• 한국식생활문화학회지
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• 제36권1호
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• pp.28-39
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• 2021

This study considered the rite of passage ceremonial food in the Mid-Choseon Period through the rite of passage ceremonies, food, and ingredients recorded in the Seoul Noble Ohhweemun Family Diary Shaemirok. The research used a contents analysis method through case studies. The noble families in the Mid-Choseon Period deemed the Jerye to be the most significant out of the traditional ceremonies. The nobles practiced the Sadehbongsah and the Yoonhweebongsah ceremonies for their ancestors. The Rite of passage ceremony required fruit. Of fish and birds, pheasants were used frequently during the ceremonies. Noble families, specifically the richer families, could sustainably normalize the rite of passage ceremonies against the elements. Seasonal ingredients were generally harvested even during spring and winter in large amounts. One of the last rites of passage food by Garye displayed diverse ingredients, such as Bangaeng, Myun, Tang, Uhyookjuk, Poe, Chae, Hae, and Silgwa. Such ingredients prove that the normalization of rite of passage ceremony food was well established and practiced. On the other hand, the birthday rite of passage food did not conform to a specific rite of passage normalcy or preparation. Instead, the birthday food showed a flexible menu of seasonal delicacies that were not confined to a particular traditional formula.

• 수완나부미
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• 제1권1호
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• pp.27-50
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• 2009

Although Malaysia chooses Islam as national religion, the nation has really shown a variety of belief systems among which we would find Hinduism, Buddhism, and Animism. Most scholars having studied them regarded the aspect of Malay traditional belief systems as syncretism. This trait of the belief systems in Malaysia is revealed well in the sphere specifically as the rite of passage, to which I do rather prefer the rite of "life" from the sense of emphasizing the rituals varied by the cycle of life time. Under the perspective this paper examines the real phases of the rite of passage, or life of Malays. I will argue here the fact that in performing the rite of passage, Malays mobilize various arts on the basis of the syncretic faith accepting the supernatural, or keramat, with almighty power. Therefore, from the study of the rite of passage we can exactly scrutinize how Malays have altered and adjusted their belief systems in real world.

• 고전문학과교육
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• 제15호
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• pp.303-327
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• 2008

The purpose of this paper is the analysis of to point its structure and meaning deduced from the rite of passage. In the light of the rite of passage, could be retrieved its value as one of significant works among the works of Gangho-sijo. is composed of nineteen pieces of monotype sijo. The first piece is a kind of prologue. The other pieces are divided into three parts which correspond with the three stages of the rite of passage-separation, transition, incorporation. As a result of this analysis, we can find out the writer's cognitive change according to the schema of the rite of passage. It becomes clear that the space of Gangho means the sacred space for mental culture rather than a separate space for escape. And considering the withdrawal for Gangho as the transition process of the rite of passage, gives a description of the disentanglement of conflict and a incorporation into the superior position of spirit.

• 복식문화연구
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• 제5권2호
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• pp.169-180
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• 1997

The purpose of this study is to extract 'the Rite of Passage'from a Korean novel, 'HON-BUL', and to analysis intrinsic meanings and function of the symbols, their personal meanings and social meanings from it. A pragmatical method was used for the analysis of this research. The results were as followings : The meaning of the Rite of Passage and the Costumes had mainly incantatory characters ; son-wish, wealth, amicable relations between a husband and a wife, long life, and perpetual thought. But the amount of grasping of meaning was thought to be depended on the reading ability of readers. Since the Wedding Ceremony and the Funeral Ceremony were described a lot of times in the novel, it was known that they were regarded as very important Rite of Passage in the whole life. The TEXT which were cited from the novel showed that the Rite of Passage was traditionally described as the Birth Ceremony, the Wedding Ceremony (includes the Puberty Ceremony), and the Funeral Ceremony. The analysis of meaning in a novel had an important roll to understand CULTURE, SOCIAL LIFE, and TIMES in a written novel. Therefore a novel is very valuable to analyze them as the DISCOURSE and the TEXT.

• 복식문화학회:학술대회논문집
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• 복식문화학회 1996년도 한중 학술교류세미나
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• pp.19-21
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• 1996

• 공연문화연구
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• 제39호
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• pp.393-413
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• 2019

