• 제목/요약/키워드: mural

검색결과 211건 처리시간 0.023초

MicroRNAs regulate granulosa cells apoptosis and follicular development - A review

  • Gong, Zhuandi;Yang, Juan;Bai, Shengju;Wei, Suocheng
    • Asian-Australasian Journal of Animal Sciences
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    • 제33권11호
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    • pp.1714-1724
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    • 2020
  • Objective: MicroRNAs (miRNAs) are the most abundant small RNAs. Approximately 2,000 annotated miRNAs genes have been found to be differentially expressed in ovarian follicles during the follicular development (FD). Many miRNAs exert their regulatory effects on the apoptosis of follicular granulosa cells (FGCs) and FD. However, accurate roles and mechanism of miRNAs regulating apoptosis of FGCs remain undetermined. Methods: In this review, we summarized the regulatory role of each miRNA or miRNA cluster on FGCs apoptosis and FD on the bases of 41 academic articles retrieved from PubMed and web of science and other databases. Results: Total of 30 miRNAs and 4 miRNAs clusters in 41 articles were reviewed and summarized in the present article. Twenty nine documents indicated explicitly that 24 miRNAs and miRNAs clusters in 29 articles promoted or induced FGCs apoptosis through their distinctive target genes. The remaining 10 miRNAs and miRNAs of 12 articles inhibited FGCs apoptosis. MiRNAs exerted modulation actions by at least 77 signal pathways during FGCs apoptosis and FD. Conclusion: We concluded that miRNAs or miRNAs clusters could modulate the apoptosis of GCs (including follicular GCs, mural GCs and cumulus cells) by targeting their specific genes. A great majority of miRNAs show a promoting role on apoptosis of FGCs in mammals. But the accurate mechanism of miRNAs and miRNA clusters has not been well understood. It is necessary to ascertain clearly the role and mechanism of each miRNA or miRNA cluster in the future. Understanding precise functions and mechanisms of miRNAs in FGCs apoptosis and FD will be beneficial in developing new diagnostic and treatment strategies for treating infertility and ovarian diseases in humans and animals.

공주 송산리 6호분 벽화의 제작기술 고찰 (Making Technique Studies of Mural Paintings in the No. 6 Tomb of Songsanri, Gongju)

  • 한경순
    • 보존과학회지
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    • 제27권4호
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    • pp.451-458
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    • 2011
  • 이 연구에서는 문헌조사와 광학적 및 과학적 분석조사를 토대로 송산리 6호분 벽화의 제작기법에 대해 고찰하였다. 연구결과, 송산리 6호분의 전축방식은 공적법이 아닌 모르타르를 이용하여 전(塼)을 축조하였고 줄눈(masonry joint) 재료로 석회, 모래 및 석고를 이용하였다. 전돌 표면에는 전체적으로 흑색을 칠한 다음 백색 회(灰)칠을 하였다. 그 위에 벽화제작을 위한 점토 바탕 층을 조성하였는데 수비가 잘된 점토를 흙손 등의 도구를 이용하지 않고 붓으로 바르듯이 완성하였다. 바탕층에 사용된 점토의 재료적 특성은 $30{\mu}m$ 실트질 크기 이하의 광물입자들로 구성되어 있다. 현재까지 고대의 고분벽화에서 사신도의 채색 부위에만 점토 바탕층을 조성하여 제작된 고분벽화는 송산리 6호분이 유일하다. 이 송산리 6호분은 동양을 비롯한 한국의 다른 벽화에서 볼 수 없는 제작기술이라 할 수 있으며 1933년 발굴 당시에 벽화는 이미 심각하게 훼손된 상태였다고 가정하더라도 종합적으로 볼 때 미완의 벽화라고 추정할 수 있다.

