items that were popular in the city. Unlike in the city, the event that inspired the transition to full-scale modern clothing in this village was the Saemaul Undong Movement of the 1970s. Additionally, Mombbe (labor cloth) worn during the Japanese colonial period was continuously worn as daily clothes for Naju women even after the 1950s. Therefore, colonial modernity continued through clothing.

• 복식
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• 제50권
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• pp.183-196
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• 2000

Andy Warhol is one of the great artists in the modern history of art who compares favorably with Picasso. His activities had his object on pervasion of a pop art and profit of the art industry. Many previous studies on his activities have attracted and held the attention of his works of art after 1960s. However in spite of his working as publisher of a fashion magazine fashion illustrator fashion model displayer and etc. in 1950s. there are few studies on his activities of 1950s. Hence this study investigates his works of art in 1950s. and intensively analyzes his effect on modern fashion. In 1950s, Andy Warhol had already been distinguished in works of art from other commercial designers through the illustration for advertising design window display of stores and usage of Hollywood stars as anessential element in his works for whom he had sighed when he was young His works were also characterized by a rejection of they originality of commercial arts. He had an great effect on youth's fashion in 1950s and has activities in 1950s had influence on the diffusion of the public punk fashion in 1970s and the street fashion in 1980s.

• 한국의상디자인학회지
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• 제10권1호
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• pp.135-144
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• 2008

The reason that we are familiar with fashion from the 1950s is because of the work such as New Look done by a french fashion designer, Christian Dior who had taken on an almost mythical significance by his name. Moreover, in the sense of popularity, the appearance of Marilyn Monroe and Audrey Hepburn, two typical Hollywood actresses who each has directly-opposed image, is the symbol of youthful America of the 1950s and represents the remarkable start of the American fashion. Still, these days designers and mass medias recall the fashion from the 50s remaking and parodying it to suit public's taste. Being due to the World War II, Europe suffered not only the loss of its national tradition and reputation but also got a fatal blow politically and economically. On the other hand, the United States of America occupied a primary position in the world and outstandingly became the most powerful country. The American fashion of the 1950s represents youth and newness and rejects outdated and outmoded style. In this period, appears the indication which announces previously the youth culture. Poodle skirt is the fashion item that acquired popularity among young american women and girls in the late 1950s. In effect, it is the fashion as American as apple pie. A costly A-line skirt had been transformed into a cheap felt skirt. Instead of a real poodle dog which was carried by French women like an accessory, they embroidered a poodle dog on the lower edge of their skirt. As deriding the snobbish gait, they swayed themselves frantically to the rhythm of Rock n' Roll which swept those days. This was an attitude of young Americans against the existing trend of Europe. Poodle skirt showed the free spirit and intention of young people unbound to custom and established vogue. In addition, in the aspect of comprising the American spirit of independent, pioneer, and subjective American people, it goes beyond the bounds of common concept of fad. Poodle skirt is an unique symbol of the 1950s' American fashion which prognosticates the advent of the United States and the success in modern fashion world which was changing after 1950s.

• 복식문화연구
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• 제23권4호
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• pp.604-615
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• 2015

The objectives of this study were to investigate whether heel height changes in the U.S. market occur in a cyclical pattern and heel heights show greater within-year variability over time. Heel height data from U.S. Vogue's spring and fall editions were analyzed over the time period 1950~2014. A total of 1581 pieces of data were measured in millimeter units using Adobe Illustrator and standardized by dividing the height of the heel by the shoe length through the curved sole line. To analyze the cycle pattern of heel heights, the yearly averages were standardized by using three-year moving average technique to average out the irregular components of time series data and give a better indication of the long-term fluctuation of heel height. To identify the degree of within-year variability of heel height, the standard deviation of the average measurements for a year was calculated, and then decade averages were drawn from the yearly averaged standard deviation. One-way ANOVA was conducted to compare the within-year variability of data in heel height over the time period studied by decade. The results showed: First, there was a trend toward higher heels from the early 1950s to 2011. Second, four cyclical movements of heel height were observed from 1950 to 2007, and heel heights gradually decreased after 2008. Third, the within-year variability significantly increased over time, especially after the 1980s.

