• 패션비즈니스
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• 제9권5호
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• pp.152-167
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• 2005

This study aims to aid hair fashion design for using hair style change by knowing the hair fashion images' characteristics. To accomplish this purpose, posed a questions to capital area university women students from June 3. 2005. to June 23. 2005. The hair fashion images' characteristics are; (1) avant-garde - unique style of every categories, (2) ethnic - korean style of center part, no volume, down chignon, inactivated texture, (3) romantic pretty - girl like cute style of long, wide wave, wide braid, center part or bang, activated texture, using pin or ribon, (4) elegance - graceful style of down point up style having wave, volume and activated texture, (5) sexy - sexual attractive style of long & wide wave or straight with high volume, activated texture(wet feeling hair styles also possible), (6) sophisticate - refined urban style of inactivated textured graduation and layered straight hair, (7) natural - inartificial style of no volume, inactivated long straight and binding hair, (8) sporty - activated style of activated and inactivated textured short hair.

• 복식문화연구
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• 제16권2호
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• pp.293-304
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• 2008

The objectives of this study were to investigate the images in men's hairstyle by hair color, tone, texture, and perceiver's gender, and to examine the characteristics of hairstyle appropriate to seasons. A quasi-experimental method by questionnaire was used, and the experimental design was $4{\times}3{\times}2{\times}2$(hair color$\times$tone$\times$texture$\times$perceiver's$\times$gender) factorial design. The subjects were 372 men and women in their 20s through 50s. five factors of men's hairstyle image were derived by factor analysis: individuality, dignity, romanticism, refinement, and activity. Black hair was perceived to be high in dignity and activity. Bright tone was perceived to be high in individuality, but low in dignity. Men's wave hair was perceived to be higher in individuality than straight hair, but lower in dignity. Perceiver's gender did not give significant influence on evaluation of all image factors. In brown, neutral tone was perceived to be higher in dignity. romanticism, and activity than dark or bright tone. In black, wave hair was perceived to be more refined than straight hair. Black hair matches with winter the most, and yellow matches with spring the most. In terms of tone, dark tone matches with winter; neutral tone matches with autumn; bright tone matches with summer. The results of this study verified that hair color and texture affect men's image perception, and matching hair colors are associated with seasons.

• 디지털융복합연구
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• 제16권10호
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• pp.479-484
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• 2018

일제 강점기 여성들 one length hair style의 변천사 및 형태학적 분석을 시도한 연구로서 선행논문과 저서를 바탕으로 형태, 질감, 색상 등 헤어디자인의 구성 요소들을 분석하여 다양한 형태의 one length hair style 커트가 가능해지는데 연구의 목적이 있다. 연구 결과 1910년-1920년대 one length hair style은 커트 길이의 단차가 전혀 없는 out line을 지닌 형태, 자연 그대로의 모발 질감, 자연 모발 색상을 보였다. 1930년대 one length hair style은 약간의 커트 길이의 단차를 보이면서 다이아몬드 형태, 자연스런 질감의 narrow wave, 과산화수소나 oxygenated water을 이용한 약간의 탈색이 이뤄졌다. 1940년대 one length hair style은 형태, 질감, 색상 면에서 화려한 미(美)를 추구하려는 특이점이 발견되지 않았다. 본 연구를 통해 one length hair style에 관한 심층적이고 세분화 된 후속 연구가 가능해지며, 헤어미용 교육의 기초 자료 및 뉴 모드의 트렌드 개발을 위한 초석으로 작용하리라 사료한다.

• 한국응용과학기술학회지
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• 제38권2호
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• pp.434-440
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• 2021

본 연구는 밀크씨슬 오일을 첨가한 모질 개선 제형제를 제조하여 손상된 모발에 도포하여 모질 개선 효과를 알아보고자 하였다. 밀크씨슬 오일 함량을 0 g, 1 g 2 g, 3 g 으로 다르게 하여 제형제를 제조하였다. 제조한 제형제로 탈색한 시료 모발에 도포 후 열처리와 자연방치를 한 후에 시료 별로 도포 전과 후를 측정하여 비교 분석하였다. 모질 개선 효과를 알기 위해 인장강도, 메틸렌블루를 이용한 흡광도, 광택을 측정하였고 하였다. 모질 개선 효과를 알기위한 인장강도 측정결과는 7레벨과 9레벨 모든 시료의 인장강도가 증가함을 알 수 있었다. 메틸렌블루를 이용한 흡광도 분석결과 도포 전, 후의 변화는 도포 후의 값이 감소함을 알 수 있었다. 광택 측정결과는 모든 시료에서 큰 차이가 없음을 알 수 있었다. 밀크씨슬 오일이 손상된 모발에 모질 개선 효과가 있는 것을 알 수 있었다. 차후 다양한 오일 종류와 연구방법으로 모질개선 연구가 필요하다.

