• JOURNAL OF ELECTRICAL WORLD
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• s.350
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• pp.98-101
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• 2006

에너지요금의 인상이 잇따르고 있는 가운데‘이란발 쇼크’로 국제유가가 최근 가파른 상승세다. 하루 석유생산량이 390만 배럴로 석유수출국기구(OPEC) 중 사우디아라비아에 이어 두 번째로 큰 산유국 이란. 이 나라의 핵 개발을 둘러싼 국제적인 갈등이 원유공급 감소로 이어질 것이란 우려 때문이다. 미국을 비롯한 EU, 중국, 러시아가 이란 핵의 안보리 회부에 합의한데 따른 시장급변 상황에서 초래됐다. 여기에다 OPEC 회원국들이 지난달 31일 오스트리아 빈에서 열린 정례회의에서 하루 2800만 배럴인 현행 산유량 수준을 고수하기로 합의한 데 따른 파급도 있다. 중동지역의 지정학적인 위기로 인한 수급불안 우려가 해소되지 않고 있는데다 특히 OPEC의 증산 여력이 소진된 상태라는 관측 때문에 유가불안이 고조되고 있는 것이다. 2월초 현재 3월 인도분 서부 텍사스산 원유인 WTI는 배럴당 70달러에 육박하고 있다. 영국 런던 원유시장의 북해산 브렌트유 역시 덩달아 오름세이다. 우리나라에서 주로 수입하고 있는 중동산 두바이유 역시 마찬가지이다. 브렌트나 두바이유도 배럴당 같은 60달러 선이다. 유가 강세는 지난해 가을 허리케인 카트리나의 미국 남동부 강타로 대다수 석유시설이 파괴돼 수급난이 초래돼 WTI 기준 배럴당 한때 80달러에 육박한 이래 하락세를 보이다 이번에 다시 가파른 오름세로 돌아선 것이다.전문가들은 이 같은 유가의 가파른 돌변상황을 심각하게 받아들이고 있다. 1980년 5월 WTI 기준 최고치인 94달러까지 치솟아 오일쇼크를 유발한 국제유가. 이 즈음을 정점으로 내림세로 돌아서 걸프전90~91)으로 반짝 배럴당 50달러에 머문 적이 있다. 이를 제외하곤 1986년부터 2004년까진 10~30달러 선에서 비교적 안정세를 보이다 이후 미국의 이라크 침공을 기점으로 급상승세를 타고 왔다. 지난해 최고 80달러에까지 육박한 국제유가는 하향안정세에서 배럴당 60달러 선에서 등락을 거듭하고 있다. 이 수준도 턱없이 높은 것이다. 이 같은 고유가의 파고가 최근 들어 더욱 심상치 않다는 게 전문가들의 공통된 시각이다. 이번에‘이란발 오일쇼크’가 급습하는 것이 아닌가 하는 우려감마저 갖고 있다. 세계경제 회복세에 발목을 잡을 수도 있다고 보고 있다.본지는 이 같은 고유가의 파고를 넘는 첩경으로 저소비·고효율 기기를 앞으로는 시리즈로 소개한다.

• Korean journal of communication and information
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• v.76
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• pp.31-60
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• 2016

The task of this essay deals with the China's Cultural Rise in analizing the power of media and 'Go Global' policy. The phenomena of Chinese cultural hegemony over Asia beg study. I review the Chinese cultural industry going global. The notion of cultural hegemony is introduced in this study, in order to explain the rise of China accelerating a penetration and influence of Chinese cultural capital and its power. A peaceful rise of China links to its cultural hegemony over Asian countries. Currently, China has not sufficiently enjoyed the soft power due to its lack of globally accepted ideological dynamics in China's culture and media. But in the near future, market-driven Chinese cultural capital and contents will replace Korean ones.

