• Journal of the Korean Society of Costume
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• v.11
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• pp.31-43
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• 1987

The present research is to study a variation of skirt length in the time series, from 1955 to 1986. The results are summarized as follows; 1. The most important event is the acceptance of Mini skirts during this period. This phenomenon will play an important role in later skirt length. 2. The year of the shortest skirt length is 1972, while the year of the longest skirt length is 1983. 3. Based upon the year of the shortest skirt length, the periods of the same skirt length are as follows; 1956-1975. 1964-1978. 1959, 1960-1980, 1981. 1961-1982. This phenomenon is irregularly appeared in this study, but shows the change of recurring skirt length. 4. The skirt length has been changed slowly and continuously during the long period of time. In particular, to reach the shortest skirt length takes longer time than that of the longest skirt length. 5. It has taken 6-8 years to reach the top period of Mini skirts (1971-1973) since shorts are introduced. Comparing this phenomenon in Korea with that in Japan, the time difference is about two years. 6. The periods of various skirts length are the year of 1970-1971 and the year of 1972-1973; This result is assumed that individual persons accept sooner or later the changed skirt length. 7. It is belived that Mini skirts are appeared and popularized by external factors. Once Mini skirts are accepted, we can expect that they will be continuosly changed in the course of recurring skirt length.

• Journal of the Korean Society of Costume
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• v.27
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• pp.5-16
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• 1996

In today's fashion Street is a birthplace of new generation fashion and Street Fashion have frequently influenced on high fashion. From this view point this study is a meaningful approach to forecast future fashion trend by examining the street style of youth who are regarded as Street Fashion leaders. The purpose of this study is to examine the Youth Fashion style in early 1990s and to pro-vide a reference to fashion designer and mer-chandiser in trend forecasting and product plan-ning. This study is focused on 1990s Youth Fashion style through the historical Street Fashion : 1950s Teddy boys & Mods 1960s Hippies & Skinhead and 1970s Punk. There were mainly two popular Street Fashion phenomena in early 1990s. There were mainly two popular Street Fashion phenomena in early 1990s. One is grunge fashion created by new gener-ation in opposition to existing generation society and impacting on hish fashion leaders. The other is Remix style that is mixed : sub culture fashion originated by young group in 1950-1970s with 1990s sensitivity. Both fashion styles origionated and led by youth of street have influenced on famous high fashion designeres as well as the general public. Street Fashion will continue to play an import-ant role in future fashion and more study and interest on Street Fashion should be taken by fashion forecaster and related.

• Journal of the Korean Society of Costume
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• v.20
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• pp.137-150
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• 1993

Sonia Delaunay was among the group of avant-garde artists drawn to Paris in the early part of this century who were exploring concepts of art that were felt to capture best the speed and me chanization of the modern world. She believed modernity-and her own attitude toward modern life-could be expressed through the primacy of color in art the dynamic inter-play of its dissonances and harmonies. The metap-hysical implications Delauny felt inherent in this idea made it applicable to all surfaces, and she was compelled to transform the world around her ac-cording to it. She set up a dialogue between fine art and everyday objects and accompplished the transition from representation work to her color theory through her investigation in embroidery and collage. This study is for Sonia Delaunay's field fo work which is close to fine and applied arts. To study Sonia Delaunay's work, I can find some points of her fashion designs. First, Simultaneous, which is to use collage tec-henics such as simultaneous and meterial to com-binate of variety meterial. Seound, Durability which is restoration of mor-dern fashion, Eventhough her work is 60 years old still it is foward to the furture. Imitation of textile which is devdloped by her, always looks new and fresh. Third, The elements of Folklore. Her elements of Russia, it appears on variety colors. Sepecially contemporary cloths has elements of folklore, we should use it and made it to suituble to contem-porary fashion of our country. For the furture, we need more study how to apply pictorial meterial of art into fashion design.

• Journal of the Korean Society of Costume
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• v.58 no.2
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• pp.120-133
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• 2008

The purpose of this study is to analysis types of light and to find the characteristics of light in contemporary fashion design. In a scientific context, light is electromagnetic radiation of a wavelength that has the characteristics of straightness, reflection, refraction, scattering and diffraction. But in philosophical speculations, light has been used as a metaphor of 'being', 'to-be' or 'enlightenment.' And through the ages, people have tried to represent and apply the light into plastic art like painting and architecture. The types of light in fashion design was categorized as those; reflective light from the surface of clothing which is the result of interaction between illumination and material, representative light as the pattern of light or light effect such as sun or its rays and optical or psychedelic patterns, luminescent light from light emitting material like phosphorescence or LED which combines into fashion design, projective light from a medium to reveal virtual patterns on the surface or a fashion design itself using holography. These lights in fashion design can be considered as reflection of emphasis of sexuality, longing for fantasy and mystique, visualization of interaction and communication and groping for the play.

• The Research Journal of the Costume Culture
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• v.16 no.3
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• pp.547-558
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• 2008

This study aims on observing the social recognition and its aspects for men taking care of their outer appearances at current point where men are rapidly rising as the main consumer in the beauty industry while their interest for outer appearances are increasing. Therefore, we observed the overall trend and changes in social recognition for male looks by analyzing the contents of newspaper articles from 1990 to 2005 that play the critical role of spreading new information trend while reflecting the interest of people of a certain era. As a result, articles related to male looks were divided into fashion, hair, skin and cosmetics, physical image, cosmetic surgery, trend related to male looks, and male oriented stores and sites, and among them, articles related to fashion and skin took up the highest ratio. Especially articles related to the trend took up the largest ratio as it reflects the properties of two industries launching new products. Moreover, articles related to male looks tended to increase generally according to timely changes, and rapidly increased especially since 2000.

