• 제목/요약/키워드: color changing

검색결과 406건 처리시간 0.032초

감온성 안료의 혼입에 따른 온도반응 색변환 콘크리트의 기초물성에 관한 실험적 연구 (Experimental Study on the Basic Properties of Concrete Composition Mixed with Pigments Having been Color Changed by the Temperature)

  • 이주헌;박용규;전인기;윤기원
    • 한국건축시공학회:학술대회논문집
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    • 한국건축시공학회 2009년도 추계 학술논문 발표대회
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    • pp.149-152
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    • 2009
  • Recent trends show an increased usage of 'colored concrete', a inorganic pigmented concrete mix, especially in smalll to large scale buildings. However, due to lack of varieties, current usage of colored concrete is limited to the one or two simple color of the time in construction work. so, this study is to investigate the properties of concrete adding temperature reactive pigment. The results of the experiment, the basic material characteristics of concrete such as of compressive strength and slump is affected by the amount rate of adding the temperature reactive pigment. And, it showed the excellent color expression and changing with temperature reactive pigment.

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소나무재의 촉진열화실험에 따른 재색변화에 대한 연구 (Study on the Color Changing of Pine by Accelerated Weathering Test)

  • 김광철
    • 한국가구학회지
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    • 제23권2호
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    • pp.152-162
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    • 2012
  • The color changing of the wood surface was tested by accelerated weathering test that can simulate the outdoor condition with short period. In early parts of accelerated weathering test, weight and volume of specimen all were increased due to the moisture evaporation by its high temperature and illumination level, but weight and volume of specimen all were decreased from middle parts to last. However, significancy showed between control group and accelerated weathering test group in terms of weight and volume. According to the results of color-difference meter, in the early parts of the accelerated weathering test lightness, redness and yellowness all showed a clear increasing or decreasing trend. However, after three weeks all values were almost never change. Until the early parts of the test, lightness was decreased and there was not a considerable change after three weeks in the test. Redness showed a some change in early parts of the test, but this also showed not great change after middle parts of the test as like lightness. Yellowness also showed same pattern. These results could be verified through the visual inspection. As like weight and volume, significancy showed between control group and accelerated weathering test group in terms of color-difference test. In all accelerated weathering test group, color-differences of after test was lower than that of before test. To correctly analyze this cause, more additional research will be need on each of temperature, humidity and illumination factors.

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광방사에 의한 채색지의 새로운 내광성 평가 방법 (New Evaluation Method for the Lightfastness of Colored Papers by Radiant Energy)

  • 김훈;김홍범;권세혁
    • 한국조명전기설비학회지:조명전기설비
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    • 제11권6호
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    • pp.37-43
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    • 1997
  • 광방사에너지에 의해 염료나 안료의 밀도가 감소하며, 밀도 변화는 색변화를 초래한다. 이 연구에서는 방사에너지에 의한 염료밀도의 변화와, 밀도변화에 따른 색변화에 대한 가정을 이용하여 방사에너지에 의한 색변화를 예측할 수 있는 관계식을 만들었다. 또한 실험을 통하여 식중의 손상계수를 산출하였다. 이 식과 계수와 적절성을 검증하기 위하여 시료들을 일반 광원을 변색시키면서 그 변색의 크기를 측정하고 계산치와 비교한 결과, 대부분의 시료에서 일치하는 것을 확인할 수 있었다. 또한 가시 방사대에서 분광 손상계수는 분광 흡수율과 밀접한 관계가 있음을 알 수 있었다.

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광원색에 의한 실내공간의 지각변화에 관한 실험연구 (An Experimental Study on the Impact of the Visual Perception by the Change of the Lighting Sources Color)

  • 이성민
    • 한국실내디자인학회논문집
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    • 제4호
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    • pp.27-30
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    • 1995
  • This study suggests the optimum interior environment by projecting the criteria to design the living space light-ing that select the lighting environment among the sever-al environmental factors that influenced on the human perception. As a correspondance between the visual perception and the lighting, visual perception process, vision system, and visual perception system are investigated to compre-hend the lighting, and then conceptual contour of the lighting environments are presented which are transmit-ted the visual informations. As a lighting factors which are influenced on the visu-al perception, light source color is analized. Foundationally, the effect of the lighting methods and the techniques are investigated, and the changes of the lighting methods which influences on the space perception are examined through the previous results. As the changing the light sources color, the changing the subjective feelings of space perception through the ex-periment. This study is concluded with the proposition of the ef-fective lighting and the importance of the lighting envi-ronment.

