• 대한예방한의학회지
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• 제26권2호
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• pp.37-53
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• 2022

Objectives : This study analyzed the concordance between student self-assessment and peer-evaluation in a role play using the Clinical Performance Examination (CPX) scenario developed based on Korean medical syndrome differentiation. Methods : The subjects of this study are first-year-students majoring in Korean Medicine. The role play based on clinical case was performed in the class of Korean Medicine Classics. Feedback on clinical skill competency got through student self-assessment and peer-evaluation, and this study was compared and analyzed of result. Results : A simple comparison of the results of self-assessment and peer-evaluation in the evaluation results of clinical skill competency may appear to be consistent. However, it was not statistically significant. It is necessary to enhance the discriminative ability in the evaluation of clinical skill competency. It will be possible to improve a bit by relatively increasing the weight of the scores on the items that students expect to respond differently among the evaluation items. In addition, in order to dramatically improve the systemicity and reliability of the evaluation of clinical skill competency itself, it is necessary to introduce the Introduction to Clinical Traditional Korean Medicine (ICTKM) course. Conclusions : Student's self-assessment and peer-evaluation as feedback on clinical skill competency are suitable for the purpose of education and training. However, the reliability of the evaluation was not statistically significant.

• 패션비즈니스
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• 제27권3호
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• pp.35-49
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• 2023

The purpose is to derive its aesthetic characteristics by objectifying the visual image of the YouTube campaign into adjectives. As a result, we intend to identify advertising strategies that use them as basic data for setting fashion design concepts. A group of experts in fashion majors watched each of them, wrote adjectives, and collected 75 adjectives. By analyzing the frequency of adjectives, aesthetic characteristics were derived with adjectives recording the upper number of times, and the results were obtained that they had the characteristics of deconstruction. The conclusions of this study are as follows. First, Tamburin's Jenny appeared to be strange, scary, rambling and charming. Among the internal meanings of deconstruction due to spatial, social, and psychological distance from consumers, it can be said that T.P.O's mutual textuality and play of interaction. Second, Gucci Cruise be chosen rural, strange, wild, unharmonious, and difficult, which is a mixture of intertextuality and play of T.P.O. Third, The Excise Gucci Campaign parodies that juxtaposes six films directed by Stanley Kubrick, making them strange, retro, difficult, interesting, and wrong. Deconstructionist de-genre and de-boundary Fourth, Kenzo World is weird, dynamic, wrong, difficult, difficult, and confused, which correspond to T.P.O's interactive textuality, play of the second half, and destruction and decomposition among the external expressions of deconstruction. Fifth, Burberry Hero emphasized the aesthetic value of traditional men, so it was ostensibly wild, free, powerful, sensual, and fantastic. Compared to the lifestyle of men who usually work at work, this corresponds to play of second best.

• 복식
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• 제38권
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• pp.83-100
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• 1998

The purpose of this study is to figure out how stage costume of Peking Opera communicates what the character wants to inform to spectator. The stage costume means the clothing, shoes, headdress, accessory that the cast is worn for communicating personality of character. Stage costume not only reveals the character of new spirit who the director and the work is like to create, but also makes the style of play harmonizing with the atmosphere of the work. So, the stage costume in the play is a sort of symbol system that forms the depth of play. The stage costume of Peking Opera was formed on the basis of the Chinese traditional stage costume in the Qing period, however the style of stage costume was beautified the costume of Ming period and here contained the factors of successive costumes. But the stage costume of Peking Opera don't have the same rank system with real history costume and don't have demarcation according to period and history. Only it is that transformed and created the real history costume with Chinese fine view and made how they wear Chinese fine view and made how they wear the costume according to position, age, personality of character in the play. In the stage costume of Peking Opera, the color is cultural language that director can communicate to spectators and can inform spectator of sex, age, personality, position of the character. The color of the stage costume of Peking Opera reflects the principles of Yin and Yang and the five elements of the Chinese cosmogony. The pattern of decoration also makes the personality and characteristic of the character. The dragon pattern symbols the authority and majesty, so only the character of high position can use it. The pattern of tiger and leopard symbols bravery, so the military officer can use it. Civil officer decorates with the pattern of Japanese apricot, orchid, chrysanthmum, bamboo that symbols integrity and honor. The stage costume of Peking Opera communicates the identity of character with the special form of costume. Kanjien is a costume of the young priestess, Houyi is the Sunwukong'costume. Chayi is a costume of boatman. Lingzi, Sweixiu, Kaoqi is the props for the foramtive effect of stage costume, also they play an important part in expressing the emotion situation. In the result of study, we could know that the form, color, pattern of the stage costume and props of Peking Opera play important parts in communicating informations that let spectator can understand the play. So, the stage costume of Peking Opera is an‘picturizing costume’that the form, color, pattern of the stage costume is a sort of symbol system. It makes spectator feels actually the viewing Peking Opera.

