• 제목/요약/키워드: cultural transformation

검색결과 282건 처리시간 0.024초

규범의 전환과 사회문제: 코로나를 중심으로 (The Transformation of Norms and Social Problems: Focusing on the COVID-19 Pandemic)

  • 이장주
    • 한국심리학회지 : 문화 및 사회문제
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    • 제28권3호
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    • pp.513-527
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    • 2022
  • 본 연구는 2020년을 전후하여 전세계를 휩쓴 코로나가 끼친 사회문화적인 영향을 살펴보고 이를 통한 규범의 전환과 사회문제를 고찰하기 위해 수행되었다. 이를 위해 펜데믹의 대표적인 사례인 14세기 유럽 흑사병이 미친 사회문화적 규범의 변화의 특성을 도출하고, 이를 바탕으로 이번 코로나를 분석하였다. 흑사병은 기존의 종교 권위와 봉건제도의 권력을 기반으로 한 사회규범을 계몽주의로 바꾸는 계기가 되었다. 인구감소와 노동력 부족 현상은 상업화와 기계화를 촉진시키기도 하였다. 이 시기에 확산된 인쇄술은 지식의 대중화를 이끌었으며 이를 통해 사고의 수준이 높아지고 획기적인 과학적 발전을 이끌어 산업혁명의 토대가 되었다. 최근의 코로나는 흑사병처럼 사회적 규범의 변화를 촉발하였다. 가상과 현실이 혼합된 메타버스라는 기술적 환경은 개인의 정체성을 단일하게 구성되고 유지되어야 한다는 규범에서 벗어나 부캐를 통해 다양한 잠재력을 발휘하는 자유롭고 개방적인 정체성으로 성격을 변화시켰다. 또한 메타버스 상에서 자신과 동일한 세계관을 가지고 있는 이들과 친근하게 지내는 밈(meme)은 비대면 상황에서 고립감을 약화시켜주었다. 코로나 팬데믹 기간동안 발전된 인공지능(AI)은 인간을 보조해주는 기능을 넘어 창조적 활동에 이용되는 단계에 들어섰다. 코로나 팬데믹으로 인해 바뀐 사회규범이 만들어 낸 새로운 사회문제는 어떤 것이 있을지에 대한 논의가 진행되었다.

모스키노 컬렉션에 표현된 데포르마시옹에 관한 연구 -2006~2010년의 Collection을 중심으로- (A Study of Deformation Depicted on Moschino's Collection -Focusing on 2006~2010 Year Collection-)

  • 이지연;조진숙
    • 복식문화연구
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    • 제19권3호
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    • pp.488-500
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    • 2011
  • [ $D{\'{e}}formation$ ]is one of the most important cultural factor which puts people at ease and gives a sense of security. This study, in the process, analyzes the works of Moschino. Moschino's designs are rated to have approached the sublime when it comes to transforming the psychological anxiety of everyday living into a laughter. After selecting one hundred-two of Moschino's designs from the Internet Web site(www.cft.or.kr, www.samsungdesign.net), this study examines and analyzes the characteristics and types of deformation found in them. The result as follows. The examination of deformation found in Moschino designs can be classified into a transformation, distortion, exaggeration, and illusion. Transformation, a conscious change of the existing form or function, was shown as the change of an existing position, form, function and designation of a new function. Distortion, an interpretation away from the reality or a "wrong interpretation," was shown by placing opposing factors in left-right position as an extreme asymmetry. Exaggeration, always beyond the realm of reality, was shown thorough an enlargement or a magnification of a specific part and a repetition of a detail factors. Illusion, through a distortion of reality results in something that looks new, was expressed through the effects of wearing a two-pieces, an expression of details, effects of wearing accessories, and an expression of a dynamism. Therefore, Moschino has reflected the desire of homo modern to transform the existing situation through many techniques of deformation.

만화 소재 뮤지컬에 있어서 만화특성의 지속성과 변형에 대한 시론적 연구 (Continuity and Transformation of the Cartoon Strip for the Musical Performance)

