• International Journal of Contents
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• 제16권2호
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• pp.65-77
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• 2020

The purpose of this study was to examine the impacts of the audience and vlog creator's self-disclosure, media synchronicity (immediacy of feedback, variety of symbol set), as well as content authenticity on the intimacy between the vlogger and the audience and continuance intention of the audience. The participants of the online survey were young Chinese females, instructed to practice their routine of watching vlog and the fixed vlog channels. By the interpersonal process of intimacy model and media synchronicity theory, the results of the structural equation modeling revealed that self-disclosure (audience's disclosure) and partner responsiveness (vlogger's disclosure) form the experience of intimacy in interactions. Also, the quick immediacy of feedback, rich symbol set, and content authenticity positively impacted intimacy development. Meanwhile, intimacy enables the audience to form a continuous viewing behavior. We expect the results of this study will provide more insight into the relationship between the audience and the producer in online video content. In terms of the personal media influencers and MCN companies, this study is also suggests strategic implications.

• 한국의류학회지
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• 제32권5호
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• pp.808-820
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• 2008

The costume of Islam cultural area has been affected by the strict social structure, formed by religion, and traditional costume of Islam has been maintained up to these days under the influence of religion. Islam Traditional Costume, which is the succession of the traditional costume of southwest Asia region, became armed with the form of closed costume due to the chastity and oppression. There are figurative features of Islam Folk Costume; first, the dimensional form due to the ampleness, covering the body, second, the reinforcement of closed form such as chador and burqa, third, the symbolism such as the adornment or incantational ornament, which has been inherited from the former times of Islam era, fourth, the color, simplified with black and white. The aesthetic values of Islam folk costume are represented with 'The beauty of abstinency', suppressing the ornamentation and color, caused by the strict social atmosphere under the influence of the form of traditional costume and religion, 'The beauty of concealment' due to the closeness, with affluent costume forms, covering the body and even concealing the face, and 'The beauty of symbol' which is demonstrated with incantational ornamentation of face and interior decoration. In some nations amongst Islam nations, the wearing of hijab is strictly regulated but black chador and burqa are regarded as negative symbols, representing the closeness and oppression of Islam. It is the product of Orientalism from the western perspective. The Islam Hijab culture is the symbol of oppression towards women, but, on the other hand, it is the device to protect women and the traditional culture, symbolizing the identity.

• 수완나부미
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• 제12권1호
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• pp.49-88
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• 2020

Two utilitarian and symbolic objects associated with womanhood in Cambodian culture are the stove and the pot. The pot is a symbol of both the womb and female sexuality; the stove is a symbol of gendered feminine labor. This article argues that the sexist representations of the Khmer female body by modern Cambodian male artists demonstrate an inherited legacy of Orientalist stereotypes. These images were formed : under French colonialism and often depict Khmer women as erotic/exotic native Others. Starting in the 1970s, however, if not earlier, Cambodian women began to question the gendering of social roles that confined them to domestic space and labor. This form of social questioning was especially present in pop songs. In recent years, contemporary Cambodian woman artists such as Neak Sophal and Tith Kanitha have made use of rice pots and stoves in their art as freighted symbols of femininity. Neak created an installation of rice pots from different households in their village, while Tith rebelled against this gendered role by destroying cooking stoves as an act of defiance against patriarchy in her performance art.

• 수완나부미
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• 제15권1호
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• pp.129-148
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• 2023

Using sociohistorical approaches, the paper shows that before the 15th century, myths of Hùng Kings, considered to be the descendants of the Dragon race and ancestors of the Vietnamese people, may have existed locally. Vietnamese rulers and people strongly supported the integration of these myths into indigenous culture to form a new belief: the worship of Hùng Kings. By way of discovering the transformation process from the founding myths to the modern national beliefs of the Vietnamese, this paper attempts to demonstrate that both myths and worship of Hùng Kings were politically created and encouraged. The article also focuses on the reasons why these myths and worship reached a broad public as these were integrated into Vietnamese culture.

• 한국통신학회논문지
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• 제34권7A호
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• pp.523-529
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• 2009

This paper provides closed form expressions for the evaluation of the end-to-end outage probability, symbol error rate, bit error rate and average capacity of the partial-based Decode-and-Forward (DF) relay selection scheme with an arbitrary number of relays. In a comparison with the performance of systems that exploit Amplify-and-Forward (AF), it can be seen that the performance of our proposed protocol converges to that of partial-based AF relay selection in high SNR regime. We also perform Monte-Carlo simulations to validate the analysis.

