• 한국인쇄학회지
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• 제29권1호
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• pp.75-83
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• 2011

As screen printing is changed by automation recently, could print more exactly. However, must suffer great many trial and error to have still gotten perfect result. By the way, at this step, fair time and money should be invested. Therefore, if search for optimum condition in early time visualizing screen printing process using simulator program before progress printing, is judged that may be correct and gets printing result efficiently. In this paper, searched optimum printing speed and ink viscosity using FLOW-3D program. Also, the result could confirm truth that is agreeing almost with experiment contents. Through this, is thought that may expect extension of screen printing wide application that vivify advantage of screen print if use simulation program.

• 한국염색가공학회지
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• 제32권1호
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• pp.19-26
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• 2020

The previous study reported that the quaternary copolymer of MMA, BA, MAA, and NEA was expected to be a good monomer composition for a binder polymer with good rubbing fastness for digital textile printing(DTP) pigment ink. However, the rubbing fastness of the dyed fabric with the quaternary copolymer binder containing pigment ink is not enough to be commercially used. Therefore, this study aims to optimize MMA:BA:MAA:NEA composition for improved rubbing fastness. And the binder polymer with various MMA:BA:MAA:NEA compositions were synthesized using miniemulsion polymerization. The particle size, viscosity, molecular weight, and Tg of the synthesized binder were evaluated. And the color strength and rubbing fastness of the black pigment ink dyed cotton fabrics with the prepared binders were also evaluated. Then, the stiffness of undyed and dyed cotton fabrics were evaluated to investigate the changes in touch as the binder structure changes.

• 대한전기학회:학술대회논문집
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• 대한전기학회 2007년도 Techno-Fair 및 추계학술대회 논문집 전기물성,응용부문
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• pp.100-101
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• 2007

Polymer thick film capacitors were successfully fabricated by using ink-jet printing and screen printing technology. First, a bottom electrode was patterned by ink-jet printing of a nano-sized silver ink. Next, a dielectric layer was formed by the screen printing, then a top electrode was pattern by ink-jet printing of a nano-sized silver ink. The printed area of the dielectric layers were changed into $2{\times}2m^2$and $4{\times}2m^2$, and also the area of the electrodes were patterned with $1{\times}1mm^2$ and $1{\times}3mm^2$. The thickness of the printed dielectric layer was ranged from 1.1 to $1.4{\mu}m$. The analysis of capacitances verified that the capacitances was proportional to the area of the printed electrode. The capacitances of the fabricated capacitors resulted in one third of the calculated capacitances.

• 펄프종이기술
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• 제33권3호
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• pp.18-23
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• 2001

The effect of pulp consistency on the deinking properties in the ozone deinking of ONP was investigated in order to develop the environmentally friendly deinking method. The pulp consistency and ozone treatment time were varied for this purpose. Higher pulp consistency during ozone treatment gave better ink removal efficiency than the conventional deinking method. In was also found that the increase of pulp consistency can decrease the ozone treatment time which can meet the deinking quality. WRV of ozone deinked pulp obtained at 10% and 30% of pulp consistencies was lower than those of the conventional deinking method. However, the higher pulp consistency during ozone treatment improved WRV. Highest brightness was obtained at the ozone treatment condition of 30% pulp consistency and 10 minutes. The lower brightness at the other ozone treatment condition should be originated from the excessive decrease of ink particle size and then decrease of true ink removal efficiency. Scott bond was increased with the increase of pulp consistency and treatment time. However, the improvement of breaking length with ozone treatment was no significant.

• 펄프종이기술
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• 제39권1호
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• pp.25-29
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• 2007

Print mottle is the spotty and cloudy appearance of the ink on the substrate. Print mottle is influenced significantly by the characteristics of the paper with regard to homogeneity of its structure and its coating. The print mottle can be counteracted, in particular by altering the absorption characteristics of the inks, by changing sequence in which the inks are printed, or by using a advanced coated paper. In this study, we investigated the effect of ink dispersion to the print mottle through trial printing test and also analyzed the correlation between properties of coated paper and subjective results by statistic method. The result of this study is expected to be applied the basic data to solve the problem of printing mottle.

• Journal of Electrochemical Science and Technology
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• 제12권1호
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• pp.146-158
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• 2021

This paper reports the preparation of an ink-jet printed flexible electrochromic device based on a water-soluble viologen-functionalized dendrimer. Polyamidoamine (PAMAM) dendrimers were modified with different concentrations of 1-1 bis(propylamine)-4,4'-bipyridylium dibromides to obtain solution-processable electrochromic materials (K1/2 and K1). FTIR, NMR, and elemental analyses are used to characterize synthesized viologens. Moreover, their electrochemical properties were investigated using cyclic voltammetry in an electrolyte solution consisting of 0.1 M HCl to find the optimum viologens. The low-cost ink-jet printer was used to print the prepared water-soluble electrochromic inks onto the ITO coated PET substrate to form desired transparent patterns. The electrolyte was applied on the printed electrochromic ink to make a sandwich with another ITO coated PET to prepare the electrochromic devices (ECD). By applying an electrical potential (0 to -2 V), the transparent ECD's color changed from colorless to blue. The color changes for the optimum ECD (K1), which had more viologen units on the dendrimer, was accompanied by an optical contrast of 47% and 311.5 ㎠C-1 coloration efficiency at 600 nm.

