• Title/Summary/Keyword: 게이머

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초대석- 조병규 그리곤엔터테인먼트 사장

  • Sin, Jong-Hun
    • Digital Contents
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    • no.1 s.128
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    • pp.22-23
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    • 2004
  • 2003년에 제작된 디지털콘텐츠 가운데 가장 뛰어난 작품에 수여되는 디지털콘텐츠 대상 대통령상에 그리곤엔터테인먼트의‘씰온라인(Seal Online)’이 수상작으로 결정됐다. 씰온라인은 풀 카툰렌더링 기법을 도입한 3D 온라인게임으로, 밝고 명랑한 분위기를 강조해 게이머들이 편안하게 게임을 즐길 수 있도록 하는데 초점을 맞춘 게임이다. 올해 처음으로 대통령상으로 격상된 DC대상을 수상한 그리곤엔터테인먼트의 조병규 사장을 만났다.

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CONTENT PRISM / 게이머와 게임의 접점 웹사이트 '품질'이 성공 좌우

  • Korea Database Promotion Center
    • Digital Contents
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    • no.4 s.119
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    • pp.80-85
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    • 2003
  • 게임사들에게 웹사이트 품질의 중요성에 대한 인식을 제고시켜 사이트 사용성 개선을 유도하고 비교 분석된 평가결과를 토대로 도출된 성공요인을 활용해 산업에 적용할 수 있도록 하기 위해 한국웹사이트평가개발원(원장 홍일유)에 서는 국내 주요 게임사들의 웹사이트 품질을 고객관점에서 평가하고, 성공요소와 주요 문제점을 분석했다.

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클릭, e업체- 나코인터랙티브 ‘믿는다! 라스트 카오스’

  • Sin, Seung-Cheol
    • Digital Contents
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    • no.9 s.136
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    • pp.36-37
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    • 2004
  • 온라인게임 대작들이 하나둘씩 선보이면서 한동안 잠잠한 듯 하던 온라인게임 시장서 일대 격전이 예상된다. 라그하임의 인기감소로 성장세에 의심을 받았던 나코인터랙티브 역시 절치부심, 차기작‘라스트 카오스’를 내놓았다. 3일간의 제한적 서비스로 게이머들을 안달나게 만드는 신비주의 마케팅을 펼치고 있는 나코인터랙티브를 방문해 봤다.

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V+동아리 Wemade ENT 플라워 동호회 - Wemade ENT 플라워 동호회를 만나다 우리는 꽃보다 아름다워

  • Kim, Chae-U
    • Venture DIGEST
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    • no.1 s.126
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    • pp.28-29
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    • 2009
  • 팍팍하게 돌아가는 일상 속에서 나만의 눈부신 무언가 하나를 찾았다면 그 만큼 보람되고 소중한 것이 뭐가 있을까. 대한민국 게임 산업의 메카이자, 전 세계 게이머들의 이목을 받고 있는 글러벌 벤처기업, 위메이드 엔터테인먼트(Wemade Entertainment / 이하 위메이드). 위메이드는 'Fun 경영'을 실천하며 사내동호회 활동을 적극 지원한다. 그 중 꽃꽂이 동호회인 '위메이드 플라워 가든(Wemade Flower Garden)'이 모인 현장을 찾아갔다.

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The influence of social self-efficacy on online game satisfaction (온라인 게이머의 사회적 효능감이 게임 이용 만족도에 미치는 영향)

  • Wi, Jon-H.;Oh, Na-Ra
    • Journal of Korea Game Society
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    • v.7 no.3
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    • pp.13-22
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    • 2007
  • A study examined the causal effects of online social self-efficacy on online game life satisfaction. A total of 1,754 Korean online game users who play 'Goon-Zu' completed a questionnaire developed by the present researchers. The results were as follows. First, there was a significant positive correlation among online social self-efficacy, social support from online game community, online relation satisfaction, and achievement satisfaction in online games. Second, it was found that the partial mediation model explained the data better than the full mediation model.

