• 복식
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• 제59권2호
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• pp.70-86
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• 2009

Today, digital technology is extending its influence to fashion design, which is closely related to people's lifestyle. In order for people to access information all the time, every place, people have to wear these devices all the time, every place. Intelligent wear allows people to communicate with their own body, other persons or surrounding real-time. The purposes of this study are to define 'Intelligent wear' by looking through the similar terms of intelligent wear on related fields, to analyze characteristics of intelligent wear and to provide not only theoretical data but also, practical data far product development on both functional and aesthetic sides. In this study, usefulness provided by intelligent wear were identified in the concept of instrumental & expressive function. For the aim of the study, literature and case study were considered at the same time. The conclusions are as the following. The characteristics of intelligent materials were found to be information, intelligence and protection, the characteristics of intelligent manufacture were combination and virtual reality. And The characteristics of intelligent products were multi-function, transformation, camouflage. Integration of operability function extends human ability and the area of human activity, entertainment, and communication, and provides convenience. Consequently, development of intelligent wear should promote through not only computer engineering but also, connection to other fields. Most of all, there is a need for active research in clothing design and the fashion design since intelligent wear is after all, clothing.

• 한국의류산업학회지
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• 제18권4호
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• pp.412-423
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• 2016

This paper explores the possibility, and suggests an experimental procedure, of industrial application of traditional textile design techniques, such as hand silkprinting and natural dyeing. Theoretical and traditional background of this study is William Morris and his followers' Arts and Crafts Movement from the late 19th century to the early 20th century, which laid the philosophical as well as technical foundations of modern textile design tradition. Based on the basic understanding of the design philosophy, and starting from the design techniques of Morris and his successors, I made some experimental and systematic color plans reflecting and exploiting the physical traits and structure of jacquard woven silk material fabrics. And I applied hand silkscreen printing techniques on the jacquard silk fabrics of my own making, while testing various color combinations of natural dyes. After finishing final processing of design samples, I could get textile design products which met the criteria of my original expectation, i.e., eco-friendly and aesthetic design samples that can also be produced in automatized mass production system of contemporary textile industry. The conclusion of this experimental study is that I can expect the natural dyeing techniques, jacquard silk fabrics design techniques, silkprinting techniques, and the basic processes used in this study to be safely applied for contemporary commercial textile industry utilizing automatized silkscreen printing system and digital printing devices.

• 방송공학회논문지
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• 제21권5호
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• pp.749-759
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• 2016

방송의 영상콘텐츠가 HDTV로 제작되고 모니터가 대형화되면서 방송 조명에서 피사체의 얼굴 표현이 더욱 중요한 과제가 되었다. HDTV는 빛에 의한 영상 표현의 정밀성의 확대로 피사체의 인물 모델링은 좀 더 부드럽고 깨끗한 영상이미지가 필요하다. 디지털 시대의 인물에 비춰지는 조명 방식도 새로운 변화가 필요하게 되었다. HD 영상에서 피사체의 미적 표현을 위한 언더라이트의 표현 특성을 이용한 인물 모델링 방식이 주목받고 있다. 이에 본 연구에서는 언더라이트 광원의 강도, 거리, 크기가 인물 모델링 특성에 어떻게 영향을 미치는지 실험 측정하여 비교 분석하였다. 실험 결과를 종합적으로 살펴보면 언더라이트의 최적의 효과를 나타내기 위해서 강도는 총 밝기 대비 17%∼25.5%, 거리는 40cm이후, 크기는 최소한 20cm이상이 되어야만 좋은 결과를 가져올 수 있음을 보여주고 있다. 이러한 데이터는 향후 고화질 영상에서 인물을 좀 더 부드럽고 깨끗한 이미지를 얻는데 활용도가 높은 자료가 될 것이다.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.194-202
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• 2013

In the modern society, phenomena such as a decrease in population and an increase in urban small houses caused by demographic changes, a decrease in midium-large housing constructions, and the concentration of one to two person families in the capital area cultivated ground for the growth of small house market. In response to these trends, interior coordination becomes a critical factor to be applied to the small houses in order to suit the residents' needs in most convenient, efficient and aesthetic ways. Therefore, an evaluation element is in demand to extract, evaluate and constantly improve the interior coordination elements. This study extracts and analyzes the essential elements required for small houses into spatial structure, system coordination and interior coordination. In domestic cases, most of spatial structure was conventional and linear while in foreign countries, various variations were found to reflect the needs from different consumers. For the system coordination, convenience played the most important role to emphasize on the easy use of digital system and built-in appliance system in domestic cases. However, in foreign countries, safety issue and economic aspects were the most considered when it comes to the interior coordination. In regard to interior coordination, installations of the storages for the limited small spaces that also support as extended spaces were rare to find in both cases for domestic and international settings. It is expected that systematic studies focused on more objective standards for interior coordination shall be implemented to provide indicators to measure the interior coordination cases in the near future.