• Journal of the Korea Fashion and Costume Design Association
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• v.26 no.1
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• pp.17-31
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• 2024

The purpose of this study is to propose a modern use of traditional culture by developing creative fashion designs that combine modern and traditional styles based on an analysis of traditional costumes of women in the Tang Dynasty of China. The characteristics of the Tang Dynasty women's costume are as follows. The Tang Dynasty women's costume consists of a short coat (衫, Shan), skirt (裙, Qun), half-arm shawl (半臂, Banbi), and short embroidered cape (帔, Pei). The colors are succinct and elegant, commonly red, yellow, green and navy blue in its entirety. It may be classified by pattern that blend plant patterns, animal patterns, geometric patterns, and two or more mixed patterns. On the basis of the characteristics for traditional women's costume during the Tang Dynasty, the CLO 3D program is employed to develop digital fashion design for four pairs of 3D digital clothing and the production of two pairs of work product. The results are as follows. First, the development of fashion design reflecting the design characteristics of traditional women's clothing in the Tang Dynasty of China could be expressed as fashion design reflecting unique values while connecting tradition and modernity. Second, the 3D virtual clothing program displays an extremely important effect in design deployment and pattern arrangement by having efficiency and convenience in clothing production. The CLO 3D program is closely combined with the 2D design and 3D effect and heightened efficiency while being appropriate to realize sustainability while saving processing time and energy for the sample products. Third, the production of an actual product by facilitating the 3D virtual clothing design may lead to time savings and an effective economy and may allow for the comparison of digital fashion design and actual products as well as confirming the effects of digital fashion design.

• The Research Journal of the Costume Culture
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• v.31 no.1
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• pp.124-140
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• 2023

This study analyzes traditional women's Hu costumes of the Tang dynasty, and deploys a creative fashion design to converge contemporary and traditional styles. In this costume, women wear a robe with striped or plain patterns in the lower part of the pants, and it appears frequently in red and yellow colors. Depending on the sleeve, it is either a round collar or a turn down collar robe. In the Hu hat, the huntuomao and juanyanxumao were leather and mili and weimao were used to prevent the sand from flowing. This study uses the CLO 3D program with the "moment" theme based on the Hu costume for women to deploy 4 pairs of fashion design and to produce works for 2 pairs. The 3D virtual clothing program demonstrates important effects in design deployment and pattern arrangement through its efficiency and convenience of clothing production. The CLO 3D program was closely combined with the 2D design and the 3D affect, and it heightened the efficiency in saving the processing time and energy of the sample clothes. Through facilitating the 3D digital fashion design, the production may reduce time needed and contribute to an effective economy, and it may compare digital fashion design to actual products as well as illustrate the potential of digital fashion design.

• Proceedings of the Korea Society of Costume Conference
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• 2003.05a
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• pp.49-49
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• 2003

단령은 둥근 깃이라는 뜻으로 군신(君臣)이 착용한 관복명의 의미를 가지고 있다. 단령은 검박(儉朴)하고 활동적인 옷의 형태로 AD 1세기 경 서아시아 일대의 기마 유목민족에게 발생되었고 중국에서는 호복(胡服)이라고 불렀으며 4 세기 초부터 17세기까지 군신(君臣)의 관복으로부터 일반인의 생활복에 이르기까지 여러 계층에서 착용되었다. 우리나라에서는 신라 28대 진덕여왕 2년(AD 648년)에 김춘추가 당(唐)나라 태종에게 단령을 하사 받음으로 착용하기 시작하였고 고려시대 조선시대에는 주로 관복(官服)으로 계속 착용하였고 현재에는 혼례 예복으로 착용하고 있다. 이와 같이 오랜 기간 동안 착용되어 온 단령은 봉재와 구성면에서 깃의 너비나 형태 앞 뒤 길이 차이 소매의 너비무의 변화 등 구성과 여러가지 면에서 변화를 거쳐 왔다. 단령의 구조는 깃이 둥근 형태에 옆 목점에서 매듭단추나 끈으로 여미며 길이가 길다. 따라서 15-16세기의 전단후장형 단령과 현재 혼례시 신랑 예복으로 착용되는 후기의 단령을 비교하여 구성의 차이점을 알아보도록 한다.

