• 한국자원식물학회:학술대회논문집
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• 한국자원식물학회 2000년도 The 7th International Symposium
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• pp.114-115
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• 2000

Aralia elata is found in mountain areas all over Korean peninsula. Aralia elata is the scientific name for Japanese angelica tree. The tree belongs to the family Araliaceae, commonly known as ginseng family. Bud sprouts from apical shoot tip of the plants are rich in flavor and thus mainly used for both folk medicine and vegetable. The stalks with apical buds are gathered in the early spring and planted in sandy soil or water in the greenhouse. The sprouting buds are then collected and sold as fresh vegetable. Although the plants have been used for food, they have been cultivated in a very small scale. In spring, local farmers just go around mountain areas to search the trees and gather the stalks as much as they get and sell them to the market. No conservation efforts have been made to stop the exploitation or to save the dwindling population. We tried to provide local farmers with the plants that may be used as an alternative to stalks from wild populations. This will bel! p conserve the wild populations. However, it is hard to propagate them either by conventional cuttings or by seed germination in a short period of time. Mass propagation using tissue culture systems have shown a great promise with several woody plants. Recently we developed a mass propagation technique via somatic embryogenesis system using mature and/or juvenile explants for Aralia elata. Several factors affecting somatic embryogenesis system including SE(somatic embryo) induction, embryogenic callus proliferation, SE germination, plant regeneration and transplanting to field frill be presented. And some problems arising for the somatic embryogenesis system will be also discussed.

• 복식
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• 제55권1호
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• pp.13-24
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• 2005

Throughout the history of fashion and fashion collections, fashion design has been influenced by fine arts. Philosophy and concept of fine arts has been inspiration on the development of fashion design which brings on the close interrelation between fine arts and modern fashion. In order to analyze the affect of fine arts such as Pop art on fashion this study inquires into new perspective that considers different social contexts on the premise that acknowledges the essential difference between the genre of fine arts and design. This study researches the influence of Pop art which has been inspiration on fashion designers since the birth in the 1960s and often appears in recent fashion trends. In view of the results achieved in this study, Pop art-inspired fashion does not concern the aesthetic contemplation of everyday life in western society anonymously as in Pop art but deals with pop art as new ideas in a way that adopts images randomly from designer's convenience which is equivalent to the conception of pastiche. In addition, it was inferred that Peter Pan syndrome exert influence as a mental process and Kidult trend operate on Pop art-inspired fashion as a social phenomenon. On the basis of the theoretical background, the formative features in Pop art-inspired fashion from Spring/Summer 2000 to Spring/Summer 2004 collection has been analyzed. The results fall on the following four categories; those are the use of Pop color which resembles the Hard-edge technique in Pop art, direct appropriation of Pop art such as Andy Warhol and Roy Lichitenstein's works on clothes and accessories, adaptation of Pop art's subject using brand names of mass products or icons in mass culture as design motives, and application of representation method in Pop art such as Andy Warhol's silk screen techniques or Tom Wesselman's composition of pictures.

• 한국자원식물학회:학술대회논문집
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• 한국자원식물학회 2000년도 제7차 국제 심포지움(생약자원개발에 관한연구) 및 추계정기 학술발표회 초록집
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• pp.16-17
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• 2000

