• 한국연극학
• /
• 제40호
• /
• pp.61-96
• /
• 2010

This research established that the two characteristics of Femail Gugguek were explored on the character as genre and the nationalism discourse. This research also included how to encounter the characteristic of Female Gugguek as a popular entertainment with the social context at the time and how to re-produce the social ideology. The 'historical nationalism narrative' piercing Female Gugguek had the close relation with the nation/state discourse of the time. The history reproduced by Female Gugguek was not real. It was the imagined past, the history as image. The Female Gugguek was a genre which typically showed how to intermediate fantasy, ideology and narrative. The happy-endings with the victory of male hero, the narrative pattern on overcoming national crisis, the narrative emphasizing the glorious past and the unification of nation, all these were projected the discourse on nationalistic ideology and nation/state-making in 1950's. The Utopian desire of Female Guggeuk imagining the glorious past and strong nation was the fantasy which concealed the contradiction in real life and the national identity damaged by colonial experience, division of territory, governance by U.S. Military Government and the Korean War. The Female Guggeuk was doing well, because it had amusement. Futhermore, imagination of glorious past and strong state/nation of Female Guggeuk satisfied the public's desire of escapism and wish to establish their position and identity in the rapid social-economic changes. However, Female Guggeuk repeatedly produced the never-changing characters, narrative pattern and conservative world-view. Thus, it became regarded as immature and obsolete thing in late 1950's. Female Guggeuk, which kept re-producing the retrogressive image of the past without modern viewpoint and interpretation, was not sensitive about change of time and trend of the people. Consequently, it was pushed out of people's major interest.

• 스마트미디어저널
• /
• 제6권4호
• /
• pp.88-93
• /
• 2017

"지하국대적퇴치설화"의 서사는 세계에 분포하는 설화로 나라마다 이야기와 구조가 크게 다르지 않다. 이런 익숙한 서사구조는 다른 문화를 가진 곳에서도 큰 거부감 없이 받아들여질 수 있다. 선행연구에 따라 설화에서 추출한 요소를 가지고 스토리텔링을 진행할 경우에는 설화의 개연성과 보편성이 확보된 콘텐츠 창작이 가능함으로 설화의 요소와 구조를 이용하여 그림책 스토리텔링을 진행하였다. 설화를 콘텐츠화 하는 방식 중 하나를 새로쓰기라고 하는데 본 논문에서는 설화의 구성요소를 분석한 후 그림책의 구성요소를 문학적 관점에서 주제, 플롯, 등장인물, 배경으로 나누어 그림책 스토리텔링을 진행함으로 "지하국대적퇴치설화"의 새로쓰기 방법을 제시하였다.

• 동북아문화연구
• /
• 제33권
• /
• pp.23-49
• /
• 2012

In this paper, I examined the history of Baizu that the Brief History presented. PRC created Baizu as one the 55 ethnic minority nations, as it "nationalized" all the people living within its territorial boundary. And it constructed the narrative of the "ethnic history" of Baizu, while it constructed the grand narrative of the history of the unified, multinational "zhonghua minzu." There are two major problems in the historical narrative of Baizu, thus constructed. First, the genealogy of the ancestors of Baizu constructed by PRC lacks sufficient historical evidence to prove it. Second, the politically-driven ethnic classification project by PRC produced ethnic minority nation, which does not have their own territory and Baizu was one of them. Because of this, the history of Baizu, who historically lived mixed with other ethnic groups together in Yunnan, cannot help but becoming a part of the larger Yunnan history, rather than constituting a history of an ethnic group. Then, what would be a historically sensible way to write a history of ethnic minorities in Yunnan, who have not transformed themselves into a modern nation? What I would like to suggest is, first, to abandon the construction of the history of Baizu as an ethnic group. I also suggest to distinguish Yunnan from China (zhongguo) as a unit of historical writing, and thus to cut the relationship between the Baizu history and the larger history of the unified, multitethnic "zhonghua minzu." The narrative of the Chinese history (history of Zhongguo), which takes the PRC's current territorial boundary as the unit of historical narrative, lacks historical objectivity. Names for historical communities survive, because they have been used by those who have lived in the communities as well as by other historical communities. Members of a certain historical community occupy distinctive historical space and share common historical experience. And their historical experience is mainly informed by political changes that affected the space that the historical community occupies. If one constructs the history of "Yunnan" as a distinctive historical space and community, which could be distinguished from the historical "China" (zhongguo), one may be able to construct the history of the people of Yunnan in its fullest sense.