• 한국엔터테인먼트산업학회논문지
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• 제15권3호
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• pp.211-219
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• 2021

중국의 티베트 가극은 높은 수준의 종합성을 갖춘 연극 형식으로, 서양 연극의 현실성과 중국 연극의 사의(写意)뜻을 결합한 교육 미학적 특징을 지닌다. 구체적인 표현 형식으로는 가면극, 마당극, 의식극, 종교극의 형식을 겸하고 있다. 티베트 가극은 지방극의 한 종류로 높은 연구 가치를 지니는데, 이는 교육적 미적 특성에 의해 결정되는 것이다. 세계 3대 희곡은 인도의 법극, 고대 그리스의 희곡, 중국의 희곡으로 이들은 각각 다른 표현 형식과 교육 미학적 특징을 갖고 있다. 티베트 전통극은 발원지의 특수성 때문에 이 3대 희곡의 부분 표현 형식을 종합적으로 이어왔다. 고대 그리스 비극은 디오니소스 제사에서 유래한 것으로 초기 의식적 동작의 공연에서 남자들이 탈을 쓰고 연기했으며, 티베트 연극인 아체라모에서도 남자들이 탈을 쓰고 배역을 맡았다. 그 가면은 민간의 짐승 토템 동작과 종교적 무언극이자 액땜의식인 창무(羌姆)에서 유래하였다. 인도의 법극은 그 역사가 길기 때문에 <무론(舞论)>에 기재되어 있는 것을 제외하고 구체적인 공연 형태는 이미 알 수 없지만 <무론(舞论)>에 관한 기록과 관련, 티베트 가극의 시작 부분에서 "온바", "자루", "라무"이 세인물의 활용은 법극의 '개념 인물극'이 지닌 특징을 가지고 있다. 또한 티베트 가극은 민간 설창이야기를 각본으로 한 가무를 공연 형식으로 진행하고, 신에게 제사 지내는 것을 목적으로 하는 것은 중국 희곡의 교육 심미적 특징을 계승하는 것으로 중국 전통 희곡의 중요한 한 부분을 구성하는 것이다. 본 논문은 캉바 가극 공연에서 가면이 지닌 교육적 의미, 캉바 가극 공연의 의식 생성, 캉바 가극 공연의 반주에 맞추어 노래하고 춤추는 것 등 3가지 교육 심미적 특징에 관해 서술한다.

• Asian Pacific Journal of Cancer Prevention
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• 제13권9호
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• pp.4807-4814
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• 2012