• 조형예술학연구
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• 제8권
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• pp.267-296
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• 2005

Typography, as the median for communication, has expanded its roles according the attributes of the media where it Is used, and the change of media follwing the change of times is presenting new directions to the field of typography. The attempts of 20C experimental typography prioritize visual formativeness, free typography and language started to appear on printed matters and different kinds of prints put pep in magazines. Thus, experiments in the aspects of effective delivery of inpormation that letters have and aesthetic side of shapes of letter are continuing. Today with the appearance of multimedia, development of visual colture and rapid development of digital technology, the range of experimental typography has expanded even wider and therefore, different kinds of expressions became possible. As seen above, unlike the existing static printed media that carries linguistic information only, letters in the multimedia environment is shown in the movie titles, TV or web not only as a basic visual media such as type and image, but as a dynamic and complex factor that contains additional information of motion and sound factor. This study will attempt to find the historic context of focus of moment from the kinetic art and define the moving letters as kinetic typography. Therefore, this paper will have an understanding on kinetic typography's background, concept and characteristics following the change of communication environment in the multimedia era and tried to study the basic theories of kinetic typography and the information delivery and imagery function of letters. Also, this paper attempted to carry out a study on whether kinetic typography is delivering information smoothly from the aspect of communication through the image role as delivering information by studying major works of artists who have influenced kinetic typography. Based on this study, I would like to suggest new direction for effective delivery of information and value of use.

• 감성과학
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• 제12권1호
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• pp.137-144
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• 2009

본 연구의 목적은 관광을 위하여 전체적인 지형을 쉽게 이해하고, 전반적인 위치를 암기하기 쉽게 하는 3차원 지도 개발이다. 이를 위하여 파노라마 전경의 블록 유닛 형태 그리고 파노라마 블록 유닛 전경의 색채계획에 관하여 논하였다. 우선 도로 블록을 제작하기 위하여 28 종류를 정의하였고, 이를 기초로 12종류의 주요 그룹을 제작하였다. 그리고 파노라마 블록 유닛을 제작하기 위하여 지도에 표현된 지형 42 종류를 정의하였다. 후, 조합되어지는 방식의 유사도 따라서 5종류의 그룹으로 분류하였고 그리고 표현되어지는 면적의 크기에 따라서 5종류의 그룹으로 분류하였다. 이를 기초로 파노라마 블록 유닛을 3차원 그래픽 구조물의 형태로 디자인하였다. 마지막으로 파노라마 블록 유닛 각각을 5가지의 다른 색깔 클래스로 구분하여 색채를 계획하였다. 색채 계획의 타당성을 조사하기 위하여 문 스팬스의 미적 측정값을 조사하였다. 결과 값은 0.5보다 크므로 제작된 칼라의 조합은 잘 조화된 것으로 평가되었다.

• 한국정보통신학회논문지
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• 제20권11호
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• pp.2113-2118
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• 2016

스마트 주얼리는 사물인터넷의 구성요소를 적용하여 센서의 입력으로 얻은 상황정보를 처리하고, LED의 출력장치에 빛의 색상을 제어하여 보석에서 느낄 수 있는 반짝반짝 빛을 내는 아름다움과 신비감을 느낄 수 있도록 색과 빛의 효과를 부각시켜 심미 기능을 적용하였다. 상호작용이 가능하도록 통신 기능과 신체에 착용할 수 있는 웨어러블 기능이 있는 스마트 주얼리이다. 본 스마트 주얼리 보드에 컬러, 온도, 조도 센서를 장착하고, 블루투스 모듈로 상호작용이 가능하도록 설계하였다. 스마트 주얼리 착용자의 상황에 따라 주얼리 빛의 색상이 변할 수 있도록 알고리즘을 적용하여 모바일 어플리케이션을 구현하였다. 디지털 기술과 생활의 융합을 실현하고 더 나아가 IoT 환경에서의 스마트 주얼리 디바이스 개발의 방향성을 제시할 수 있을 것이다.