• 디자인학연구
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• 제19권2호
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• pp.121-128
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• 2006

심볼 디자인에 있어 선호도를 높일 수 있는 요소는 주로 소비자 반응요소와 디자인의 심미적 영향 요소와 연관이 있다. 이것은 디자인의 심미적 영향요소가 소비자 반응에 영향을 주고 그것은 실질적인 선호도 차이를 통해 나타나기 때문이다. 본 연구는 심볼 디자인에서 소비자들에게 선호를 불러일으키는 심미적 영향요소가 무엇인지 사례연구를 통해 조사하였다. 사례연구결과에 따르면, 심볼 디자인에 대한 선호도는 심미적 영향요소 중 율동, 균형, 조화, 정교성, 곡선, 게쉬탈트, 유기성, 인공성/자연성 등이 높을수록 높았다. 그와 비교해, 단순성/복잡성, 사실성/추상성, 깊이, 대칭 등은 높거나 낮지 않은 적정한 수준으로, 그리고 비례와 요소들의 반복성은 낮은 수준으로 디자인되어야 함을 알 수 있었다. 또한 높은 선호도를 보인 심볼 디자인은 자연물에서 온 형태, 전통문양에서 온 형태들로 나타났으며, 낮은 선호도를 보인 심볼 디자인은 기하학적 도형에서 온 형태들임을 확인할 수 있었다. 이러한 결과를 토대로 소비자 선호도에 맞는 심볼 디자인에 대한 가이드라인을 제공할 수 있을 것이다. 그러나 본 연구에서는 연구 범위상 소비자의 감정적 반응 중 선호도(Affect)만을 고려하였으며, 색채와 재질 등의 특성들은 배제하고 형태적인 측면만을 고려하였다.

• 한국게임학회 논문지
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• 제11권3호
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• pp.21-30
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• 2011

웹을 기반으로 하는 MMORTS 게임 형식은 사용자들이 게임을 인지하는 방식 또한 변형시키고 있다. 본 고에서는 MMORTS 게임에서의 사용자들의 기호작용이 MMORPG의 게임과는 다른 양상을 보인다는 점에 주목하고, 이를 퍼스의 삼원론을 통해 분석하고자 한다. MMORTS 에서 사용자들은 아바타와의 거리 두기와 지표기호 읽어내기, 상징기호를 통한 추론하기의 방식으로 기호작용을 일으킨다. 이는 웹기반 MMORTS의 사용자를 관리자, 기호해석자, 전략가로서 칭하게 하는 특성을 이끌어 내게 된다.

• 한국통신학회논문지
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• 제35권6C호
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• pp.547-553
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• 2010

In this paper, novel approximated closed-form expressions of the SER(Symbol Error Rate) and BER(Bit Error Rate) are presented for the multi-input multi-output space-time block coding(MIMO-STBC) system employing two transmit and N receive antenna(s) in Rayleigh fading channels. Assuming a zero-forcing equalizer and a single-symbol maximum-likelihood (ML) decoder, the formulas are derived for the SER and BER, and then their approximated counterparts are also derived. In the derivation of the approximated expressions, acurve-fitting model is adopted that can eliminate the integral operators in the exact expressions.

• 전기학회논문지
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• 제65권12호
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• pp.2177-2182
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• 2016

Using the existing exact but quite complicated symbol error rate (SER) expressions for M-ary phase shift keying (M-PSK) and M-ary differential phase shift keying (M-DPSK), we derive effective and concise closed-form asymptotic SER formulas especially in Rician-Nakagami fading channels. The derived formulas can be utilized to efficiently verify the achievable error rate performances of M-PSK and M-DPSK systems for the Rician-Nakagami fading environments. In addition, by exploiting the modulation gains directly obtained from the asymptotic SER formulas, we also theoretically demonstrate that M-DPSK suffers an asymptotic SER performance loss of 3.01dB with respect to M-PSK for a given M in Rician-Nakagami fading channels at high signal-to-noise ratio (SNR).

• 복식
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• 제41권
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• pp.23-47
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• 1998

Ornaments is a province of the fashion. It usually express noble metals and jewel's adorn-ment as the symbol of status and riches for a long time. The ornament design of Jewels drawing project and a product by computer are increased development and as exertion as a realization of automation. Through the use of CAD software(Auto CAD R 13 & Jewel CAD) \circled1 A design development of the jewels in industrial society \circled2 A metals art & design on the dress and it's ornaments - Study about application of principle(liberal curve, arrangement of repeated form, gradual unity, rhythmical harmony) Although Auto CAD don't various expression of Jewels than a Jewel CAD, formative.scientific.funtional development of geometrical form is free. That is (to say), geometrical form is given much weigh in the general CAD, but Jewel CAD made concentrate software on the jewels design for the expression of liberal form. The CAD/CAM software for jewellery program is composed of main menu, icons, hotkeys. Changing form is derived from a definite point, curve elements of a drawing. \circled1 3-Dimensional \circled2 Easy and flexible \circled3 Bulit-in and self created library \circled4 From simple wire frame to full color images. As a CAD can practice all the creation activity effectively, from Design & Drafting Software to Rendering generally can present precise results. A point of view of the connection the scientist and art, this practicableness of CAD have a lot of possiblity of development. That will do much for the related fields of industry. Consequently, subjective intension of a creator & humanity with value plays role in practical application of the design.