고대 로마 신화에 등장한 신들의 복식 연구 (A Study on the Costume of the Gods in the Ancient Roman Myths)

  • 임상임;추미경
    • 한국의류학회지
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    • 제25권5호
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    • pp.945-956
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    • 2001
  • The costume for gods in the Ancient Roman myth was studied by examining in the embossed-carving, sculptures, mural-painting and various documents of the period. The clothes item, hairstyle, symbol & ornaments and shoes of the gods in the Roman myths were analyzed to understand the formative process in the religious costumes, and results are as follows. First, the costumes for male gods are the same as those for ordinary men lived in ages, including toga, paludamentum, tebenna, tunica. The costumes for female gods are also the same as those for ordinary women lived in ages, including stola, palla, tunica. Second, the hairstyle of male gods is short curled-hair, twisty roll-up hair and braid long-hair due to the influence of Etrurian in the early days. Another hairstyle is appeared in form of the laurelled-crown. The hairstyle of female gods is curled long-hair, chignon style and braid roll-up hair decorated with hairband. Third, the symbol & ornaments which represent the responsible possession of male gods, are appeared in beard, a stick of the message, arrow-case, offering-dish, antlered-glass, shield, spear-handle, as the superhuman forms, such as the lightning shape. For female gods they are is appeared plastron, a stick of the message, flower. some female gods wear necklace, foot-ring, bracelet. Fourth, male gods wear shoes in forms of sandal, buskin, boots, but all female gods are in barefoot. It could be explained by the fact that a man-centered society in the ancient roman is reflected in the world of gods. As mentioned, Gods costume in Roman myths was very similar to or nothing different from the ordinary peoples in Rome. However, they used corps, sacrifices or sepcific symbols depending on the fields that they were responsible for in order to be distinguished from the ordinary people. This is the result from the peoples expression that they should keep a close relationship with Gods hoping to be protected, and rely on them under whatever circumstances.

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고구려와 선비족 의복 형태 비교 연구 - 북위시기를 중심으로 - (A Comparative Study on the Style of Clothing of Goguryeo and Xianbei Tribe - Focused on Northern Wei Period -)

  • 김소희;채금석
    • 한국의상디자인학회지
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    • 제17권2호
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    • pp.63-78
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    • 2015
  • The purpose of this study is to compare the style of clothing by type of the Goguryeo and Xianbei Tribe based on the examination of the literature centered on the historical relationship between Goguryeo and Xianbei Tribe. The research results are as follows. First, it was found that both the apparels of Goguryeo and Xianbei Tribe had hemp cloth with the V-neckline with the blocked front part and hemp cloth with the open front that is worn by overlapping the straight collars of the upper garment. Both men and women wore the garment of the straight line collar that is worn by folding towards the left or right, or upper garment of the round shaped collar. Women wore an upper garment with short sleeves on top of the upper garment of Korean traditional clothes while men wore pants for the lower garment, and women wore skirt and apron with triangular cloth decoration on top of the skirt. Second, Goguryeo Anak Tomb No. 3 mural painting(year 357) shows that apparel worn by the lady who is the wife of the owner of the tomb is similar to the apparel worn by the lady in the lacquer painting for folding screen of the Sima Jinlong Tomb ancient painting on the woman of chaste reputation in terms of the form and structure.

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고구려(高句麗) 쌍영총(雙楹塚) 벽화(壁畫)의 안료분석(顔料分析) (The Result of the Pigment Analysis of the Mural in Ssangyeongchong (Tomb of Two Pillars) from Goguryeo)

  • 유혜선
    • 박물관보존과학
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    • 제6권
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    • pp.47-54
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    • 2005
  • 국립중앙박물관이 소장하고 있는 평양 남포지역의 고구려 쌍영총 (쌍기둥무덤)벽화 편 위에 채색되어 있는 안료의 성분분석을 수행함으로서 각 색상에 따른 안료의 광물종류 확인 및 벽화의 제작기법상의 특징을 찾고자 하였다. 분석은 비파괴 성분분석기인 X-선형광분석기(X-ray fluorescence spectrometer, XRF)를 사용하여 안료의 성분원소를 확인하였고, X-선회절분석기(X-ray diffractometer, XRD)를 사용하여 벽화의 바탕 및 안료 층의 광물구조를 파악하였다. 분석결과 벽화의 채색안료 중에서 입술의 적색에는 진사/주(HgS)가 사용되었으며, 얼굴부분은 진사/주와 석회(CaCO3)를 혼합하여 채색했을 가능성이 큰 것으로 추정되었다. 그리고 가장 큰 특징으로 그림이 그려진 부분의 밑층에만 납 계통의 안료{연백[2PbCO3·Pb(OH)2]}가 검출된 사실을 꼽을 수 있다. 이로부터 쌍영총 벽화가 세코(Secco)기법으로 제작되었을 가능성이 크다는 결과를 얻을 수 있었다.

