• Title/Summary/Keyword: 미술사

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Exploring Fractional Ownership in Korean Art Market: Based on Business Model Canvas (분할소유 미술시장의 현황과 과제 - 비즈니스 모델 캔버스를 중심으로 -)

  • Lee, Yunjin;Koo, Jajoon
    • Korean Association of Arts Management
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    • no.58
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    • pp.179-204
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    • 2021
  • Not only the consumption trend after the COVID-19 pandemic but also low financial interest rates have stimulated people to invest artworks. With the recent noticeable growth, art investments that mainly conducted by younger generation through online platform can be characterized by a fractional ownership in art market which means several people share one piece of artwork. This study explores 4 fractional ownership platforms in the domestic art market including Art Together, Art & Guide, Tessa, and Pica projects, using a business model canvas that describes nine key elements: Customer Segments, Value Proposition, Channels, Customer Relationships, Revenue Streams, Key Resources, Key Activities, Key Partners and Cost Structure. The four cases have similar business models, but the details of revenue streams are different. The key sources of revenue are the profit and commission of the work. Thus, maximizing the profit margin of artworks is the core of revenue streams, so selecting and purchasing highly profitable artworks are significant. Based on the analysis, there are 3 suggestions to continue fractional ownership platform businesses in art market successfully. First, it is required to have a long-term perspective on art investments, as a way to diverse asset portfolio. Second, business confidence should be increased to maintain customer loyalty. Third, the role of platforms as competent experts is important.

수도원 수학과 중세 미술

  • 계영희
    • Journal for History of Mathematics
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    • v.16 no.3
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    • pp.77-88
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    • 2003
  • In this paper, we consider relationship of the monastic mathematics and the arts of the middle ages. Because mathematics and arts are effects of the spirit of the ages. Here, we concern with the Rome and the religion of Christ. Next, we think of the bible and Christian doctrine and then compare with Christian arts and arts of the customs of the middle ages. The middle ages is the period of women's inequality according to the feudal system. So we investigate the correlation of the christianity, arts of the middle ages, women's inequality and monastic mathematics which is worthless in mathematics history.

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수학과 미술의 추상성

  • 계영희
    • Journal for History of Mathematics
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    • v.12 no.2
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    • pp.119-133
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    • 1999
  • In this paper, we consider the abstraction of mathematics and arts. In particular, we compare cave arts of Palaeolith stone ages with those of Neolith stone ages and analyze paintings of a child. After the Middle ages, in Renaissance period the new technique, perspective was introduced by painters for the sake of realistic description. We consider the social background of perspective. In 19th century, European society became familiar with the abstraction of mathematics and arts. And we also study the mathematical concepts and the abstract paintings on the basis of the social backgrounds.

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유클리드 기하학과 그리스의 미술

  • 계영희
    • Journal for History of Mathematics
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    • v.16 no.2
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    • pp.23-34
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    • 2003
  • In this paper, we consider relationship between the mathematics and the fine arts. The former is one of the advanced sciences, the latter is one of the arts. But there is correlation between the mathematics and the arts. Here, we concern with the ancient greek mathematics, Euclidean geometry and the ancient greek arts. The ancient greek arts is classified with Geometric Style, Archaic Style, Classical Style and Hellenistic Style. The Geometric Style, Classical Style and Hellenistic Style are very effected by Euclidean geometry. Because the greek artists as keep the geometric proportion as the Euclidean's 5th postulates. The artist's cannon in just golden ratio 1:(1+$\sqrt{5}$)/2.

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명품코리아 I - 음악.미술품 감상하러 병원가다

  • 사)한국건설안전기술협회
    • Journal of the Korea Construction Safety Engineering Association
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    • s.48
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    • pp.32-37
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    • 2009
  • 문화마케팅이 가장 활발하게 펼쳐지고 있는 곳은 어디일까. 백화점 스포츠센터 웨딩홀 이제 그 대답을 병원에서 찾아야 할 것 같다. 건국대학교를 비롯해서 현대아산병원, 삼성병원, 세브란스병원, 국립의료원, 경희의료원 등이 음악회를 여는가 하면 미술전시 공간을 마련해 놓고 환자는 물론 지역사회를 위한 문화공간을 제공하는데 앞장서고 있다. 우리가 살아가는 데 그리 익숙하지는 않은 곳이나 몇 번씩은 꼭 찾게 되는 곳 "병원"의 변신. 우리에겐 매우 반가운 현상이 아니겠는가.

