• Journal of the Korea Computer Industry Society
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• v.4 no.10
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• pp.695-702
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• 2003

It is necessary for us to have proper synchronization technology in order for continuous media and non-continuous media to be integrated and presented. In case of continuous media, it would be possible to convey significant information only after relevant synchronization is completed in the continuous media itself. In this thesis, I mentioned integration of these multi-media, basic notion of synchronization and synchronization technology. In order to process synchronization, I have researched into information used to fractionize methods regarding synchronization. And I have also discussed synchronization problems found in integration of continuous multi-media and through researching into case study of MHEG, I have analyzed how the synchronization of multi-media is processed and applied.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2010.07a
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• pp.315-316
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• 2010

디지털 방송시대에 새롭게 등장하는 다양한 방송수신메체를 통해 이제 방송 수신은 TV뿐만 아니라 PC, DMB 수신기, DMB 수신이 가능한 휴대폰, PDA, 네비게이션 등 다양한 방식으로 확대되었다. 이러한 방송환경의 변화는 그간 우리 방송법에 따라, 우리나라 공영방송의 주요 제작재원 및 운영자금으로 부과되어 온 방송수신료에 대한 새로운 해석을 요한다. 그럼에도 2008년 우리 헌법재판소는 일부 국민이 제기한 수신료 부과처분에 대한 헌법소원심판에서 새로운 방송수신 매체를 통해 방송을 수신할 수 있음에도 불구, TV수상기 소지자에게만 방송수신료를 부과하는 현 방식이 평등의 원칙에 반하는 것이 아니라고 주장하며, 일부 국민의 청구를 기각하였다. 이 논문은 공영방송의 기능과 방송수신료의 헌법적 의미에 비추어 볼 때, 새로운 수신 매체에 대한 수신료 부과와 관련한 위의 헌법재판소 결정례는 방송수신료의 법적 성격에만 집착한 나머지 방송수신료의 헌법적 의미에 관하여 진지한 질문과 대답이 결여되어 있고, 새로운 방송수신매체간의 차이점에 대한 세심한 분석을 결하였으며, 이론적으로는 수신료를 부가하는 것이 타당한 매체까지도 면제대상에 포함시킨 시행령을 너무 쉽게 정당한 것으로 인정하고 정책적 측면에서 면제할 필요성의 검토를 소홀히 하였다. 나아가 새로운 방송수신 매체 중 방송수신 기능이 부가적이더라도, 부가적인 한도에서 제한적으로 수신료를 지불하는 것에 대하여 검토했더라면 더욱 설득력 있는 결정이 되었을 것이라고 비판하였다.

• Journal of Korea Multimedia Society
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• v.7 no.3
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• pp.340-348
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• 2004

In this paper, we proposed an efficient medium access protocol to share single transmission medium for several stations. There are two well known types of medium access protocols: collision allowance and collision avoidance, and each of them is adopted to their own suitable network with advantage. Our proposed protocol have channel reservation facility based on collision allow medium access protocol, CSMA/CD. In a collision, the stations delay collision with generating pseudo collision signal to reserve channel. Then, the collision terminates and the stations, which reserve channel successfully, participate the next competition with higher medium access probability. We show that the proposed protocol reduced collision times and improved utilization of the channel.

• Information and Communications Magazine
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• v.33 no.5
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• pp.26-34
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• 2016

최근 디지털 사이니지 분야는 광고분야의 한정적 매체 특성을 벗어나 첨단 기술과 서비스 콘텐츠를 결합하여 다양한 분야에서 새로운 형태의 매체로 변화하고 있다. 특히, 광고 업계의 침체와 기존 단순 영상 송출의 한계를 증강현실, 동작인식, 다양한 매체간 목적성 연동, 위치기반 맞춤형 서비스 등을 제공하며 융합적, 결합적 서비스 매체로 진화하고 있다. 2000년대 초 디지털 사이니지의 국내 보급은 국외를 포함해서 보급이 매우 빨랐다. 디지털 사이니지는 광고 목적으로 시작됐지만, 외형적 성장 속도에 비해 매체를 통해 제공되는 콘텐츠, 서비스, 운용 기술 및 S/W 개발 등의 질적 성장은 상대적으로 소극적이었다. 그러나 최근 아시아를 중심으로 한류 열풍이 확산되면서 K-POP, 화장품, 의류, 바이오 등 산업을 중심으로 디지털 사이니지의 수요가 증가하는 추세이며, IT와 융복합되면서 교육, 정보 제공, 예술분야에 적극 활용됨에 따라 국내 디지털 사이니지 산업이 새로운 전기를 맞고 있다. 특히, 위치 기반 서비스는 2000년 후반 차량용 네비게이션 시장을 시작으로 현재 스마트폰에 기본으로 장착되면서 이제는 서비스 전분야에 직/간접적으로 활용되는 다양한 기술이 개발되고 있는 실정이다. 이와 같이 디지털 사이니지는 첨단 기술과 결합하여 다양한 형태의 지능적 처리 능력을 이용함으로써 현재 광범위하게 사용되는 위치 기반 기술과 서비스를 결합한 새로운 매체 인프라로 생활 공간에서 급속히 확산되고 있다. 본고에서는 현재 뜨거운 화두가 되고 있는 디지털 사이니지와 위치 기반 기술의 기술 및 시장 현황을 살펴보고, 기술 및 서비스 융복합에 따른 앞으로의 디지털 사이니지 분야와 결합된 위치 기반 서비스의 미래를 전망해 본다.

