• 한국실내디자인학회논문집
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• 제20권6호
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• pp.228-235
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• 2011

The 卍 shape which is used as an aesthetical feature for traditional architecture can be seen in the stair railings of the house shaped ceramic potteries in the Eastern Han dynasty(A.D. 25-220) but with the introduction of Buddhism, it has been widely used for the decoration of the sarira(small crystals of the cremated monks) case. After the shape was seen in the Yungang and Dunhwang grottoes mural paintings, the use of it has been expanded. In Korea during the excavation of the Gyeongju Anapji which was the Eastern palace of the Shilla dynasty, a 卍 shaped wood which had been used as a handrail was found and this shape was also used in the railings of the Shilsangsa Baekjangarn temple stone pagoda and lantern and in the sarira case excavated in the Songrimsa temple stone pagoda. In Japan, the Nara period(A.D. 710-794) when there were many cultural exchanges with the Korean peninsula, the handrails of the 2ndfloor of the main hall of Hoyu-ji temple has a 卍 shape. This can be confirmed that this shape has been widely used as a design in Asian Buddhist architecture. Gilsangoonhae(吉祥雲海) which is the symbolic meaning of this shape means for long life and luck which had been used generally for the window designs of temples, palaces, and houses. In this study, it is giving the definition the beginning and the symbolic meaning of the 卍 shape which is being used from the ancient times until nowadays and the change of this shape used for window designs.

• 한국주거학회논문집
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• 제16권2호
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• pp.55-65
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• 2005

'Movement System' is made of the interaction of user and architectural spaces related to each other in order. 'Movement' meant in movement system is possible only in the status of user and architectural space together. Movement created and disappeared by the user is not subordinated to the existing architectural space but becomes the main element of formating movement system. It is required that movement conception applied to architecture should be derived from the essence of movement and this study presents the movement system. To explain the formating process of movement system, A. N. Whitehead's process philosophy theory is at the basis and transformed in architectural aspects. On basis of these theoretical backgrounds, the process of making movement system can be explained. There are unit movement, unit object, and elements for movement process as the basic requirements for movement system, each unit is apprehended by individual operation and the nexus is composed by associative operation of apprehended units. This nexus becomes the object of a new subject and forms multiple nexus. Relation of unit movement and unit object and nexus are apprehended as the continuation and extensive continuum is made. At that time, movement with multiple phases set inbetween systems and extended multiplied. Through above study, movement system is applied to Korean traditional houses.

• 한국조경학회지
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• 제21권4호
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• pp.101-111
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• 1994

This study deals with the degree of enclosure on the Court Space in 'Suh-Won' that has warious perceptual composition elements. 1. The size of Court Space in which we can read the complexion of others and easily understand every behavior of them is similar to that of the 'Madang' in the Korean traditional houses. 2. The angles of elevation are within the range of suitable enclosure as going from the center of the court Space to 'Kang-Dang' and the space -from the center of the Court Space to 'Kang-Dang'- is restricted and surrounded. It is also within the range of the least enclosure as going from the center of the Court Space to the 'Mun-Ru'. 3. The degrees of enclosure based on the horizontal angle are within the degree we can perceive the objects of structure easily. 4. The degree of enclosure based on the ratio D/H is increased as approaching from 'Mun-Ru' to 'Kang-Dang'. The distance as approaching from 'Mun-Ru' to 'Kang-Dang' is changed from social distance to personal distance. To conclude this the Court Space in 'Suh-Won' represents the hierarchical system with variety and the degree of enclosure and the size of space are within the range of human scale.

• Journal of the Korean Wood Science and Technology
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• 제47권3호
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• pp.311-323
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• 2019

The number of newly constructed traditional Korean houses, i.e., Hanoks, and light-frame buildings is increasing. However, related research is limited owing to the lack of awareness regarding safety evaluations. Therefore, this study conducted an outdoor exposure test to accurately evaluate wooden constructions. Spruce, pine, and fir (SPF) material was monitored for a year, wherein the SPF material was artificially dried under 18% moisture content, and its physical properties and color differences were measured once a month. Large differences were observed in the material's weight and moisture content, which are indexes sensitive to daily range and rainfall; however, no significant difference was found for other basic properties in the pre and post test results. Herein, $L^*$, $a^*$, and $b^*$ values represent color differences; these values exhibited a general decrease after the test. Such differences were attributed to the loss of lignin in the wood. The color difference value was high between the months of May and July, when the daily range and rainfall significantly fluctuated. Multiple regression analysis was performed on the $a^*$ value (redness indicator), daily range, rainfall, and ultraviolet index. The results indicated that the daily range influenced redness the most. According to the estimated regression equation, the daily range and redness are positively correlated. Based on the results, the types and influence of independent variables on color difference are expected to change as the wood's duration of outdoor exposure and the amount of data obtained both increase.