• 문화기술의 융합
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• 제9권3호
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• pp.509-518
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• 2023

독일 신표현주의와 중국 현대 수묵은 지리적으로 멀리 떨어진 두 나라에서 시작됐으나, 등장한 시기가 유사하며 서로 공통되는 부분이 많다.창작 태도 측면에서 두 풍격의 예술가들은 모두 외래 풍격을 받아들이고 저항하며 과거로 회귀하고 전통을 초월하여 포스트모던의 불확실성을 함께 드러내고 있다. 표현 형식 측면에서 보면, 두 화풍이 그리는 대상은 모두 형상을 갖추고 있으나 사실적이지는 않으며, 매개의 재료 특성을 활용하는 것을 중요하게 여긴다. 정신적 함의 측면에서 보면, 신표현주의와 현대 수묵은 모두 사회적 관심사를 중시하고, 상통하며 유동적인 현대성을 지닌다. 독일 신표현주의와 중국 현대 수묵의 상통성은 차이점을 지우자는 것이 아니라 차이점과 공통점이 공존할 수 있도록 해야 한다는 것이다.

• 헤리티지:역사와 과학
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• 제46권1호
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• pp.102-123
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• 2013

표암 강세황(1713~1791)은 그림이나 글씨 시 제발 인장뿐만 아니라 탁월한 서화감식과 비평으로 조선 후기 회화의 큰 흐름을 주도했던 대표적인 문인서화가이다. 그는 79세의 장수를 누리며 다양한 화목(畵目)의 작품을 제작했는데 특히 말년에 천착했던 문인화류의 사군자화는 조선 말기 묵란화 유행의 바탕을 마련했다는 점에서 주목할 필요가 있다. 또한 그는 조선시대 화가 중 처음으로 사군자화를 갖추어 그렸는데, 작품량이 많고 회화사적 연구 가치가 있는 '묵란화(墨蘭畵)'에 대해서는 적극적인 연구가 진행되고 있지 않다. 따라서 이 논문은 강세황의 묵란화에 대한 기록과 작품 연구를 통해 그의 묵란화 인식과 지향을 살피고자 시도되었다. 먼저 강세황의 묵란화 기록에는 사생(寫生)과 고화(古畵)의 연습, 화보(畵譜)의 임방을 고루 중시했던 그의 작화태도가 나타나 주목된다. 18세기 예림의 종장 강세황은 고인(古人)의 뜻과 정신이 집약된 고화의 임방(臨倣)을 중시했으며 그림을 '우의(寓意)'와 '재도(載道)' 등의 수단으로 인식했다. 즉 그의 지속적인 화보임방의 작화방식에서 수기적(修己的) 가치관과 회화관을 읽을 수 있다. 다음으로 그의 이런 회화관이 녹아 있는 묵란화는 양식적 분석을 통해 30~40대의 전반기와 절필기를 끝내고 군자화에 몰두했던 60대~79세인 후반기로 나누어 볼 수 있다. 그는 전반기에 "개자원화전"을 주로 학습하였고, 후반기에는 "십죽재서화보"나 "매죽난국사보" 등의 화보를 학화(學畵)하였다. 때문에 전체적으로 그의 묵란화는 전시기(全時期) 화보 의탁이 농후하다고 할 수 있다. 그럼에도 묵란화를 다작했던 70대는 화보의 의고와 임방을 주지하면서도, 그것을 능숙하게 소화해 고아하고 단아한 '표암난'을 완성하여 조선 후기 묵란화 발전에 일조하였다. 마지막으로 강세황의 묵란화풍과 관련 있는 당시(當時) 화가들에 대해 살펴보았다. 서화합벽첩을 만들며 서화로 교유했던 심사정이나 최북의 묵란화풍에서 강세황의 영향이 감지되어 앞서 언급한 문인들의 상찬과 아울러 18세기 조선 화단에서의 강세황 묵란화에 대한 위상을 짐작할 수 있다.

• 한국인쇄학회지
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• 제20권1호
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• pp.123-132
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• 2002

The literature often mentions the hardness of water in dampening solutions as possible source of problem. In most literature describes that the water hardness affects print quality. However water hardness affects not only print quality, but also emulsification of ink and dampening solution. Therefore the purpose of this study was to determine if water hardness actually affects the emulsification rate of dampening solution and ink. And this study for the factors determining the emulsion velocity, we have measured water pick-up and calculated emulsion velocity constant 'k' and activation energy.

• 한국인쇄학회지
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• 제14권2호
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• pp.65-80
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• 1996

Ink trap is one of the important factors to determine the color in multi-color overprints. This study was carried out for the purpose for analyzing the relationships between ink traps and color differences in two-color solid overprints. The specimens were printed under four different conditions that the overprinting ink sequence of M(Magenta) or C(Cyan) and the overprinting method of W(Wet-on-Wet) or D(Wet-on-Dry) were changed altermately, that is M+C-W or C+M-W and M+C-D or C+M-D.