• 한국가구학회지
• /
• 제28권3호
• /
• pp.169-184
• /
• 2017

The purpose of this study is to understand the characteristics of the common people and the furniture they used and to investigate the general characteristics of traditional Korean culture in the late Chosun Dynasty in order to study the Characteristics of Bandagein Gyeongnam province. Local characteristics of the Bandaji were examined through comparing local style of Folk Houses Interior space composition and the utilization Bandaji of that space through the case study and literature review. Bandagein Gyeongnam province are classified as Tongyeong, Jinju, Miryang, Namhae, Yangsan, Gimhae. The height of Bandaji is relatively lower than in other provinces, the metal ornaments are simple, and the wood pattern is used to show simple and natural beauty. As a characteristic of metal decoration, Bandaji of Miryang have a lot of openwork decoration, Bandaji in Jinju have a cicada hinge and a decorative iron hook, Bandaji in Namhae have a peak of a lotus flowers shaped hinge and Ying-yang/ number pattern on openwork facet and Bandajji in Yangsan have a Violin hinge and Bandajji in Gimhae have emphasized ornamental features by using a rivet and lock made of tin and the cast iron.

• 한국의상디자인학회지
• /
• 제13권1호
• /
• pp.113-123
• /
• 2011

The purposes of this study were to re-interpret the Traditional Korean Painting of Flower and Bird Patterns from a modern point of view and use them in apparel textile design. A literature review of the Traditional Korean Painting of Flower and Bird Patterns was made first, and then, through manual and Photoshop workings, two apparel textile designs were suggested. The results were as follows. First, Traditional Korean Paintings of Birds and Flowers are covered not only by decorative beauty but also by the common pure hope and ideology of loving and adoring nature, which is inherent in the symbolism and racial characteristics and high aesthetic sense appeared by ancestors' life feeling. The meaning that is symbolized by each subject matter appearing in the Transcontinental Painting of Bird and Flower is important, but the ancestors' deeper and affectionate desire is shown in the harmony and happy aspect of a picture where more than two subject matters appear, such as Song Hak do where pine is with crane, cockscomb with chicken, bamboo with beacon fire, or a couple of them with flower. Second, two kinds of textile designs were suggested. The motif of work 1 targeted professional women of activity and individuality in their late 30s to early 40s. The lotus blossom pattern was selected to present its concept, "Chic Elegance." The motif of work 2 targeted intelligent women in their mid 40s, and the peony blossom was selected to present its concept, "Romantic Elegance."

• 한국초지조사료학회지
• /
• 제27권3호
• /
• pp.173-182
• /
• 2007

본 연구는 야생화 초지조성을 위한 잔디형 목초 및 야생화초종의 선정과 혼파조합구성에 대한 기초자료를 탐색하고자 몇 가지 잔디형 목초와 야생화초종을 공시하여 초기생육, 경엽 및 근중, 건물수량, 개화특성 및 기호성 등을 비교분석하였다. 공시초종은 잔디형 목초 5종{Kentucky bluegrass(Midnight), tall fescue(Millennium), perennial ryegrass(Palmer III), redtop(Barricuda) 및 creeping bentgrass(Crenshaw)}과 야생화 11종{Chrysanthemum leucanthemum L., Coreopsis lanceolata L., Rudbeckia bicolor Nutt., Dianthus chinensis L., Chrysanthemum lindicum L., Lotus corniculatus var. Japonicus Regel, Veronica linariaefolia Pallas, Aster koraiensis Nakai., Chrysanthemum zanadskii var. latilobum(Maxim.) Kitamura, Lythrum anceps Makino 및 Iris nertschinskia. Lodd}을 공시하였으며, 충남대학교 농과대학 초지시험포장에서 2005년 1월부터 2006년 12월까지 수행하였다. 공시된 잔디형 목초 중에서 상대적으로 야생화와 혼파가능성이 큰 초종은 Kentucky bluegrass이었으며, Kentucky bluegrass에 비하여 상대적으로 초기생육이 왕성하고 경엽과 근중이 높아 야생화초지를 조성하는 데 유리할 것으로 보이는 야생화는 Chrysanthemum leucanthemum L., Lotus corniculatus var. Japonicus Regel, Chrysanthemum zawadskii var. latilobum (Maxim) Kitamura 및 Lythrum anceps Makino 등으로 조사되었다. 이들 야생화는 꽃색, 개화시기 및 개화지속기간 등이 서로 중복되지 않았으며 가축에 의한 기호성도 대체적으로 양호한 결과를 보였다. 따라서 야생화초지의 조성을 위해서는 잔디형 목초는 야생화와의 경합력이 낮은 초종을, 반대로 야생화는 경합에서 유리한 초종을 선발하되 개화특성이 서로 다른 야생화를 다양화하여 혼파조합을 구성하는 것이 중요하다고 판단된다.

