• 한국지역사회생활과학회:학술대회논문집
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• 한국지역사회생활과학회 2003년도 제16차 학술대회
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• pp.153-153
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• 2003

메이크업 문화의 경우 1950년대까지는 이상적이라고 설정된 여성미가 획일적으로 일반인들에게 모방되었다. 그러나 1960년대 이후부터는 미에 대한 기존의 가치개념에 변화가 이루어지면서 메이크업은 사회구성원에 따라 다양하게 등장하는 미의 표출 수단으로 새롭게 전개되었다. 또한 20세기의 패션 산업 향장 산업, 광고산업, 영화를 포함한 각종 영상산업, 문화산업, 예술산업 등의 발달을 통하여 메이크업의 역할이 중요한 자리매김 되어가고 있다. 이들에 대한 재해석을 통한 현대 예술의 상상력은 메이크업의 영역을 확대 시켰다. 한국적 전통에 바탕을 둔 메이크업 역시 새로운 해석과 예술적 기술을 접목 시켜 현대의 미를 창조 함으로써 한국적인 에스닉 스타일을 개발는데 의의 있는 일이다.

• 자연과학논문집
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• 제10권1호
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• pp.199-208
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• 1998

본 연구는 Los Angels 중심의 서부지역 시장을 중심으로 에스닉 테마의 유행정보를 시장조사를 통해 예측한 연구이다. 연구의 진행은 먼저 에스닉 테마의 출현 배경을 고찰하고 전문점과 백화점 그리고 hadquarter의 현황을 조사한 수, Zip code를 통한 소비자의 라이프 스타일의 분석을 통하여 시장에 적합한 패션경향을 제시하였다. 연구의 요약은 다음과 같다. 1997년 가을.겨울 소매 상가들에서 두드러진 경향은 에스닉이다. 이는 복잡한 현대 생활에 대한 반동으로서 기본 생활의 단순성, 자연에 대한 올바른 평가로 되돌아가는 것을 상징한다. 이런 에스닉한 민속 디자인들의 전형은 자연의상, 원시예술, 동족문화와 아프리카 테마주변에서 확인된다. 이런 에스닉 패션을 요약하자면 단순성, 자연성, 편리성, 자유로 나타내진다. 한편 이런 경향의 hadquarter라 할 수 있는 Broadway와 Robinsons-May와 같은 일반 백화점에의 기준은 다양한 스타일로 다양한 고객들을 충족시켜야 하는 것이다. Broadway의 에스닉 성향의 상품은 아직 도입단계로 정상에 오르지 못한 상태이다. 이 상품의 판매를 높이려면 VMD를 통한 판매 홍보와 다양한 에스닉 성향의 상품제시, 노력이 필요하다. 이 밖에 대표적인 상가 중심지인 Beverly Center Broadway의 고객을 분석했을 때 이 상품을 살만한 고객은 25-34세와 35-44세의 나이 분포를 지닌 대부분의 전문 직종의 젊은층과 사회적 지위를 성취하고자 하는 이들이었다. 이들의 라이프 스타일은 직업 지향의 활동들, 유행에 뒤지지 않은 복장, 모든 면에서 세련된 생활을 강조한다. 이 중 특히 중요한 것이 있다면 이미지이다. 그들은 남과 구분되는 개성을 원한다. 이미지들은 이국적인 것에서부터 단순함, 순박함과 섹시함에 이르기까지 다양하다. 따라서 이상의 시장조사를 통한 소비자의 요구를 충족시킨 유행경향 제시는 패션시장에서 그 무한한 가능성을 창출하도록 할 것이다.

• 복식
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• 제53권8호
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• pp.137-148
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• 2003

The culture interest regarding the new area causes an effect even in change of fashion and that result Mongol area where it is area other than Japan, China and India and it is having compromised beauty raised it's head. Mongol is in Noin-ula area which is a it's former self of the Hun's. There is to a textile pattern which was used not only the textile pattern which has the feature of Scythian system but also the textile pattern which has the feature of China was used. The feature of Noin-ula's the textile pattern is as follows. Noin-ula's textiles used Scythian system of animal pattern, vine pattern, palmette pattern, thunder pattern, spiral pattern, shape of diamond pattern. Scythian system of animal pattern and vine pattern proves the interchange with the countries to the west of China. Noin-ula's textile pattern is applied to the designer's work of art. The designers are John Galliano, Etro, Chloe, Emmanuel Ungaro and so on, who express the modern ethnic style design. Because the more developed the modern society is the more embossed feature of intention for the race and the fork art, I think that Ethnic style design is applied to modern sensitive and ethnic style in the future.

