• 한국경제지리학회지
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• 제19권1호
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• pp.51-67
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• 2016

최근의 도시발달은 하드웨어 중심보다 도시정체성을 바탕으로 한 정성적 성장이 중요해지는 성숙사회로 진입하고 있다. 이를 위해 도시재생뿐 아니라, 도시 내부의 경쟁력으로서 문화자산의 가치에 대한 전략적 접근이 요구된다. 본 논문은 지역경쟁력 강화를 위한 전략으로서 문화자산을 활용한 도시재생이라는 측면에서 서울동화축제의 사례조사를 통해 실증적으로 지역발전에 대한 모델을 찾고자 하였다. 세부적으로는 동화축제의 구성요소들을 문화자산의 세부특징별로 분석하여, 하드웨어적인 인프라와 소프트웨어, 휴먼웨어를 중심으로 하는 거버넌스 구조와 다양한 콘텐츠웨어등 생태계 특징에 따라 구분하여, 상호간의 관계와 순환구조를 살펴보았다. 전체적으로는 이러한 문화자산의 특징이 물리적 자산과 인문적 자산, 프로그램과 결합하면서, 지역의 정체성을 만들어가는 시너지효과 창출의 근거가 되고 있으며, 기존시설의 강화와 확장을 통한 지역재생형 도시재생과 융합적인 특징을 기반으로 지역혁신형 도시재생의 가능성을 보여줌을 확인할 수 있었다. 이러한 모델은 기존의 물리적 자산뿐 아니라, 축제와 연계된 문화자산을 토대로 도시재생의 방향을 택하고, 축제개최를 위해 다양한 거버넌스들이 결합함으로써, 자생적인 선순환구조를 마련하는 기반이 구축된다는 점에서 의미를 찾을 수 있을 것이다.

• 복식
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• 제56권4호
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• pp.108-123
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• 2006

This Study is about the color images oi clothes in the early 20th century in the Eastern and Western culture and the recreation of this color images through modern costume design in film. The aim of this study is to show how early 20th century color has born reinterpreted through present film costumes and how different cultural perspectives can influence color images. For the purposes of this study, 30 pictures of clothing, representative of the early 20th century, as well as films which have been internationally recognized for their costume design and strong cultural identity('Farewell M) 'Concubine', 'Raise the Red Lantern', 'Chicago' and 'The English Patient') were chosen and analyzed. The color image of these photographs and scenes from the movies were divided by Pantone Solid Chips and categorized by color groups such as red, orange, yellow, green, blue, violet, neutral and metallic. The analysis results of the color images in the early 20th century showed that the red group was used a lot in both cultures and the orange group was more often used in the West. In regards to the yellow group, goldish yellow were commonly used in the West but pale yellow was preferred in the East. The green group more used In the West but the blue group appears more in the East. Also, there were differences in color combination, texture and technique which demonstrates different cultural color recognition and association. In the case of film color image, present color image was added to past color image. In the West, color was used as a tool for visualizing the state of characters' mind and the mood of movies' story but in the East color image was intended to make the character stand out by changing the value and chroma. By comparing the color image of clothes from the early 20th century and color image from film in the West and the East, it is possible to analyze the cultural symbolic image of color. This study is one of first trials to analyze the cultural differences in rotor images and their symbolic meaning. Thus, further studies should persue to find out the influence of culture on the rotor image in terms of specific quantity and quality.

• 영어영문학
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• 제56권2호
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• pp.301-328
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• 2010

Many recent British novels engage with the construction and deconstruction of history and identity; and in dealing with these historical, or historicised novels it seems to be an untouchable ground that truth is beyond grasp. Even when approached, its authenticity should be examined under the post-modern "incredulity toward metanarrative" discourses. Julian Barnes's 1998 novel England, England may be one of these. Yet, unlike others it achieves a complicated and controversial status as a new kind of historiographic metafiction by providing selfconscious reflections on the invention of innocence and the questionable notion of historical authenticity against the background of current postmodern historical, cultural, and literary explorations. The book, set in a near-future, namely post-post-modern England, starts with a story of a young girl, Martha Cochrane, whose first memory goes back to her early infantile years. Yet, the narrator comments that it is a lie, "her first artfully, innocently arranged lie," since memory, or history, is a product of identity, and vice versa. Her memory of the jigsaw puzzle is both a reminiscent and a significant component of who she is now, both a simulacrum and the original of herself. The correlation between her individual memory and identity parallels that of a region, England, in formation of its history and nationality. "England, England" is the replicated miniature of the former glorious Kingdom as well as a becoming der Ding an sich (the thing itself). In search of the English history and identity, the author satirizes the modern mind's perception of the unreliability and arbitrariness of memory and history, and further explores the alternative to the postmodern discourses by suggesting the probability of inventing innocence glimpsed in children's face "believing while disbelieving." In doing so, the author reconstructs not only the history of Englishness on the ground where nothing seems to be solid, but more importantly also the postmodern theme of relativity in relation to memory, history and identity.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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• pp.239-243
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• 2009