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A Study on the Realization of a Map Simulator Reflecting Propensities of Gamers (Focused on Korean Style MMORPG) (게이머의 성향을 반영한 맵 시뮬레이터 구현에 관한 연구 (한국형 MMORPG게임을 중심으로))

  • Kim, Jung-Hyun;Kim, Kyung-Sik
    • Journal of Korea Game Society
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    • v.7 no.1
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    • pp.3-10
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    • 2007
  • The maps in the world of the role playing games provide not only areas for motions and actions of player characters, but also worlds of totally included monsters and NPC(Non Player Character). However, the design of maps and monsters in them could not be tested for their balances until the games had been developed quite a bit. So they need additional expense of extension period of developments. In this paper, we have designed and developed a map simulator to expect the popularities of the maps in the early stage of the game planning in order to prevent inefficient concentration of users on some maps by expecting the popularities of the maps in the early stage of game planning and by setting the parameters of monster arrangements in the map.

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Preliminary research on esports of Northeast Asia part 1: Downfall of affect, 10 years history of Korean e-sports (동북아시아 e스포츠 현황에 대한 기초연구 1: 정동(affect)의 실각, 한국 e스포츠 10년사)

  • Lee, Yongbeom
    • Journal of Korea Game Society
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    • v.20 no.2
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    • pp.61-74
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    • 2020
  • Northeast Asia accounts for half of the world game market, worth $ 152.1 billion, and has abundant growth potential. Early e-sports in Korea could be formed through the distribution of affects of active participation of gamers and fans. Since then, the establishment of a corporate team has continued, securing stability as an industry. However, mediation rights, intellectual property disputes, and game manipulations continue, leading to a massive escaped of early fandom and the collapse of StarCraft-based ecosystems.

Investigation on the 12 Phases of Hero's Journey in RCT3 Game Story (RCT3 게임스토리에 나타난 영웅의 모험(Hero's Journey)의 12가지 단계)

  • Roh Chang-Hyun;Lee Wan-Bok
    • Proceedings of the Korea Contents Association Conference
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    • 2005.05a
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    • pp.64-69
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    • 2005
  • Recently, grafting of a story into a game has attracted ever increasing attention. In this study, the 12 phases of Hero's Journey by Joseph Campbell highlighted in movies and myths was analysed from a point of Christoper Vogler to be correlated with a game. Since a story-teller Is a player in a game, the story experienced by the player enjoying the game was examined and correlated with the 12 phases of Campbell. As the game, a construction/management simulation game, RCT3 produced by Atari was studied. The 12 phases of Campbell was applicable to game story.

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Investigation on 12 Phases of Hero's Journey in RCT3 Game Story (게임스토리에 나타난 영웅의 모험(Hero's Journey)의 12가지 단계 분석)

  • Roh, Chang-Hyun;Lee, Wan-Bok
    • The Journal of the Korea Contents Association
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    • v.6 no.11
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    • pp.104-109
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    • 2006
  • Recently, embedding method of a story into a game has gathered much attention than ever. In this study, the 12 phases of Hero's Journey, which was suggested by Joseph Campbell and was highlighted in the area of movies and myths, has been analysed at a point of Christoper Vogler. Since a gamer is not just only a player but also a story-teller in a game, the story experienced by the player enjoying the game was examined and correlated with the 12 phases of Campbell. The game RCT3, a construction/management simulation game ,produced by Atari, was studied. The 12 phases of Campbell was applicable to game story.

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A Study on Gamers' Game Acts and Play Time (게이머의 게임 행위와 시간에 대한 연구)

  • Gwak, E-Sac
    • Journal of Korea Game Society
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    • v.17 no.4
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    • pp.71-80
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    • 2017
  • This paper presents an investigation into time in games. Many researchers have studied time in games including Jesper Juul (2004), arranging time in games according to the criterion of the concept of time in reality. Most of this research distinguishes internal time from external time in games. The present study, thus, examined internal time in games from the viewpoint of the observer, believing that the most important element of the game was gameness or play and further experience rather than the relationship between reality and games. Thus, the investigator classified internal time in games into "oriented time" and "non-oriented time" and examined the operations of those time classifications in the gamers' experiences.