• 한국실내디자인학회논문집
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• 제14권3호
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• pp.181-190
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• 2005

In accordance with the rapid growth of digital media in 1990s, the state of indetermination that is found in digital process has been emphasized in the field of natural science and philosophy. Digitalized space design has been dramatically developed and it raised heated debate and comment on 'folded space' The purpose of this thesis is to explore how the cognitive-ecological factors constitute fold structures in space design of the late 20th century. Syntax of space structure and geometric composition were analyzed to define what types of cognitive-ecological factors are contrived in the process of visual information. In particular, I put higher theoretical emphasis on what characteristics are ensued in the process of structuring spaces than any other subjects. Through theses analyses and discussions, I raised questions on what principles are operating to create new space design that counts on non-linear structure and its formational process. And I also observed what influences these structural principles of design could fundamentally bring to human beings. First, I proposed that we could overcome reductionist space design through cognitive-ecological approach. Some key concepts such as affordance, parallel processing, and redundancy were adopted as defining elements of non-linear structures. As a result of analyses, I found that the cognitive-ecological approach could substitute the reductionist space design of the past. What is also found is that the three variables are the ultimate ecological elements. In addition, as a methodological concept of fold structures, the form of 'topology' was highlighted because it could be a supporting idea to the cognitive-ecological factors. Second, I claimed that non-linear design is more experiential than rational linear design, and it is more efficiently correspondent to human being than any other forms. What is intended and implied in non-linear structure is also indicated.

• 한국실내디자인학회논문집
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• 제14권3호
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• pp.64-72
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• 2005

The purpose of this study is to propose a topological design principles and to analyze the space of digital architecture applying topological invariant expressive characteristics. As this study is based on topology as a science of true world's pattern, we intented to explain the concepts and provide some methods of low-level and hyperspace topological invariant Properties. Four major aspects are discussed. Those are connection theory, boundary concept, homotopy group, knot Pattern theory as topological invariant properties. Then we intented to make understand topological characteristics of the Algorithms, luring machine, cellular automata, string theory, membrane, DNA and supramolecular chemistry. In fine, the topological invariant properties of the digital architecture as genetic algorithms based on self-organization and heterogeneous networks of interacting actors can be analyzed and used as a critical tool. Therefore topology can be provided endless possibilities for architecture, designers and scientists intended in expressing the more complex and organic patterns of nature as life.

• 대한건축학회논문집:계획계
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• 제36권2호
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• pp.97-108
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• 2020

This study aims at clarifying the planning methods and historical significance of Park Byung-Joo's New Seoul Blank Plan(1966) in the context of South Korea's Urban Design during the 1960-1970s. In addition, it also tries to reveal how the planner's ideas were transformed into realized urban projects in Korea. By the comparison of the New Seoul Blank Plan and these projects, we can come to understand how the new concepts of urban planning such as CIAM's planning principles, Neighborhood Unit Theory, New Town plan and green belt concept were adapted to Korean society in the 1960s and 1970s.

• 디자인학연구
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• 제13권
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• pp.235-255
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• 1996

어느 시대나 사회의 세계관이란, 우주의 질서와 원리를 표명하는 당대의 시대 정신응ㄹ 그대로 반영하는 것이라 생각한다. 또한 디자이너의 가치관은 디자인 행위 및 그 결과로 함축되어 나타난다. 최근 디자인 학 연구에 있어 종래의 환원 적, 유클리트 적 디자인의 한계를 인식하고 그에 대응하는 새로운 사고와 방법을 모색하고 있으며, 새로운 패러다임을 지향해야 함이 강조되고 있다. 이러한 시점에서 본 연구는 새로운 과학 이론으로서의 카오스, 프랙탈 이론을 연구를 위한 준거의 틀로 삼고 있다. 연구결과 창조적 디자이너의 사고와 환경디자인 과정은 혼돈 속에 내재된 질서와 많은 개연성 중에서 가능성을 선택하는 일련의 혼돈 스런 개방시스템으로 설명되었다. 또한 과학, 예술의 상보적 관계 속에서 프랙탈 기하학은 자연인식과 디자인 사고에 새로운 개념과 언어를 제공하고 있으며, 환경디자인 방법에 무한한 조형적 가능성을 제시하고 있음을 확인할 수 있었다. 결국 본 연구는 변화된 세계관과 패러다임을 지향하는 사고방식을 강조하였으며, 환경디자인에 있어 창조적 폭을 넓히는 데 기여하고자 하였다.

