• 디지털융복합연구
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• 제16권10호
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• pp.479-484
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• 2018

일제 강점기 여성들 one length hair style의 변천사 및 형태학적 분석을 시도한 연구로서 선행논문과 저서를 바탕으로 형태, 질감, 색상 등 헤어디자인의 구성 요소들을 분석하여 다양한 형태의 one length hair style 커트가 가능해지는데 연구의 목적이 있다. 연구 결과 1910년-1920년대 one length hair style은 커트 길이의 단차가 전혀 없는 out line을 지닌 형태, 자연 그대로의 모발 질감, 자연 모발 색상을 보였다. 1930년대 one length hair style은 약간의 커트 길이의 단차를 보이면서 다이아몬드 형태, 자연스런 질감의 narrow wave, 과산화수소나 oxygenated water을 이용한 약간의 탈색이 이뤄졌다. 1940년대 one length hair style은 형태, 질감, 색상 면에서 화려한 미(美)를 추구하려는 특이점이 발견되지 않았다. 본 연구를 통해 one length hair style에 관한 심층적이고 세분화 된 후속 연구가 가능해지며, 헤어미용 교육의 기초 자료 및 뉴 모드의 트렌드 개발을 위한 초석으로 작용하리라 사료한다.

• 복식
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• 제63권2호
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• pp.98-109
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• 2013

This study aims to discuss the image making of K-pop girl groups to provide an outlook on the necessary fashion components in order to express certain concepts by analyzing the fashion styles. The fashion styles of the representative girl groups from 2007 to 2011 were classified into five types: retro style, schoolgirl style, chic style, sporty style and marine style. The following are the features and elements of image making by style. The retro style pursued going back to the past. It used stripes, dots, leopard patterns, spangles and denim. It reproduced the style of the past to the trendy style using big sunglasses, retro makeup, girlish hair and gold wigs. The schoolgirl style created the sexy or cute image by using school uniforms as the motif including shirts, short pants and knee socks. It included having natural makeup and straight hair and differentiated colors, patterns and designs. The chic style was classified into rock chic look and sexy look. Both looks had common elements including smoky pop active makeup while the fashion concepts and hair styles were different. The sporty style took the concept of cheer girls. It used plaid shirts, baseball jackets, short pants, thigh high boots, vivid hair accessories, romantic makeup and straight, wave hair. The marine style took the naval uniform as the motif. It expressed the image using short pants, stripe patterns, wappens, naval caps and smoky sexy makeup, straight hair. K-pop girl group fashion is the driving force for the growth of Korean fashion industry as well as its cultural trends and hope that it have a growing influence on the global market and trend through continuing research and support.

• 패션비즈니스
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• 제13권4호
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• pp.60-76
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• 2009

Expression of woman characters in fusion traditional dramas plays a role of making the progress of dramas not bigoted and new. Especially, woman characters have a high weight as a heroine by an increase in their image in fusion traditional dramas. Expression of characters harmonizing modern with tradition has also given a help in reflecting a trend of the present times. Hair style and face makeup of woman characters in fusion traditional dramas are in the process of fusionization getting an effect from postmodernism. They are expressing the hair style of symbolization modern elements of hair style to traditional hair styles. They also expressed a neutral image with faded hair styles in the shaggy cut style and dye of neoplaticism. Neo-hippie style was changed into the style of naturalism and nationalism and the hair style braided in various branches as the one of Indians was changed into a primitive and national feature. It is producing a new style by permitting even a long-hair permanent wave hair style. Expression of straight hair style, a long-hair shaggy & bulging wave style and a hair style of neoplaticism, was distinguished. In the side of face makeup, they expressed its luxurious and splendid style by attaching great importance to its luster and are exposing images of characters by a smoky makeup emphasizing eye lines. Their face makeup was almost never separated from present dramas as using pearl shadow in a glossy lips makeup and color, which made it possible to express it more dramatically in fusion traditional dramas than in present dramas. In the event of the makeup element of fusion traditional dramas permitting diversity, the character makeup of fusion traditional dramas made a foundation to show people diverse elements of makeup by mix & match a present elements and past elements of historical research, which made it possible to express a unique makeup or a special makeup. Diverse makeup expressions were limited by reflection of illumination even in the existing videos. Therefore, 'Fusion' made it possible to express it more freely in fusion traditional dramas than in present dramas.

