• Title/Summary/Keyword: 전개과정

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CRM 구축 방법론

  • Jeon, Yong-Jun
    • Digital Contents
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    • no.3 s.70
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    • pp.44-46
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    • 1999
  • 현대적인 의미에서의 CRM은 정보시스템의 구축 및 활용과 유기적인 관계를 가지고 있으므로 정보시스템 기술이 없이는 CRM이 성립될 수 없고 CRM을 전개해가는 과정은 정보시스템 구축과 전략의 수립 및 집행을 결합한 과정으로 파악해야 한다. 따라서 일반적인 CRM 방법론에서의 절차는 전략 계획의 수립, 전략의 실행, 전략 실행결과의 평가라는 전략계획 실행 과정상에 정보시스템의 계획, 분석, 설계, 구축, 운영이라는 정보시스템 기발 과정이 결합된 형태가 된다.

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COMS Shock Test Assessment by Using the Extrapolation Method (외삽법을 이용한 천리안위성 충격시험 분석)

  • Lee, Ho-Hyung
    • Journal of the Korean Society for Aeronautical & Space Sciences
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    • v.40 no.5
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    • pp.439-445
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    • 2012
  • The COMS(Communication, Ocean, and Meteorological Satellite) is subjected to shock loads when the stage or fairing of a launch vehicle is separated and the satellite is separated from the launch vehicle during the launch vehicle flight. And, after the satellite is separated from the launcher, the COMS is subjected to shock loads when the solar array is deployed, Ka-Band communication antenna is deployed, and meteorological imager radiator cover is released. In order to validate the satellite safety against these shock loads on ground, shock tests were performed. In this paper, the shock tests performed in the course of the COMS development are described, and the method to assess the test result is presented with an example of Geostationary Ocean Color Imager(GOCI). In Ariane-5 launch vehicle, the clampband release shock for satellite separation is lower than the fairing or stage separation. In this paper, the extrapolation method to take into account the maximum shock load from the launch vehicle by using the satellite separation shock test result is also introduced.

Modeling of Soil Moisture Time Series using Single Input Single Output Transfer Function (전이함수를 적용한 토양 수분 시계열 자료의 분석)

  • Choi, Kyung-Moon;Sun, Han-Na;Kim, Sang-Hyun;Jung, Sung-Won
    • Proceedings of the Korea Water Resources Association Conference
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    • 2008.05a
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    • pp.1137-1141
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    • 2008
  • 본 연구에서는 경기도 설마천 지역에 위치한 독립사면에서 토양수분을 연속측정한 결과를 분석하였다. 관측망의 설계를 통하여 선정한 위치에 탐침을 매설하고 공간적인 분포를 가진 시계열 형태의 데이터를 10cm 깊이에서 수집하였다. 전이함수 모형을 사면에서의 토양수분 전이과정에 대응하고, 이를 실제 측정한 데이터에 의해서 분석한 결과와 비교해 보았다. 전이 함수 모형은 강우 데이터를 입력변수로 하고 토양수분 시계열 데이터를 반응 변수로 하여 전개하였고, 시계열 모형의 전개는 크게 자료전처리, 모형구조의 규명, 모수추정, 모형진단 등의 과정을 통해서 적합한 모형을 도출하였다. 산지 사면에서의 토양수분을 전이함수에 의하여 전개한 모형은 토양수분의 깊이별 변화와 지형적 분포 양상에 따라 특색을 나타내었다. 또한 2003년 가을과 2004년 봄의 전이함수 모형 추정을 통하여 계절별 특성이 나타남을 알 수 있는데, 봄의 토양수분의 분포는 가을의 토양수분에 비하여 큰 변동성과 고차항의 반응양상을 보인다. 본 연구는 전이함수를 이용한 토양수분의 시계열 분석이 사면에서의 토양수분 변동특성을 지형적, 계절적 특성과 연계하여 이해하고 특성화하는 과정의 적절한 도구가 될 수 있음을 보여주고 있다.