• The Research Journal of the Costume Culture
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• v.25 no.3
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• pp.315-326
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• 2017

The purpose of this study is to investigate the design methods and characteristics of papercraft fashion from 2001 to 2015. The study has been conducted through theoretical research and case study. Overall, types of papercraft expressions are classified into the following four categories: narrative papercraft fashion, organic papercraft fashion, variable papercraft fashion, and recycling papercraft fashion. The characteristics and aspects of each type of papercraft is described below. First, narrative papercraft fashion expresses as factual description of the natural environment. These works convey fantastic image by showing fairy tale animals or plants using paper folding or cutting. Second, organic papercraft fashion creates a futuristic shape by expressing organic parts in nature. Also, it often depicts future-oriented images by repeatedly representing organic shapes using uniform patterns in nature. Third, variable papercraft fashion expresses a variety of changing shapes through a flexible design based on the style of wearing. This variation may be accomplished through changeable dress connected to human gestures. Variable papercraft represents play-fulness, which conveys enjoyment to the wearer and the audience. Fourth, recycling papercraft fashion uses paper materials of the past, and recreates them into artworks through handicraft techniques. Recycling papercraft conveys high value added fashion by dissolving the material into pulp.

• The Research Journal of the Costume Culture
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• v.20 no.2
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• pp.263-271
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• 2012

Cultural products reflect a living culture and evolve despite being based on traditional forms only. It is known as traditional cultural expression that portray certain culture groups, materials, spiritual and creativity inspired from their living environment that characterize a society. The old Malay community had a close relationship with their surrounding and environment. Sensitivity towards the nature and surrounding environment moved them into creative people. In designing the local traditional textile, role of the motifs, design and product design play an important element in Malay cultural values. This reflects the symbols and philosophy of the arts and culture and thus becomes the identity of the Malay community, which in general practice their culture and tradition based on Islamic culture and religion. Kelantan and Terengganu are the pioneer states for most producers of Malay traditional textiles. In these states the Pelangi cloths, is one of the unique textiles use and inherited by the Malay communities. Base on history, the Malay rulers and Malay nobility used Pelangi cloth as complementing clothing and ornament in attending various ceremonies and customs in their daily life. In this paper will discuss the specific picture of Pelangi motifs, design and its usage in Malay society in Malay Peninsula through its identification aspect of representations. It shows that this textile represent certain insights of Malay customs and identity.

• Fashion & Textile Research Journal
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• v.1 no.1
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• pp.74-81
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• 1999

The purpose of this study is to review the relationship between modern homosexuals' costume tendency in socio-cultural terms and the garment tendency reflected as high fashion and thereby, determine the homosexualism being established as a recent fashion trend. The homosexualism shown in the fashion were categorized into three aspects; a resistant tendency departing from the conventional controlling culture, a fetishism or perversion tendency satisfying in sexual inclination by emphasizing certain physical parts or using certain items, and play to express a sexual identity departing from the fixed social view. The homosexualism being suggested as new fashion trend in this society dominated by the post-modernism art must mean an integrated sense of sex just beyond a simple perversion to express the self-identity in a natural way. It is conceived that the homosexualism would be expanded towards a new horizon of costumes as long as the division of sexes becomes more obscure and the decentralized bipolarization for mutual co-existence between two sexes continues to be main stream of fashion.

• The Research Journal of the Costume Culture
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• v.10 no.6
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• pp.718-734
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• 2002

The purpose of this study is to provide basic data f3r improvement in Working Uniform in both scientific and efficient ways. The study were enforced by questionnaire and personal interview. The subject of the survey were the workers of 264 in mechanic industry in Seoul. The results obtained from the researches by methods above are as follows. 1. In general, Working Uniform could be classified types of two. One is loose-fitting one-piece garment covering the body and legs, the other is two-piece garment. The latter is a jacket with either sports collar or soutein collar, fastened with either buttons or a zipper and its sleeve is finished by cuffs and tapes. Regarding to color. inkblue, dark navy, khaky, dark beige are favourable ones. 2. In regard to the necessity of uniform that workers suppose, most of them were aware of it and agreed wearing uniform could play an important part. The reason why are on the basis of safety-first and work efficiency and also to protect a body from harmful or toxic dirt specially in machinery workplace. 3. The purpose of wearing an uniform according to statistics of population make some difference in age, gender. categories of industry, and the scale of factory. 4. In regard to care of uniform, front hem, edge of sleeve in a jacket, and knee, hip part in pants were most vulnerable spots for dirt. The parts damaged easily are edge of sleeve in a jacket and a zipper in pants. On the average, laundry have been done by water and was once a week frequency.

• The Research Journal of the Costume Culture
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• v.19 no.4
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• pp.740-750
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• 2011

Employees of sales departments of apparel makers play an important role in the success of a fashion-related business because they provide service through the direct contact with customers. This research tests several hypothesized relationships between internal marketing and its determinants, such as job satisfaction and organizational and job commitment, along with sales goal orientation. The subjects in this study were salespeople who worked at fashion stores in Yeosu and Sunchon. To measure the hypotheses, 200 questionnaires were handed out and 185 were collected. Finally, 163 questionnaires were used for the analysis, as 22 were found to be invalid. Frequency analysis, factor analysis, reliability analysis, and multiple regression techniques were used after coding and cleaning the data with the software SPSS 18.0. It was found that job satisfaction in the subjects is affected by organizational and job commitment and by their sales goal orientation. Second, it was found that both organizational and job commitment have a significant impact on sales goal orientation. According the results of this study, the higher the salesperson's job satisfaction, the higher the organizational and job commitment are. This was also true for their sales goal orientation. Moreover, higher organizational and job commitment was correlated with a stronger sales goal orientation. On the basis of the results, marketing strategies related to personal management can be established.