• The Journal of the Korea Contents Association
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• v.13 no.11
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• pp.87-95
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• 2013

"Gone with the wind"(1939, Directed by Victor Fleming) was produced in the stylistic conventions of the classical hollywood cinema, and thus the musical employment also followed the norms of the style, such as late Romantic musical style, serving the narrative, signifier of emotion, and giving continuity and unity. But, at the same time, the statement of the classical theory that the music hides and tailors itself to support the drama - invisibility, inaudibility, narrative cuing and so on - does not seem to explain the musical employment of "Gone with the wind." On the contrary, it hires music to put itself forward, and often times it stops the narrative to show musical spectacles for which the image is tailored to fit the music. These are more of music theatre or music drama features rather than the conventional underscore of the films in that period. In this study analysed the musical employment of "Gone with the wind" to see how it took full advantage of music to lead the narrative in a more active way and to make musical spectacles, by borrowing the technique and style of music theatre, such as, overture and entr'acte, similarities with film musicals, Wagnerism influence, and the use of songs.

• 건강소식
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• v.37 no.1
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• pp.18-19
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• 2013

지난 2012년 흑룡의 해에 빛났던 용띠 스타 중 가장 활발한 활동을 한 인물로 차태현을 꼽지 않을 수 없다. 데뷔 17년 만에 처음 도전한 사극 영화 <바람과 함께 사라지다>가 누적 관객 491만 명을 기록했고 KBS 예능프로그램 '1박 2일'의 새 멤버로 투입 돼 시청률 상승의 핵심 멤버로 자리 잡았다. 하반기에 시작한 KBS 드라마 '전우치'에서는 1인 2역의 배역을 소화하며 전반적인 스토리를 이끌어가고 있다.

• The Science & Technology
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• v.29 no.11 s.330
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• pp.75-78
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• 1996

비디오 카세트 리코더(VCR)가 등장한 1970년대 이래 가장 중요한 가전제품이 마침내 가을바람과 함께 우리 옆에 모습을 드러내기 시작했다. 오랫동안 고대하던 디지털 비디오 디스크는 영화관 수준의 품질을 가진 영상과 스트레오 음향을 우리에게 낯익은 오디오 콤팩트 디스크(CD)와 닮은 디스크에 실어 우리 안방극장에 제공한다. 한쪽에 4.7기가바이트씩의 용량을 가진 한장의 DVD는 '바람과 함께 사라지다' 정도의 길이를 가진 고화질의 영화 한편을 수록할 수 있다. DVD는 음악, 영화, 게임 그리고 다른 멀티미디어 패키지를 저장할 수 있다. 그래서 거추장스런 종래의 비디오카세트는 물론 레이저디스크, 오디오, CD 그리고 심지어는 오늘날 출시되는 신형 컴퓨터 4대중 3대꼴로 내장된 씨디롬도 결국은 DVD 앞에서 무릎을 꿇고 말 것이라고 생각하는 사람들이 많다.

• The Research Journal of the Costume Culture
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• v.5 no.2
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• pp.285-295
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• 1997

This dissertation aims to study a role and importance of clothing as a visual transmission system, with investigating the system and structure of a pragmatics in a cinema costume and analyzing what the meaning of a pragmatics is, depending on the circumstance on the circumstance on the basis of pragmatics. It examines as an objective the clothes of Scarlett, a heroine in 'Gone with the Wind's film originated from the novel written by Margaret Mitchell. As a result of this study, the movie costumes demonstrate a purposed transmission medium as a describing tool governing comprehensive circumstances in the process of drama. The costume plays a significant role in delivering a meaning of a movie showing historical backgrounds, social situations, and psychological description, status, characteristics, tastes of characters by means of their costumes in the movie.

• The Research Journal of the Costume Culture
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• v.10 no.6
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• pp.648-665
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• 2002

This study is to analysis on movie costume including the personal characters, social influences and situational effects of the main heroines among the expressions of clothing through the movie, "Gone with the Wind" produced by the MGM Company in America in 1939 with the collapse of the social classes through the American Civil War as its setting. The range of this study is to look into the images of cinema costumes like the colors and silhouette related to the roles based on the movie. According to this study, first, we can see the changing process from crinoline to bustle styles by historical invastigations into clothing styles rather than the images of roles in the aspect of silhouette Scarlet of hanghty and challenging character is shawn in X-type silhouette mainly using capped sleeves and laces and Mellany of obedient and generous character, compared with Scarlet, is showing less detail effects, and is expressed in A-type silhouette of modesty and maturity. Second, there are remarkable differences of colors and details in which starlet who had the pioneer spirit used the vivid tones like red, green and black, and white laces and blades as an accent while Mellany who was considerate and soft used the dark tones like black and blue, and white and blue lace shawls And third, in images, Scarlet who was very positive in sociai activities is expressed as a elegance and romantic images in the sophisticated and modern styles but Mellany who was a good and steady housewife was shown as a elegance image in the mannish styles.

• Journal of Fashion Business
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• v.7 no.5
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• pp.1-12
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• 2003

In this study I surveyed the dress and the color symbolism of Scarlett and Melanie in the movie "Gone with the Wind" based on the novel by Margaret Mitchell. In investigating the dress and the color symbolism, I analyzed Scarlett and Melanie's image as described in the novel, and examined how the symbolic imagery is represented through coloration based on the DVD reproduction of the movie "Gone with the Wind" originally produced in 1939. In her novel, the author Margaret Mitchell introduced two women, Scarlett and Melanie, whose respective image sharply contrasts with each other. To express Scarlett's young, vigorous, lusty, and vivacious image, she uses green to depict the character, clothing, and background on the whole. Black, which mainly expresses the death image of the mourning dress. Red symbolizes her fast and lavish image. On the other hand, gray is used to describe Melanie's sedate, shyness, and modest image while alluding to her gloomy atmosphere. Brown symbolizes her sedate and plain image in the novel. In the movie, green symbolizes Scarlett's overwhelming image of youth and liveliness as also depicted in the novel. Melanie, however, seems to appear consistently in gray-blue or purple dresses to reflect her image of modesty, sedation and dignity. Melanie's blue image contrasts with Scarlett's blue image in that the latter is used to hint at the omen to a tragedy to come. Red is used to express Scarlett's passionate and fast image. Black symbolizes death or mourning in the movie.