통일신라건축 목조결구기법에 관한 연구 (The Study on the Jointing Method of Wooden Members at Unified Silla Architecture)

  • 황세옥;허범팔
    • 건축역사연구
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    • 제18권1호
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    • pp.7-29
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    • 2009
  • In understranding the essence of the Korea traditional Architecture, it is important to consider the jointing methods of architectural members, architectural technologies, etc. Especially the purpose of this study is understanding on the Jointing Method of Wooden Members in the period of Unified Silla Architecture. It's conclusion is summarized as follows. 1. A section of column has very close to do with the foundation stone. The structures of foundation stone and column are generally concluded by butt joint, arrow-head joint, housed joint by Grang-e method. Judu is structured by arrow-head joint And, in general, beam is structured by Sagaematchum Chumcha and sagaljudu of Don direction. At the head of Pyungju and the body of Goju, Changbang is structed by Jangbumachum with arrow-head joint or by jumukchang-machum. Also, it is surmised that Gyisoseum and Anssolim methods had been applied to columns from former ages. The example can be found at Bagjae Mireuksaji stone pagoda. Bagjae Mireuksaji stone pagoda taking wooden-pagoda form adopts Gyisoseum and Anssolim methods. We can also find such a sort of methods from other stone constructions like Budo, etc. 2. Injahwaban is structured by short Changbumachum with arrowed-head joint at upper members, and by Anjangmachum at the lower part. This sort of Gongpo style can be seen in the mural painting of tomb of Koguryo and in Buplyungsa, Buplyunsa, Bupkisa-located in Japan, which are influenced by Bakjae or Unified Silla. It is considered that at the end of the late United Silla, Injawhaban had been replaced with Chumcha and Soro on the Pyungbang under influence of Dapo style from China.

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함치성 낭종과 연관된 다방성의 낭종성 법랑아세포종 (MULTILOCULAR UNICYSTIC AMELOBLASTOMA ASSOCIATED WITH DENTIGEROUS CYST)

  • 이재휘;오성섭
    • Maxillofacial Plastic and Reconstructive Surgery
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    • 제14권1_2호
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    • pp.160-168
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    • 1992
  • 저자는 31세 여자환자의 좌측하악부에서 매복된 제3대구치 주위의 함치성 낭종에서 기원한 Group 3a type의 다방성의 낭종성 법랑아세포종을 경험하여 병소에 포함된 치아 발거슬 및 enucleation/curettage로 현재까지 재발없이 치유되었기에 병리조직학적 소견을 중심으로 문헌고찰과 함께 보고하는 바이다.

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도시환경의 시각요소로서 슈퍼 그래픽 유형에 관한 연구 -기능별 분류와 발생배경을 중심으로- (A Study on the Types of Super Graphics - Special Reference of Functional Types and Appearance Background -)

