• 한국조경학회지
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• 제24권3호
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• pp.150-163
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• 1996

This study was carried out to find the general representation methods of wall with respaect to the Korean treaditional atmosphere based on case studies, 16 case studies were classified into two categores : traditional walls and designed walls expressing the treaditional atmosphere. And the representation methods of walls were viewed by two sides : the type of message and the role of sign. The results were summarized as follows ; ■ To reproduce the traditional walls is possible, in this case the role of sign is icon. ■ To reproduce or represint the visual element of the traditional walls will be also possible, in this case the role of sign is index. It is recommended to use 3 types of message in representing methods of walls expressing the Korean traditional atmosphere. ■ Shape ; Approach to shape is more effective than maerial or figure. It is possible to represent the shape element of the traditional walls. Specially, it will be effective to utilize the capital of traitional walls as shape element. ■ Material ; Conventional materials with less artificial processing used at traditional walls will be better suited. ■ Figure ; To utilize the traditional figures is possible. Specially, it will be effective to utilize the traditional figures as design approach with respaect to the sense of place. Futher research is required to find out the relationship between the meaning and the design mechanics.

• 복식
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• 제61권8호
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• pp.100-113
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• 2011

The earlier notion of feminism regarding gender equality was changed into that of Postfeminism because of gender differences. The idea of Postfeminism has been present since the 1980s but has been influenced by modern culture theories such as Postmodernism, Poststructuralism, Theory of Power and Discourse and Psychoanalysis. Various features of Postfeminism are found in the medieval warrior images of contemporary fashion. Warrior costumes were men's exclusive property in the medieval ages, but as it is introduced as women's wear in the 21st century, it shows us new fashion images which are constructed by gender deconstruction, differences and pastiche. In this regard, the purpose of this study is to examine a key characteristic of Postfeminism fashion. An article described the historical costumes of medieval warriors and refocused on the development processes of feminism and then conducted an analysis on formative characteristics and Postfeminism tendencies in contemporary women's wear from 2000 to 2011. The results were that materials such as metallic and flexible materials, monotonic and red colors and detailed patterns of armor were used to display forms of exaggeration and restraint. These elements fully and correctly expressed the image of a medieval warrior woman in contemporary fashion. Postfeminism fashion is constructed with feminine power, gendered identity, sensual elegance and a postmodern body. Postfeminism is the contemporary cultural icon and is continuously influencing modern fashion design in the 21st century in a positive and powerful way.

• 정보처리학회논문지A
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• 제8A권4호
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• pp.411-418
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• 2001

본 논문은 웹 브라우저를 통해 관리되는 홈네트워크 관리 시스템의 설계 및 구현에 대해 기술한다. 디지털 가전기기들은 IEEE1394 버스에 의해 퍼스널 자바 환경을 갖춘 셋톱박스와 연결된다. 셋톱박스에서 동작하는 내장형 웹 서버는 HTTP1.1의 세션 유지 기능과 JSDK2.1을 지원하는 서블릿 엔진을 포함한다. 홈 네트워크 관리 프로그램은 서블릿 형태로 개발되며 IEEE1394 디바이스 드라이버 기능을 접근하기 위해 JNI를 사용한다. 각 가전기기를 위한 사용자 인터페이스 애플릿은 홈 네트워크 관리 웹 문서에서 관련 아이콘을 선택한 경우 클라이언트로 다운로드되고, TCP/IP API를 통해 관련 서블릿과 통신한다.

• 한국IT서비스학회지
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• 제14권4호
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• pp.237-256
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• 2015

The purpose of this study is to develop the eTextbook and to explore the usability of the eTextbook for accelerating mobile learning in university. This study was primarily based on needs analysis of students, and eTextbook was created based on digital publishing through Adobe DPS. The major design principles of the eTextbook based on previous studies were as follow. First, eTextbook should deliver learning contents in a simple and systematic way. Second, eTextbook should induce student's flows by providing segmented learning contents and various learning resources. Third, eTextbook should expand information accessibility by providing a wide variety of multimedia functions. The development principles of eTextbook have been developed based on cognitive psychology. Location and function of the link or icon used for eTextbook have been developed on the basis of the principles of cognitive psychology. The main development principles were Coherence, Signaling, Redundancy, Segmentation, Multimedia principle, and so on. In order to examine usability of the developed eTextbook, experts' and learners' reactions were evaluated. The primary responses of learners are that the eTextbook increased the learning accessibility and provided various multimedia factors, and thus increased the learning flows in the class.