Purpose: The chemoresistance of human hepatocellular carcinoma (HCC) to cytotoxic drugs, especially intrinsic or acquired multidrug resistance (MDR), still remains a major challenge in the management of HCC. In the present study, possible mechanisms involved in MDR of HCC were identified using a 5-fluorouracil (5-FU)-resistant human HCC cell line. Methods: BEL-7402/5-FU cells were established through continuous culturing parental BEL-7402 cells, imitating the pattern of chemotherapy clinically. Growth curves and chemosensitivity to cytotoxic drugs were determined by MTT assay. Doubling times, colony formation and adherence rates were calculated after cell counting. Morphological alteration, karyotype morphology, and untrastructure were assessed under optical and electron microscopes. The distribution in the cell cycle and drug efflux pump activity were measured by flow cytometry. Furthermore, expression of potential genes involved in MDR of BEL-7402/5-FU cells were detected by immunocytochemistry. Results: Compared to its parental cells, BEL-7402/5-FU cells had a prolonged doubling time, a lower mitotic index, colony efficiency and adhesive ability, and a decreased drug efflux pump activity. The resistant cells tended to grow in clusters and apparent changes of ultrastructures occurred. BEL-7402/5-FU cells presented with an increased proportion in S and G2/M phases with a concomitant decrease in G0/G1 phase. The MDR phenotype of BEL-7402/5-FU might be partly attributed to increased drug efflux pump activity via multidrug resistance protein 1 (MRP1), overexpression of thymidylate synthase (TS), resistance to apoptosis by augmentation of the Bcl-xl/Bax ratio, and intracellular adhesion medicated by E-cadherin (E-cad). P-glycoprotein (P-gp) might play a limited role in the MDR of BEL-7402/5-FU. Conclusion: Increased activity or expression of MRP1, Bcl-xl, TS, and E-cad appear to be involved in the MDR mechanism of BEL-7402/5-FU.

• 유통과학연구
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• 제17권4호
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• pp.69-76
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• 2019

Purpose - The purpose of this study is to examine the effect of basic value satisfaction on service quality evaluation and customer loyalty and the moderating effect of Bargain-proneness in this process. Specifically, I analyzed the influence of basic value satisfaction, the mediating effect of service quality evaluation, and the moderated mediation effect of Bargain-proneness. Research design, data, and methodology - Data collection for this study was conducted for adults over 18 years of age with shopping experiences in traditional market within a month around the traditional market in the metropolitan area. A total of 250 questionnaire response data was obtained. Hypotheses were tested using SPSS. The PROCESS macro method was used to verify the mediating effect of the service quality evaluation on the relationship between basic value satisfaction and customer loyalty. Hierarchical regression analysis was performed to analyze the moderated mediation effect of the bargain-proneness tendency. Results - Empirical results showed that the basic value satisfaction affected service quality evaluation and customer loyalty. Specifically, it has been found that it directly affects customer loyalty and indirectly influences through service quality evaluation. The moderated mediation effect of the bargain-proneness tendency in the process of basic value satisfaction affecting customer loyalty through service quality evaluation has been verified. In other words, the higher the bargain-proneness tendency, the more influence the basic value satisfaction has on the favorable service quality evaluation. Conclusions - This study contributed to the distribution literature in that it attempted a new empirical study considering the variable 'bargain-proneness tendency', which had not received much academic attention in the past. Furthermore, this study contributed academically in that it presented important moderating variables that should be paid attention in the field of distribution studies. In this study, bargain-proneness was used with a focus on traditional markets, but this variable could play an significant role in future offline distribution studies that should pay attention to meet hedonic needs of shopping. These results suggested that traditional market practitioners should focus on the basic value and that the bargain-prone consumer segment should be considered as a target.

• 한국산학기술학회논문지
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• 제11권1호
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• pp.198-208
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• 2010

본 연구는 5세 유아 40명을 실험집단과 통제집단으로 나누어 주2회 10주간 전통놀이 프로그램을 실시한 이후 유아의 기초체력 향상과 신체적 자아개념에 어떠한 영향을 미치는지 알아보는 것을 목적으로 하고 있다. 연구 결과는 다음과 같다. 첫째, 전통놀이 프로그램이 유아의 기초체력 변화에 있어서 하위 요인 중 근력, 민첩성, 순발력, 유연성 등이 통제집단에 비해 실험집단에서 높게 나타났으며, 두 집단 간에는 통계적으로 유의미한 차이가 있었다. 둘째, 전통놀이 프로그램이 유아의 신체적 자아개념 변화에 있어서 하위 요인 중 외모, 운동 유능감, 체력 등이 통제 집단에 비해 실험집단에서 높게 나타났으며, 두 집단 간 에는 통계적으로 유의한 차이가 있었다. 건강 요인에 있어서는 통제집단에 비해 실험집단에서 높게 나타났지만 통계적으로는 두 집단 간에는 유의한 차이가 나타나지 않았다. 이러한 결과들을 통해 전통놀이 프로그램이 유아의 기초체력과 신체적 자아개념에 긍정적인 영향을 미치는 것으로 나타났다.

