• 한국주거학회논문집
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• 제12권1호
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• pp.67-75
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• 2001

There were the rites and customs in building of the traditional houses. The purpose of this study is to search the meaning of the building rites, and to search the spatial structure and meaning of the traditional houses through the rites as establishing the true dwelling. The traditional houses show the oppositional structure of the sacred and profane through the rites and customs of the building as the communication with the gods and men. The traditional houses are the center of which the gods of four sides defined and have the cardinal points and vertical axis which has the mythical and symbolic meaning.

• 한국의류학회지
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• 제28권11호
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• pp.1458-1469
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• 2004

In this study, color names focusing on the purple series, appearing in the clothing of the Joseon Dynasty, were classified systematically, and the conceptual meaning of each name were investigated through various methods. The results are as follows; First, the color names of purple-series were classified systematically. According to the integration scheme of morphemes, color names could be divided into two categories; single names and composite names. Color names could also be classified into universal and limited names according to the areal distribution of literatures. Secondly, the conceptual meaning of the color names of purple-series were considered. The conceptual meaning could be divided into two categories; one 'etymological and dyeing methodological meaning', the other 'color systematic meaning' By studying the dictionary definition of color names, comparing and analyzing the material composition of colors, the etymological and dyeing methodological meaning could be grasped. Furthermore, the color systematic meaning of each name could be grasped through the cluster analysis of L*, a*, b* values measured from the relics of clothing. Thirdly, the conceptual semantic structure were established on the basis of conceptual meanings of purple-series color names. The conceptual semantic structure of purple-series color names is forming discrete structure with the dyeing method and material of dyes as their semantic components.

• 복식
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• 제55권3호
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• pp.1-18
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• 2005

In this study, the transition characteristics of purple series color names appearing in the clothing of the Joseon Dynasty were examined, and the associational meaning of each name were investigated through various methods. The results are as follows; First, Such characteristics as continuity, differentiation, substitution could be observed through the investigation of color names of purple-series appeared on the clothing in the Joseon Dynasty period. Secondly, the associational meaning could be subdivided into; social position symbolic meanings, usage meanings, economic meanings, and thought meanings. The social position symbolic meanings could be observed mainly in the single names which has been used since the ancient times, usage meanings could be observed in a wide variety according to the individual color names. The economic meanings could be observed by comparing the value of colored cloths and colored threads. The thought meanings were mainly related with the Confucianism. Thirdly, the associational semantic structure were established on the basis of associational meanings of purple-series color names. Individual color name on the social position symbolic semantic structure symbolizes [government official] and [servant]. Through usage semantic structure individual color names could be understood structurally according to the social position, sex distinction, wearing situation, items of clothing, and structure of clothing. Individual names on the economic semantic structure were segmented by the semantic components of the values in [high], [medium], [low] prices, kinds and quantity of dyes. The thought semantic structure could be subdivided [Confucianism] and [The Thought of Taeil] in its semantic structure.

• 복식
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• 제56권9호
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• pp.1-13
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• 2006

The purpose of this study is to apply a concept of open structure to clothing design and to verify the characteristics found in the various types of clothing which has open structure. The literatures from various academic fields including philosophy, literature, social science, architecture, and fine arts are investigated to define the concept of openness and to analyze it from the perspectives both of the visual and of the moaning of openness. This paper is to identify the types and the characteristics of clothing by future intention, complexity, discontinuity of open structure. By closely examining fashion design after 1980s found in fashion collection publications and designer's websites, the results of this study are as follows: first, the concept of openness can be classified into two different levels, that is, visual and meaning, secondly, in clothing the concept of open structure is applied to the meaning side by future intention, by complexity and by discontinuity. Open structure through future Intention has new content and interpretation and must have the possibility of intelligence awakening, future guidance and basic contents. Open structure through complexity has secondary function exists concurrent with the shape key example is the smart clothes with the digital functions. It has functions of amusement, supplement and protective, and is future clothes which satisfies with health, welfare, desire of beauty. Open structure with discontinuity is clothes with dramatic changes in system, structures and states. Structure can be changed by silhouette, detail, or fabric, material, or dramatic and practical function as tools in terms of productions and environment. This study can help to formulate and to integrate the concept of open structure in clothing with various phases and enhance the value of clothes by showing an application of the concept of openness to the clothing in meaning level.

• 한국결정성장학회지
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• 제33권4호
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• pp.158-164
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• 2023

다이아몬드 결정구조가 갖는 의미와 결정형태의 조형적 아름다움을 새로운 관점에서 디자인하여 주얼리로 표현하고자 하였다. 본 연구에서는 다이아몬드의 결정구조에 대한 문헌 조사와 다이아몬드 결정구조의 조형적 특징을 모티브로 한 주얼리 디자인 사례를 분석하였다. 다이아몬드 결정구조의 의미와 가치를 새롭게 해석하고, 다이아몬드의 결정구조를 주얼리로 디자인함으로써 결정구조가 갖는 미적 효과를 나타낼 수 있는 조형적 디자인을 연구하였다. 다이아몬드 결정구조가 주는 대칭의 효과와 조형미가 주는 반복의 특징을 살려 주얼리 디자인을 제시함으로써 보석이 주는 근원적인 아름다움, 문화적 의미가 새롭게 재인식되길 기대해 본다.