지방자치단체의 도입과 정착으로 지역 간의 다양한 경쟁으로 도시마케팅에 대한 중요성이 매우 증대되고 있다. 이에 따라 지역발전을 위한 일련의 활성화 정책들이 등장하기 시작하고 이 과정에서 지역들이 갖고 있는 고유의 역사와 문화는 훌륭한 핵심수단으로 인식되기 시작했다. 도시가 경쟁력을 갖기 위해 그 도심만의 유 무형의 자원을 개발하여 이를 매력적인 자산으로 활용하는 것이 그 출발점이라 할 수 있다. 그 지역이 갖는 도시정체성을 확립하고 이를 위해 특별한 장소 만들기를 위한 계기가 필요하다. 이러한 도시정체성은 그 도시가 지금까지 지내온 시간을 바탕으로 한다. 이러한 역사적인 요소를 통해 지역의 이미지를 제고시키는 전략을 개발하여 대외적인 홍보방안 수립을 위한 이미지 강화 프로그램을 제안하고 한다. 대전시에 존재하는 문화적 요소인 근대 역사물의 보존과 활용을 통해 지역의 매력적인 도시로서 이미지를 제고 시키고 도시 정체성에 대한 포지셔닝을 구축하고, 지속가능한 도시 재생에 대한 시사점을 제공하고자 한다.

• 한국언론정보학보
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• 제39권
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• pp.506-543
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• 2007

본 연구는 문화 간 커뮤니케이션(intercultural communication) 관점에서 국가명성과 문화, 그리고 커뮤니케이션 간 관련성을 연구하였다. 연구대상으로 한국 거주 서구인 18명을 심층적으로 인터뷰하였으며 한국에 대한 이미지, 국가명성 구성요인과 커뮤니케이션 경로, 한국에 대한 호의적/비호의적 태도와 이유 등을 질문했다. 심층인터뷰 분석결과, 문화동화와 문화 간 커뮤니케이션은 국가명성과 매우 밀접한 연관성을 갖는 것으로 분석되었다. 한국에 대한 정보를 수집하기 시작하면서 자신의 문화적 정체성과 한국의 정체성 간의 갈등(conflict)이 발생하면서 분리유형과 통합유형, 동화유형으로 구분되는데, 문화동화유형별로 다른 정보를 수집하고 다른 커뮤니케이션 네트워크를 활용하면서 한국에 대한 대응전략과 태도를 달리하게 된다. 특히 동화유형은 '내집단 기대(in-group expectancy)'가 충족되면서 한국에 대한 로열티를 형성하게 된다. 이들의 커뮤니케이션 네트워크는 한국인 동료나 친구, 친지로 구성된 '내집단 공동체 네트워크(in-group community network)'이며, 보다 은밀하고 깊숙한 정보를 교환하게 된다. 특히 명성 차원에서는 한국에 대한 기대된 정체성(desired identity)과 전달된 정체성(communicated identity), 그리고 인지된 정체성(conceived identity) 모두가 일치하기 때문에 한국의 강점이 명성으로 구축되는 단계이기도 하다.

• 영어영문학
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• 제56권5호
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• pp.823-850
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• 2010

In this paper, I will explore disparate voices embedded in the interactions of stories in which personal, cultural, historical, and mythical consciousness brings up diverse ideas about the experiences of Native Americans. The accommodation of differences and changes is clearly manifested through the healing ceremony of Tayo, which poses some practical questions: what could be the authentic tradition of Native Americans?; which direction should it be led to? As these questions suggest, Tayo needs to think over and work through the way that Native oral stories will enrich the signification of being Indian within multicultural U. S. society. In other words, Tayo should transfer the oppositional relationship between Anglo and Native American world into an interactive one to bring forth new meanings concerning their interactions. As a hybrid, Tayo begins to recognize that his fragmented consciousness could represent the pervasive but surmountable anxiety about the cultural clash between Native and White Americans. Going through the multiple layers of his stories, Tayo learns that Native Americans need to hold a balanced viewpoint firmly: this demonstrates that storytelling brings restoration and renewal to him. As a result of Betonie's healing ceremony and his intimate relationship with Ts'eh, Tayo comes to have a holistic comprehension about how all the living things are interconnected to one another. After acquiring this recognition, Tayo succeeds in his quest to get back Josiah's cattle and recovers his identity as a Laguna Pueblo Indian, still letting diverse voices, cultures, and stories flow into the process of storytelling. As the last scene in which the conversations among Tayo, Auntie, and Grandmother took place illustrates, Tayo has newly secured a position that will require him to create a new, alternative story, not just repeating previous stories.

