• Architectural research
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• 제23권3호
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• pp.39-48
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• 2021

Inspiration plays an essential role in architectural design process that compels architects to bring their ideas into final product by engaging in creative thinking. The relation in between architecture and music has been one of combination throughout architectural history used as inspirations for façade's forms and shapes, space configurations and arrangements, and etc. Applying music in architecture produces creative and scientific design methods, provides attractions for visitors, and reflects the social and cultural identities and changes of the particular period. This research aims to analyze the correlations between architecture and music in depth, and examine the perception of musically inspired architecture by empirical study. Five buildings that applied musical rhythms were chosen for survey questionnaires in order to observe how people majoring in architecture, music, and other fields perceive musically inspired architecture differently by matching the music with the building that correlate to each other. By examining the reasons that the respondents have selected such music with a building from the questionnaires, the keywords are extracted and interpreted. The results showed that it is possible for people to perceive music from architecture, and that it is suitable to use music as a source of inspiration in architectural designs.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 추계학술발표대회 논문집
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• pp.122-127
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• 2004

This study is about a relationship of architecture and polyphony music. In the field of interior architecture, there have been many tries of applying characteristics of music, such as abstraction and nature of time for users of space to have new experience. It has been possible because architecture and music have similarities in many ways. Regarding using proportional characteristic in architecture and music, the both fields are enormously related in some ways. The purpose of this study is explaining of possibility of architectural expression in music and suggesting a way of analysing architectural design based on musical elements emphasizing proportional characteristic. Therefore, it is going to analyse Counterpoint of Bach, which is well expressed in music and compare it with proportional characteristic of space through this study.

• 한국실내디자인학회논문집
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• 제25호
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• pp.18-25
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• 2000

Architecture and music have reflected many changes occurring in a greater cultural realm. Specially, the concept of time and space formed from relativistic physics becomes the basis of cultural awareness, and a method to understand the world. Therefore, this study aims to suggest the possibility to integrate architecture and music, based on the close relationship between architecture and music of the 20th century focusing on time and space. Resultantly, in this study, interrelationship between architecture and music is elucidated by proving both the spatiality of music and the temporality of architecture, and such possibility to integrate the two realms helps understand the reality.

• 한국실내디자인학회논문집
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• 제14권2호
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• pp.46-54
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• 2005

This study is about the polyphony music proportion which appears today in the Architecture space. In the field of interior architecture, there have been many tries of applying characteristics of music, such as abstraction and nature of time for users of space to have new experience. It has been possible because architecture and music have similarities in many ways. Regarding using proportional characteristic in architecture and music, the both fields are enormously related in some ways. The purpose of this study is explaining of possibility of architectural expression in music and suggesting a way of analysing architectural design based on musical elements emphasizing proportional characteristic. Therefore, it is going to analyse Counterpoint of Bach, which is well expressed in music and compare it with proportional characteristic of space through this study.

• 한국콘텐츠학회논문지
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• 제22권3호
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• pp.35-42
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• 2022

본 연구는 음악과 건축의 상관관계를 토대로 음악 요소의 건축 설계로의 적용과 접목 가능성을 제시하기 위해 음악 Vexations의 건축물 VEX 하우스로 적용된 사례를 바탕으로 음악이 건축물에 어떻게 표현되어 설계되어 있는지 살펴본다. VEX 하우스는 Vexations의 반복(repetition) 속성과 더불어 불안정한 음계, 화성과 같은 요소들을 독특한 건축의 외형과 구조로 대입하여 표현하였다. 이와 더불어 제작된 앨범 'Vex'는 건축에서 음악으로 적용됐다. 즉, 이들은 음악과 건축의 유사성을 바탕으로 서로 다른 예술 분야 간의 교류로 만들어진 결과물로 볼 수 있다. 건축 설계에서 음악의 여러 가지 요소를 적용함으로써 건축 분야의 새로운 미적 가능성을 고찰할 수 있다.

