• 한국의류학회지
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• 제36권7호
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• pp.727-740
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• 2012

This study is for the enhancement and utilization of future graphic design for T-shirts and deals with the expression styles and features of T-shirt graphic designs that appear in modern fashion. A literature examination about graphic design and T-shirts was performed for the research method and the analysis followed 378 pieces of graphic design featured in four major international collections for females from 2001S/S to 2011S/S. The research results from the expression type of T-shirt graphic design in the modern fashion are as follows. Expression in graphic figure accounts for the largest portion of 40.8% that includes illustration or cartoon characters, personal figure or part of the physical body, object in daily life or landscape pictures, animals and plants, and others. Expression given in text with typography or logo accounted for 27.5%, expression combined with letter/text, graphics and geometric figures accounted for 24.3%, geometrical expression accounted for 7.4%; most of which are given in print. Characteristics found in modern fashion graphic design are as follows. First, role of sort of public relations marketing was accompanied with utilization of brand logo or symbol. Second, visual play was shown in a sense of humor with diverse graphic figures and playful texts, witty layout with graphic motives, and a free design formation. Third, it denoted a front burner issue delivering the message for various current events or arguments via the way of texts, slogans, and symbolic pictures. Fourth, it depicted artistry through the self-expressive creation of the designer.

• 한국의상디자인학회지
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• 제22권4호
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• pp.115-125
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• 2020

Rider jackets were once reserved for military uniforms but have become an important styling item in recent fashion trends. The design characteristics of the rider jacket are rooted in symbolism, and the image associated with a rider jacket is in line with the challenging of authority and being a member of the rebellious youth subculture. Usually, young people with anti-social tendencies wore jackets, and some styles were used as a medium to express their emotional homogeneity, and they received favorable responses as the items represented them. The design characteristics of a rider jacket can be largely divided into resistance against the older generation, violence, challenging cultural norms, sexuality, and resistance, as well as embodying violent characteristics, including strength, courage. and male chauvinism. The reason for the development of these challenging characteristics are disparagement and anger of the lower class, who were excluded from mainstream society. Rider jackets can be viewed negatively due to the kind of message it is conveying against mainstream society. Among the sexual features were leather pants, short-length leather rider jackets, glossy metal accessories, and belt buckles, which also highlighted gay and decadent images that came to be associated with the jackets. The drapery created various kinds of wrinkles according to the way of dressing, and it had beautiful expressiveness while serving to express the body more beautifully. Drapery can be classified according to the aesthetic characteristics or expression techniques, and if the type of drapery is classified according to the morphological characteristics, it can be classified into variable and fixed structures, depending on whether the part to which the drapery is applied is fluid or not. In other words, it depends on the dressing method or the intention, and if the drapery technique is directly applied to the garment or is attached to the form. This fashion design proposal may have the greatest significance in that it sought to propose a new style incorporating a drapery technique with a strong feminine image to a rider jacket, which traditionally was associated with a masculine image.

• 한국정보통신학회논문지
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• 제19권4호
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• pp.800-806
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• 2015

WAVE(Wireless Access in Vehicular Environments) 시스템은 차량이 고속 이동 환경에서 차량 간 또는 차량과 인프라 간 패킷을 주고받을 수 있는 무선 통신 기술이다. 본 연구에서는 차량이 WAVE 시스템에서 통신 할 때 상대방의 인증서가 폐기 되었는지 확인하기 위한 CRL(Certificate Revocation List) 다운로드 프로토콜을 설계하고 구현하였다. WAVE 시스템은 UDP 상에서 동작하도록 하였으며, 보안기능을 지원하기 위해 ECDSA(Elliptic Curve Digital Signature Algorithm)를 사용하여 상호 인증을 하고 ECIES(Elliptic Curve Integrated Encryption Scheme)를 사용하여 기밀성을 보장한다. 또한 CRL 데이터에 MAC(Message Authentication Code)을 추가하여 데이터의 무결성을 보장하고, 선택적 재전송 방식(Selective Repeat Automatic Repeat Request)을 이용하여 데이터의 에러 및 흐름 제어를 수행한다.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제11권11호
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• pp.5537-5555
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• 2017

