• Journal of Digital Convergence
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• v.13 no.2
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• pp.343-349
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• 2015

This paper aims to propose the typology suitable for games by analyzing the fashion styles of game characters and define the characteristics by type. The data collected was classified into the style groups with similarities, and the game character styles were named using representative terms. Then, five styles were identified and analyzed with the focus on clothing, hairstyle, and accessories: Creative Style, Attractive Style, Grotesque Style, Usual Style, and Suit Style. Creative Style was the unique style with partial addition or removal as the creative design. Attractive Style expressed the sexual attraction by design with significant exposure of body parts and skintight design. Grotesque Style showed grotesque, eerie, and dreary design. Usual Style was a plain and practical style. Finally, Suit Style was a kind of armor covering the whole body. The analysis results in this paper will bridge the difference of opinions between gamers and developers related to fashion style and, finally, help to enhance the competitiveness of game design.

• The Journal of the Korea Contents Association
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• v.12 no.6
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• pp.120-131
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• 2012

This study has attempted to explore the way to construct the reality and its implication of the narrative elements in TV Audition Reality Show. According to the study results, first of all, two audition reality show has added the special tasks to characters based on the competition and has developed the dramatic events sequentially. And they has suggested the course of way between survival and fail, that is, inclusion and exclusion. As that results, audiences has be immersed in the process of the justification of the star(hero) myth and the dealings of musical elements to see dramatized show of narrative. And they knew audition reality show as non-real fiction, so they enjoyed the pleasure spontaneously. These means that the empowered media reproduced the illusion like star(hero) with the purpose of the commercial and political aim and one of the ideology to acquiesce in the appropriateness of the competition.

• 한국디지털정책학회:학술대회논문집
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• 2003.12a
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• pp.323-329
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• 2003

21 세기는 '굴뚝 없는 산업' 으로 불리는 '문화정보 산업'의 시대이다. 현재 세계적으로 영화, 음반 게임, 출판등의 문화정보산업은 이미 천문학적인 규모의 시장을 형성하고 있으며 그 규모는 지속적인 성장세에 놓여있다. 이와 같이 거대한 '고부가가치 산업' 인 '문화정보산업'에 총체적 사업개념인 ${\ulcorner}OsMU{\lrcorner}$가 등장하여 그 영역과 규모를 확대해가고 있다. 본 논문에서는 문화콘텐츠진흥원에서 추진하고 있는 "스타프로젝트" 에 관하여 국내외 사례를 들어 연구하였다.

• Journal of KIISE:Computer Systems and Theory
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• v.29 no.1
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• pp.22-34
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• 2002

In this paper, we consider ring embeding problem in faulty (n,k) star graphs which is recently proposed as an alternative interconnection network topology, By effectively utilizing such strategies as series of dimension expansions and even distribution of faulty nodes into sub-stars in graph itself. we prove that it is possible to construct a maximal fault-free ring excluding only faulty nodes when the number of faults is no more than n-3 and $n-k{\geq}2$, and also propose an algorithm which can embed the corresponding ring in (n.k)-star graphs This results will be applied into the multicasting applications that the underlying cycle properties on the multi-computer system.

• Journal of the Korea Society of Computer and Information
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• v.13 no.2
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• pp.31-40
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• 2008

Various coding styles for C language have been proposed so far but there has been a lack of synthetic review about them. In this paper, I propose a new C coding style by analyzing coding rules that are included in the representative C coding styles and by adding new coding rules besides them. In addition, I designed an automated C coding style checker named CStyler which was implemented using Lex and Yacc. It is designed to be able to verify unpreprocessed source code as well as preprocessed source code. And I improved its flexibility by being able to add a new coding rule by end user. I think that the new C coding style and coding style checker, CStyler, can be utilized for education and for future research to develop and extend a static analysis tool.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.18 no.3
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• pp.749-753
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• 2014

The purpose of this study analyzes the basic elements of film acting based on Stanislavsky Circles of Attention. This research also demonstrates the basic elements on how to become a good film actor. I attempt to interpret Stanislavsky Circles of Attention, in order to adapt the size of camera shots and the location of microphones. This Circles of Attention is an effective method utilized for actors to help them understand and be absorbed in the work of art both in film and stage. It is useful for building a character in realism drama as well as in film. I believe Stanislavsky Circles of Attention is certainly the most advanced acting style in film because it proposes the importance of physical action for actors.