• 건축역사연구
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• 제30권6호
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• pp.33-44
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• 2021

The traditional Korean heating system ondol, one of the most important characteristics of Korean architecture, still remains as hydronic floor heating. Various studies have been conducted on the modernization of ondol, but the process of introducing the hydronic floor heating has not been seriously studied so far. Therefore, this paper aims to demonstrate how the hydronic floor heating had been introduced to Korea, taking the 1950s and 1960s Haengchon, Jongam, and Mapo Apartments for example - these three are regarded as the first Korean apartment houses after the Korean War. While Western advanced construction technology was imported for these apartments, various methods of modernizing ondol were also considered. What was remarkable in these attempts is that hydronic floor heating first appeared in Mapo 1st Apartment in 1962, because this is the universal heating method in the present Korea. This fact signifies that the traditional principle of floor heating has been maintained, and it would also be meaningful in terms of architectural exchanges between East and West, if considered along with Wright's application of the Korean heating principle to his houses since 1930s.

• 한국주거학회:학술대회논문집
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• 한국주거학회 2006년도 추계학술발표대회 논문집
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• pp.392-395
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• 2006

This research tried to observe transition quality of unit plan for public space Korea public operated house since the 1950s. Plane of public-operated house had continually accommodated lifestyle change until present from the late 1950s. "Frontward 3 urface unit 3LDK'composition plans become settle by the representative plane after the 1990s. The process that with special quality change of public space the relation is deep. it is proposed consequently to analyze the space special quality change of the public operated house unit plan style.

• 펄프종이기술
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• 제45권1호
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• pp.1-5
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• 2013

Printing papers published in between 1950's and 1990's were treated with three methods such as distilled water washing, $CaCO_3$ solution washing and methyl cellulose solution coating for improving their conservational properties. Accelerated aging with $80^{\circ}C$ and 80% RH for 14 days was applied to the testing papers. Results showed that distilled water and $CaCO_3$ washing kept increased pH even after accelerated aging, but did not improve folding endurances for 1950's-60's papers. Methyl cellulose treatment did not increased pH of the old papers, but increased folding endurances remarkably for 1950's-60's papers even after accelerated aging. It suggests that methyl cellulose treatment after $CaCO_3$ washing should give improvements both in pH and folding endurance.

• 자연과학논문집
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• 제10권1호
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• pp.123-131
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• 1998

개화기 이후 서양복이 도입되면서 한복에 일어난 변화를 1920년대 이후 조선일보의 마이크로필름과 1950년대 이후의 의상 잡지를 중심으로 살펴보았다. 한복 개량의 시기는 변화 내용의 질적, 양적 특성에 따라 해방이전의 소극적 변화기와 해방 이후의 적극적 변화기로 크게 대별하여 분석하였다. 소극적 변화기는 기본적인 한복의 틀에서 벗어나지 않았으나 기존 한복의 길이, 폭과 치마허리에서 약간의 변화가 나타났던 시기이며 적극적 변화기는 한복의 구조에서 벗어나 그 이전시기에 비해 뚜렷한 변화를 보였다. 적극적 변화기는 변화특성에 따라 다시 해방이후로부터 1950년대와 1960년대의 두 시기로 분류하였다. 1950년대에는 서양복의 다트의 개념이 한복에 도입되었으나 아직은 한복의 구조에서 서양복의요소를 가미하는 정도로만 변화가 있었다. 그런데 1960년대에는 서양복착용이 보편화 되면서 서양복에 한복의 특징적인 요소를 반영하는 것으로 완전히 뒤바뀌었다. 서양복이 점차 일상복으로 자리잡게 되자 한복은 1950년대말경부터 예복으로 착용하게 되었다.