• 음성과학
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• 제8권4호
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• pp.275-288
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• 2001

The sentences with the same surface word order may be realized with the pragmatically different meanings, depending on the contexts under which they could appear. Semantically, their meaning differences have been explained in terms of the different information structures (Steedman 2000), whereas prosodically, they can be explained in terms of the different compositions of intonational components which make their own semantic contributions (Pierrehumbert and Hirschberg 1990). In other words, the different intonation realizations of the sentences with the same word order reflect the different information structures. In this paper, we investigate the relationship between the information structure and the intonational meaning by way of analysing the production of the sentences with ambiguous scopes of the English focus particle 'only'. In contrast to the previous quantitative approaches to the scopes of the focus particle 'only', two independent levels of information structure (Steedman 2000)-theme/rheme, and focus/ background-make it possible to consistently explain the intonational phenomena.

• 만화애니메이션 연구
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• 통권16호
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• pp.101-112
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• 2009

<슈렉>은 기존의 동화와는 다른 새로운 내용과 형식을 선보이며 기존 관습에 균열을 만들어서 고정화된 관념에 대한 인식의 변화, 사고의 전환을 유도한 작품이다. 본 연구는 세 편의 슈렉 이야기에 반복되는 의미구조를 그레마스의 행위자 모델과 기호학적 사각형을 통해 분석하고자 한다. 행위자 모델은, 잘 알려져 있듯이, 세 쌍의 대립항을 통해 이야기의 기본적인 서사도식을 분석하는 기호학적 도구다. 이에 비해 기호학적 사각형은 기본적인 이항대립을 중심으로 형성된 의미지형을 통해 이야기의 의미생성 경로를 시각화하는 모델이다. 기호학적 사각형이 심층층위에서의 의미경로를 탐색하는 모델이라면 행위자 모델은 심층적 의미가 서사적 차원에서 구조화된 것이라고 할 수 있다. 본 논문에서는 공주와 괴물의 사랑과 결혼, 그리고 영원한 행복 찾기를 중심으로 한 행위자 분석과 기호학적 사각형을 통한 의미생성 과정을 분석함으로써 자연과 문화간의 대립에 기반한 슈렉의 이야기 구조를 시각화한다. 분석의 중심 대상은 1편은 슈렉과 피오나의 사랑, 2편은 슈렉과 피오나의 결혼 생활, 3편은 권력과 자유이다.

• 한국항행학회논문지
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• 제15권5호
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• pp.925-930
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• 2011

본 연구는 온라인 쇼핑몰에서 사용자의 구매 선호도를 적용하는 방안을 제시하였다. 선호도를 분석하기 위하여 토픽 선호도 벡터가 사용되었으며, 각 토픽은 물품의 구매횟수를 이용하였다. 제안된 구조에서 각 토픽들의 연관은 상품구매 횟수를 나타내는 Purchase Hit, 관심물품에 대한 기존의 다른 사용자들의 구매 횟수를 나타내는 Count, 상품 선호도를 나타내는 Preference, 상품에 대한 정보를 나타내는 product를 구성하였다. 이러한 구조와 방법에 의하여, 제안된 방법은 사용자의 선호도가 반영된 상품을 효율적으로 제시할 수 있었다.

• 조형예술학연구
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• 제6권
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• pp.203-225
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• 2004

We are sure that Abakanowicz positively assumes a position of members, which are represented the later modern fabric design. In sprite of his pervasive evaluation, we have doubt about his achievement because the preceding research is insufficient about argumentsuch as dependence on intuitive emotion study, conventional analysis of structure and insufficient inquiry of causa efficiens. We agree that basic structure of is dissipation. Though right and left symmetrical structure is similar, also that structure is different. We can't decide whether structure is unification structure, difference structure or mixture structure . We think that the time of confusing argument of his structure is changing period for disorganization trend. The result of this study confirm the research possibility about space organization with restructure analysis and verification for examining essence structure of sample text . The Thesis are concern that the different between paradigmatic appearances and syntagmatic, which exist . So, we can approach the meaning of system and find dominent point about constructional relationship on the works. The meaning of dominent point is understood about sexless trend or Androgyne, which are appeared Abakanowicz forth work period. The relationship structure which is mixed both issue show that inner issue of work is located the highest position. The paper presents confusing manufacture system, which are suggested man-woman sex and mixed meaning. The other result of this study are, 1. being known as Abakan algorism, Abakanowicz has new drafting idiom from his ancient belief. 2. we need to research the body texture of Abakanowicz with the trend of restructure of body study. 3. we need argue about gender study in relative with poster moderntheology related problem of sexlessness people and perfect sex-people.

• 한국콘텐츠학회논문지
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• 제14권4호
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• pp.211-226
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• 2014

본 연구는 청소년의 비행또래에 대한 체험을 현상학적으로 탐구함으로써 비행또래의 근원적인 구조와 본질을 밝히는 데 목적이 있다. 청소년의 비행또래에 대한 체험을 심층적으로 파악하기 위해 연구자는 인간의 생활세계를 구성하고 있는 네 실존체를 중심으로 비행또래의 본질의미를 탐구하였다. 자료 수집은 심층면담, 참여관찰, 내용분석 등을 활용하였다. 자료 분석은 vanManen의 연구방법을 적용하여 네 실존체로 구조화시키고 그 흐름에 맞추어 비행또래에 대한 구조와 본질을 분석하고 글쓰기를 시도하였다. 청소년의 비행또래에 대한 구조를 해석학적 현상학적으로 분석하여 28개의 구성의미와 30개의 현상, 18개의 경험의 구조로 본질적 주제를 산출해 내었다. 참여자들이 경험한 비행또래의 의미는 '경계(境界), 경계(經界), 경계(警戒)'의 경험이다.