  • 임학순
    • 만화애니메이션 연구
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    • 통권12호
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    • pp.27-43
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    • 2007
  • 이 연구는 만화 원작을 소재로 한 뮤지컬의 기획과 스토리텔링 및 마케팅체계를 분석하여 만화의 뮤지컬화 과정에서 만화의 특성이 어떻게 고려되고 있는가를 분석하는데 초점을 두었다. 이를 위하여 만화 '위대한 캣츠비'가 '뮤지컬 '위대한 캣츠비'로 재구성된 사례를 미디어믹스 관점에서 분석하였다. 사례분석은 만화를 활용한 뮤지컬의 기획 체계, 스토리텔링구조, 캐릭터설정, 마케팅 체계를 중심으로 이루어졌다. 분석결과, 만화의 세계관과 스토리텔링 체계는 뮤지컬의 기획 및 마케팅 과정에서도 중요한 요소로 고려되고 있지만, 작가주의 관점보다는 관객의 수요와 몰입을 유도하기 위한 관점에서 강조와 생략 및 변형을 통해 재구조화되는 것으로 나타났다. 뮤지컬의 비주얼스토리텔링 구조는 디지털영상과 무대관리, 그리고 음악을 활용하여 서사적 스토리텔링과 연결되는 종합적인 체계로 이루어져 있다. 그리고 만화뮤지컬은 스토리텔링과 캐릭터 설정과정에서 명확하고 대립적인 부분을 부각시키고, 갈등과 해소, 극적 반전, 코믹요소 활동 등을 통해 관객의 몰입을 유도하고 있다. 또한 만화의 시각적 이미지와 상징기호들은 뮤지컬의 디지털영상과 무대장치 및 소품 등 무대연출을 통해 뮤지컬특성에 맞게 재구성되고 있는 것을 나타났다. 결론적으로 만화의 뮤지컬화 작업은 기획, 제작, 마케팅 과정 전반에 걸쳐서 만화의 특성을 중심축으로 뮤지컬의 특성과 산업구조를 고려하여 이루어진다고 볼 수 있다.

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형질전환 효율성 향상을 위한 국화 최적 품종 선발 및 배지.배양조건설정 (Selection of the fittest varieties of chrysanthemum (Dendranthema grandiflorum Kitamura) and set of culture condition for efficient transformation)

  • 강찬호;윤성중;한범수;한수곤;권성환;송영주;장미향
    • Journal of Plant Biotechnology
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    • 제36권4호
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    • pp.373-383
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    • 2009
  • To set efficient transformation system in chrysanthemum, thirty-four chrysanthemum (Dendranthema grandiflorum Kitamura) varieties were collected and cultured for shoot regeneration. Five varieties, ‘Shuho-no-chikara', ‘Zinba', ‘Baekma', ‘Pink pride' and ‘Keumsu' of them were selected, because they had a high shoot regeneration efficiency. MS medium containing 1.0 mg/L NAA and BA respectively was very adequate for shoot regeneration in those varieties. MS medium with 3.0 mg/L NAA and 1.0 mg/L kinetin in ‘Shuho-no-chikara' and the medium with 0.5 mg/L NAA and 3.0 mg/L BA in ‘Keumsu' were also suitable for shoot regeneration. The most efficient callus induction and shoot regeneration were obtained on MS medium. Shoot regeneration was enhanced more than 8% on MS medium with 0.3% phytagel and 10-15 mg/L putrescine. The best cultural material for shoot regeneration was stem. When stem was used as a culture material, shoot regeneration rate was increased more than 26% and the days to shoot regeneration was shortened about 14 days.

크리스토퍼 알렉산더의 패턴언어 생성규칙에 관한 연구 (A Study on the Rule for Creation of the Pattern Language of Christopher Alexander)

  • 정성욱;김문덕
    • 한국실내디자인학회논문집
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    • 제26권1호
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    • pp.75-82
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    • 2017
  • This study reviews the process of creating the patterns through the Christopher Alexander's books to discover the fundamental rules for creation of the pattern language. The essential ideas of 11 rules describing the characteristics of the pattern language are organized by keyword depending on the characteristics of each rule. Then, this study analyzes which keyword was applied importantly and how it had been developed chronologically in the Alexander's books. As a result, 5 keywords - reflection of cultural difference, reflection of human desires, solving the repeated problem, function suitable for principal purpose, and network structure - are applied to his early books in which the pattern language was theoretically developed, the pattern of traditional society was discovered and the network structure was developed. Another 5 keywords - user participation method, new problem solving, structure preserving transformation, post-mechanization method, and central invariant structure - are applied to the books in his mid-term after completion of the pattern theory which discover new pattern for contemporary society and apply the pattern language to time and space. In his later books which organize the theory of pattern language and suggest the direction for using the pattern language, 5 keywords - wholeness, post-mechanization method, user participation method, new problem solving, and structure preserving transformation - are applied. Users may use the pattern language more precisely if he/she considers the keywords of the early period in searching the patterns of existing environment, the keywords of the intermediate period in searching the patterns of new environment or in regard to time and space, and the keywords of the later period in considering direction of the application of the pattern language.