• 한국실내디자인학회논문집
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• 제33호
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• pp.11-18
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• 2002

There is an agreement that sociocultural forces affect on the types of arts. There have been a little attempts to draw analogy between architecture and music. There are many objective and subjective factors for this to be true. If, however, the two arts are out of much the same social conditions, they show a degree of conformity in design and general organization. Our study shows the interrelationship between the Residential Space and structure of music. In order to clarify the interrelationship between architecture and music, the study examines ten Residential Spaces suggested by Yi-Jinkyung. The Residential Spaces are analyzed by using theory of Space Syntax. The structure of music is analyzed by tonality, counterpoint and harmony. The comparison between the Residential Spaces and music follows : From Renaissance to the 19th century, they have the same tendency to 1) openness & closure to the outer space and 2) the netting diagram in the inner space & Counterpoint 3) the tree diagram in the space & Harmony

• 한국실내디자인학회논문집
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• 제18권5호
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• pp.59-70
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• 2009

Since the emergence of a philosophical theory called deconstructivism, intertextuality has been promote the hybrid phenomenon amongst other jenres in arts. Various research efforts in intertextuality, however, have been more focused on the fields of literature and philosophy, rather than of architecture. This study aims to clarify the intertextuality between architectural design, music and literature as the following analysis of James Joyce's Finnegan's Wake, John Cage's music and Bernard Tschumi's early works. Joyce's Garden of Bernard Tschumi's project and some of John Cage's music works had borrowed from Finnegan's Wake, a novel James Joyce. Hence, the commonality between Bernard Tschumi and John Cage can naturally be related through Finnegan's Wake. Also, Finnegan's Wake had been contextualized by Jacques Derrida before it was used as a mediation by Bernard Tschumi. In this viewpoint, the paper will be able to identify the possibility of intertextuality between musical text and architectural one with a medium of literature. Major findings of the study are as follows: First, Finnegan's Wake played a guiding role to deconstruct the existing formalism and to construct a new concept in John Cage's music and Bernard Tschumi's architecture. Second, John Cage's music and Bernard Tschumi's works are included commonness with indeterminacy concepts. Third, the both artists share a drawing concept as found in John Cage's graphic notation of the 1950s and Bernard Tschumi's early architecture where grids, dots, and curves are used in common. As s result, intertextuality could be possible to make sure between others. Like this interdisciplinary research of relationships among different fields will be of great help in constructing creative design methods in architecture. With continuous research attempts, it is hopeful to intertextualize architectural texts with related art fields.

• 자연과학논문집
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• 제13권1호
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• pp.7-14
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• 2003

The Golden Ratio has played a significant role in many parts of geometry, architecture, music, art, and philosophy. This number has been the subject of numerous experiments in psychology. It also appears in the newer domains of technology and fractals, In this paper, we investigate and analyze the golden ratio which appears in art, music, and architecture.

• 건축역사연구
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• 제10권4호
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• pp.57-75
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• 2001

The music has influenced on the aesthetics, structure and symbol of the architecture from the ancient to the present. and been to be like architecture. It is important part that through the study of musical proportion by number, which is method of architectural and musical composition, resemblance can be found, music is resemble to architecture and this recognition is general as well in renaissance as architect and musician after that time. Therefore, in this background and aesthetics, the purpose of this study is to research purpose and methodology of the proportion of musical consonance and dissonance used in L. B. Alberti's architecture. At first, for the background of aesthetics this study previewed characteristic of aesthetics arranged by subjectivism and objectivism, and this musical proportion which is applicable for Alberti's architecture was defined. secondly, Alberti's architectural aesthetics (concinnitas) of the higher concept was defined by methodology of the lower concept, and this study described the application of dissonance used by the method of canon in music. thirdly, after according to characteristic of aesthetics in chapter three, proportion system was researched by the more objective, applicable unit in renaissance: roman foot and local unit differs meter in the present, Alberti's architectures was researched by the method of cannon in music.

• 대한전자공학회논문지SD
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• 제44권11호
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• pp.137-141
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• 2007

본 논문에서는 2개의 안테나를 사용하는 MB-OFDM UWB시스템에서, MUSIC 알고리듬에 기초한 입사각 추정기의 효율적인 하드웨어 구조에 대한 설계 방법을 제안한다. 제안된 방식에서는 기존 알고리듬의 연산 수식을 변형하여 기존 알고리듬에서 요구하는 복잡한 연산기능을 제거하였으며, 따라서 제안된 방식이 기존과 거의 유사한 성능을 가지면서도 하드웨어복잡도 및 연산소비전력을 크게 줄일 수 있었다. 제안된 구조는 Verilog HDL을 이용하여 설계 및 검증되었으며, 하드웨어 복잡도 및 소비전력 측정을 위해 각각 0.13um CMOS 라이브러리와 Xilinx FPGA로 구현되었다. 게이트카운트 및 소비전력을 측정한 결과, 원래의 MUSIC 알고리듬을 그대로 구현한 방식과 비교하여, 게이트카운트에서는 약 43%, 소비전력에서는 약 23%가 감소되었을 확인할 수 있었다.