• 복식
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• 제56권2호
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• pp.134-146
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• 2006

Modern society is a multi-cultural consumer society, and there are multiple trends to cater to the tastes of diverse consumers with different sociocultural background. To grasp fashion trends in fast-changing society, how consumer life is changing and what sort of trend is prevailing should be understood above all. A major fashion trend keeps on changing in every season, and that is an extensive and compound measure of what affects the lives and values of cultural receivers who take the lead in it. The purpose of this study was to delve into what sorts of trends were presented in the 21st century's different cultures, how those cultures were reflected in fashion trends, and how design elements predicted by fashion trends could serve as the sources of design that could create a new fashion. The findings of the study were as follows: First of all, the theories of popular culture and trends were reviewed to describe how general receivers found meaning and delight in the products of cultural industry in their own way and how the products were converted into diverse cultural media. Secondly, consumer styles were discussed by classifying consumers into six groups, twixter, duppie, Ubi-Nomad, NONOS, LOHAS and chav, who were generated by changing cultural codes. Thirdly, sociocultural trends and consumer changes brought a lot of diverse changes to fashion trends. The visual materials about the 2005 S/S, F/W Collection were examined to track how changing trends affected fashion style.

• 디자인학연구
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• 제20권
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• pp.293-304
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• 1997

본 연구의 목적은 19 세기말에서 20세기초로 접어드는 시대에 유럽의 전위적인 텍 스타일 디자인을 창조하였던 비엔나 공방의 형성과 쇠퇴 동기를 규명하고 텍 스타일 디자인의 특성을 분석하여 이 시대의 시대적 경향을 파악하는 데 있다. 연구내용은 첫째, 비엔나 공방의 형성과정과 비엔나 세세션(Secession)과의 관계를 밝히고, 둘째로, 비엔나 공방의 전반기와 후반기의 텍 스타일 디자인의 변천과정을 고찰하며, 이의 텍 스타일 디자인 특성을 디자이너별로 분류하여 분석하였다. 결론으로, 비엔나 공방의 텍 스타일 디자인 특성의 변화 분석을 소재, 레이아웃, 색상, 용도, 디자인 특성적인 면에서 요약하고 공방의 텍 스타일 디자인 성격의 변천요인에 대해 결론을 내렸다. 비엔나 공방의 전반기의 텍 스타일은 홈 퍼니싱 용도로 직조직물로 제작되었고, 호프 만과 비엔나 공방이 건축한 빌딩들이나 저택들에 사용되었다. 전반기의 디자인 특징은 올 오우버 레이아웃을 지니며, 삼색 상 미만의 단순하며 그래픽 적이며 대담한 디자인이다. 소재로는 동물이나 식물의 양식화와 건축 적 요소에서 유래된 기하학 모티브가 사용되었다. 후반기의 텍 스타일은 직조보다는 프린트에 중점을 두었고, 이들은 여성용 어패 럴에 사용되었다. 후반기에 디자인 특징은 올 오우버(All Over) 레이아웃, 줄무늬(Stripe) 레이아웃, 오지(Ogee) 레이아웃을 지니며, 자연을 양식화한 디자인, 전통적인 디자인을 해석한 디자인, 에스닉 디자인, 아프리카와 아즈텍 문명의 영향을 받은 기하학적 아르데코 디자인의 네 분류되며, 색상은 6,7도까지 사용되었다.

• 복식
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• 제57권6호
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• pp.46-61
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• 2007

The analysis of exotic style in domestic fashion brand items aims to offer the ideas necessary for the style and item developments and to analyze exotic images and styles accepted in domestic fashion market. Therefore this study analyzed the domestic fashion brand items and categorized the main exotic factors and styles so that would catch on to its characters and appearance frequency. As for the research method of this study, the frequency and content multi-dimensional analysis were used in the investigation of the exotic images appearing in the domestic fashion brands. The styles of exotic image in domestic fashion brand items are 'natural' style, 'primitive' style, 'ethnic' style, and 'maximalism' style. Also, the main exotic factors in each exotic style were composed of a few exotic images such as 'natural', 'primitive', 'ethnic', 'romantic', 'elegance', 'splendid', 'seductive', 'retro', 'traditional', 'classical', 'bohemian', 'vintage', 'kidult', 'artistic', 'extreme compromise', and 'modern'.