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Didactical Contemplation on the Development Figure (전개도에 관한 교수학적 고찰)

  • Chung, Young Woo;Kim, Boo Yoon
    • School Mathematics
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    • v.16 no.2
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    • pp.285-301
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    • 2014
  • Because a development figure is treated restrictively in elementary school, not only there are brought out the concept image, but also the definition of the development figure in textbook in not unique. Furthermore, since the comparison and analysis of 'definition element' between the materials in textbook are nor carried out, its educational value as well as the teaching for concepts and objectives does not give rise to public discussion. In this note, we will investigate the definition and teaching of the development figure in Korea and Japan. And through three viewpoints of its definition and related debate, we will consider the fundamental understanding and objectiveness of a development figure, and suggest its mathematical application. This study will promote teachers's critical and didactical insight for the didactical transposition.

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The Development Process of Hallyu and Development Plan through Discussion (한류의 전개 과정과 토의를 통한 발전 방안)

  • Park, Joo Eun
    • The Journal of the Convergence on Culture Technology
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    • v.8 no.4
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    • pp.263-270
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    • 2022
  • The purpose of this study is to examine the development process of Hallyu and to find ways to develop Hallyu through discussion with students. Since the 1990s, Hallyu started as a popular phenomenon of Korean culture, and has changed into a New Hallyu that aims for mutual cultural exchange. In detail, the development process of Hallyu was examined by dividing the classification of Hallyu from 1st to 4th. This study utilized the theme of Hallyu, one of the topics covered in the class of Literature and Popular Culture in the first semester of 2022. This is because the Hallyu has spread Korean popular culture all over the world. This study suggested a plan for the development of Hallyu by students and researchers using the discussion about Hallyu.

Development of Multi-Purpose Satellite II with Deployable Solar Arrays: Part 2. Ground Deployment Experiments (다목적2호기 태양전지판의 전개시스템 개발: PART 2. 지상전개실험)

  • Heo,Seok;Gwak,Mun-Gyu;Kim,Yeong-Gi;Kim,Hong-Bae
    • Journal of the Korean Society for Aeronautical & Space Sciences
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    • v.31 no.9
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    • pp.82-87
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    • 2003
  • This research is concerned with ground experiments for satellite solar array deployment as well as the validation of theoretical modeling technique presented in the previous paper. We carried out the experiments on the strain energy hinge with stopper to investigate he buckling characteristics of the SEH, which affects the shape and the speed of the solar array deployment. The moment-angle diagram obtained from the experiments was later combined with the theoretical deployment model. This paper also presents the details of the ground experiments performed at the Korea Aerospace Research Institute(KARI) . It was found that the ground experimental results were in good agreement with the theoretical predictions thus validating the dynamic modeling technique.

Spatial Evolution and Characteristics of Cultural Tourism Festivals in Chonnam Province of Korea (전남지역 문화관광축제의 공간적 전개과정과 특징)

  • Lee, Jeong-Rock;Woo, Youn-Sub
    • Journal of the Korean association of regional geographers
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    • v.9 no.3
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    • pp.233-247
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    • 2003
  • The purpose of this study focuses on the spatial evolution and characteristics of cultural tourism festivals in Chonnam province of Korea. More than 58 community festivals functioned with hallmark events are held annually in the Chonnam province. Most of community festivals were mainly established since 1995, and more than 48 percents of festivals are held in October and May. Spatial diffusion process of festival are divided into three phases: a primary stage before 1995, a diffusion stage from 1995 to 1999, and a condensing stage since 2000 Cultural tourism festivals began at some areas such as Mokpo, Yesu, and Gurye in 1960's, and spread all over the counties of Chonnam province. During diffusion stage, 51.7 percent of all festivals were newly held. The themes and purposes of festival, and the typology of community festivals were transformed with diffusion stage. In festival purpose, community reconciliation and unity festivals were held in primary stage, tourism oriented festivals were held in diffusion and condensing stage. In the festival themes, community culture and folk arts festival were held in primary stage, however, community history and environment & ecological festivals are held in condensing stage. In addition, the typology of community festivals was transformed according to diffusion stage. Thus it was transformed from indigenous festivals of primary stage to commercialized indigenous festivals of condensing stage.