• 한국의상디자인학회지
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• 제16권2호
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• pp.139-150
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• 2014

The purposes of this study are to analyze current situation of fashion market of Vietnam who is mainly influenced by Korean wave, analyze preferred fashion brand product and street fashion style of women in 10~20s interested in fashion so much, and develop the design suitable for Vietnamese consumers' preference so as to seek the methods domestic fashion industry can have competitive edge in emerging economic market. It's significant to suggest the direction of Korean new contents and seek the possibility of advancing new market by getting out of domestic market which is stagnated by preparing the foothold of fiber and fashion industry, beyond the first effects of Korean wave. Through this study, current situation of Korean wave which recently becomes new Korean wave based on the K-pop and futhermore, one of worldwide cultural situation could be recognized. Based on the preference of the Korean wave, current situation of Korean fashion industry spread gradually in Vietnam and design characteristics of fashion style preferred by Vietnamese consumers could be grasped. As the result, the design which can satisfy various needs of Vietnamese female consumers preferring fashion style was developed based on the characteristics by product's styles of Vietnamese fashion market. In addition, it intended to be helpful to plan the design of casual wear which is more professional so that Korean fashion industry can advance Vietnamese market through it.

• 디지털융복합연구
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• 제19권7호
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• pp.349-358
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• 2021

1980년대, 홍콩 장르영화가 빠르게 발전함에 따라 홍콩 뉴웨이브 영화의 신화가 시작되었으며, 이는 같은 시기의 대만 영화에도 깊은 영향을 끼쳤다. 이 과정에서 대만의 뉴웨이브 영화들은 독특한 영상언어를 통해 대만의 그릇된 사회현실을 지적하고, 역사문화에 대해 반성을 표현하는 사회의제로 시대정신을 발현, 예술적 가치를 구현하였다. 본 논문에서는 대만 뉴웨이브의 대표적인 감독인 허우 샤오시엔과 에드워드 양의 작품 속 영상 스타일을 통한 주제 표현, 영상언어, 등에 대해 대중 예술적 가치를 분석하였다. 또한 이러한 대만 뉴웨이브 영화의 영상표현적인 특징을 통해 표출된 감독의 의도 등으로 동아시아 영화산업의 대중 예술적 가치에 대한 시사점을 도출했으며, 신세대 영화인들의 창작과 혁신을 위해 다채로운 영화창작 구도를 제시하였다. 또한 사회계몽적인 측면에서 향후 중국 영화를 발전시키는데 중요한 시사점을 제안하려 한다.

• 한국콘텐츠학회논문지
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• 제11권9호
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• pp.166-173
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• 2011

아시아는 약10년을 주기로 특정 국가의 문화가 유행을 주도하는 경향을 보여 왔다. 1980년대 홍콩영화의 유행을 '항류(港流)'라 칭했고, 1990년대 일본 TV드라마, 애니메이션, 게임 등의 유행을 '일류(日流)'라 칭했으며, 1990년대 말부터 '한류(韓流)'가 시작되었다. 이러한 '~류(流)'라는 표현은 '~식', '~스타일', '~파' 등의 뜻으로 일본에서 사용되어온 일본식 용어다. 최근 일본에서 유행하고 있는 대만 TV드라마와 특정 스타의 인기를 '대류(臺流)'라 부르다가, 중국 영화, 방송, 관광 등의 인기를 총칭하여 '화류(華流)'라고 부르는 것 또한 마찬가지다. 이렇듯 한류라는 용어는 일본에서 사용되는 '~류'의 일환으로 1999년 한국문화부에서 한국대중음악을 홍보하기 위해 배포한 음반 <韓流-Song from Korea>에서 공식적으로 사용되었다. 최근 한류의 열기가 한풀 꺾이며 화류의 열기가 그 자리를 대체하고 있음을 볼 때, 지금이라도 한류의 어원에 대한 잘못된 정보를 바로잡고, 한국문화를 표현하는 용어의 확립과 그 사용에 대한 연구가 필요한 시점이다.