• 동양고전연구
• /
• 제67호
• /
• pp.35-67
• /
• 2017

이 논문은 <설인귀전>의 여러 이본과 <당태종전> <울지경덕전> <천개소문전> <서정기> <설정산실기> <번리화정서전>을 대상으로 조선시대 설인귀 서사의 대중화 양상과 시대의식을 고찰하는 것을 목적으로 한다. 설인귀는 여 당 전쟁 당시 활약했던 당나라 장수이다. 적국의 장수였던 설인귀에 대한 서사가 조선시대 대중성을 확보할 수 있었던 것은 임병양란 이후 강성한 국력을 지녔던 고구려사를 재인식하고 고토회복 담론의 부각으로 인해 가능했다. 또한 설인귀 서사와 유사하게 전개되는 <소대성전>이 인기를 확보하고 있었고 설인귀와 함께 여 당 전쟁에서 활약했던 당태종과 울지경덕에 대한 고사가 성행하고 있었기 때문이기도 하다. 이와 같은 시대적 배경 속에서 설인귀의 요동 정벌 서사와 영웅성이 점진적으로 부각되고 <설인귀전>에 등장한 당태종 울지경덕 합소문에 대한 독립 서사가 형성되며 여성 영웅들이 서번을 정벌하는 서사로 확장된 설인귀의 후속 서사가 수용되는 과정을 거치면서 대중성을 확보했다. 이러한 설인귀 서사의 대중화 양상에는 민중과 여성의 등용과 이민족 세력 통합의 필요성과 국력이 약화된 조선의 현실과 함께 중국을 견제할 국력을 강화할 필요성을 제시하는 시대의식이 반영되어 있다.

• 윤리연구
• /
• 제84호
• /
• pp.243-274
• /
• 2012

본 연구의 목적은 세계화 시대에 중국과 대만 영화의 주요 감독들의 영화를 통해 로컬공동체와 로컬리티에 정체성을 부여하는 영화서사들이 각각 어떤 방식으로 그들의 로컬공동체 서사를 구성하는지를 살펴보고자 하였다. 이를 위해 허우 샤오시엔, 장예모, 리안, 차이밍량, 장초치, 첸 카이거 등대만과 중국을 대표하는 감독들을 통해서 그들이 어떻게 대안적 로컬공동체의 서사를 구성해 나가는지를 살펴보되, 가족과 국가를 포함하는 공동체 서사가 어떠한 양상을 띠면서 공동체의 연대를 형성하고 또다른 로컬공동체에 대한 개방과 소통을 이루고 있는지를 살펴보고자 하였다. 특별히 세계화와 로컬리티의 관계 맥락 속에서 어떤 로컬공동체의 서사가 가장 의미있는 서사를 드러내고 있는지를 살펴보고자 하였다.

• 미국학
• /
• 제44권2호
• /
• pp.131-158
• /
• 2021

This paper examines how nation-specific history of Asian war brides affects different representations of war brides in Velina Hasu Houston's Tea (1984) and Julia Cho's The Architecture of Loss (2003). While war brides had long been excluded from American history, Japanese war brides were brought to public attention in the 1980s. Korean war brides, on the other hand, were kept out of sight until the 2000s. Focusing on how this time gap is related to ethnic difference, this paper analyzes dramaturgical differences between the two plays such as the presence/absence of war bride on stage or ethnic solidarity/familial reconciliation as the main device of war bride memorialization. Such differences, the paper suggests, stem from ethnic/historical differences between Korean and Japanese war brides. Through historical interpretations of the plays, this paper argues that America's military relationships with Korea and Japan were reproduced within the Asian-American families of each drama in ways that raise questions about pan-Asian identity.

• 대중서사연구
• /
• 제25권1호
• /
• pp.123-161
• /
• 2019

멜로드라마의 '대중성'은 멜로드라마가 역사적으로 구성된다는 사실을 시사한다. '멜로드라마란 무엇인가?'라는 본질주의적인 질문보다는 멜로드라마적 상상력을 당대 사회문화적 맥락과 관련하여 탐색하는 일이 필요한 이유이다. 시청률과 화제성에서 단연 독보적인 위치를 차지하며 신드롬을 불러일으킨 TV드라마 <태양의 후예>(2016)와 <미스터션샤인>(2018)은 2010년대 세월호 참사와 촛불혁명을 겪은 격변기 한국 사회의 대중적 상상력과 욕망을 나타낸다. 본고는 <태양의 후예>와 <미스터션샤인>에 나타나는 국가와 개인의 감정을 중심으로 멜로드라마적 상상력을 분석하였다. 기존 멜로드라마의 갈등이 대개 개인과 가족 범주에 머물렀던 것과 달리, <태양의 후예>와 <미스터션샤인>에서는 국가가 개인 간의 갈등을 형성하는 모티프로 등장한다. 이와 같은 압도적인 갈등 상황에서 인물은 우선적으로 이성적 판단을 실행하지만, 곧 이를 폐기하고 행동을 추동하는 감정을 통해 '응답'하는 가치 지향적 태도를 드러낸다. 두 작품은 주로 시적 대구와 사물의 미장센을 통해 드라마의 포에지를 형성하고 감정을 고양한다. 여기에서 주요 감정은 연민과 슬픔인데, 압도적인 갈등을 뚫고 나오는 격렬한 감정들은 그 자체로 소진되지 않고 수행성을 통해 도덕적 지향을 보여 주는 바, 연민은 연대(連帶)를 향하고 슬픔은 애도(哀悼)를 향하고 있다. 기존 멜로드라마들의 엔딩이 지극히 개인의 범주에서 사랑과 행복을 추구하는 것이었다면, <태양의 후예>와 <미스터션샤인>은 연대와 애도를 통해 개인과 공동체를 동시에 환기하는 도덕적 상상력을 보여 주었다.