• Journal of Astronomy and Space Sciences
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• v.25 no.3
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• pp.299-320
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• 2008

We study on the astronomical calendars that was used in the Silla era. The calendars are deduced from the records in Samguksagi. They were influenced from calendaric system of Tang Dynasty, which are Lin duk calendar(麟德曆), Ta yen calendar(大衍曆) and Sun myung calendar(宣明曆). We analyse them in detail according to the time and duration of use. Water clock system of Unified Silla was used four water vessels for supplying water. We found the model from documents on ancient water clock that are appeared in the old Korean, Chinese and Japanese historical records. We have assumed the model of Unified Silla clepsydra is similar type with Chinese records during Tang dynasty and with Japanese reconstructed water clock in Temple Asoka. After fluid dynamic experiment, we decide the suitable diameter of supplying pipe and volume of the vessels used in the clepsydra. We introduce the experimental instruments and methods for accomplishing the clock. We designed and reconstructed the water clock of Unified Silla and float rods for measuring time, that is based on the Silla's calendaric system.

• Korean Journal of Heritage: History & Science
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• v.54 no.3
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• pp.90-105
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• 2021

The shape of the roof is very important, as it determines the beauty of the exterior of Korean wooden architecture. In particular, the curve of the eaves is the most representative of the characteristics of Korean wooden architecture. Rafters and buyeon (浮椽), flying rafters, create curves for the eaves, and buyeon in particular makes the roof lighter and more dynamic. Although the function and role of buyeon are already known, nothing is yet clear about the beginning of its use in Korean ancient architecture. Accordingly, the purpose of this study is to determine when buyeon was first used in Korean architecture. To this end, I examined various records, buildings, remains, and artifacts that have architectural shapes in Korea, China, and Japan. The results are summarized as follows. First, the use of buyeon in China appears during the Northern Qi Dynasty (北齊) in the mid-6th century, but became common in the 7th century during the Tang (唐) Dynasty. Second, the use buyeon in Japan appears in the mid-8th century, when the capital was relocated from Asuka (飛鳥) to Nara (奈良). It corresponds with the time that Japan began importing Chinese culture directly. Third, the use of buyeon in Korea may have been introduced to Baekje from China in the mid-6th century, but it was not common. It is believed that it became common after active exchanges with the Tang Dynasty during the Unified Silla Period in the mid-7th century.

• Journal of Korean Medical classics
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• v.25 no.2
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• pp.89-93
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• 2012

목표 : 미용은 요즘 현대인들에게 관심 받고 있는 분야 중 하나로서 본 논문은 이에 대한 동양 의학적 접근 방법을 토대로 미용에 효과적인 식약(食藥)을 분석하여 임상 연구를 위한 문헌적 근거를 제시하고자 한다. 방법 : "식료본초"의 미용에 관련한 음식 치료의 내용을 위주로 수집 및 정리하여 미용 식약(食藥)의 종류, 용법 및 작용 원리를 분석하고 설명하였다. 연구결과 : 미용 식약(食藥)은 내원, 미용 성질로 분류됨을 알 수 있고 용법은 상용되는 제형, 치료원칙 및 치법, 배합 제조 방식, 예방 및 치료 결합, 입약 부위 등으로 정리 및 분석하여 "식료본초"가 영양 성분과 외모 손상성 질병 치료에 대한 작용원리를 제시해 보았다. 결론 : 본 논문의 주요한 의미는 "식료본초"는 중국의 당(唐)나라 이전 시대의 음식요법의 큰 성과물이며, 중의미용 및 음식요법의 중요한 역할을 할 뿐만 아니라 향후 통계학적인 관점에서 미용 식약(食藥)의 용법과 특징 및 규율을 정리하여 임상에서 실제적인 도움을 줄 것으로 생각된다.