• 한국응용과학기술학회지
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• 제37권5호
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• pp.1298-1305
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• 2020

본 연구 목적은 밍크 오일로 손상된 모발의 개선 정도를 알아보고자 하였다. 실험방법으로 밍크오일 함량을 0 g, 1 g 2 g, 3 g 으로 모질 개선 제형제를 제조하였다. 제형제로 탈색한 시료 모발에 도포 전과 도포 후를 측정하여 비교 분석하였다. 모질 개선 효과를 알기 위해 인장강도, 메틸렌블루를 이용한 흡광도, 광택을 측정하였다. 실험결과는 인장강도 측정결과 건강모 보다는 실험군의 인장강도는 감소하였다. 7레벨에서의 인장강도는 밍크 오일 함량이 높을수록 증가하였다. 흡광도 측정결과 대조군 인 건강모 보다는 실험군 모두가 증가하였다. 대조군 인 0 g함유한 것보다 실험군 7레벨에서 1 g, 2 g, 3 g 도포한 시료의 흡광도 값은 밍크 함량이 높을수록 감소하였다. 광택 측정 결과는 건강모 보다는 실험군의 광택 값이 증가하고 7레벨에서의 광택 값은 함량이 증가할수록 감소하였다. 결론은 밍크 오일이 손상된 모발에 도포 시 모질 개선 효과가 있는 것을 알 수 있었다. 차후 모질 개선을 위한 다양한 오일 성분에 대한 연구가 필요하다.

• 환경위생공학
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• 제18권2호
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• pp.75-86
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• 2003

This study was designed to identify the relationship between general characteristics and personalities of college students majoring in beauty art. For this, 286 female students from two colleges in Kwangju were interviewed using a questionnaire pertaining to their general characteristics, hair-style and personality from September 20 through 30, 2001. A $x^2{\;}-{\;}test$ was implemented to identify the relationship between hair-style, personality and other variables. The results are summarized as follows: 1 To define characteristics in relation with hair-style, how students decide their hair-style was examined and, as a result, it was reported that 80.8% of targeted students decided by themselves and 19.2% decided by others' suggestions. 2. It is reported that there was no statistically significant relationship among socio-demographic characteristics such as the length of hair, grades, allowances, religion, satisfaction of campus life, and characteristics relating to hair-style such as accessories, mood, shape of face, decision of hair-style, and texture of hair. 3. Their preference of perm type had a statistically significant relationship with their allowance, religion and accessories, but not with their grades, satisfaction of campus life, mood, shape of face, hair-style, and texture of hair. 4. Dye and bleach had a statistically significant relationship with the texture of hair, but not with socio-demographic characteristics and accessories, mood, shape of face and decision of hair-style. 5. Personality of tenacity, extroversion and introversion, emotion and falsehood had no statistically significant relationship with hair-style. Finally, it was proven that strength, extroversion and introversion, emotion and falsehood had no statistically significant relationship with hair-style. More studies to identify personal tendencies that may affect hair-style are necessary.

• 한국응용과학기술학회지
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• 제38권3호
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• pp.700-707
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• 2021