• Archives of Plastic Surgery
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• 제36권5호
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• pp.654-659
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• 2009

Purpose: A botulinum toxin type A (BoNT - A) injection has been used as a noninvasive management for lower face contouring since 2000. The aim of this study was to compare reduction rate of lower face width for a longtime according to repeated Botox$^{(R)}$ injections on masseter muscles for lower face contouring procedure. Methods: Forty - five patients were analyzed for single session of Botox$^{(R)}$ injection and 13 patients were evaluated for repeated Botox$^{(R)}$ injections for over two years. Single injection group was tracked regular intervals at 1, 3, 6, 10, 12 months after injection, and repeated injection group was measured at every injection time. Twenty - five to thirty units of Botox$^{(R)}$ was injected into each masseteric muscle at five to six points at the prominent portions of the mandibular angle. Standardized frontal view of digital photographs were analyzed by Adobe Photoshop$^{(R)}$ (version CS3) to measure an reduction rate of lower face width. Results: Reduction rate was 3.7%, 6.9%, 6.2%, 4%, 4% at 1, 3, 6, 10, 12 months post injection each other in single injection group. However, more than 8% reduction rate was found in repeated injection group persistently for more than two years. Conclusion: This study shows that effective duration of Botox$^{(R)}$ injection for lower face contouring is expected to continue over one year clinically. Moreover, repeated injections maintained lower reduction rate consistently for a long time. Therefore, repeated injections on masseter muscles at regular intervals are most effective procedure for lower face contouring.

• Architectural research
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• 제21권3호
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• pp.79-90
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• 2019

The ephemeral and temporal nature of pavilions is the underlying motivation that led to the development of this paper. From the beginning of the industrial era through contemporary history, there have been many instances of architects attempting to rethink architectural design in the context of modern social, cultural, and technical imperatives. Today, the leading changes in humanity are accompanied by a revolutionary electronic digital medium. The pavilion has been in an amalgamation of architectural integration since the beginning of human history. World's Fairs/Expos have, since their establishment, served as international presentations of goods and achievements of particular nations. They became a popular stage wherein potential architectural achievements were showcased through the evocative architecture of pavilions. Due to the pavilion's "temporary nature," its coverage includes various perspectives: social, historical, geographical, post-colonial, iconographical, temporal, and ephemeral. It has also served as a receptacle due to its representational value at a given time. The pavilion has offered architectural designers, clients, and visitors a place to use their imaginations. Moreover, the architect's role in creating pavilions cannot be overestimated. Due to fact that they abound in symbolism, contemporary designs, and innovative solutions, pavilions often mirror modern mankind and plan for the next aesthetic revolutions and ideological architectural theories. To understand and appreciate architects' original intentions with their pavilions, this paper focuses on noteworthy pavilions that were created from the beginning of industrialization through the present. It explores and discusses the pavilion's characteristics, highlights the significance of its physical form as generated by a specific theme.

• 공연문화연구
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• 제35호
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• pp.373-404
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• 2017

문화예술로서 춤은 역사이며 전통이자 의식 활동의 지속으로 한민족의 정체성을 이어갈 과거에서 현재, 미래적 활동이다. 이에 스토리텔링은 단순히 지나간 역사적 배경에 대한 서술이 아니라 재창조 되고 있는 영원성을 담고 있다. 본 연구로부터 춤의 예술적 미의 탐구는 전통이라는 오랜 역사를 통해, 오히려 '스토리텔링'이라는 본래적 본질과 가치에 대해 물음을 던지고 있다. 그 간의 춤 연구가 미학적 본질 또는 사상적 체계를 위한 이론가들의 연구였다면, 춤을 '이야기하다'라는 스토리텔링의 관점은 춤의 핵심구조와 사유에 관한 대중적 이해방식과 인문학적 가치탐구에 대한 절실한 태도를 상기시켜주었다. 본 연구의 의의는 스토리텔링의 개념적 정의에서 춤의 다양한 콘텐츠를 구축하기 위한 방편으로 스토리텔링의 유용성을 검증하는 것이다. 이러한 예로 제시된 처용무 텍스트의 방법론적 모색은 언어적 서사구조를 넘어 독자적인 예술로서 심층적 의미망을 형성하고 있었으며, 원형콘텐츠의 DB로서 스토리텔링 개발의 중요성을 시사해 주었다.