• 한국초지조사료학회지
• /
• 제28권3호
• /
• pp.171-176
• /
• 2008

본 연구에서는 버즈풋 트레포일의 Empire 품종을 이용하여 조직 절편체의 종류 및 식물생장조절물질 첨가가 캘러스로부터 식물체 재분화에 미치는 영향을 조사하였다. 각각의 잎과 줄기 절편체를 배지에 치상한 후 배양한 결과, 모든 처리구에서 5-7일 후부터 캘러스 형성이 시작되었다. 캘러스를 유도함에 있어 첨가되는 auxin류로 NAA를 첨가 우수한 결과가 나타났다. 1 mg/L NAA와 1 mg/L BA가 첨가된 CM4 배지에서 잎 절편체 92%, 줄기 절편체 88%로 가장 높게 나타났으며 잎 절편체 배양하는 것이 더 줄기 절편체를 배양하는 것 보다 더 우수한 결과가 나타났다. 캘러스 배양 6주 후 캘러스로부터 shoot이 유도되기 시작하였으며 잎절편체를 치상하여 배양한 것은 대부분 multiple shoot으로 유도 되었다. 줄기신장 후 뿌리 유도를 위해 2$\sim$3 cm 이상 재분화 식물체의 shoot을 절단하여 1 mg/L IBA 첨가된 처리구에서 배양한 결과, 잎 절편체에서 유도된 shoot에서 98.3%, 줄기 절편체에서 유도된 shoot에서 93.3%로 조사되었다. 또한, 캘러스의 형성 없이 직접 뿌리를 내리고 뿌리의 발달도 잘 되었다. 본 연구를 통하여 확립된 재분화 시스템은 분자육종을 통한 신품종 버즈풋 트레포일의 개발에 유용하게 이용될 수 있을 것이다.

• 한국의상디자인학회지
• /
• 제24권2호
• /
• pp.131-146
• /
• 2022

The purpose of this study is to implement the textile design applying the floral pattern shown in Korean traditional fabrics and the New-Hanbok Chulic Dress in 3D through a virtual fitting system. As a research method, first, we analyzed the floral pattern types of fabrics in the literature related to traditional Korean textiles. Second, we developed textile designs of traditional flower motifs using 13 extracted flower types. Third, we applied the floral textile designs to the 3D original form of new-Hanbok Dress produced based on design preference survey results. The findings derived through this study are as follows. First, among Korean traditional patterns, the type of flowers used in textiles were blossom of chrysanthemum, orchid, camellia, apricot, peony, peach, pomegranate, hydrangea, narcissus, lotus, plum, chinese rose, and rosa rugosa. Second, this study found that the value of traditional culture can be further increased by using traditional flower patterns as an infinite source of creative design. Third, it was confirmed that the new-Hanbok can be developed endlessly as a clothing design that combines various morphological modifications and patterns without departing from traditional designs. In the future, if the research on costume design using various items of traditional clothing and the development of textile designs based on traditional culture continues, the development of new clothes design that leads to the development of Korean traditional clothing culture and meets the sensibilities of modern people will be endless.