N. 고골의 단편(단편(斷篇)) 『로마』에 나타난 영원성의 이미지 (Image of Eternity in N. Gogol's «Rome»)

  • 김성일
    • 비교문화연구
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    • 제37권
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    • pp.51-79
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    • 2014
  • Seriously depressed by the failure in the first performance of his own drama ${\ll}$The Government Inspector${\gg}$, N. Gogol sought out a space, Italy, which is obviously a turning point for the writer. Here in Italy, the writer could be able to explore an essential foundation for the national identity as well as self-identification of Russian traditional culture, all of which have already been epitomized in the Renaissance period in Italy. The city Rome itself provided Gogol with its grandness and harmonious perfectness, influencing something 'spiritual being' upon the writer. The work under discussion, "Rome," is thus created through these literary circumstances. Though it is made under the different title as "Annuntiata" and it delivers a love story between lovers, the story lines gradually turned into a fiction about the city, Rome. In comparison with city Paris, Gogol himself presents a negative view of the French metropolitan, saying that it is nothing but a by-product of the 19th century civilization. Interestingly enough, Rome for Gogol is totally different; it is the place of sublimity, that is a locus of harmonious, holy, and eternal city. Likewise, this pattern can be said of another description on the two contradictory cities: Paris and Rome. Again, Gogol fully pictures the city Paris as centripetal and Rome as centrifugal, in which the main protagonist makes the reader indulge in his own world. Throughout the story the writer tells us a transformation experienced by his character, and the work ends with an open denouement. Like Jerusalem, Rome is the city of resurrection for Gogol. Yet, this kind of possibility of transformation in the story is exposed to the hero, and it arguably depends on the extent to which he explores the readiness for encountering of 'eternity' in this "eternal city."

글로벌 메가트렌드와 도서관 트릴레마 담론 (Discourse of Library Trilemma in the Context of Global Megatrend)

  • 윤희윤
    • 한국도서관정보학회지
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    • 제52권1호
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    • pp.1-26
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    • 2021
  • 대다수 국가에서 공공도서관은 지역사회를 위한 지식정보 및 복합문화의 허브이자 만남과 소통을 위한 제3의 장소다. 근래의 공공도서관은 디지털 전환과 4차 산업혁명 시대에 부응하기 위해 디지털 기술을 이용한 핵심역량 제고와 서비스 확장에 주력하고 있다. 그런데 COVID-19 팬데믹이 발생한 이후 공공도서관에서 폐관, 재개관, 부분 폐관이 반복되자 비접촉, 디지털, 온라인 대체서비스를 제공하는데 모든 자원을 투입하고 있으며 향후에도 계속될 것으로 예상된다. 이에 따라 미래 공공도서관은 디지털 확장성, 복합문화공간화, 지식정보서비스 장소로서의 중요성이 상충되는 트릴레마에 직면할 수밖에 없다. 본 연구는 포스트 코로나 시대의 공공도서관 트릴레마를 담론화하고 극복 방안을 제시하였다. 미래 공공도서관의 지향성은 다중성과 다목적, 장소와 공간, 지식정보와 복합문화, 대면접촉서비스와 비대면 원격서비스를 아우르는 화이부동이다. 공공도서관의 본체는 손가락(디지털과 비접촉)이 아니라 달(지식정보센터)이다.

불국사 석가탑의 풍화훼손도 분석 및 기원암의 산지추정 (Deterioration Analysis and Source Area on Rock Properties of the Seokgatap Pagoda in the Bulguksa Temple, Korea)

  • 이명성;이찬희;서만철;최석원
    • 한국문화재보존과학회:학술대회논문집
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    • 한국문화재보존과학회 2004년도 제20회 발표논문집
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    • pp.15-24
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    • 2004
  • The Seokgatap pagoda composed of mainly alkali granite and other minor pink-feldspar granite, fine-grained granite, granodiorite, diorite, gabbro, and tuff. Despite the small loss and damage derived from joints, its peel-off and exfoliation are serious enough to cause the heavy deterioration on the stone surface. The chemical and petrological weathering has partly replaced the original rock-forming minerals with clay minerals and iron oxyhydroxides. Based on the petrogenesis, rock materials of the pagoda is very similar to rocks of Dabotap pagoda and the Namsan granite in the Gyeongju. The central fart of the pagoda has sunken highly, which caused all the corners to split and the structural transformation to become worse. The reverse V-shaped gaps between the materials have broken stones filled in a coarse way. The iron plates inserted between the upper flat stone laid on other stones and tile pagoda body in the north and east side has been exposed in the air and corroded, discoloring of the adjacent stones. The overall diagnosis of the Seokgatap pagoda is the deteriorated functions of the stone materials, which calls for a long-term monitoring and plans to reinforce the stone surfaces. But the main body including the pagoda roof stone needs washing on a regular basis, and the many different cracks should be fixed with glue by using the fillers or hardeners designed for stone cultural properties after removing the cement mortar. In case of the replacement of the stone materials with new stones, it's necessary to examine the pagoda for the center of gravity and support intensity of the materials. The structural stability of the pagoda can be attained by taking a reinforce measure in geotechnical engineering and making a drainage. The ground humidity, which has aggravated weathering and structural instability, should be resolved by setting up a humidity reduction facility. The contamination of lichens and bryophyte around the pagoda and on the surface is serious. Thus biochemical treatments should be given too in order to prevent further biological damages and remove the vegetation growing on the discontinuous planes.