• 한국엔터테인먼트산업학회논문지
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• 제14권8호
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• pp.35-48
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• 2020

본 연구는 중국의 전통문화를 대표하는 곡예를 현대사회 흐름에 부합하는 무대극으로 창작하여 대내외적 공연을 통해 호평을 얻은 IP곡예무대극 '몽지려'의 성공적인 요인을 인문콘텐츠학적 분석방법을 통해 중국문화산업이 갖는 함의를 알아보고자 함에 있다. 연구결과는 다음과 같다. 첫째, 중국의 문화산업은 정부의 적극적 진흥정책과 거대 내수시장을 토대로 양적 및 질적으로 성장 발전하였다. 둘째, 전통 문화인 곡예 및 의상에 대한 도전과 변화를 통해 현대 무대극으로서 창작적 표준제시 및 실용적 경험공유를 시도하였다. 셋째, 전통문화의 개혁 및 혁신적인 변화 속에서 동양적 인문사상과 감정을 투입하였다. 본 연구의 결과는 인문학적 관점에서 다양한 자유로운 해석과 확대를 가능하게 할 것이다. 그리고 중국전통문화원형에 대한 분석과 접근 방법을 활용한 신문화 창조 연구를 위한 참고 자료에 활용될 수 있을 것이다.

• 복식
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• 제56권7호
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• pp.42-53
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• 2006

The purpose of this research is to study doll's symbolism representing our social culture and the characteristics of clothing design. The ball joint doll was selected, that are pretty much resembled to human body in terms of facial expression, body proportion, joint movement, etc. Results of research are summarized as follows: the ball joint doll is indicated a doll whose joints are free to move with a round shaped joint, which originated by Yochilya simon, who adopted German Hans Bellmer's method.'rho ball joint doll, first, there appeared state of human isolation due to the material civilization and industrial revolution, and trend of adhering to one's own world made human possess dolls. Second, according to the doll play became a representing play culture among Kidult culture, dolls, that are resembled with human being, were recognized as personalized objects. Third, along of expanding digital culture that makes easy to exchange information via Internet, so, ball joint doll market is growing fast, for which various levels of mania are being formed. Take a look at the doll fashion in modern society. In accordance to form of Look, it is largely categorized Young Casual look, Office look, Ethnic look and Military look. When take a look at design specialty, young casual look was presented as a comfortable silhouette and also made of elastic materials and expressed vivid bright tones. Office look image was expressed as a suit of jacket with skirt, and cotton wool polyester materials and acro-matic colors. Ethnic look was represented by Japanese traditional dress and Chinese traditional clothing. The Military look was generally emphasized army uniforms of straight silhouette and shoulder straps.

• 한국의상디자인학회지
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• 제18권3호
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• pp.57-70
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• 2016

Gutnori(ritual A Comparative Study on Shaman's Costume of south coast Byeolsingut in Korea and the Guizhou Nahui in China play) refers to a play in the form of showing actual appearance of god and actual comedic gag with gutguri rhythm. In order to carry out a comparison between the shaman's costume in Korea and China, this study will delve into the types of shaman costumes that are worn in the gutnoris(mask plays) performed in Korean guts and those of China performed in Nahui. As research method, literature reviews and field surveys have been conducted concurrently. In terms of literature reviews, previous research have been studied centrally. For field surveys, Korean gut, Byeolsingut performance was observed for 2 days 1 night between 1st Feb. 2014-2nd Feb. 2014 in the south coast and Chinese Nahui in Guizhou was observed for 2 days 1 night between 25th Nov. 2014-26th Nov. 2014. By comparing Shaman's costume that is worn in Korean shamanism with that of Chinese shamanism as a partial means of understanding the uniqueness of Korean shaman's costume, the following conclusion was derived upon focusing on the common types of gutnori costumes and organizing them. As a universal trait for shaman's costumes in gutnori and nahui in Korea and China, traditional clothing were worn. A unique trait for shaman's costume in gutnori and nahui in Korea and China, deity expressions were shown in both cases using colors.