Having the characteristics of unlinkability, anonymity, and unforgeability, blind signatures are widely used for privacy-related applications such as electronic cash, electronic voting and electronic auction systems where to maintain the anonymity of the participants. Among these applications, the blinded message is needed for a certain purpose by which users delegate signing operation and communicate with each other in a trusted manner. This application leads to the need of proxy blind signature schemes. Proxy blind signature is an important type of cryptographic primitive to realize the properties of both blind signature and proxy signature. Over the past years, many proxy blind signature algorithms have been adopted to fulfill such task based on the discrete logarithm problem (DLP) and the elliptic curve discrete log problem (ECDLP), and most of the existing studies mainly aim to provide effective models to satisfy the security requirements concerning a single blinded message. Unlike many previous works, the proposed scheme applies the signcryption paradigm to the proxy blind signature technology for handling multiple blinded messages at a time based on elliptic curve cryptography (ECC). This innovative method thus has a higher level of security to achieve the security goals of both blind signature and proxy signature. Moreover, the evaluation results show that this proposed protocol is more efficient, consuming low communication overhead while increasing the volume of digital messages compared to the performance from other solutions. Due to these features, this design is able to be implemented in small low-power intelligent devices and very suitable and easily adoptable for e-system applications in pervasive mobile computing environment.

• 조형예술학연구
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• 제4권
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• pp.5-25
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• 2002

It is not easy to get more attention as a prominent advertising expression among various types of numerous advertisements. Due to the voluminous expansion of advertising communications and the change of the media, new advertising creatives must be needed for serving to differentiate the message , inviting audiences to participate more positively in advertising communications This thesis aims at reviewing the absence as an advertising creative. And this thesis is about the significations of the absence. Chapter I describes the aim of this thesis about the absence as an advertising creative And Chapter II introduces the general concept, perception of the absence and its possibilities as an advertising creative And also mentions about the absence as one of paradoxical expressions with rhetorical theories as well as semiotics. Chapter III deals with the signification of the absence with introducing semiotic methods such as the theory of R. Barthes Chapter IV discusses the signification of the absence as an advertising creative talking into consideration of semiotic theories. And I categorize the types of the absence in advertising expressions. The absence is categorized into 5 types in this thesis. Type (1) is the absence of product which is supposed to be advertised, type (2) is the absence of product and make product image located out of main image of an advertising expression for introducing features of a product itself. And type (3) is the absence of the imaginary audience to invite an audience to participate more spontaneously. Type (4) is the absence of headlines, and type (5) is the absence of almost all visual images and verbal message but a corporate symbol or brand logo. The signification of S types of the absence can be described on the basic of semiotic theories, especially the theory of R. Barthes. It's my hope that this thesis about the absence as an advertising creative will serve as the basic theory for the empirical research about advertising expressions containing images of the absence.

• 커뮤니케이션디자인학연구
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• 제38권
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• pp.312-320
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• 2012

본 연구는 아이폰을 선호하는 사용자의 감성경험디자인 요소의 주관적 관점을 밝히는데 초점을 두었으며 주관성 연구를 위해 Q 방법론을 통해 4개의 유형을 발견할 수 있었다. 제 1 유형은 사용편의성 추구 유형으로 아이폰에 대한 충분한 사용적 이해가 있는 개인의 사용행태에 따른 기능, 이해의 용이성, 물리적 느낌, 사용성 모두를 중요하게 생각하는 사람들로 구성되어 있음을 알 수 있었다. 제 2 유형은 심미성 추구 유형으로 제품의 시각적인 정보에 의한 직관적이고 주관적인 심미적 인상을 중요하시는 유형을 구분되었다. 제 3 유형은 차별적 감성 추구 유형으로 자기 이미지나 자기가 소유한 제품을 통해 다른 이에게 전달하고자 하는 메시지를 중요하게 여기는 유형이며 제 4 유형은 아이폰에 대한 적극적이며 절대적인 선호도를 가지고 있는 유형으로 파악되었다.

• 한국전자통신학회논문지
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• 제8권6호
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• pp.873-879
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• 2013

본 논문에서 고급 업무형 커뮤니케이션(UC) 기능은 통신활동의 중복, 낭비, 재작업을 줄여 프로세스 개선에 대한 높은 효율을 제공한다. UC 앱 개발을 통해 메시지 전송, FMC 통화기능, 스케줄 관리 기능 개발과 UC 서버 구축을 위한 조직도 DataBase구축, 검색을 위한 JSP 구현, XMPP를 이용한 메시지 전송 시스템 구축한다. IP-PBX의 IP 네트워크에서 구동되는 UC 애플리케이션의 기반에서 인프라의 활용도를 높이고 실제 생활에서 필요한 서비스를 제공하는 시스템을 설계 구현한다.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2011년도 추계학술대회
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• pp.116-120
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• 2011

