• The Journal of the Korea institute of electronic communication sciences
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• v.10 no.3
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• pp.381-386
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• 2015

In recent, many researches have been studying sensitivity and psychology of human being on color and the necessity of psychology therapy by color. Among them, a picture of children can be a tool to represent their emotion. Information of colors and direction on a child's picture often represent his internal psychological states unconsciously and is different from the brightness of a color. In this paper, we propose a method to extract domain colors by color classification and subdivision the classes of brightness using fuzzy inference. In addition, it is shown that our method is used for analysing the psychology status of children through their pictures.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2019.05a
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• pp.551-555
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• 2019

본 논문에서는 색채에 대한 아동의 심리를 분석하기 위해서 CRR(Colour Reflection Reading) 및 주조색를 이용한 심리 분석 기법을 제안한다. CRR은 이미 그려진 그림에 아동이 색을 칠하는 것으로 색이 칠해진 데이터를 바탕으로 아동의 심리 상태를 분석한다. 주조색 심리 분석 기법은 원하는 색을 선택하여 그림을 그리고, 그린 그림을 이용하여 심리를 분석한다. 따라서 본 논문에서는 퍼지 논리를 적용하여 색채에 대한 심리 분석 결과를 도출하고 그린 그림을 기반으로 공간 배치도 분석 기법을 이용하여 공간 배치도에 따른 아동의 심리 상태도 분석한다.

• Proceedings of the Korea Information Processing Society Conference
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• 2016.10a
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• pp.751-752
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• 2016

사람들의 다양한 심리적인 질병으로서 분노나 스트레스, 불안, 초조, 긴장, 우울 등이 있다. 이런 심리적인 문제를 안정시키기 위해서 다양한 치료방법이 존재한다. 사람의 마음은 뇌의 영향을 받는데 마음은 의식과 무의식으로 나뉜다. 성격의 대부분을 형성하는 무의식이 마음의 대부분을 차지하지만 이는 아주 어렸을 때 형성되기 때문에 인지가 어렵다. 색채 치료에서 색채는 주관적인 심리가 강하기 때문에 개개인에 맞춰 좋아하는 색이나 안정이 되는 색을 봄으로서 심리를 안정시킬 수 있다. 본 연구에서는 색채를 통하여 마음이 안정할 수 있도록 하는 시스템을 개발하는 것을 목적으로 한다.

• Journal of the Korea Convergence Society
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• v.10 no.6
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• pp.121-128
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• 2019

Fashion display is a part of fashion brand marketing strategy. Today, due to the improvement of consumers' aesthetics, consumers' requirements for display and decoration in fashion stores are also increasing. And color design plays an important psychological role in the display. In this study, the color design of the display is taken as the center, and the status quo, emotional characteristics, psychological and physiological functions of the color design of the display are taken care of. After analyzing specific examples through previous studies, the methods and rules of color design are explored on the basis of these studies, and the principles of color matching beauty are studied to prompt the color design that follows in the display. First, there should be some emphasis on the overall color allocation. Second, the structure of the store needs to be considered. Third, we need to emphasize scientific and reasonable color matching sequence. To sum up, judging this research is of positive significance to the later research on color design.

• Industry Promotion Research
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• v.6 no.1
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• pp.15-21
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• 2021

The study aims to examine the connection between psychology in human unconsciousness and color, after looking at the meaning and symbolism of the characteristics and colors in Klimt's paintings from an analytical psychological point of view, Gustaf Jung's archetype theory. After analyzing Jung's archetype theory, First, in Klimt's paintings, the gold and yellow colorful decorations and patterns expressed desire with unconsciousness, sex, and especially a woman's desire for sex. The physical relationship between men and women is described as eros, life, and death. Second, the main colors in the paintings were blue, black green, gold, yellow, and orange, indicating anger and oppression, passion, desire, hope, and eroticism, and orange and yellow colors represented the inner healing colors of hope. Third, the artist's inner healing process contains color for himself and incorporates the inner unconsciousness and consciousness. The colors expressed in paintings are not only therapeutic meaning but also being conscious of inner unconsciousness, which is valuable as healing. Therefore, the color will be useful as a means of conveying psychological expression in the psychological counseling sessions.