• 박물관보존과학
• /
• 제26권
• /
• pp.119-142
• /
• 2021

금동은제식리는 무령왕릉에서 출토된 무령왕의 식리로 결실된 부분이 많아 재조사의 필요성이 꾸준히 제기되었다. 이에 과학적인 보존처리 및 분석을 진행하여 제작기법을 연구하였다. 보존처리는 형태 복원 및 편 접합에 중점을 두고 실시하였다. 그 결과, 우측 식리 상연과 뒤축 일부 편을 접합하여, 결합방법 및 발등 결합에 사용된 원두정의 개수를 확인하였다. 성분 분석결과, 외판 등은 순동에 수은 아말감 금도금을 한 것으로 추정되며, 내판은 순은을 사용하였다. 금동은제식리의 주문양은 봉황문, 연화문, 6엽 화문이며, 전체적으로 연화문의 비율이 높다. 각 판의 결합은 영락사, 금동사, 원두정, 사면정을 사용하였다. 내·외판 결합은 영락사를 사용하였는데, 내측판의 중앙과 후면에는 금동사로만 결합하여 장식 기능과 결합 기능을 구분하여 사용한 것으로 추정된다. 또한 제작과정에서 금동제판과 은제판의 외면에는 광쇠질한 흔적이 확인되지만, 은제판의 내면에서는 확인되지 않아 내면보다 외면의 마무리에 중점을 둔 것으로 추정된다.

• 한국생활과학회지
• /
• 제10권4호
• /
• pp.399-409
• /
• 2001

The purpose of this study was to evaluate the preference of image for modern application of Korean traditional patterns. A survey was conducted using the random selection among female undergraduate students in Daegu city. The degree of interest and preference in Korean traditional style or something like that measured by 5 scale method. And then they were classified into two groups which were interest/non-interest group, and preference/non-preference group. The image of Korean traditional patterns consisted of semantic differential scales. Frequency, percentage and mean were analyzed, for difference of groups t-test was analyzed. The results were as fellows; 1. For the degree of interest for Korean traditional patterns, it was showed that 53.8% of total respondents took interest and about 40.4% of them had preference for traditional patterns. the correlation coefficient of the degree of interest and preference was 0.782(p<0.01) and showed that the positive correlation was high. 2. Among 20 kinds of Korean traditional patterns, the degree of preference for the patterns of plants and nature was quite high whereas that for the patterns of geometrical things was low relatively. 3. It was evaluated that pattern of nature was fresh, refined and womanly image generally. It was evaluated that pattern of plants was womanly, fresh, weak, light and soft image and that of animals was heavy, splendid, high-class, manly, strong and positive image. It was evaluated that pattern of geometrical things was the most refined image and high-class, rigid and strong. 4. The statistical significance of mean between interest/non-interest group was showed statistically in the patterns of clouds, mountains, lotus, apricot, orchid, dragon, phoenix and bogey. In case of pattern of orchids, the degree of preference was most different between interest/non-interest group. 5. The pattern of plants showed the most different evaluation for images between interest/non-interest group. For refined/old-fashioned polar adjective images, the interest group evaluated the pattern of plants more refined. 6. For pattern of orchids, the difference of degree of preference between preference/non-preference group was most remarkable in Korean traditional patterns. 7. The pattern of geometrical things showed the most different evaluation for images between preference/non-preference group. For warm/cool polar adjective images, the preference group evaluated the pattern of geometrical things cooler.