• 디자인학연구
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• 16호
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• pp.101-110
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• 1996

추사고택은 조선조 상류주택의 전형적인 사례로서 실내공간의 구성방법과 요소를 분석해 본 결과 다양한 요인을 배경으로 한 분화과정 속에서 다기능을 수용할 수 있는 융통성을 가진 전형화 된 공간의 특성을 지니게 되었다고 요약할 수 있다. 계단식의 입면을 구성하는 엄격한 계층성에 의한 장소 성을 표현되는 일례가 되며, 마루와 온돌의 높이는 신분상의 위계질서와 음양사상을 나타내고 있다. 입면을 구성하는 목가구식 구조의 노출천장과 창호는 4계절의 기후변화 속에서 에너지를 효율적으로 관리하기에 적합하며, 자연미와 전통적 조형미가 어우러져 한옥 고유 미를 창조하고 있다. 추사고택에서 천장 고와 입면을 구성하는 요소들의 치수를 조사해본 결과, 대청의 입면 적 척도는 각 부재의 치수와 함께 사용자의 인체치수와 관계가 있었다. 평면 구성상의 특징은 규격화이며, 이것은 칸의 개념으로 설명할 수 있다. 기둥 간격 차이는 성별, 인체 치수 차이로 추측할 수 있다. 또한 1칸을 기본 모듈로 하여 규칙적인 공간 단위를 병렬로 증식시켜 확장한 것은 주인의 일상생활이 하인의 도움을 받아 이루어졌기 때문에 동선을 그리 중요하게 여기지 않은 결과이다. 추사고택 안채는 폐쇄적인 ㅁ 자형, 사랑채는 개방적인 ㄱ 자형으로 구성되어있는데, 이는 조선조의 남녀 지위차등과 내외사상, 그리고 자연 환경 적 요인이 복합적으로 주거의 평면 구성에 영향을 미쳤음을 보여주는 것이다. 그러나 본 연구가 조선시대 상류 주택 중 한 사례에 한정되었으므로, 현존하는 많은 사례 조사가 지속적으로 이루어져 본 연구의 미비점이 보완되어 더욱 체계적인 연구가 되어야 할 것으로 사료된다.

• 건축역사연구
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• 제3권1호
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• pp.83-99
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• 1994

Ch'ang-Ts'al-Ts'un is a rural Village near Lung-jing City in Yen-pien Korean Autonomous Province of China. It was formed about 100 years ago by Korean Immigrants and has been developed maintaing the characteristics of traditional Korean architecture. Therefore investigating the spatial structure of this village is a meanigful work to confirm and explore one branch of Korean architecture. This study aims at analyzing the spatial structure of the village using direct data collected from the field work and indirect data from books and maps. The field work consists of on-the-site survey of the village layout, interviews of residents, observation notes and photography. Ch'ang-Ts'ai-Ts'un is located 360-370 m high above the sea level and at the side of a long valley. A river flows in the middle of the valley and relatively flat arable land exists at the both sides of the river. The location of the village related to the surrounding river and mountains suggests that the site of the village was chosen according to Feng-Shui, Chinese and Korean traditional architectural theory. The main direction of the house layouts is South-western. The village has been growing gradually until today. Therefore it is meaningful to make the village layout before Liberation(1946 A.D.) because the characteristics of Korean architecture prevailed more in that period. The area of the previous village is limited to the west side of the creek. New houses were later added to the east of the creek, forming a 'New Village'. Previously the village was composed of 3 small villages: Up, Middle and Down. Also the main access roads connecting the village with the neighboring villages were penetrating the village transversely. Presently the main access road comes to the village longitudinally from the main highway located in front of the village. The retrospective layout shows the existence of well-formed Territory, Places and Axes, thus suggesting a coherent Micro-cosmos. The boundary of imaginery territory perceived by present residents could be defined by linking conspicous outside places sorrounding the village such as Five-mountains, Front-mountain, Shin-dong village, Standing-rock, Rear-mountain and Myong-dong village. Inside the territory there are also the important places such as Bus-stop, Memorial tower of patriots, Road-maitenance building and the village itself. And inside it 5 transverse and 1 longitudinal axes exist in the form of river, roads and mountains. The perceived spatial structure of the village formed by Places, Axes and Territory is geometrical and well-balanced and suggests this village is fit for human settlement. The administrative area of the village is about 738 ha, 27 % of which is cultivated land and the rest is mountain area. Initially the village and surrounndings were covered with natural forest But the trees have been gradually cut down for building and warning houses, resulting in the present barren and artificial landscape with bare mountains and cultivated land. At present the area of the village occupied by houses is wedge-shaped, 600 m wide and 220 m deep in its maximum. The total area of the village is $122,175m^{2}$. The area and the rate of each sub-division arc as follow. 116 house-lots $91,465m^{2}$ (74.9 %) Land for public buildings and shops $2,980m^{2}$ (2.4 %) Roads $17,106m^{2}$ (14.0 %) Creek $1,356m^{2}$ (1.1 %) Vacant spaces and others $9,268m^{2}$ (7.6 %) TOTAL $122,175m^{2}$ (100.0 %) Each lot is fenced around with vertical wooden pannels 1.5-1.8 m high and each house is located to the backside of the lot. The open space of a lot is sub-divided into three areas using the same wooden fence: Front yard, Back yard and Access area. Front and back yards are generally used for crop-cultivation, the custom of which is rare in Korea. The number of lots is 116 and the average size of area is $694.7m^{2}$. Outdoor spaces in the village such as roads, vacant spaces, front yard of the cultural hall, front yard of shops and spacse around the creek are good 'behavioral settings' frequently used by residents for play, chatting, drinking and movie-watching. The road system of the village is net-shaped, having T-junctions in intersections. The road could be graded to 4 categories according to their functions: Access roads, Inner trunk roads, Connecting roads and Culs-de-sac. The total length of the road inside the village is 3,709 m and the average width is 4.6 m. The main direction of the road in the village is NNE-SSE and ESE-WNW, crossing with right angles. Conclusively, the spatial structure of Ch'ang-Ts'ai-Ts'un village consists of various components in different dimensions and these components form a coherent structure in each dimension. Therefore the village has a proper spatial structure meaningful and appropriate for human living.