Aralia elata is found in mountain areas all over Korean peninsula. Aralia elata is the scientific name for Japanese angelica tree. The tree belongs to the family Araliaceae, commonly known as ginseng family. Bud sprouts from apical shoot tip of the plants are rich in flavor and thus mainly used for both folk medicine and vegetable. The stalks with apical buds are gathered in the early spring and planted in sandy soil or water in the greenhouse. The sprouting buds are then collected and sold as fresh vegetable. Although the plants have been used for food, they have been cultivated in a very small scale. In spring, local farmers just go around mountain areas to search the trees and gather the stalks as much as they get and sell them to the market. No conservation efforts have been made to stop the exploitation or to save the dwindling population. We tried to provide local farmers with the plants that may be used as an alternative to stalks from wild populations. This will hel! p conserve the wild populations. However, it is hard to propagate them either by conventional cuttings or by seed germination in a short period of time. Mass propagation using tissue culture systems have shown a great promise with several woody plants. Recently we developed a mass propagation technique via somatic embryogenesis system using mature and/ or juvenile explants for Aralia elata. Several factors affecting somatic embryogenesis system including SE(somatic embryo) induction, embryogenic callus proliferation, SE germination, plant regeneration and transplanting to field will be presented. And some problems arising for the somatic embryogenesis system will be also discussed.lso discussed.

• Current Research on Agriculture and Life Sciences
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• 제7권
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• pp.201-219
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• 1989

Rice culture in Korea has a long history ranging over two thousand years. In the agriculture economy of pre-mordern Korea, however, its importantce was not as great as generally assumed. In fact, rice culture reached full development only after the 1920s when the Japanese colonial government carried out its drive to increase rice production in the Korea peninsula. It was not until the mid-1930s that rice became the staple in Korean diet. This can be attributed to two factors : (1) a mountainous topography that provides little irrigated fields and (2) a climate characterized by droughts in spring and heavy precipitation in summer. The present paper attempts to answer some of these questions. Specifically it will focus on these : Did the development of rice culture actually result in population growth? What are the salient features of agricultural develdpment and population grow in traditional Korea? Does the case of Korea conform the prevailing generalization about the agriculture in East Asia? I have discussed the development of rice culture and population growth in the Chos$\breve{o}$n dynasty, focusing on the relation between the rapid spread of transplanting and the rapid growth of population from the seventeenth to the nineteenth century. Here are my conclusions. (1) The spread of transplanting and other technological innovationsc contributed to the rapid growth of population in this period. However, we should also note that the impact of rice culture on population growth was rather limited, for rice culture was not the mainstay of agricultural economy in pre-modern Korea. Indeed we should consider the influence of dry field cropsn population growth. Nevertheless, it is obvious that the proliferation of rice culture was a factor crucial to population growth and regional concentration. (2) How should we characterize the spread of rice culture in the whole period? Evidently rice culture spread from less then 20% of cultivated fields in the fifteenth century to about 36% of them in the early twentieth century. Although rice as a single crop outweighed other crops, rice culture was more then counter-balanced by dry field crops as a whole, due to Korea's unique climate and geography. Thus what we have here in not a typical case of competition between rice culture and day field culture. Besides, the spread of rice culture in the seventeenth and eighteenth centuries accomplished by technological innovations that overcame severe springtime drought, rather than extensive irrigation. Althougt irrigarion facilities did proliferate to some extent, this was achieved by local landlords and peasants rather than the state. This fact contradicts the classical thesis that the productivity of rice culture increased through the state management of irrigation and that this in turn determined the type of society. (3) We should further study other aspects of the transition from the stable population and production struture in the fifteenth and sixteenth centuries to the rapid population growth and excessive density of population thereafter. We should note that there were continuing efforts to reclaim the land in order to solve the severe shortage of land. Changes also took place in the agricultural production relations. The increase in land producrivity developed tenancy based on rent in kind, and this in turn increased the independence of tenants from their landlords. There were changes in family relations-such as the shift to primogeniture as an effort to prevent progressive division of property among multiplying offspring. The rapid population growth also produced a great mass of propertyless farm laborers. These changes had much to do with the disintegration of traditional social institutions and political structure toward the end of the Chos$\breve{o}$n dynasty.