연구목적은 살구씨 오일을 첨가한 모질 개선 제형제를 제조하여 손상된 모발에 도포하여 모발의 질 개선 효과를 알아보고자 하였다. 실험방법과 측정은 살구씨 오일 함량을 0 g, 1 g 2 g, 3 g 으로 다르게 하여 제형제를 제조하였다. 제조한 제형제로 탈색한 시료 모발에 도포 후 열처리와 자연방치를 한 후에 시료 별로 도포 전과 후를 측정하여 비교 분석하였다. 모발의 질 개선 효과를 알기 위해 인장강도, 메틸렌블루를 이용한 흡광도, 광택을 측정하였다. 연구 결과로 인장강도 측정결과는 건강모를 제외한 모든 시료에서 도포 후에 증가하였다. 메틸렌블루를 이용한 흡광도 분석결과 7L(1), 7L(2), 7L(3), 9L(3)의 시료에서 도포 후 감소하였다. 광택 측정결과는 7L(1), 7L(2), 7L(3), 9L(3)의 시료에서 증가하였다. 인장강도, 흡광도, 광택의 변화로 인해 살구씨 오일이 손상된 모발에 질 개선 효과가 있는 것을 알 수 있었다. 차후 다양한 측정 방법과 처리에 대한 방법 연구가 필요하다.

• 패션비즈니스
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• 제21권4호
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• pp.127-143
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• 2017

In this study, we examine a variety of influences in the field of design and analysis about the value of visual tactile design. In hair design, through study on visual tactility, creative design inspiration in the field of hair design enables development of quality research. Research methods use Internet publications such as local and foreign data, analysis, and related research and book forms, such as network searches. library goes for consideration by a literature search. Contents of this study used review of the case and by visual tactility design, for this study, expressive characteristics by color, texture and form of hair design, from 2014-2017 trend shown in the last three years the expressions of visual tactility being used through the analysis of design by date of the case. Result of this study is, visual tactile design appearing in the areas of hair design, that are not of the rules that are active, abstract form, texture, described as a visual feel the promotion of effective, and light and high brightness is sweet tactile impression, high saturation was cold, dark color was hard and heavy, red system is warm and the blue system is cold sense. In general, design trend in hair for three years from 2014-2017, visual tactility in 2014 is a high saturation and unstructured also soft and bright colors. 2015 is on the overall shape, color, texture, hybrid design configuration is more. As of 2016, 2017 is curved and straight texture, appearance of the hybrid mix to maximize the visual tactility.

• 패션비즈니스
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• 제6권1호
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• pp.53-70
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• 2002

The purpose of this study is to review the innovation of Vidal Sassoon's hair design. His hair styling was created in 1950-60, and it was related to the Zeitgeist, 'Convulsion'. It was aesthetic reform that eliminated artificially of headdress through new design concept and high technique. It was social renovation that changed women's life through freedom, ease and mobility of hair form. Also, it was scientific innovation that emphasized improvement of hair care. Therefore this researcher set a high value on his contribution in beauty industry, and studied the formative characteristics of his hair styling. The results are as follows: The formative characteristics are classified into the simplicity of form, the mobility of construction, and the variety of color and texture. 1. The simplicity of form showed through geometric form. Vidal Sassoon's hair design had the overthrow traditional concept of femininity and beauty; in addition, it conferred freedom on not only hair itself but also women's action. 2. The naturalism and mobility of construction was found in layered and softly swinging hair made up by skillful cutting technique. It was developed by studying on the dynamism of sports in 1984 LA Olympic games. 3. The variety of color and texture showed conspicuously its visual evidence because of the simplicity of form. Especially, he borrowed factors of fine art, that is to say, form, space, texture, line, color and light, and created a performance art. His work is analyzed into an art, and he is one of the best artists.

• 한국의류산업학회지
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• 제8권2호
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• pp.225-232
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• 2006

This study purposed to review the concept and characteristics of subculture theoretically and then to analyze subcultural hairstyles shown in the 20th century's fashion in terms of form, structure, texture, design line and design principle, which were formative factors of beauty art. The range of this study was from the 1950's to the 1990's, during which subcultural hairstyles, which were selected for this study, kept a unique formality as subcultural characteristics of each time were reflected in hairstyles. The hairstyles found in subcultural styles were reviewed as follows. From the formative analysis as the above, it was concluded that layer form was seen most frequently in the subcultural hairstyles. This may be because it has a lot of layers in hair, and enables to make more various forms with a simpler care than other hairstyles so that it is easy to show one's own characteristic or differentiate oneself from others. Thanks to the characteristics of layer form, horizontal and convex were often seen as design lines. As for a texture, straight often appeared. The texture of straight is naturally formed without any care applied on hair. The reason may be that most subcultures refused artificiality. Therefore, the characteristics of subcultural hairstyles may be that hairstyles are transformed into various forms and created into the styles appropriately for individual tastes so as to clearly express one's own idea and thought.