• 디자인학연구
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• 제18권2호
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• pp.173-188
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• 2005

최근 기업 경영에 있어서 디자인의 중요성이 점차 증가하고 있는 반면 브랜드의 시각적 역할을 담당하는 로고에 대한 연구가 상대적으로 소홀히 다루어져 왔다. 특히 브랜드 로고의 시각적 특성에 대한 소비자 반응 연구는 상대적으로 부족한 실정이다. 이에 본 연구에서는 로고의 시각적인 특성에 대한 실험적인 연구로 제품별 특성에 따라 브랜드 컨셉에 기초하여 선호되는 로고 디자인을 컨조인트 분석방법을 통해 살펴보고 있다. 연구결과 이성적 컨셉의 경우 탐색 재에서는 높은 정교함과 낮은 대칭이, 경험재에서는 높은 연상이, 신뢰재에서는 낮은 정교함과 높은 대칭이 고유특성으로 나타났다. 한편 감성적 컨셉의 경우 탐색 재에서는 높은 정교함과 낮은 연상이, 경험재에서는 낮은 자연스러움이, 신뢰 재에서는 낮은 정교함과 높은 연상이 고유특성으로 나타났다. 이러한 연구결과들과 함께 이론적 실무적 시사점이 논의된다.

• 복식문화연구
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• 제29권2호
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• pp.185-203
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• 2021

The aim of this study was to reveal the modern succession and reinterpretation of brand identity through the case of Balenciaga design presented by Demna Gvasalia through a review of the literature, design collection, and design review analysis. The design collection analysis was conducted from 2016 F/W to 2020 F/W, when Demna Gvasalia commenced responsibility for the Balenciaga collection. A total of 12 articles from overseas fashion magazines and newspapers were analyzed. A modern reinterpretation of Demna Gvasalia's Balenciaga design is as follows. First, he introduced luxury mode to reflect a sense of the times and introduced luxury street looks based on street and sports sensibilities, showing various styles without specific concepts. Second, by sharing universal sensibilities based on pragmatism, he proposed an easy-to-wear outfit for daily life to demonstrate the everydayness of fashion. Third, as a new exploration of traditional structural beauty, the design of Cristobal Balenciaga was reinterpreted through the conversion of items, overlapping outfits, and the introduction of high-tech technologies. Fourth, by taking a conceptual approach to fashion, he has renewed the spirit of experimentation and modernity shown by Cristobal Balenciaga. Fifth, with the presentation of a new icon, new styles of sneakers such as Triple S and Speed Runner are presented as new icons. He inherited the original mindset and creative approach of the house's founder, Cristobal Balenciaga, and reinterpreted it from a contemporary street sensibility and pragmatic perspective.

• 한국전통조경학회지
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• 제37권3호
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• pp.108-118
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• 2019

정원박람회에서 정원을 감상한다는 것은 자연에 대한 아름다움과 함께 조형예술로서 정원의 내면에 숨겨진 작가들의 개념과 아이디어들을 감상하는 데 의미를 가진다. 본 연구는 정원에 표출된 조형 매체를 통하여 작가의 의도된 표현 특성을 파악하는 데 목적을 두고, 2018 태화강 정원박람회에 전시된 정원 중 총 20개 작품을 대상으로 공간에서 전개되는 시각적 서술의 조형 구조를 파악하였다. 이것은 조형 구조가 조형 매체와 조형 언어를 통하여 내용과 형식으로 전달되는 특성을 반영한 것이다. 작품에 대한 분석은 정원에 표현된 서사구조로부터 조형 구조인 시각언어와 공간 언어를 통하여 매체의 표현 특성을 파악하였으며 결과는 다음과 같다. 첫째, 상호텍스트성을 통한 매체 이미지는 다수의 작품이 '도형적 이미지(figure image)'를 통하여 메시지를 전달하고 있다. 즉 개념은 매체를 통하여 '실제 대상의 유사성'으로 전달되며, 이에 따른 '의미와 의미작용'을 기대하는 것이다. 둘째, 정원에서 상징성을 보여주기 위한 기호(sign) 특성은 '도상(icon)', '지표(index)', '상징(symbol)'으로 구분하여 추출하였다. 그 결과 대부분의 작품은 '도상'과 '상징'을 통하여 이미지와 의미 사이의 공통된 특성을 표현하고 있다. 셋째, 조형 원리에 따른 공간 구성요소들은 '주체적(dominant)'인 역할과 '종속적(subordinate)'인 역할의 요소들이 개념전달을 위한 주요 인자로 도출되었다. 또한 '중첩에 의한 공간 구성'과 '투명에 의한 공간 구성'을 통하여 개념적 층위를 강화하고 있음을 알 수 있다. 넷째, 매체의 공간 점유유형은 중앙홀형, 통로형, 개실형 등이 주를 이루며, 개실형의 경우 특정한 오브제가 아닌 공간 전체영역을 개념화한 특징을 가진다. 동선의 유형은 순회형, 통과형, 회귀형의 순으로 빈도가 도출되었다. 이와 같은 정원디자인에 나타난 시각적 서술의 표현 특성에 대한 연구는 향후 개념의 시각적 연출을 위한 공간설계 기법의 기초자료를 마련하는 데 의의가 있다.