  • 나성숙
    • 한국조경학회지
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    • 제13권2호
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    • pp.13-26
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    • 1985
  • ^x The enviroment defines the living conditions for people and has at the same time the possibility to create new environment. In Korea, where the rate of urbanization reached more than 50% in 1970′s the priority has been put on the economic development and administrative function. Under the circumstance, visual environmental field was dealt lightly and it resulted in undesirable environment. The techniques of Mordern Arts (Montage, Depeysment, Tromp L′oeil, P.O.P Art, etc.) helped Super Graphics appear in the urban areas. Environmental Art has been expended into the public space and people came to recognize the Arts as the "Street Art" or "Street as Gallery". Super Graphics has four types 1) Resident′s Super Graphics ; Minority groups came to maintain social equality and rights, in cooperation with each other. Such maintenance required general urbanites to form communities which gave birth to the community art, Mural Painting. 2) Environmental Super Graphics ; Beauty has come to be stressed in order to improve the quality of urban lives in the course of inescapable urban development. Instead of renewal of all established construction conservation oriented renewal was encouraged. 3) Super Graphics as Population Arts ; In the 1960′s artists repulsed the establishments in an efforts to open new phase independent from the expressional in the arts. They recognized the relationship between painting, society and the public in different angle and tried to describe all living space on canvas. 4) Super Graphics as Advertisement ; Super Graphics functions as efficient media to deliver images to the urbanites. Super Graphics as media plays the role for political propaganda and commercial advertisements according to their purposes. In Korea, especially, it is required to introduce the environmental Super Graphics. But it is desirable to introduce Super Graphics with Korean culture and sense of beauty. Designers themselves are also required to have responsibility to improve the quality of urban culture.

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백제복식연구 -일본고대사에 미친 백제문화의 영향- (A Study on the Costume of Baikje Period -With Emphasis on the Influence of Korean Culture in the Ancient Japan-)

  • 조규화
    • 한국의류학회지
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    • 제4권1_2호
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    • pp.49-56
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    • 1980
  • Because of the scarcity of data, a study of costume during the Baikje period can be made imaginarily only with historical records as data. According to records, Baikje costume was almost the same as that of the Koguryo period. Consequently, we may well imagine Baikje costume by means of studying such materials as the mural paintings found in Koguryo tombs and the remains found in the royal tomb of Munyung. The basic form of costume of the Baikje period, therefore, might have been like this: Both male and female wore a kind of jacket(유: JEOGORI) and trousers(고: BAJI) with female-wearing skirt (상: CHIMA) thereon. Both men and women wore overcoat(포: DURUMAGI). They used to wear headdress(관모) and used leather shoes(화) Such a form of costume can be found in the costume of HANIWA(식륜) of Japan, which belonged to the costume of HOBOK (호복) of the northern area. Under the SHIMNEUK-PUM-KWAN-KE(십육품관계) system, that is, 16 grades of official ranks, officials of the Baikje dynasty wore clothes, coronets and belts, all of which differed from one another in colors, according to ranks. Such a system of Baikje might have influenced the KANI-JUNI-KAI (the 12-grade color discrimination of the coronet, 관위십이계) for the government officials of ancient Japan the Suiko period. For the study of such matters, I have tried to review the flow of the Korean culture into ancient Japan in the field of costume.

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Unsolved Questions on the Anatomy of the Ventricular Conduction System

  • Oh, Il-Young;Cha, Myung-Jin;Lee, Tae-Hui;Seo, Jeong-Wook;Oh, Seil
    • Korean Circulation Journal
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    • 제48권12호
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    • pp.1081-1096
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    • 2018
  • We reviewed the anatomical characteristics of the conduction system in the ventricles of human and ungulate hearts and then raised some questions to be answered by clinical and anatomical studies in the future. The ventricular conduction system is a 3-dimensional structure as compared to the 2-dimensional character of the atrial conduction system. The proximal part consisting of the atrioventricular node, the bundle of His and fascicles are groups of conducting cells surrounded by fibrous connective tissue so as to insulate from the underlying myocardium. Their location and morphological characters are well established. The bundle of His is a cord like structure but the left and right fascicles are broad at the proximal and branching at the distal part. The more distal part of fascicles and Purkinje system are linear networks of conducting cells at the immediate subendocardium but the intra-mural network is detected at the inner half of the ventricular wall. The papillary muscle also harbors Purkinje system not in the deeper part. It is hard to recognize histologically in human hearts but conducting cells as well as Purkinje cells are easily recognized in ungulate hearts. Further observation on human and ungulate hearts with myocardial infarct, we could find preserved Purkinje system at the subendocardium in contrast to the damaged system at the deeper myocardium. Further studies are necessary on the anatomical characteristics of this peripheral conduction system so as to correlate the clinical data on hearts with ventricular arrhythmias.