• 디자인학연구
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• 제13권3호
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• pp.135-144
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• 2000

본 연구의 목적은 바젤 스타일에 대한 역사적인 고찰을 통해 20세기 모던 타이포그래피의 전개과정과 그 현재적인 의미를 파악하고자 하는 것이다. 제1장에서는 20세기 초 모던 타이포그래피와 스위스 스타일이 형성되는 배경을 살펴보았고, 제2장에서는 바젤 타이포그래픽 전통이 형성되고 또 극복되어 가는 과정을 고찰하였다. 제3장에서는 바젤 스타일의 현재적 의미를 살펴보고 이 스타일이 디지털 시대의 시각언어와 조형문법을 형성하는데 어떠한 영향을 미쳤는지 살펴보았다. 이러한 연구를 통해 본 연구자가 고찰하고자 한 것은 그래픽 디자인의 역사가 단지 탁월한 능력과 감각을 지닌 몇 몇 디자인 거장들에 의해 이끌어지거나 사회, 문화적인 맥락과는 상관없이 일시적으로 등장했다가 사라지는 화려한 디자인 스타일들로 이루어지는 것이 아니라 나름대로의 내적인 동력을 가지고 역사적인 진보의 방향에 따라 전개되어온 전문 분야의 역사임을 보여주고자 하는 것이었다.

• 복식문화연구
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• 제14권4호
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• pp.635-646
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• 2006

The purpose of this study was to determine if personality types affect hair style and clothing image. Personality types was applied using Myers-Briggs Type Indicator(MBTI). Subjects were 101 students at Keimyung University in Daegu, Korea. Data analysis was performed using SPSS package, which included ANOVA, t-test and ${\chi}^2-test$. The results were summarized as follows. 1. There was only significant relationship between hair style and personality type. Sensing type preferred hair wave style than intuition type. 2. There were several significant differences between clothing image and personality type. Extroversion preferred avantgarde clothing image more than introversion type. Intuition type preferred exotic and avantgarde clothing image more than sensing type. Feeling type preferred active clothing image more than thinking type. Judging type preferred elegance clothing image more than perceiving type. 3. There was significant relationship between hair style and clothing image preference by personality types in college students. Intuition type preferred exotic and avantgarde clothing image and waveless hair style.

• 한국의상디자인학회지
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• 제7권3호
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• pp.129-144
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• 2005

The purpose of this research was to find out the effect of hair-style(straight and wave), hair-length(short, medium and iong), and type of hat design(no-hat, beret, cloche, bowler and capeline) on the impressions of hat's wearer . The experimental materials developed for this study were a set of stimulus and response scales(7-point scale semantic). Thirty stimuli color pictures of various combination of hair length, hair style, and type of hat design were manipulated by computer drawing. The subjects were 360 undergraduate students in Seoul, Kyunggi and Kyungnam. The result of this study can be summarized as follows; Impression factor of the stimulus consisted of the 5 different dimensions (attractiveness, gracefulness, brightness, visibilty, cuteness). Each impression of type of hat design, along with hair-style, hair-length had significant effects on gracefulness, visibilty and cuteness. Each impression of hair-style, hair-length, along with type of hat design had significant effects on gracefulness, brightness, visibilty and cuteness. Thus type of hat design, hair-style and hair-length have a significant influence on the impression evaluation of hat's wearer.

• Human Ecology Research
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• 제56권5호
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• pp.461-472
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• 2018

Using a sample of third grade middle school students from the forth wave of Children and Youth Panel Survey in 2012, the mediation effects of private educational expenditure between parenting styles and children's academic performance were investigated by applying factor, cluster, tobit, and two stage regression analysis. The major results were as follows. First, four types of parenting style were identified. The most frequent parenting style was ambivalent parenting (tiger parenting) which was followed by authoritative parenting. Second, compared to permissive parenting style, ambivalent, authoritative, and authoritarian parenting styles were significantly associated with more private educational expenditures. Third, more private educational expenditures were significantly associated with higher academic performance of children. I found both a full mediation effect of private educational expenditure for ambivalent and authoritarian parenting styles, and a partial mediation effect for authoritative parents. Authoritative parenting style has a negative moderating effect on the relationship between household income and private educational expenditure, along with a positive direct effect on the academic performance of children. The results suggested that an authoritative parenting style was related with higher academic performance of children with less private educational expenditures compared to other parenting styles. The results also implied that the public policies to enhance authoritative parenting style among parents would be effective to reduce household's private educational expenditures.