• 복식문화연구
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• 제17권4호
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• pp.653-662
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• 2009

The past Romanticism, which emphasized loveful, womanish property, has changed into new-concept Romanticism as it was harmonized with various emotional cultures and trends in the 21st century. New-concept romanticism is found in various fields ranging from personality, diversity and discrimination to emotion. It is appearing as a new style searching for taste as it is mixed and matched with other fields. In fashion, Romanticism and mix-and-match trend provide womanish feeling through the match with romantic chiffon, high-waisted pants and cashmere cardigan and show modern emotion through vest and short blazer. Therefore, it is necessary to reconsider the method to analyze and express fashion emotion style on the basis of mix-and-match trend of Romanticism. The purpose of this study is to analyze how Romanticism is expressed in the mix and match with other emotional style, predict direction of Romanticism style and establish the ground to find changing fashion trend accurately. The researcher expects that design development will be focused on the fashion, which is more various and characteristic and search for convenient, healthy life, on the basis of the analysis on mix and match shown in Romanticism fashion of the study. The researcher tried to provide the base of design development and assist design activation by using mix and match, which can create various new styles, accurately and understanding and predicting the fashion trend of the 21st century.

• 복식문화연구
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• 제17권6호
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• pp.1047-1058
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• 2009

Japanism represents a Japanese sense presented in Collections by many world-class western designers who are inspired by Japanese Kimonos. This study analyzes how the traditional Japanese costumes were applied to the modern clothing and the mix and match style appeared at the Japanism fashion based on the Fashion Collections during the three years from the spring of 2006 to the winter of 2008. The analysis was performed based on preceding studies, literature, fashion magazines such as Vogue, Elle, Marie Claire, and the Collections during the three years. The results of this study on Japanism covers: the application of Kimono design, Kimono sleeves, Kimono neck line to coats, jackets, one-pieces, and blouses; the application of traditional geometrical patterns, flower patterns, and natural patterns. These patterns were presented by print, dyeing, and embroidery; lastly, the employment, utilization, function, and adjustment of Obi(belt) to Japanese style clothing and also to modern clothing. Japanism fashion presented sportism, feminism, and eroticism by using mix and match. This analysis can contribute to the application of the ethnic clothing to modern clothing.

• 복식문화연구
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• 제15권1호
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• pp.127-136
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• 2007

Modern society shares new culture derived from the fusion of various cultures unlike the past culture regulating one phenomenon of certain field as the representative icon of the era. Especially, the phenomenon of globalization acts as the catalytic agent to receive coexistence of variousness easily. Especially, in fashion industry, these flows and the view of naturalism are harmonized and new fashion trend called 'Ethnic' was embossed. As it reflects internal spirit of human being that wants to return to the memory due to expansion of material civilization, the interest in the designer pursuing it is increasing. This study tries to consider the Ethnic style displayed by Chinese American designer, Anna Sui, who pursues the eastern style with full wit and individuality. Anna Sui, who was praised by New York Times for 'the superb harmony of houte couture style and up-to-date style', created another fashion trend, romanticism in New York and she is the worldwide designer representing Ethnic. Like it, the consideration on her Ethnic style reanalyzing as eastern style provides guidance to check how designer's fashion philosophy appears in one category of America and China and new study material that enables us to understand the third world culture code as well as Anna Sui. This confirmation has the meaning as the basic material for the endless challenge to the new style that fashion will go on in the future. Anna Sui was confirmed to have been recognized as a designer who represented the ethnic collection in the United States, exerting the influence with her unique oriental background. Moreover, her design could identify the pivotal point of ethnic image by developing her unique style which is distinct from other designers in terms of silhouette, color, fabric, detail, and so on. This kind of study can provide the basic data required to understand the fashion world of designer in the future.

• 복식
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• 제57권3호
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• pp.150-164
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• 2007

For the study on the African style reflected in fashion designs since 2000, the applications of African style shown in the four major collections from 2000 S/S to 2005 F/W and some African designers' collections have been analyzed and compared. In this study, 218 pieces of fashion design from the four major collections and 80 pieces from the African designers' collections have been analyzed in three categories - traditional clothes, traditional textile design and accessories. First, in the formal application of traditional clothes, the western clothes seasoned with the traditional images takes the majority of the cases in both the four major collections and the African designers' collections by 89.4% and 77.5%, respectively. However, the African designers have a tendency to actively receive modernism on the traditional clothes, while most of the western designers in the four major collections re-explain and distort the natural and primitive images of Africa into the ones longed for by the westerns. Second, in the textile design, the African designers adopt colorful and geometrical patterns of traditional textile designs of West Africa, while various animalistic patterns (36.2%) are used in the four major collections. The western designers mistakenly mix these patterns with those from the West or other traditional patterns from different cultures, obstructing proper understanding of the African culture. Third, accessories are the cultural elements most widely utilized by the African designers. In the African designers' collections, they are simplified to provide the functions well-matched with the modern clothes. In the four major collections, however, the primitive and colorful accessories found in African tribal culture are used in an exaggerated manner.