• Journal of Popular Narrative
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• v.25 no.1
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• pp.165-191
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• 2019

The purpose of this article is to elucidate why the motif of time travel is repeated in the science fiction narrative by examining the functions of this motif in the SF movie series of Star Trek in its narrative and non-narrative aspects. Star Trek IV: The Voyage Home (1986) aims to attract the audience's interest in the story through the use of plausible time travel in the form of the slingshot effect which causes the spacecraft to fly at very fast speeds around an astronomical object. The movie also touches upon the predestination paradox that arises from a change of history in which it describes a formula of transparent aluminum that did not exist at the time. The film also serves as an evocation of the ideology of ecology by including humpback whales in the central narrative and responding to the real issue of the whale protection movement of the times. Star Track VIII: First Contact (1996) intends to interest the audience in the narrative with the warp drive, a virtual device that enables travel at speeds faster than that of light and a signature visual of Star Trek, at the time of its birth through time travel. The film emphasizes the continuation of peaceful efforts by warning the destruction of humanity that nuclear war can bring. It tackles with the view of pacifism and idealism by stressing the importance of cooperation between countries in the real world by making the audience anticipate the creation of the United Federation of Planets through encounters with the extraterrestrial. Star Trek: The Beginning (2009) improves interest through the idea of time travel to the past, this time using a black hole and the parallel universe created thereby. The parallel universe functions as a reboot, allowing a new story to be created on an alternate timeline while maintaining the original storyline. In addition, this film repeats the themes pacifism and idealism shown in the 1996 film through the confrontation between Spock (and the Starfleet) and Nero, the destruction of the Vulcan and the Romulus, and the cooperation of humans and Vulcans. Eventually, time travel in three Star Trek films has the function of maximizing the audience's interest in the story and allowing it to develop freely as a narrative tool. It also functions as an ideal solution for commenting on current problems in the non-narrative aspect. The significance of this paper is to stress the possibility that the motif of time travel in SF narrative will evolve as it continues to repeat in different forms as mentioned above.

• Journal of the Korea Society of Computer and Information
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• v.27 no.12
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• pp.101-110
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• 2022

This study sheds light on the Instagrammable features and viewing experiences of . A research model and hypotheses are formulated using variables including Experience Quality (EQ), Perceived Value (PV), Attitude toward AWA (ATAWA) and Behavioral Intention toward AWA (BITAWA). Although AWA has strong the Instagrammable features in terms of PV, it provides aesthetic or healing experience rather than a pleasure. PV has a significant correlation with DOS and DOI, but it does not influence on BITAWA. In addition, DOS has a positive impact on the increase in DOI, length of viewing time and intention to upload and share photos on Instagram.

• The KIPS Transactions:PartA
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• v.14A no.5
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• pp.263-268
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• 2007

In this paper, we analyze some topological properties of Folded Hyper-Star FHS(2n,n). First, we prove that FHS(2n,n) has maximal fault tolerance, and broadcasting time using double rooted spanning tree is 2n-1. Also we show that FHS(2n,n) can be embedded into Folded hypercube with dilation 1, and Folded hypercube can be embedded into FHS(2n,n) ith dilation 2 and congestion 1.

• Proceedings of the Korea Contents Association Conference
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• 2010.05a
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• pp.342-344
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• 2010

스마트웨어가 사용자 중심으로 다변화 되어가는 유비쿼터스 환경속에서 상황정보를 제공하는 것은 서비스 전략의 중요한 성공요소가 되고 있다. 상황인식은 현실의 상황을 정보화하고 이를 활용하여 지능화된 개인화 서비스를 제공하는 기술이다. 본 논문에서는 상황인식을 이용한 맞춤형 패션 디자인 스타일 추천을 제안하였다. 제안된 방법은 사용자에게 자신의 선호도에 부합하는 패션 디자인 스타일을 제공함으로써 이를 얻기 위한 시간과 비용을 줄여주고, 손쉽게 원하는 스타일에 접근하도록 한다. 상황인식은 개인화 서비스에 필요한 상황정보를 추출하고 분류한다. 그리고 상황인식 기반의 필터링으로 패션 디자인 스타일 추천을 함으로 사용자에게 보다 다양한 서비스를 제공할 수 있다. 이를 사용자 인터페이스로 구축하여 논리적 타당성과 유효성을 검증하기 위해 실험적인 적용을 시도하고자 한다.