본 논문에서는 CAN네트워크와 Profibus 네트워크를 통합하기 위한 통합 프로토콜 게이트웨이를 설계, 구현하였다. CAN/Profibus 네트워크를 통합하기 위하여 스위칭이더넷을 백본 네트워크로 사용하였고, 각각의 필드버스 네트워크는 CAN/Ethernet 및 Profibus/Ethernet 게이트웨이를 이용하여 이더넷 스위치에 연결되며, 각 게이트웨이는 필드버스 프레임과 이더넷 프레임 사이의 변환을 수행한다. 또, 스위칭 이더넷 환경에서 게이트웨이 사이에 분산 경성 실시간 스케줄링 알고리즘을 적용하여 메시지의 실시간성을 만족할 수 있게 하였다. CAN/Ethernet 및 Profibus/Ethernet 게이트웨이 구현을 위해 실시간 메시지 전송을 지원하는 리눅스 2.6.31.12 Real-Time Patch 버전을 사용하였고, 실제 구현을 통해 메시지의 성공적인 변환과 실시간성을 확인할 수 있었다.

• 한국의류학회지
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• 제26권9호
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• pp.1308-1319
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• 2002

The purpose of this is to analyze the aesthetics characteristics of our modern sports fashion, and thereby, discuss them in the light of the overall mentality or the 20th century, and thus, present the conditions or sports fashion design meeting modem people's divers aesthetics values and desired. Modern sports fashion sues can be categorized into futurist sports style, erotic sports style and American sheet sports style. And the 20th century mentality characterized by changes of lifestyle, identity and aspiration has influenced the aesthetic features of such sports fashion sues, which can be summed up as follows; first, the futurist sports style applies the functional items and details of active sportswear to design, while heralding a positive and hopeful message of technology and future by using the material of hi-tech functions and senses. This sports style was affected much by shift from social status, attraction and wealth to demonstration of state-of-the-art science, pursuit of functionality in terms of shapes and materials, convenience through See combinations of sportswear items or design elements. Second, the erotic sports style based on minimalism attempted to express the erotic body beauty indirectly by exposing some parts of body or using the material pressed against the body. This sports style was closely related with the changes of sexual identity such as neutral sexualism, bi-sexualism and homo-sexualism. Lastly, the American street sports style was born from black Americarns' sports and dances. This spors style pursues “youth” beyond TPO concept As mass media and commercial sports developed, the young generation copied sports stars' uniforms or fashions to share honor, wealth and youth with them. In sort, the American sheet sports style was affected much by the so-called “heroism”. Such a changed object of aspiration influenced the aesthetic characteristics of American shot sports style directly.

• 복식
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• 제60권9호
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• pp.1-15
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• 2010

Fashion designer Jean Paul Gaultier incorporated his own boundless and unique artistic Into his design of dance costumes, presenting an unobstructed imaginary world that was filled with freedom, which is no less than one would expect from the one-time enfant t${\'{e}}$rrible of Paris fashion. This creativity of Gaultier was made possible only through the fantastic partnership he formed with the French modern dancer, R${\'{e}}$gine Chopinot. Gaultier and Chopinot shared a deep-rooted sympathy that enabled their own artistic worlds to fully mingle and cross over, resulting in a doubled synergy of their talent and their fame. This study analyzed 11 dancing costumes created through the collaborated efforts of those two enfants t${\'{e}}$rribles, one from the fashion industry and the other from the world of dance. The following are the results of my analysis. Gaultier's dance costumes served as a artistic venue for experimenting with a number of creative inspirations lurking in his mind, which were sometimes expressed in pr${\^{e}}$t-${\`{a}}$-porter collections. Instead of the decorative and expressive features of conventional dance costumes, his was the revival of the dancer's persona as a human being, ablaze with individuality and uniqueness. He pointed out that there is no good in the distorted turturro's fixed point of view, and the great joy of an opposing way of thinking that overturned the established. Leotard material was used as a second skin by transforming it into various styles and delivering his message. In addition, obscene and sexual expressions were delivered in a direct narrative. His eccentric ideas provided entertainment while showing his oppositional way of thinking. In the dance, the effect of the costumes was doubled by the use of cumbersome and exaggerated accessories, which is generally forbidden in modern dance.