• Journal of the Korean Institute of Navigation
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• v.25 no.1
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• pp.77-91
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• 2001

According to the many ancient literatures, it is said to be that Merchant Prince, Chang Pogo in unification Silla had traded with not only China, Japan but also Arab-Islam Countries, but unfortunately there is no definite records about this. Therefore in this study the writer would like to presume the sea routes of Merchant Prince, Chang Pogo in a unification Silla. For the purpose of this study the writer would like to study the reference books and materials regarding to the sea routes of prehistoric age and ancient three countries of Kingdoms and unification Silla. Especially the writer consider “The Work of Routes and Kingdoms” of Ibn Khurdarhbih regarding to the ancient sea routes of Korea, China, Arab-Islam Countries, and also the writer consider the ancient sea routes of Tang Dynasty in China and Ryukyu Kingdom in Japan. About this methodology of this study, the writer believe that the sea routes of today is the results of ancient sea routes, and this ancient sea routes could not be changed forever except special circumstance. According in this study the writer would like to persume the sea routes of Merchant Prince, Chang Pogo using like this methodologies. This presumption of the writer is originated on the basis of The Work of Routes and Kingdoms written by ancient Arabian Geographer, Ibn Khurdadhbih in the early years of 9th century. The Work of Routes and Kingdoms is geography, and the principal contents of this geography are the activities of Arab-Islam merchants and Chinese Merchants between Arab-Islam countries and China from 9th century to 11th century by ancient sea routes. But surprisingly in this geography, Silla was marked, and another ancient Arabian geogrpher, Al-Biruni marked Silla on his map, Qanun Al-mas'udi in the 9th century, and also another ancient Arabian geographer, Al-Idrisi marked Silla on his map in the 11th century. Especially Al-Biruni expressed the longitude and latitude of Silla on his map, he expressed Silla as following. “at the extreme end of China toward the East and few people travelled to it by sea”. Therefore the writer would like to presume that Arab-Islam merchants had traded with unification Silla in the 9th century, and also Merchant Prince, Chang Pogo had traded with not only China, Japan but also Arab-Islam Countries using above ancient sea routes in the 9th century.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.37 no.3
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• pp.93-107
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• 2019

The purpose of this paper is to explore the application of Chinese traditional garden space construction principle studied by predecessors in modern park landscape, and to find more methods of traditional garden space construction inheritance and innovation through research. Tian Chaoyang's book "Fifteen Lectures on Chinese Classical Gardens and Modern Translation" mentions that Chinese traditional gardens are combining time and space, so he draws a brief pattern diagram containing the principle of the space construction. According to this principle of space construction, the researchers chose Qujiang Pool Heritage Park, which combines modern and traditional, then analyzed its spatial structure and and space elements. The results are as follows. The complex spatial structure of the park is composed of spatial boundary lines and spatial routes. The complex boundary space is composed of bridges, squares, plants, rows of buildings and other elements. The water space in the center of the park is designed in accordance with the traces of the historical water system, and its natural zigzag shoreline expands the water space. The central water space is divided into the big pool and the small pool, the Yanbo island and Bird island are created respectively. The building at the park boundary connects the park's interior and exterior. Most of the buildings in the park are located in the convex corner of the route or space. Through this research, it can be concluded that Qujiang park also applies the space construction principle combining time and space. And then, the garden elements of Qujiang park are recreating the history and culture of Qin, Han, Sui and Tang dynasties with modern methods, thus creating a park with Chinese regional characteristics. Since the Tang dynasty was the most prosperous period in Qujiang, the park was dominated by Tang culture. Through the research of this paper, we can see that the space construction principle of Qujiang Pool Heritage Park is the inheritance of the space construction principle of Chinese traditional garden. And the landscape element of Qujiang park is the landscape created by combining traditional history and culture, which is the innovative part of modern garden. Through this study, the creation of modern landscape with Chinese characteristics can provide some hints on the direction of inheritance and innovation.