• The Journal of the Acoustical Society of Korea
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• v.34 no.6
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• pp.463-469
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• 2015

In this paper, we propose an underwater propagation delay-aware medium access control protocol and evaluate the performance of the proposed protocol. In the proposed propagation delay-aware medium access control protocol, a sink node can restore the received RTS frames that are not piled up in a slot time. We analyze and compare the performance of the proposed underwater propagation delay-aware medium access control protocol with that of the conventional medium access control protocol in various environments.

• The Journal of the Korea Contents Association
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• v.12 no.11
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• pp.133-144
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• 2012

In this paper, we analyzed that a performing director can make effective advertising and publicity with any medium during the overall performance planning. We discovered 3 steps which are before viewing(viewing motive), during view(service quality) and after viewing(content quality) which affect purchase decision on viewing performance followed by an adjustment effect according to media type. Through surveying and analyzing the results, we confirmed that viewing motive, service quality, and content quality have significant effect on purchase decision and significant adjustment effect according to media type. Therefore, we expect that a performing director can make an effective advertising and publicity decision with any medium during performance planning.

• Journal of The Korean Association of Information Education
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• v.17 no.4
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• pp.507-513
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• 2013

The purpose of this paper is to compare the learning effectiveness of autonomous learning between on-line cyber learning using Internet media and off-line learning using printed media. In this study, each group is provided with the same learning contents and the same learning conditions. For autonomous learning the results revealed a significant difference between on-line cyber learning being not as effective as off-line learning. In order to improve the effectiveness of on-line cyber learning the negative aspects have been identified. These findings will help to improve the development of on-line learning effectiveness.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.21 no.4
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• pp.911-925
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• 1996

Emerging service classes need an error model which efficiently satisfies the requirements for each media and application. However limited flexibility in the error control has been provided. Therefore we propose a new error control model which applies error control scheme per media flexibly with respect to ETL(Error Tolerance Leverl) and delay. In order to select the error control scheme in this model, the attributes of media(i.e., ETL, isochronism), the attributes of application(i.e., delay) and environment parameters(i.e., packet loss ration, network types, connection modes of the application) are considered as effect factors.

• The Journal of the Korea Contents Association
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• v.6 no.12
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• pp.261-268
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• 2006

A hologram is a three-dimensional image reproduced from a pattern of interference produced by a split coherent beam of radiation. Therefore not only can it express the three dimensional properties of the object, but because of it ability to show the depth and spatial properties of the object holograms may be a more effective tool in advertising for its visual appeal. This study presents 'hologram'a three dimensional stereo imaging, as the expression technique in advertising of the next generation, and with proper understanding of 'hologram' and of all its potential applications discusses opportunities for advertisements that are distinct from the multi media advertisements of today. The basic concept of Holograms and their application methods were presented in the thesis, and by using Sales Promotion advertisement as example, discussed what elements are required in order to produce an effective advertisement using holograms.

• Cartoon and Animation Studies
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• s.34
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• pp.81-104
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• 2014

Self-reflexivity means consciousness turning back on itself and breaks with art as illusionism and exposes their own factitiousness as textual construct. Self-reflexivity in media deals with the media's condition and process itself and tends to pull viewers out of the reality represented on screen by reminding them that is a media's construction or illusion on the screen. Representation aesthetics has been recognized with an essential theory of the art since Ancient Greek, but it has encountered crisis with the invention of the photography and the cinema in the early 1900s. The supreme transparency of the new media induced a new perspective for the representation aesthetics, which had dominated the art world. The art derived from the representation stood on the crossroad of changing direction. Modernism aesthetics wanted to search for the self-referentiality in order to the replace the past principal. This essay focuses on self-reflexivity in animation and their methodology. First, the change of representation aesthetics in visual arts will be discussed. Second, animations exposing their process of production and components will be analyzed, and lastly, intertextuality in animation will be dealt. I hope to provide the vision of the expanded animation media with this study.