• Trans-
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• v.11
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• pp.119-142
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• 2021

Video was a cultural practice based on image. The audience longs to experience new things, not everyday things through by video images. There are many components of the image, but among them, color, a visual representation, plays a big role. Since the advent of color films, color has constantly evolved as an important component of visual art and has become an important role in innovative visual art design. According to film history data, filmmakers were interested in color since the film was created in 1895, but in the early stages of film development, film colors were only black and white. Because these two colors no longer satisfy viewers, more natural colors began to emerge from the film as it was colored. However, with the development of historical paintings, the lack of artistic creation and the public's level increased, making people more active in using colors because simple reproduction of natural colors alone does not satisfy people. The colors in the video are both techniques of expression and can be understood by mind and thought. It is also an indication that colors do not just exist, but they work strongly on human psychology. Now people are so motivated by repetitive and unimportant information that they find that the human intuitive system simplifies the information they receive unconsciously that they have certain customs and characteristics when they see things. Color is part of the film language, or color language can express the film's ideological themes or portray vivid characters in the film, and people are receiving more intuitive messages. This study analyzed the basic color components of bisexual lighting, namely, pink, blue, and purple, and analyzed how human psychology is affected through color, combining the scenes from the video. The purpose of this paper is to explore what color language bisexual lighting is expressed using color properties in images and how bisexual lighting interacts with human psychology through color.

• Proceedings of the Korea Society of Costume Conference
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• 2004.05a
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• pp.54-54
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• 2004

검정색은 죽음, 절망 등을 상징하는 부정적인 색채이미지를 가졌지만 고대부터 현대에 이르기까지 복식에 다양하게 표현되어 왔으며, 검정색에 대한 색채정보와 색채심리의 계속적인 변화에도 불구하고 패션컬렉션에는 검정색을 사용한 디자인이 매 시즌 소개되고 있다. (중략)

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• v.9 no.1
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• pp.820-823
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• 2005

개인의 경험을 통해 얻어지는 외부의 물리적 자극에 대한 복합적인 감성을 분석하여 공학적으로 처리함으로서 인간의 보다 편리하고 안락한 생활을 영위하도록 하는 연구가 진행되고 있다. 색채는 아동의 감성과 성격을 이해할 수 있는 중요한 요소이다. 또한 아동은 자신의 심리 상태나 갈등을 그리기나 낙서 등의 작업을 통해서 아동의 감성을 무의식적으로 표출하는 경우가 많다. 따라서 아동이 선호하는 색채를 통해 아동의 감성상태를 파악할 수 있다. 본 논문에서는 인간의 오감 즉, 시각, 청각, 후각, 미각, 촉각 중에서 시각(색채)에 따른 감성 상태를 파악하기 위하여 아동이 그린 그림의 색채를 분석한다. 그리고 퍼지 논리와 퍼지 추론 규칙을 적용하여 감성 상태를 파악하는 방법을 제안한다. 제안된 감성 처리 방법을 알슈울러와 해트윅(Alschuler and Hattwick)과 박재명의 색채에 따른 감성 상태에 적용한 결과, 제안된 감성 처리 방법이 효율적인 것을 확인하였다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2006.05a
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• pp.340-345
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• 2006

본 논문에서는 인간의 시각(색채)과 그림 표현의 공간구성에 따른 감성과 심리 상태를 파악하기 위하여 색채 정보와 위치 정보를 분석한다. 그리고 분석한 컬러 정보에 퍼지 논리와 퍼지 추론 규칙을 적용하여 감성 상태를 파악하고 분석한 위치 정보에 퍼지 소속 함수를 적용하여 공간 배치에 따른 심리 상태를 파악하는 방법을 제안한다. 제안된 처리 방법을 알슈울러와 해트릭(Alschuler and Hattwick)의 색채에 따른 감성 상태와 Grunwald의 그림 표현의 공간구성에 따른 심리 상태에 적용한 결과, 제안된 감성 처리 방법이 효율적인 것을 확인하였다.

• (The)Study of the Eastern Classic
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• no.32
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• pp.51-69
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• 2008

Lu Xun was closely bounded with art since he was young, and he had a thorough knowledge of art. This treatise discerned how Lu Xun substituted and expressed his emotion through his work of art, and what was characteristic of his selection and combination of colors. Truly, color is related to statement of human mind. Lu Xun expressed certain color either consciously or unconsciously when he created human figure. The group of black in human figure in his art is representative example of it. Lu Xun always used heavy and dark color to emphasize human figure so that people can assume their lives and character. This artistic mentality or, great choice of art, relates to Lu Xun's individual life and state of mind. However, Lu Xun did not always choose dark color. Sometimes he looked squarely at darkness and tried to pursue bright color presupposing 'hope' at the same time.