• 한국주거학회논문집
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• 제21권5호
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• pp.35-42
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• 2010

This study examines and analyzes plan of Hanok which has been newly built at rural areas in Jeollanam-do province and is to present the direction in setting architectural plan of Hanok at rural areas. For the purpose of this study, analyzed the types of Hanok based on the topological characteristics of main house and main spaces including room, living room and kitchen. Five types of 105 Hanoks, type-I, type-II, type-III, type-IV and type-V were drawn on the based of the shape of main house and topological characteristics of main rooms including room, living room and kitchen. Type-I had spatial composition of main rooms in a row and showed similar shape of main house with traditional private houses in Honam region, type-II showed placement of living room in center and main rooms beside it, type-III showed change of type-II and placed kitchen and annex behind living room and similar plan composition with type-III and secured the area of living room and rooms by enlarging the number of rooms, and type-V had the shape of main house with twisted form and placed living room in the center and each room at side or twisted part to ensure openness of living room.

• 한국주거학회논문집
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• 제5권1호
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• pp.59-69
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• 1994

This paper was made to examine floor plan and block plan of traditional upper-class houses in the north Kyeungsangbukdo region with consideration into city and country each. The results of this study were as following; First, Munkyung area is latitudinally located in northern area along with the Yechon and Andong. However, Munkyung area has open plot system while Yechon and Andong has not. It is because even if Munkyung area is located in the western of Nak-Dong river and belongs to the northern region, it has belonged to the cultural area which is developed around Sangju area. Second, Youngduk area belongs to the east-coast but it had frequent cultural exchange and marriage with Andong which is located on the road along with Tae-Baek Mountain. Due to the cultural exchange, their housing type is very similar to those of Andong which is close plot plan of "ㅁ" type. Therefore, even if Youngduk is located in the east-coast area, it should belong to the cultural background of Andong area. Regionally, the culture of Kyongsangbukdo has been divided into northern area, southern area, and east-coast area. But, the findings of this study indicate that the analysis of location and floor plan of housing should not be based on the natural environment oand geographic characteristics. Hence, it should be based on the all aspects of environment, including social and cultural nature to find more reliable and accurate results.e results.

• 한국실내디자인학회논문집
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• 제38호
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• pp.108-115
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• 2003

Between 1890-1914, the fundamental changes of the housing in United Sates of America were provoked to attempt the housing developments to adapt modern social system. The worthy of notice is that F L. Wright's Prairie House had been tested and built during the period as 'the first and second era' Despite the transition period in America, this represents that Wright's Prairie House series were developed. There are possibilities that some of the reformers assertion for Housing Development, on behalf of Arts & Crafts Movement, led to Wright's early house inner space design. For this reason, this study is to examine Ideologies that Wright has been accepted between the turning point of America's Arts & Crafts Movement and Hull House Circle. In terms of the ideologies acceptance, the study is also to examine how to be represented his inner space design characteristics. As the result, between'Simplification'housing development and the traditional housing In America, F L. Wright sublimated his own architectural aesthetic as accepting all functional elements to consider inevitability in this period, such as the association between economical and rational space, the plan to led on free plane, the spatial side and the stability of family life and the community, through the unification space having the consecutiveness.

• 한국농촌건축학회논문집
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• 제7권2호
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• pp.56-63
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• 2005

This study is to provide basic research data of village composition and housing types of Central Java in Indonesia. So, I needed both field survey and research for 3 villages. I surveyed several houses cased on three village which located in two Desa of Salatica and one Desa of Purbowangi in rural area. The analysis of this research is divided into main categories as follow; The first is characteristics of village composition. And the second is classification of exterior form types and spatial composition of housing. Through this survey, the results of study are as follows. 1. The main elements of village compositions are public facilities, cross street including in naturalism, and shadow within high-rise tree. But it is not important to planning for orientation. 2. The types of house are 16 in all Indonesia land. But in this study 3 village are followed to Java style which has traditional roof style and clay tile material 지붕, 처마, conservation 3. Spatial composition of inner side is focused of living room-Ruang Tamu, and others are organized in small size. But recently new type of improved village house has rest room into living space.