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'요리 및 식당'의 리얼리티 프로그램의 구성과 재현의 의미와 문화 함축성 - tvN <윤식당1>과 <윤식당2>에 대한 기호학적 비교분석 ('Cook and Restaurant' reality program, structure, representation, and its cross-cultural implications: A comparative study between and of tvN)

  • 이지혜;백선기
    • 기호학연구
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    • 제56호
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    • pp.71-107
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    • 2018
  • 본 연구는 tvN의 리얼리티 프로그램 <윤식당>의 시즌1과 시즌2를 비교분석해 봄으로써 미디어를 통해 표현되는 음식과 요리 과정의 재현, 그리고 그것이 의미하는 문화적 함의에 대해 알아보았다. 이론적 논의를 통해 '요리행위 - 음식제공 - 식사행위'로 이어지는 일련의 과정이 사회 문화적으로 어떤 의미를 내포하는지 살펴보았으며, 통합체 분석, 계열체 분석, 행위주 분석, 레비-스트로스의 요리 삼각형 개념을 적용하여 분석하였다. 분석결과 리얼리티 프로그램 <윤식당>이 외국에 한식당을 운영함으로써 소박한 일상과 여행을 통해 느낄 수 있는 여유와 느림의 가치에 주목했는데 반해, 실제로는 한국음식의 소비태도와 이를 반영하기 위한 요리 및 음식 제공 행위의 변형된 의미가 발견되었다. 나아가 한국음식의 변용이 현지화 또는 세계화라는 이름에 감춰진 '한국음식의 혼종성과 비정체성'을 뜻하며 한식의 세계화를 내세웠지만 그로인해 한국음식의 고유성 훼손이라는 부작용을 낳게 되었다. 이는 오락성을 위해 한국음식을 변형하여 제공했으며, 역설적으로 한국 음식문화의 문화적 혼종성 및 정체성 훼손을 생성한 것은 아닌가 하는 우려를 낳게 했다.

Aesthetic Consciousness and Literary Logic in the Jamesian Transatlantic Perspective: Towards a Dialectic of "a big Anglo Saxon total"

  • Kim, Choon-hee
    • 영어영문학
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    • 제57권3호
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    • pp.367-389
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    • 2011
  • The aesthetic attitude, in general or in particular, represented in matters of taste through aesthetic ideas and value judgments postulates a certain literary logic. And this literary logic reveals itself a sense of morality, philosophy, or moral aesthetic consciousness through the moments of act and thought demonstrated in the characters invented in literary works. Henry James, among many others, offers a very special cultural paradigm for transnational argument because of his diverse ways of shaping transatlantic relations in terms of aesthetic consciousness. And this international paradigm produced varied expressions referring to Henry James as "an American expatriate," "an Anglicized American artist," "a Europeanized aesthete," "a cosmopolitan intelligence," "a bohemian cosmopolitan" to designate his literary career and its characteristics shaped in Europe. Such expressions resonate with Transatlantic Sketches, James's first collection on travel and cultures in 1875 which heralded his long "expatriation" in terms of self-distantiation. James's temperament of mind, far from being always identified with shared values within an ideological framework, never avoided friction with fixed ideas but rather absorbed it fully for another friction which intervenes in his house of fiction. My question arises here regarding his cultural belonging or dislocation: where is the place of his mind or what could be his ultimate destination? In this essay, I'd like to define a place or rather the place of James's literary mind by proving a certain "sympathetic justice" for his literary logic. For this purpose, I'll try to examine: how James used transatlantic perspective, a spatio-temporal assessment to formulate his moral aesthetic consciousness; and how the aesthetic framework functions in assessing his literary logic of aesthetic consciousness. To start with the first argument, I'll analyze some essential aspects of aesthetic attitude of his characters to postulate a persona capable of theorizing James's aestheticism conditioned by the transatlantic context. And for the second argument, I'll examine how the persona functions in formulating a proper cultural stance of James's aesthetic consciousness in transatlantic perspective to illuminate the way of how Jamesian individuality reflects the American mind. This process of theorizing a place of James's own will lead, I hope, to our discovering James's ultimate destination on the assumption that it'll prove or create a certain "sympathetic justice" for his humanist aestheticism, a Jamesian absolute morality.