• 한국전자통신학회논문지
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• 제7권2호
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• pp.365-373
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• 2012

문화는 도시경쟁력의 원천과 시민의 삶의 질 향상에 필수적인 요소이다. 현대사회는 지속적 경제성장과 도시재생을 위한 목적으로 문화산업과 결합하여 좀 더 지역적이고 창의성이 발현될 수 있는 도시를 만들고자 한다. 이러한 문화도시조성사업은 기반시설 건설 운영으로 인하여 생산, 고용, 그리고 소득의 인프라를 구축하였고, 역사 문화재에 대한 시민의식을 고취시켰다. 또한, 민족 문화 정체성 및 가치를 향상시켜 국가적 측면에서 효과적인 방안을 제시하였다.

• 기호학연구
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• 제54호
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• pp.37-63
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• 2018

본 연구는 전통춤에 나타난 대표적인 동물을 나열하여 그것이 상징하는 문화기호학적 표상에 관해 연구함으로써 한국인의 동물숭배사상과 삶의 철학을 의미화하고 한국전통예술의 정체성을 논의해 보았다. 이는 한국 문화와 예술에 관한 근원을 묻고 동물모방의 표상에 대해 문화고유의 철학적 사유를 공감하기 위함이다. 이에 한국의 동물 모방춤은 단순한 문화적 코드를 넘어서 춤에 투영되는 있는 한국인의 예술적 가치인식을 엿볼 수 있었다. 즉 주술과 성적인 은유 뿐 아니라 자연친화적 삶을 통한 순응적 태도와 현실에서의 윤리적 실천을 우선으로 예술적 미의식이 고취됨을 알 수 있었다.

• Acta Via Serica
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• 제8권1호
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• pp.87-100
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• 2023

Interaction between sedentary and nomadic cultural traditions has played an important role in the centuries-old history of applied arts in Uzbekistan. By the late 19th and early 20th century, driven by urbanization in the region and the gradual transition of nomadic and semi-nomadic peoples to sedentary lifestyles, many industries and traditional cultural forms of formerly nomadic ethnic groups disappeared. Nevertheless, their role in shaping the national cultural identity of the Uzbek people is great. This is true in relation to one of the largest ethnic groups in Uzbekistan, the Kungrats, whose applied art represents a unique, viable, and yet little-studied phenomenon in the national culture of Uzbekistan. The article reviews carpet weaving, one of their surviving crafts, exemplified by qiz-gilam, a unique type of rug made using a combined technique. This study helps to show the nature of historical and cultural interrelations in the carpet weaving of Central Asian peoples and their cultural contacts with the carpet art of neighboring regions more widely and objectively. An important theoretical result of this study is the creation of criteria and tools for identifying qiz-gilam carpets. This allows us to bring clarity to the yet undeveloped system of their identification in museum and gallery practice.

• 영어영문학
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• 제55권3호
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• pp.497-515
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• 2009

Culture as a source of identity, as Edward Said says, can be a battleground on which various political and ideological causes engage one another. It is not mere individual cultivation or private possession, but a program for social cohesion. Sensitively aware that a national culture should be independent from Europe, Walt Whitman enacts a new form of literature by placing different cultural values against Old World tradition. His interest in autochthonous culture originates from his deep concern about national consciousness. He believes that literary taste directed toward highly-ornamented elite culture is an obstacle to cultural unification of a nation. In order to represent American culture of the common people, Whitman incorporates a lot of cultural material into his poetry. Since he believes that America has many respectable writers at home, he urges people to adjust to their own taste instead of running after foreign authors. Whitman differentiated his poetry from previous literary models by disrupting the established literary norms and reconfiguring cultural values on the basis of American ways of life. In his comment on other poets, he concentrates on the originality and nativity of poetry. By claiming that words have characteristics of nativity, independence, and individuality, he envisions American literature to be distinguished from British literature in literary materials as well as in language. Whitman s language is composed of a vast number of words that can fully portray the nation. He works over language materials in two ways: reterritorialization and deterritorialization. Not only does his literary language become subversive of the established literary language, but also makes it possible to express strength and intensity in feeling.