• 패션비즈니스
• /
• 제13권2호
• /
• pp.100-114
• /
• 2009

In Honam province, the cultural prototype are largely unknown to the people, also the research on this subject are scarce, the artistic excellence, somewhat under evaluated, both in our country and internationally. It is imperative that we develop the modern design using this prototype. thereby apply it to many areas of cultural products. We should extend the dimension not only to the local festival but also to the mass production resulting in the commercial gains. The Unjusa Buddha festival for promoting the public relation would be greatly benefited by using the concept of the temple, the local prototype, by which we expect to create a ingenious textile design pattern, coinciding with the main purpose of this study. The ancient material around Unjusa come to be the subject of our textile design by way of selecting the most remarkable ones of heritage among the materials of Unjusa. In the long run, the harmonious contrast of both traditional and modern image were sought in this study. Designed patterns were edited using Adobe Photoshop CS3, a multi-purpose graphic program and were simulated in the towel for visual presentation. The design is of two kinds, the one is of the free style using combinations of reclining Buddha, stone Buddha, stone pagoda, and geometric patterns freely not to be standardized. The other one is mixing of lotus pattern, reclining Buddha, and geometric patterns. These designs were applied delicately on the towel, necktie and handkerchief, and the various colors were suggested by the 6 color ways. The brilliance of our traditional cultural property should be noted by these designs and I hope that this study would be a help to develop our cultural prototype and make a product of using the outstanding heritage.

• 한국의상디자인학회지
• /
• 제10권2호
• /
• pp.149-161
• /
• 2008

Since the use of textile has become more extensive and applied for various products, today, the importance of utility, ornament and civilization of textile is emphasized. Textile design should be able to satisfy the designer's creativity and his/her world of art. Moreover, it should be appropriate for the industrial technology circumstances, and taste of consumers. In Korea, traditional culture has been extremely valued, allowing people to be more interested in textile designs derived from traditional cultural. Therefore, designs inspired by the spirit and sense of traditional patterns has been used to develop modern textile designs. Prior research on products, however, show that cultural motive was insufficient, therefore, in this research the purpose is to design textiles and to develop Korean neckties, an essential component of men's attire, by adapting Korean traditional patterns. In order to conduct the research, first, numerous parers on Korean traditional patterns have been studied to select fundamental data about the development of necktie textile designs. Second, Korean traditional patterns were applied while following the target and concept, and two pieces of necktie textile designs have been suggested. Patterns had been designed by hand drawing and CAD system, they have been suggested as a portfolio. As a result, this article suggests new necktie designs utilizing Korean traditional patterns and, attempts to develop particular pattern designs, which have power to accommodate globalization and to express the special qualities of Korea.

• 복식
• /
• 제26권
• /
• pp.251-264
• /
• 1995

The purpose of this study is to introduce and research the traditional Korean costume collections of Dr. McCune who was born in Pyung-Yang in 1907 and resided until her marriage to George S. McCune in about 1930. Her collections consist of three categories : children's costumes, adults' costumes, access-ories. The characteristics of collections are summorized as follows : 1. Deep wrappings are found at the front part of the top clothing when worn. The front gusset (SUB) has been dramaticaly tilted due to the difference in lengths of the top and bottom parts of the front gusset. 2. Assymetry was one of the principles of decorating Korean costumes. The assymetry were repeated at the GIT and SUB of CHOGORE with patchwork patterns. 3. Primary colors were favored in Korean costume. Hue contrast in color combinations was prefered as well, such as : yellow CHOGORE and purple blue CUFFS, a red SUN pattern matched with green embroidery. 4. Surface patterns were not so popular in Korean costumes, while the most colorful and fabulous patterns were shown through the various embroidery artifacts. Patterns were used as a way of expressing of their desires or longings in Korean costumes. The main themes of the patterns were longevity and happiness. The patterns such as peony, lotus, chrysanthemum, bamboo and bat were implying symbolism at that time. 5. Natural materials were prefered for the garments, Silk and cotton were used as the main materials of the costume collections. Studies of Korean Costume collections owned by international collectors are meaningful to boost the arena of Korean Costumes as well as fill up the vacancy left by lost costume artifacts.