• Title/Summary/Keyword: flower-culture

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The Effects of Trickle Irrigation Culture and Catch in the Rain on Seed Production of Onion (비가림과 점적 관수재배가 양파의 채종량에 미치는 영향)

  • 권병선
    • Korean Journal of Plant Resources
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    • v.9 no.3
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    • pp.249-253
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    • 1996
  • The study was conducted to investigate the effect of the culture with trickle with trickle irrigation in transparent vinyl house on the seed productivity of onion. Growth, number o tiller and leavers, plant height, leaf sheath length, flowering rate, diameter of flower wheel, number of little flower per flower stalk and fertilization rate are best in the case of the seed production under the culture with trickle irrigation in transparent vinyl mulching house, catch in the rain with vinyl from February to March, so it is found that it is appropriate to plant the onion mother bulb under the culture with trickle irrigation in transparent vinyl mulching house, catch in the rain with vinyl from February to March in the Southern areas of Korea.

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Measurement of Determination Time of In-Vitro Flowering in Ginseng (Panax ginseng) (인삼의 기내 개화 결정시기의 측정)

  • 이행순;이광웅;유장렬
    • Korean Journal of Plant Tissue Culture
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    • v.21 no.6
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    • pp.347-351
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    • 1994
  • To measure the time required for ginseng explants to become determined to form flower buds, we cultured zygotic embryos, seedlings, and cotyledonary nodes on MS medium supplemented with BA and GA$_3$of 5 ${\mu}$M each (flower inducing medium, FIM) for various periods and transferred to the basal medium. The explants required a minimum of 10 days on FIM to be determined. Histological observations revealed that the axillary meristem to be fated to develop into flower bud remained in a state of shoot meristem during the first 10 days of culture and differentiated into flower bud after 15 days of culture. We suggest that the in-vitro flowering system described in this study is useful in investigating (a) regulatory element(s) to cause the phase change from the vegetative to reproductive state by comparing predetermined explants with determined ones at the molecular level.

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Breeding of a New Light Pink Spray-mum 'Brown ND' for Cut Flower (연분홍색의 절화용 스프레이국화 '브라운엔디' 육성)

  • Kim, Hyun Seok;Han, Youn Yul;Seong, Jeon Joong;Choi, Dong Jin
    • FLOWER RESEARCH JOURNAL
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    • v.18 no.1
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    • pp.73-76
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    • 2010
  • A new light pink spray-mum, 'Brown ND' was bred by crossing between 'Noeul', a yellow anemone type flower, and 'Dalma', a pink anemone type flower in October 2003. The growth and flowering characteristics were investigated in forcing, natural, and retarding cultures from 2005 to 2007. The 'Brown ND' was a medium-flowering fall-mum with light pink anemone type flower and had 10.6 flowers per stem, 4.1 cm diameter of flower in natural culture. The number of days to flowering and flowers per plant was 59 and 9.1, respectively, in forcing culture of 'Brown ND' whereas the number of days to flowering was 49 in retarding culture.

Development of Cultural Products Based on Minhwa of the Joseon Dynasty - Focusing on Lotus Flower Painting - (조선시대 민화 <연화도> 콘텐츠를 활용한 문화상품 개발)

  • Jang, Hyun-Joo
    • Journal of the Korean Society of Costume
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    • v.62 no.5
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    • pp.59-72
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    • 2012
  • This study aims to collect Minhwa, or folk painting, particularly the Lotus Flower Painting, to analyze its formative characteristics and related story, and to develop cultural fashion products by utilizing Korean traditional culture and modern flavor based on the results. Lotus flowers grow from mud, but are unstained, and they bloom beautiful flowers. Thus, they symbolize Gunja, a true gentleman who is very learned and proper in behavior. In Buddhism, lotus flowers are divine flowers that have the meaning of the creation of life and the eternal cycle of birth, death and rebirth. Lotus flowers also represent the love between man and woman as well as conjugal harmony and love. Lotus flower painting includes the paintings of the lotus flower alone as well as the paintings of the lotus flower with ducks, white heron, kingfisher, fish, butterfly, crab, or tortoise. Colors that are mostly used in lotus flower paintings is the compatible combination of red and blue (green). Based on these findings, fashion products such as bag accessories, sitting cushions, and kitchen utensils are developed using various designs such as realistically drawn lotus flower, schematized lotus flower, the lotus flower alone, or the lotus flower with kingfisher, crab, or dragonfly, that emphasizing the compatible color combination of red and blue.