• 복식
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• 제57권4호
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• pp.173-187
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• 2007

The purpose of this study is to analyze the fetishist characteristics and the aesthetic values of glamour style based on the premise that fetishism is the theoretical root of glamour style expressed in fashion throughout history. The following results are from analysing fetishist characteristics of glamour style. First, luxury was analysed from an angle of commodity fetishism. Every culture develops images and stories that portray a world in which its ideals are realized: a paradise, a utopia, a golden age, etc. Consumer goods often serve as 'bridges to these ideals'. People thus can fantasize about owning the perfect life. Crucially, however, they must never get everything they picture. That is why luxuries often take on displaced meaning. Glamour gives the displaced meaning visual form, making it beautiful and real. Second, the attention on the glamour of luxury goods as a bridge to ideals is connected to the glamour icon who is simultaneously a consumer of these luxury goods and a producer of cultural goods. Glamour icons including the courtesan of the late 19th century, the actress of the 1930s' Hollywood golden age and today's celebrities appear to efface the traces of production and create fetishist images in culture. Through this artificial principle, the commodity-cum-glamour icon comes to life as a splendid image of spectacle. Third, masquerade and seduction were analysed from an angle of sexual fetishism. A magnificent image of masquerade as sexual fetishism is often equated with femininity, especially in Hollywood movies, because the artificial seduction of the feminine -namely glamour- can be effected by the absence or silence of being. That is to say, the aesthetic revelation of femininity coincides with the fleshing out of artificial signs. Masquerade and the seduction of the feminine are connected with glamour's artificial sensuality from this point. Fourth, since 1980's when homosexuality as sexual deviation resurfaced as a hot topic, sexual ambiguity and bisexual image have gained attention as perverse sexuality. Next came queer theory, which reduced gender itself to a matter of surface rather than depth. According to queer theory, gender itself can be revealed as a kind of drag act. Drag's imitative performance may reveal that womanliness is just about 'dragging up'. Queerness as a decadent play makes a connection with the wicked origins of glamour. From these characteristics, four aesthetic values were deduced: ostentatious luxury and mysterious idolatry by commodity fetishism, artificial sensuality and playful queerness by sexual fetishism.

• 한국실내디자인학회논문집
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• 제26권5호
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• pp.143-151
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• 2017

This study aims to analyze the design of public libraries which act as anchors in culture-led urban regeneration. They have been built as city's symbols as well as catalysts to revitalize city centers and urban spaces since the 1990s. This study finds that the public libraries play roles in the urban development as cultural icons, multi-functional spaces, and public domain. This study examines the five examples of the libraries and finds their important design qualities as follow. First, public libraries are planned to symbolize local culture and history as cultural icons. The shapes of public libraries are expressed with sculptured cultural icons, while their facades are designed to signify cities' identities and images. Second, public libraries in culture-led urban regeneration have multi-functional spaces which provide diverse activities and experiences to visitors. The libraries often have galleries and theaters for cultural life, cafes and shops for daily uses, educational facilities, as well as public services, parking, and transport systems that connect to urban infrastructure. Third, the public libraries become the anchors of surrounding public spaces and cultural buildings. The libraries have the sequences of approach from entry plazas, transitional zones, and entrances to lobbies. Especially the transitional zones between the libraries and the cities that are covered with giant cantilevers expand the libraries' space and establish attractive urban spaces. Forth, the libraries employ nature and cityscapes in their design. The surfaces and openings of the libraries are adjusted to allow many attractive views to visitors. Fifth, the libraries have big lobby spaces which are the centers of the buildings as well as the public domain. The lobby spaces are designed as in-door spaces like out-doors with vertical and horizontal openness that allow the natural flows of light from ceilings, glass walls and vertical voids.

• 패션비즈니스
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• 제25권4호
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• pp.61-78
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• 2021

Gianni Versace is one of the most influential Italian designers between the 1980s and 1990s and a representative person to add sexiness and splendour to Italian fashion. This study aimed to analyze the design identity that resulted in the successful handover to Donatella Versace and to review how effectively differentiated and unique heritage elements of Versace were transferred and operated. Literature reviews were performed to find Gianni Versace's design identity and archive. The scope of this study was Donatella's collection from 2018 to 2020. In particular, Signature, the most remarkable design identity of luxury brands with a visual identity that includes the mark, logo and symbol and design elements such as the item, colour, materials, details, etc., were the special focus. In this study, the elements of the visual identity of the signature were classified with the logo, icon, silhouette, materials, patterns, colours, and changes in details that were applied with the uniqueness and philosophy of the differentiated brand. Donatella Versace empathized with Versace's heritage as the brand heritage recalling Versace's honour in the 1990s and reproduced his honour again by reinterpretation of Versace's design images. Donatella is considered an excellent creative director who leads the brand by keeping the heritage and applying the trends of the times. This study as a case study of Versace has the meaning that Versace has maintained the brand identity starting from Gianni Versace as the first generation and successful takeover after the change of directors upon recreation to meet the modern times.