• 복식문화연구
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• 제7권6호
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• pp.129-139
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• 1999

This paper analyzes the trend of fashion and make-up in 1990s and their relevancy to each other. Based on the chronological analysis, we propose a new category for the fashion and make-up trend in 1990s, which is 1) traditional ecology period(1990∼1994), 2) versatile trial or decadent period(1995∼1997), and 3) soft landing period based on the minimal neo-ecology and romanticism(1998∼2000). Between 1990 and 1994, there was no differentiation in seasons. It appeared that spring/summer and fall/winter trend have had no big differences. At the beginning in 1990s, it was basically based on ecology concept that emphasizes the natural image. However after 1995, seasonal differences in trend are appeared and there were various make-up designs. The trends of spring/summer in 1996 could be named as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel, and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. In 1998, pastel tone, pink, and purple color expresses the glamorous look based on the romantic feminism. S/S of 1999 is mainly represented by minimalism and avant garde. For fall/winter trends, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors in 1995 and 1996. These colors were the symbol of property and sentiment. Gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image. At that time, ethnic and romantic image appeared with vivid color lines, gold, red and violet. In 1998, romanticism was popular again with modernism and ethnic mood. It expressed the romantic elegant image. The trend has returned to the ecology mood again in 1999. This ecology is somewhat different from the previous ecology. It adds a sofistaiced feeling and sportic fashion. To express natural and sportic image, they choose pink blush. In coming 2000 as a new millennium, the yellow color will be main the stream to express vision, dream, and happiness in both fashion and make-up as an accent color. The minimal design and minimal tools will be used for the design and make-up, respectively. In addition, the fusion concept will dominate the fashion and make-up industry in the globalized and boundariless age. Through this paper, we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people and industry.

• 복식문화연구
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• 제6권1호
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• pp.84-93
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• 1998

The main focus of this paper is to provide clear understanding about the concept of make-up as total fashion by defining the essential meaning of it. First, we would like to go over the concept of make-up and total fashion, then analyze the make-up image, the changes of colors and images of make-up overtime and fashion that have influenced over those changes. In this paper, we analyze the trend of fashion and make-up in 1990s and their relevancy. Through this paper we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people. The trend of Spring/Summer between 1990 and 92is the image of natural beauty and comfortable and modernistic image that can be experienced through nature. In 1992, there was a revival look of 1960s and 1970s. Make-up also followed this trend. The overall color tone was to give natural and stable images with pastel tone to soften the images. This tone brought back the ecology of 1960s. The theme of restoration in humanity and nostalgia was reflected in clothing, and these trend changed the ecology of make-up to peace, love and romantic ecology which was expressed in coral, blue, and green tone to create intelligent image of woman. Year 1996 could be called as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. The beginning of 1990s Fall/Winter season was based on ecology concept that emphasized the natural image. Until 1995 it appeared that spring/summer and fall/winter trend had no big differences. But from 1995 seasonal differences in trend are appeared and there were various make-up designs. In 1995, 1996, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors. These color were the symbol of property and sentiment and gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image and at that time ethnic image, romantic image appeared with vivid color lines, gold, red and violet.

• 원예과학기술지
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• 제30권2호
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• pp.220-223
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• 2012

'Dream Water'는 경기도농업기술원에서 2009년도에 육성한 절화용 스프레이 국화 신품종이다. 2005년도에 화색이 진한 노랑색이면서 홑꽃형 스프레이 국화 'Patra' 품종을 모본으로 하고 흰색의 스프레이 국화 'Ruces' 품종을 부본으로 하여 교배를 하였다. 2006년에 실생을 양성하여 선발 후 화색과 화형이 우수한 3계통을 예비선발을 수행하였으며, 2007-2009년에 주년 재배성을 위한 3회 이상의 특성 검정과 품평회를 실시한 결과, 절화생육과 개화특성이 우수한 'GCS06-28-3' 계통을 최종 선발하여 '드림워터(Dream Water)'로 명명하였다. 화색은 연한 아이보리 색상을 띄는 흰색계열로(White Group 155B) 깨끗한 이미지를 주고, 홑꽃형이며 중앙의 통상화가 시원한 느낌의 녹색(Yellow Green Group 144A)을 나타내었다. 꽃잎수는 26.8매이고, 화경은 5.6cm에 절화장은 89.7cm, 흰녹병 발생은 거의 없었으며, 절화수명은 16.7일이었다.