An Analysis of Patterns and Motifs in Hanbok Introduced in Wedding Magazine (웨딩 잡지에 나타난 한복의 문양 및 모티프 분석)

  • Kim Jae-Im;Lee Hae-Sook;Kim Soon-Ah
    • The Research Journal of the Costume Culture
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    • v.13 no.6 s.59
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    • pp.999-1010
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    • 2005
  • The purposes of this study were to investigate used patterns in Hanbok and to find out a classification and a characteristic of motifs. The data made use of 111 pictures constituted Gegory(a Korean jacket) and Chima(a skirt) in photographs collected in wedding magazine(Wedding 21'). The data was analyzed by frequency, contents analysis. Pattern's use or not in Hanbok and a sort, a arrangement, a way of expression of patterns using frequency Classified and characteristics of motifs were analyzed contents analysis. The results of this study were as follows. First, a sort of patterns was lots of flower motifs of the plant pattern. An arrangement of and expression of patterns used mainly a partial arrangement and embroidery expression. Second, the subjects classified using criterion of classification of a external feature, forms of expression, and simplicity/complexity of line. Third, the motifs classified into plants, an animal, geometry, abstraction, and a natural object. The plant motifs were perceived the focus of flower, a combination of a flower and a stem in the plant motifs. The subjects perceived as a simplicity/complexity of flower and a drawing line of a flower and a stem.

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Flower Bud Induction and Flower Regeneration from Ovary Cultures of Allium fistulosum L. (파(Allium fistulosum L.)의 자방배양으로 부터 화아발생 및 꽃의 분화)

  • 김재훈;최용의;소웅영
    • Korean Journal of Plant Tissue Culture
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    • v.25 no.4
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    • pp.263-266
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    • 1998
  • Flowergenic callus was induced from the ovary surface of Allium fistulosum L. cultured on MS medium containing 0.5mg/L NAA and 0.5mg/L BA or 0.5mg/L kinetin. After 3-4 weeks of culture, the flower buds were developed from flowergenic callus. The continuous production of flowergenic callus was proliferated, when subcultured on the medium containing 0.5mg/L NAA and 0.5mg/L kinetin. However, frequency of flower bud formation from flowergenic callus was decreased as the subculture was repeated. Histological observation reveals that the developmental pattern of flower bud from flowergenic callus was closely similar to that of natural flowers.

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A New Spray Chrysanthemum Cultivar, 'Magic' with Bright Color, Vigorous, Single Type and Bi-color Petals for Cut Flower (선명한 화색과 초세가 우수한 복색 홑꽃 스프레이국화 'Magic' 육성)

  • Hwang, Ju Chean;Chin, Young Don;Chung, Yong Mo;Kim, Su Gyeong;Ro, Chi Woong;Jeong, Byoung Ryong
    • FLOWER RESEARCH JOURNAL
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    • v.18 no.3
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    • pp.211-215
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    • 2010
  • A new spray chrysanthemum(Dendranthema grandiflorum) cultivar 'Magic' was developed from a cross combination between 'Artist Pink' and 'SP0347' by selection of seedlings and lines at the Flower Research Institute, Gyeongnam Agricultural Research and Extension Services(ARES) from 2003 to 2007. Its characteristics were investigated three times from 2005 to 2007 under condition of forcing culture in spring and retarding culture in autumn. The natural flowering time of 'Magic' was October 26th, and year-round production was possible by day length treatment. Its capitulum was 6.1 cm in diameter, and had 31.9 ray florets and 11.7 head per stem in autumn. Its ray floret was white-purple with yellow green central zone. Days to flower of 'Magic' was about 43 days in spring, and 'Magic' showed the vase life of 20.6 days in autumn. This cultivar was registered for a commercialization in 2007.