맞굿은 주로 10년 두리로 굿을 거행하는 영덕과 울진의 해안 마을에서 연행된다. 맞굿은 1)무당 맞이, 2)당신(堂神)에게 고함, 3)무당소개와 패기 보기 과정으로 이루어진다. 맞굿이 연행되는 이유는 마을에 따라서 당주가 없거나, 당주가 있더라도 큰굿을 연행할 능력이 부족할 경우 굿을 연행할 무당을 섭외해 맞이하여야 하기 때문이다. 당주무의 역량에 충분하더라도 별신굿은 많은 수의 무당이 필요하기 때문에 여러 무당을 섭외할 수밖에 없다. 따라서 항상 맞이해야 할 무당이 있을 수밖에 없고, 일부 경북 해안 마을에서는 그 무당들을 대상으로 하는 맞굿이 연행된다. 별신굿이 세월의 흐름에 따라 변화하듯이 맞굿 역시도 변화하고 있는데, 2000년대 이후 맞굿은 별신굿의 전체 일정이 갈수록 짧아지면서 2)당신에게 고함 3)무당소개와 패기보기 절차가 사라지고 있다. 2000년대 이후 맞굿에서 나타나는 또 다른 중요한 변화는 맞굿 연행 담당이 달라졌다는 것이다. 옛날에는 마을 사람들이 연행의 주체로서 부족하나마 그 역할을 성실히 수행했다. 그런데 최근에는 마을에서 점차적으로 농협 풍물단 등 외부에서 사물놀이패를 초청하여 맞굿을 연행하는 양상이 나타난다. 맞굿은 속(俗)의 영역에 있는 무당들을 성의 영역으로 편입시키는 일종의 통과의례로써 연행하게 된다. 또, 맞굿은 무당패의 능력을 확인하는 절차로도 활용되었다. 그러나 굿에 대한 인식이 전통 예술로 변화하고, '굿박사' 어르신들도 얼마 남아 있지 않다보니 점차 맞굿은 마을 외부의 존재인 풍물단과 무당패가 흥겨운 분위기를 만드는 정도의 절차로 변화하고 있다. 또 굿의 주관을 대부분 무집단에게 일임하고, 굿의 의미와 목적을 모른 채 연행되다보니 굿거리의 형식조차도 온전히 지켜지지 못하고 있다. 오랫동안 경북 동해안 별신굿의 주요한 특징으로 거론되어 오던 맞굿은 이제 과거의 그 목적과 기능을 점차 잃어가고 있으며, 이제는 한바탕 신나는 놀이판을 형성하는 굿거리로 변화하고 있다.

• 한국식생활문화학회지
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• 제25권4호
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• pp.416-427
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• 2010

In this study, we attempted to elucidate the cultural characteristics of Korean food based on a traditional understanding on the Korean novel. To achieve this, food characteristics related to 'rites of passage' were analyzed in the representative Korean literary work "Hon-bool", which describes the life of a first-son's wife every three generations in the going to ruin but historic 'Lee's family of Maean district' family and the life of the common 'Geomeong-gul' people who lived with farming on the Lee's land at Namwon of Junbook province in the 1930~1940s, during the Japanese Colonial rule. Every nation possesses rites of passage at important points in life, such as at birth, age of majority, wedding and death. Korean culture, in particular, has several memorial rites relating to birth, death and passage into the afterlife in which special foods are prepared. In this manner, ceremonial foods represent the Korean peoples' traditional vision of the universe and life. The book "Hon-bool" describes these traditions. Especially, the book describes the table-settings related to the main character's childbirth, first birthday, wedding and death. Therefore "Hon-bool" represents a living history of Korean traditional food and the work of storytelling through the traditional understanding is expected that perform an important role in making of cultural contents of Korean foods.

• Perspectives in Nursing Science
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• 제10권1호
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• pp.77-86
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• 2013

Purpose: The purpose of this study was to describe hospital nurses' lived experience of being a preceptor in Korea. Methods: The data were collected in three focus group interviews with 15 nurses in one general hospital. The phenomenological analytic method suggested by Colaizzi was used to analyze the data. Results: Five theme clusters and 11 themes emerged from the analysis. The five themes include "inevitable rite of passage for an authentic nurse", "facing new role and situations that were difficult to handle", "preceptee-centered preceptorship", "healing connection with colleague nurses", and "enhanced status with competence". Conclusion: The findings of the study provide deep understanding on hospital nurses' positive as well as negative experiences of being a preceptor and should inform the development of a more integrative preceptorship program to empower both preceptees and preceptors.

• 미국학
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• 제43권1호
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• pp.25-56
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• 2020

The essay examines two contemporary American plays that portray adult Korean American adoptees' return to South Korea: How to Be a Korean Woman (2012) by Sunmee Chomet and Middle Brother (2014) by Eric Sharp. While the existing scholarship on transnational adoption has discussed homecoming as a predominantly female experience of birth mothers and daughters, Chomet and Sharp suggest the differing ways in which the adoptee subjectivity is re-imagined in particularly gendered ways after homecoming. In these plays, adult adoptees' repeated, mundane bodily performances of Korean cultural norms illustrate how notions of femininity and masculinity are inscribed onto the body of adoptee individuals under the patriarchal system. Such performative construction of Korean-ness departs from the earlier theatrical representations of young, adolescent adoptees' homecoming that served as a symbolic rite of passage, a necessary process through which they would gain cultural hybridity and mature into cosmopolitan American-ness.

• 수산해양교육연구
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• 제27권3호
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• pp.890-900
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• 2015

The purpose of this study was to explore the experience the Nightingale pledge rituals of nursing students. Rituals are how people have always passed on their value system to the young, the next generation. Data were collected using focus group interviews and participant observations from 2012 to 2014. First researchers attended and observed Nightingale pledge rituals. And the three focus group interviews were held with a total 22 nursing students participating. All interviews were recorded and transcribed as they were spoken, and data was analyzed using ethnography methodology. The results were the participants experienced the nurse identity and connectedness with others through Nightingale pledge rituals. Also, they experienced "a river that can't be crossed,", thus go through a transition stage such as a rite of passage with a firm determination on their nursing career. The Nightingale pledge rituals allowed to the nursing students close relationship and the sense of community by going through ritual procedures.