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Comparison Study on the Material Characteristics of Oil Paints (I) (유화물감의 재질적 특성 비교 연구 (I))

  • Kim, Jung Heum;Park, Hye Sun;Lim, Sung Jin
    • Journal of Conservation Science
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    • v.33 no.2
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    • pp.85-95
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    • 2017
  • Oil paints are mixtures of pigments, drying oils and additives. In the past, oil paints were mainly composed of inorganic pigments. However, recently color matching techniques vary depending on manufacturers due to the development of various kinds of synthetic pigments. Despite this, most studies of oil paints in South Korea are about durability tests, and there is no comparative study on the characteristics of commercial oil paint components. This study aims to compare the properties of four different kinds of oil paints from four manufacturers, which are the most popularity used. Extender pigments in oil paint from C brand differed from that of other manufacturers and various kinds of coloring pigments were differently used depending on the oil paints and the manufacturers. The mixing ratios and the pigment types differed even for oil paints having the same product name. It is assumed that these differences could affect the colors. The result of this study is expected to contribute to the analysis of artworks through the accumulation of scientific data of oil paints. In addition, it can be utilized as a scientific basis for art history studies, including the characteristics of artists or production year.

A Study of the Visual Irony of a Painting Using 'Dépaysement' ('데페이즈망(Dépaysement)'을 통해 본 회화의 시각적 아이러니(Irony)연구)

  • Moon, Ji-Hye
    • Journal of the Korea Convergence Society
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    • v.11 no.4
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    • pp.165-172
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    • 2020
  • The purpose of this study is to primarily explore the characteristics of 'irony' and focus on the process of visualizing it. 'Irony' is one of the rhetorics used to describe the context or situational aspects of writing. This 'Dépaysement' that appears in art history corresponds to 'ironic' rhetoric in writing. 'Dépaysement' is a combination of techniques, which conveys a message through de-familiarizing rhetoric. With the images conflicting with each other in logic on the same canvas. 'Dépaysement' and 'ironic' rhetoric have commonalities in that they produce a situation with opposite or contradictory images and obscure the images and the situation by distorting them into being different from what has usually been known. In conclusion, Ironic Characteristics and Visual technique elements of dépaysement are identical, this study attempts to understand the visual language by analyzing 'the visual irony' that appears in artworks.

On Policy Change of Gwangju Biennale: in Between the Gwangju Biennale Declaration and the Innovations Suggested on the 20th Anniversary (광주비엔날레의 정책변화: 창설 선언문과 20주년 혁신안 사이)

  • Kwon, Keun-Young
    • The Journal of the Korea Contents Association
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    • v.18 no.4
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    • pp.245-253
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    • 2018
  • The purpose of this research is to analyze how the transformation of Gwangju Biennale policy change their exhibitions. The research analyzed the Gwangju Biennale Declaration which announced upon the foundation of Biennale, as well as the following development plans to examine how the Biennale's aim has changed. There're any Biennale which has the declaration except Gwangju. We can see the keywords of art criticism at that time in the declaration and the innovations suggested on the 20th anniversary of Gwangju Biennale. This research shows the 20 years development of the declaration of Gwangju Biennale which visualize Gwangju spirit achieved more universal expansion by displaying artworks. The achievement of Gwangju Biennale which universalize the Gwangju spirit and expansion of community art parallelize the development of Korean contemporary art.

Non-rational tendency in contemporary floral art & design : a focus on the exploration of the subconsciousness (현대 화예디자인에서의 비이성 경향에 관한 연구 : 무의식 탐구경향을 중심으로)

  • 강병길;이정민
    • Archives of design research
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    • v.15 no.1
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    • pp.15-26
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    • 2002
  • Contemporary visual art is characterized by a systematic study of the irrational. This trend was largely a reaction to the rationality of Modernism, which felt out of fair in the post-industrial society. This new trend against Modernism is represented by Deconstructivism. However, the appeal of irrationality has a deeper root. In this article, we examine the historical roots0 of this interest in the irrational. In doing so, we focus tour attention on the effect of Freud's theory of the subconscious on the growth of Surrealism in modern art. In particular, we explore how this same tendency is reflected in modern. floral art & design. By doing so, we are able to relate the developments in floral art & design with the developments in other areas of modern art. Finally, we show that it is possible for floral art & design to be in the vanguard of contemporary art because of its unique characteristics.

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Spatial Analysis of the Cultral Properties Using the Digital Informations (수치정보에 의한 문화재의 공간분석)

  • 강준묵;윤희천;배상호
    • Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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    • v.14 no.2
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    • pp.159-166
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    • 1996
  • It has the imfortant significance to study of 3 dimensional precision surveying and analysis system for conservation of culutral properties. This study is about to efficient precision surveying methods and analysis of digital information data for conservation of cultral properties. We acquire the photos and construct the 3 dimensional digital information in 1 n accuracy, and carry the spatial analysis to five story pagoda at Chongrimsa temple site of National Treasure No. 9 of Korea. In result, we carry the 3 dimensional modelling accurately and the efficient geometrical analysis of sections, calculation of the aera, volumn, and position and slope of con-trial axis. So, we expect efficient use of as well study of art history as safety diagonise for the preservation of cultural properties.

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