Flower Arrangement Study of Pine : Focusing on Pine Gracious Flower (소나무(松)의 화예적(華藝的) 고찰(考察) -송(松)의 문인화(文人花)를 중심(中心)으로-)

  • Kim, Jeong Min
    • Journal of the Korean Society of Floral Art and Design
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    • no.42
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    • pp.63-96
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    • 2020
  • The flower arrangement that human beings interact with the natural plants have characteristics according to their historical background and ethnicity and different aspects of culture related of the flower arrangements have been created by human inspiration and formative ability. The Korean flower arrangement is a product of civilization which originated in the natural environment of the four seasons. As background with the natural unity ideology, the Korean Flower Arrangement makes the life and philosophy of the naturalistic nature that flows in the mind of our nation to the relaxing beauty suited on cultures of ages by the Virtue, the Will, and the Vitality. The Literary Flower Arrangement is, based on the higher human personality and poetic sentiments as ideologies of our traditional oriental philosophy, the formative art made for aesthetic implications of philosophy by consisting plants' characters and tastes without expression of technical skills. In this study, focused on pine tree, in order to clarify that the flower arrangement of our spiritual culture is the Literary Flower Arrangement, make Identifying aesthetic characteristics through, the backgrounds and sources of being expressed by the Literary Flower Arrangement, poetic feelings, symbolism, metaphor, the formative form of flower arrangement, decoding of the flower arrangement genes, and the same time deduce the record of literary work and classify it each era, and establish the Literary Flower Arrangement theory which is the essence of Korean flower arrangement.

Culture of Hairy Roots Induced by Agrobacterium rhizogenes in Platycodon grandiflorum DC. (Balloon Flower) (Agrobacterium rhizogenes 에 의하여 유도된 도라지 (Platycodon grandiflorum DC.) Hairy Root 의 배양)

  • 김병노
    • Journal of Plant Biology
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    • v.33 no.3
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    • pp.183-188
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    • 1990
  • Induction and culture of hairy roots by Agrobacterium rhizogenes A4 were carried out in Platycodon grandiflorum DC. After 2-4 weeks of inoculation with Agrobacterium rhizogenes hairy roots were formed at root segments in the balloon flower. Optimized growth of hairy roots was obtained in hormone-free MS medium, 6% sucrose and pH 5.8. The pattern of ginsenoside in the transformed roots was not different with that in the ordinary roots.

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Exploring the Potential of Podcasts in Flower Design Industry (플라워디자인 산업 활성화를 위한 팟캐스트 콘텐츠의 가능성 연구)

  • Yang, Dongbok
    • Journal of the Korean Society of Floral Art and Design
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    • no.44
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    • pp.75-100
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    • 2021
  • The purpose of this study is to explore ways in which the flower design industry can utilize podcasts that are rapidly growing in recent years. I selected foreign flower podcasts that are ranked on the global podcast chart, and examined the genre, content, components, show hosts and etc. By analyzing the characteristics of the podcast, the type of communication between the host and the audience, the audience interaction, the industry connection, and the media expansion strategy, I tried to derive the possibility of the flower podcast in Korea. As a result of analyzing foreign flower podcasts, podcasters built listener communities based on their rich experience and knowledge through podcasts and used them for education and marketing. They acted as leaders in the industry or led public opinion such as the sustainable flower industry. Podcast shows were repurposed as various content and used to spread flower design culture. In Korea, flower podcasts can be the basis for the formation of a community related to the flower design industry. Flower design experts can use podcasts as a source asset for various content. Listeners within the industry can get hands-on knowledge about the business from flower podcasts. The popular flower podcast will contribute to the vitalization of flower design culture and industry. Flower podcasts can be a starting point to actively cope with the era of personal media.