• 원예과학기술지
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• 제31권4호
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• pp.517-521
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• 2013

'Dream Round'는 경기도농업기술원에서 2010년도에 육성한 절화용 스프레이 국화 신품종이다. 2006년도에 화색이 흰색이면서 갈색심을 가지는 아네모네형 스프레이용 국화 'Hebo' 품종을 모본으로 하고 분홍색의 아네모네형 스프레이용 국화 'Samos' 품종을 부본으로 하여 교배를 하였다. 2007년도에 실생을 양성한 후 선발된 실생계통 중에서 화색과 화형이 우수한 8계통의 예비선발을 수행하였으며, 2008-2010년에 주년 재배성을 위한 3회 이상의 특성검정과 품평회를 실시한 결과, 절화생육과 개화특성이 우수한 'GCS 06-'99-10' 계통을 최종 선발하여 'Dream Round'로 명명하였다. 'Dream Round'는 흰색의 설상화(RHS White Group 155B)에 진분홍색(RHS Red Purple Group 68A)의 통상화를 가지는 아네모네형으로 꽃잎수는 26.1매이고, 꽃직경은 34.1mm 이며, 절화장은 92.4cm이고 흰녹병 발생은 거의 없었으며, 절화 수명은 21.7일 이었다.

• 원예과학기술지
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• 제31권1호
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• pp.123-127
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• 2013

'Blue Hope' 품종은 경남농업기술원 화훼연구소에서 2009년에 육성한 스프레이 국화 신품종으로 2005년도에 백색 아네모네형의 스프레이 국화 'Ford' 품종을 모본, 백색 아네모네형 스프레이 국화 'Chopin' 품종을 부본으로 교배하여 육성하였다. 이 품종은 백색 꽃잎을 가진 아네모네형이다. 2007에서 2009년까지 춘계 억제재배와 하계 촉성재배를 포함하는 특성검정을 통해 최종적으로 'Blue Hope'를 육성하였다. 'Blue Hope' 품종의 자연개화기는 10월 24일이며, 전조와 차광처리에 의한 일장조절에 의해 주년재배가 가능하다. 성장세가 매우 좋고 개화반응주기는 6.5주이다. 가을재배에 있어서 화경은 4.9cm, 본당 착화수가 19.1개이고, 절화수명은 23.8일이었다. 춘계 차광재배에서의 단일처리 후 개화소요일수가 45일이었다. 이 품종은 흰녹병에 중도저항성을 나타내고 있으며, 대조품종에 비해 기호도도 높았다.

• 화훼연구
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• 제19권3호
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• pp.172-176
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• 2011

'Magic Yellow' 품종은 경남농업기술원 화훼연구소에서 복색 홑꽃인 'Artist Pink'를 모본, 복색 홑꽃의 'SP03-47'을 부본으로 인공교배를 실시하여 2004에서 2008년에 걸쳐서 파종과 계통선발을 통해 육성하였다. 품종의 특성검정은 2006년부터 2008년까지 촉성재배와 억제재배, 자연재배 조건 아래서 3회에 걸쳐 조사하였다. 'Magic Yellow' 품종의 자연개화기는 10월18일경으로 빠른 편이며, 일장조절에 의해 주년재배가 가능하다. 초장이 120.2 cm로 크고 꽃 크기가 6.0 cm인 스프레이국화로 착화수는 11.4개이다. 화색은 황색과 적색을 가진 복색이며, 개화형태는 실린더형이다. 봄의 단일상태에서 'Magic Yellow' 품종의 개화소요일수는 45일 정도로 개화가 빠르며, 가을 절화수명 검정에서 22.9일로 긴 편이다.