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Identity and Characteristics of Korean Pungsu(Fengshui) (한국 풍수론 전개의 양상과 특색)

  • Choi, Wonsuk
    • Journal of the Korean Geographical Society
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    • v.50 no.6
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    • pp.695-715
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    • 2015
  • The history of Korean Pungsu can be approached from two perspectives. One is through the history of its theoretical formation and evolution, and the other is through the history of its social and cultural formation and evolution. The former, i.e. Pungsu theories, was produced and developed by intellectuals as an elaborate system of cosmic knowledge and logic. The latter, i.e. Pungsu culture, was consumed and adopted by various social groups in their spatial life practices. It was Chinese intellectuals that originally initiated and carried out the production, formation, and development of the fengshui theoretical system. Intellectuals in neighboring countries adapted Chinese fengshui to their local environment, incorporating their own historical and cultural features, and practiced this transformed and indigenized form of geomancy. The evolution of Korean Pungsu can be summarized as having the following five characteristics. First, Koreans accepted fengshui from China, pragmatically adapting it to fit the Korean natural and social environment, and then used it for social discourse on space. Second, Pungsu had a comprehensive and varied influence on Korean culture throughout its different historical periods. Third, combined with social thought led by differing social classes, Korean Pungsu existed as an element of social discourse. Fourth, Koreans' theoretical preferences of fengshui were for the landform method over the liqi (理氣) method. Fifth, the Bibo philosophy was a characteristic feature of Korean Pungsu.

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A Study on the description of Puppet Performance History (인형연행사 기술의 새로운 모색)

  • Heo, Yong-ho
    • (The) Research of the performance art and culture
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    • no.19
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    • pp.379-418
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    • 2009
  • This study is a link in a chain which grope for the description of puppet performance history. This study imply my intention which is not a description of puppet performance 'history' but a description of 'puppet performance' history. Object materials of this study is materials connected with puppet performance from ancient times to Chosun dynasty. Object materials of this study include not only records but also remains and pictures. Discussion start with regulation of puppet performance materials and establishment of a classification criterion. As a result of that discussion, the age of puppet performance is as follows: 'the age of diverse use of puppet', 'the age of ritual puppet performance of worship', 'the age of play puppet performance of handling', 'the age of ritual puppet performance of display', 'the age of ritual puppet performance of expulsion', 'the age of ritual puppet performance of handling', 'the age of play puppet performance of display', 'the age of play puppet performance of handling and voice-acting'. According to the internal division of age, the description of puppet performance history which is spread chronologically is attempted. As a result of the description, I confirm that puppet performance reveal a one's unfolding process. And a distinct aspect from the general cultu! re history is found. The development process which is a changeover that is 'from ritual puppet performance to play puppet performance' is amended by a circulation of ritual puppet performance and play puppet performance'. And the development process which is a changeover 'from static puppet to dynamic puppet' is amended by a circulation of static puppet and dynamic puppet'. Like this the thing which is laid in the inside which is not a one sided changeover but is a circulation is said that from one age of puppet performance to other age of puppet performance is not a close of former puppet performance tradition. Unfolding from one age to other age, on the other hand former puppet performance reveal aspect which is a continuance and change with a one's vitality. And a relation of mutual influence is exist between the ritual puppet performance and the play puppet performance on a large scale, among the puppet performance types on a small scale. this also don't overlook in cas! e of a groping of puppet performance history.

A Study on the Music Schedules in the 4th Edition of KDC (한국십진분류법 제4판 음악분야 전개상의 제문제)

  • Hahn Kyung-Shin
    • Journal of Korean Library and Information Science Society
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    • v.30 no.1
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    • pp.31-60
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    • 1999
  • The purpose of this study is to investigate the problems concerning music schedules of KDC. The object is especially arrangement of 670 music in the 4th edition of KDC. In this study, therefore, the development of 670 music division from the 1st edition to the 4th edition of KDC were examined first as the backgrounds. Then the expansion aspects and their problems of 670 music division in the 4th edition of KDC were analyzed. And based on the findings, some suggestions to solve the problems were proposed. These problems of music division of KDC originate in the lack of professional understanding of music, structural problem of KDC itself, and very comprehensive and contradictory revision policy. To make the KDC improved as standard classification scheme of Korea, mutual cooperation of the classifiers and specialists in music is inevitable.

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