• 한국실내디자인학회논문집
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• 제12호
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• pp.91-99
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• 1997

Alvar Aalto has pursued National Romanticism, cultural art movement in scandinavian peninsula, organic concepts of growth and suitability, comprehensive view of nature including a possibility of coexistance of human-being and the nature well harmonized. For instance, his design expressed local features of the nature, human emotions instead of geometical arts and mathematical principles. It is noteworthy today that he built up the identity with satrical architecture vocabularies, different from modern arch-itechtural idiology. The characte-ristics of his design related to interior architecture are collectively as follows; The first, Space discontinuity of the interior and exterior, gradual process by joints which are inclined to collage with many shapes in plan and section of the space and such joints are adjusted by sensual ways and stressed with inner collectivity in his works. The second, He pursued the architectural orderfor modern irreqularity, various changes and sensual harmonies. As result, free curved line, fan shape and irregular modeling were individually expressed by technics of natural features and national characteristics of Finland. The third, Organic synthesis. A harmony through med-ums in its space, materials and space effectiveness relations are made and expressed for mixed design especially harmonized of all the materials he planned, entire harmony with total design, itemized details, materials and furnitures in entire space. The fourth, The interest of the nature based on his sense harmonized with nature made him mainly use native materials, lumbers and red bricks masonry and showed and arranged various interior sky light and grazed in to let natural light in, harmony with garden to sensually cohere to the nature and courtyard, etcetera. His major subject are to direct architectural developments through the nature and human-being in his works. At this point, it is considered that his direction of the locality and independence as a human-being made the concepts of organic space structure possible.

• 복식문화연구
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• 제15권6호
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• pp.952-964
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• 2007

This study is about the design for environment which is central social interest in recent days. This study focused on both experimental designs which convey meanings and practical designs which can be produced within the fashion industry and then influence on the wide range of consumer, human and surrounding environment. The purposes of this study are to categorize national and global fashion designs for environment, to analyze data based on the fashion pipeline from planning to discard, to suggest systematic actions, and to establish fashion design for environment model. Through these processes, this study helps in making fashion designs for environment more understandable, and demonstrates one future direction for using environment as fashion industry's innovative strategy. This study attempts to create business and at the same time suggests design actions based on social belief. The results of this study are following. Fashion designs for environment were categorized by organic fabric, new-to-the-world fabric, reduce, multi-function, reproduce, order-made, recycle, and reuse. The results show that fashion designs for environment have been implemented throughout the fashion pipeline, and applied the concepts of design for environment including green, sustainable slow, and natural design principles. Furthermore, labelling and service from supply side, green purchasing from demand side, and integration from both sides are suggested as company's and society's systematic actions.

• 한국실내디자인학회논문집
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• 제27권2호
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• pp.175-185
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• 2018

The purpose of this study is to analyze the concept of 'Gradual Differentiation' in parametric design in terms of pure model logic and thus describe the distinctive feature from the previous design method. To meet the purpose, it explores external cases like gradual factor identified in natural phenomenon and artworks and define the inherent model principles into "Self-similarity', "Correlation', and 'Temporality' by examining these features in terms of algorithm. Meanwhile, it identified the principle of gradual model representation in parametric design within a single system called 'Attractor System' by applying these three concepts into specific methods of parametric design, and by interpreting the logical structure through the association among 'Attractor', 'Field', and 'Differentiation'. The creative utilization of parameter shows that gradual model process in parametric design does not mean a passive "conversion process" merely replacing natural parameter with algorithm; rather, it refers to an active "generating process" creating new meanings and value. By continuing this process of conceptual understanding and insight, creative perspective and practical ability to interpret parameter can be improved.

• KIEAE Journal
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• 제6권4호
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• pp.41-50
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• 2006

A greater number of persons with disabilities including an increasing number of aging population has brought concerns on diversity and equality in use of products and environments. Universal design concepts have been introduced rapidly and widely in the built environments in Korea. The purpose of this study was to analyze a model house built in 2006, in the U.S. as a universal design home, systematically examine the universal design model house features, and explore possibility of application of the universal design features in the U.S. into a Korean setting. For this study, site analysis and contents analysis methods were used. Although housing norm, behavioral patterns and environmental contexts would be different, majority of universal design features appeared in the model house were expected to apply. Overall universal design features in the model house sought for attractive, comfort, convenient and safe environment with a little cost. Universal design features in the model house appeared in unobtrusive ways. Universal design considerations on floor materials in living room and bath and furniture arrangement need to modify or replace according to Korean lifestyle.

• 한국컴퓨터산업학회논문지
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• 제8권4호
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• pp.221-228
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• 2007

Many kinds of microcontrollers such as 8051, PIC16 and Atmega series are used for the automatic control system, home appliances and communication equipments manufacturing. It is very important to understand the basic operational principles of microcontrollers and their design concepts. There are many kinds of educational microcontroller trainers and also they are designed and assembled very complicatedly. For the students or developers, it is very difficult to catch the basic operation schemes and apply the techniques to the control system. And also it requires much cost and time for the various kinds of trainers purchasing. In this paper, standardization of pins layout and peripheral modules for the general microcontroller usage was introduced and tested with 89C2051, 89C51, PIC16F84, PIC16F877, Atmega8535 and Atmega128, etc. As a result of test, it was found that saving the cost and time using this suggested device was possible. And also it was very effective way to understand microcontroller design and programming techniques.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2003년도 춘계학술대회 논문집
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• pp.165-175
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• 2003

Railway route maps including subways is a guide map which offers transport information as well as cartographic diagrams and is not only a way of communication, but it should give also concrete image and pleasing form. The elements of route map should meet satisfaction requirement condition and design attributes with aesthetic principles. To guide passengers by giving geographic information effectively, we need to understanding the following concepts and its application of basic elements such as expressing its structure and value. Therefore it should appear as a diagram with typography, form, symbols and colour. This means the aim of a good visualization should be done by a method that is concrete and a synthesis of well composed elements.