• 영어영문학
• /
• 제55권5호
• /
• pp.793-820
• /
• 2009

The studies of correspondence between novel and nation-state, among which The Rise of the Novel by Ian Watt is supposed to be the first book, have flourished for more than twenty years, encouraged by Benedict Anderson's and Cathy Davidson's works. According to them, the novel should come simultaneously with, or after the foundation of the nation-state, and testify to its production or the emergence of its subject/citizen. This paper questions about these prepositions, trying to introduce a new paradigmatical approach, "between global and transnational historical approach," to first novels in transatlantic areas including England and atlantic coastal areas. In its complex relation to a variety of colonial, post-colonial, and transnational geopolitics, various cultural practices such as history, traveler's tales and epistolary novels can be included in the genre of the novel. The idea of the sexual contract by Carole Pateman is very useful because it helps more clearly understand the nature of relation between men and women in the capitalist reproduction, while the social contract tells about the relation between men as citizens. Unlike Freud in Totem and Taboo, Zilboorg argues that there were primordial and violent scenes such as rape before the first sexual contract. This paper will illuminate that "the rise of the novel" corresponded with the emergence of the sexual contract. In the so-called first novel Pamela, the heroine Pamela was threatened to be violated by Mr. B., and was really even confined in his cottage. Mary Rowlandson's The Captive Narrative shows that her body was confined as an English female captive, and troubled with imaginary rape by Indians which resulted in the unequal sexual contract between her and her puritan community in America. However, Leonora Sansay's Secret History in an alternative communality, which was not a nation-state, was different from both novels mentioned above, in that it shows the possibility of emancipation from their unequal marriage, the sexual contract. Therefore, it can be argued that "between global and transnational historical approach" has a possibility to provide a new vision of global sisterhood and solidarity to recognize globalized women's violence, and free themselves from the unequal sexual contract.

• 컴퓨터교육학회논문지
• /
• 제17권6호
• /
• pp.59-69
• /
• 2014

인도는 2007년 고등학교의 정보교과 교육과정을 발표한 이후, 고등학교와 연계된 교육을 위해 2013년 6월 초등학교 수준의 교육과정을 발표하였다. 인도 교육과정 중 특징적인 것은 교육과정의 구조는 나선형을 지향하지만, 교육 방법은 교사와 학생의 상호작용을 강조하고 있다. 교육과정의 패러다임을 바꾼 브루너의 '지식의 구조'에 근간하여 교육과정을 개정하였다. 본 연구는 나선형 교육과정을 지향하면서, 교육의 현장에서는 '내러티브적' 사고를 강조한 인도의 교육과정을 분석하였다. 본 연구는 하나의 교육과정에서 '지식구조론'과 '내러티브' 이론을 동시에 표현한 인도 교육과정 분석을 통해 우리나라 정보교과 교육과정에 대한 교육적 함의를 제시하고자 하였다.

• International Journal of Advanced Culture Technology
• /
• 제10권3호
• /
• pp.127-145
• /
• 2022

Vaccine diplomacy is a manifestation of competition for political influence among great powers amidst the Covid-19 pandemic's blatant illustration of ineluctable interdependency across the global community. The reinforcement of trends bolstering global polity construction intensify concomitantly with nationalist populist value and attitude expressions increasing political polarization. The interdependency graphically illustrated in the Cold War-era's mutual assured destruction incentivized competition into indirect competitive intervention in the internal politics of third actors. Indirect international influence contestations included extended, de facto challenge competitions to generate soft power on behalf of the victor, e.g., the space race. The Covid-19 pandemic has intensified this competition to offer alternative development models while intense domestic political polarization undermines the mobilizational capacities for achieving sustainable development. In contrast to multinational and multiethnic states, nation states have an inherent mobilizational advantage because of the enhanced control capabilities available to the authorities without emphasizing coercion. Control through Gramscian hegemonic mechanisms is more readily feasible in nation states through the greater feasibility of commodification of social relations by states authorities regulating and channeling social competition to encourage social mobility and creativity. The regulation of the so-called private sector serves to manage and contain social competition while channeling it to develop the institutional capacities for control and allocation of developing societal human resources. It enhances developed state control mechanisms and international influence capacities. The appeal of offers of aid and assistance to the so-called developing world becomes ever more urgent amidst Anthropocene crises including its most recent, current Covid-19 pandemic disaster.