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Effects of seeding methods and harvesting time on yield of perilla seeds

  • Jeon, Weon-Tai;Kwak, Kangsu;Bae, Jin-Woo;Han, Won-Young;Lee, Myoung-Hee;Ryu, Jong-Soo;Kang, Hang-Won;Jeong, Gun-Ho;Shim, KangBo;Heu, Sunggi
    • 한국작물학회:학술대회논문집
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    • 한국작물학회 2017년도 9th Asian Crop Science Association conference
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    • pp.197-197
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    • 2017
  • In order to reduce the loss of perilla seeds at harvesting stage, different seeding methods and harvesting time had been applied to upland soil in NICS (National Institute of Crop Science), RDA, Milyang, Korea. The seeding methods were divided into hill and drill seeding, and harvesting time were 40%, 60%, 80%, and 100% color-changing of top cluster perilla (cv Deulsaem) seeds. Higher plant height and lowest flower cluster, thinner culm thickness was observed in drill seeding treated plot than hill seeding treated plot. However, field lodging occurred lower at drill seeding treatment (lodging degree 3) than hill seeding plot (lodging degree 5). Harvesting time affected the loss of perilla seeds and the loss rate of perilla seeds were investigated at different color-changing of top flower cluster. When seeds were harvested at 40%, 60%, 80%, and 100% color-changing of top cluster perilla seeds, the loss rate of hill and drill seeding showed no significant differences however the loss rated of 40, 60, 80, and 100 % color-changing of top flower cluster were 1.9% to 3.0%, 3.8% to 3.9%, 8.0% to 10.2%, and 16.1% to 22.7%, respectively. The harvesting time had no significant effects on the yield of perilla seeds. These results suggest that optimum harvesting time of perilla could be recommend at the 60% color-changing of top cluster to reduce the loss of perilla seeds.

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Role of network geometry on fluid displacement in microfluidic color-changing windows

  • Ucar, Ahmet Burak;Velev, Orlin D.;Koo, Hyung-Jun
    • Smart Structures and Systems
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    • 제18권5호
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    • pp.865-884
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    • 2016
  • We have previously demonstrated a microfluidic elastomer, which changes apparent color and could have potential applications in smart windows. The practical use of such functional microfluidic systems requires rapid and uniform fluid displacement throughout the channel network with minimal amount of liquid supply. The goal of this simulation study is to design various microfluidic networks for similar applications including, but not limited to, the color-switching windows and compare the liquid displacement speed and efficiency of the designs. We numerically simulate and analyze the liquid displacement in the microfluidic networks with serpentine, parallel and lattice channel configurations, as well as their modified versions with wide or tapered distributor and collector channels. The data are analyzed on the basis of numerical criteria defined to evaluate the performance of the corresponding functional systems. We found that the lattice channel network geometry with the tapered distributors and collectors provides most rapid and uniform fluid displacement with minimum liquid waste. The simulation results could give an important guideline for efficient liquid supply/displacement in emerging functional systems with embedded microfluidic networks.

기체 방전관의색상 제어에 관한 연구 (A Study on Color Control in Gas Discharge Tube)

  • 이종찬;청야정명;박대희
    • 대한전기학회:학술대회논문집
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    • 대한전기학회 1996년도 추계학술대회 논문집 학회본부
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    • pp.285-288
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    • 1996
  • The electronic operation of the gas discharge tube is controlled by the electrical energy as sinusoidal waveform in arbitrary frequency range, or as a sequence of pulses at a wide range of duty cycle, the gas composition, the kind of electrode and the vessel geometry. In this paper, the pulsed mode operated gas discharge tube is composed with mixed gas of IIg-Ne ( 10 Torr ), in the tube of 15.0 mm outer diameter and has variable color from red to blue with changing frequency and pulse width in high voltage. As increasing pulse width and frequency in the gas discharge tube, the phenomenons that the electron temperature in the positive column increases and the radiation from atoms of higher upper state energy levels increases, exist. The color have the locus from red (0.4972, 0.3128) to blue (0.2736, 0.2619) in CIE chromacity diagram with increasing pulse width and frequency. The changing method of pulse width and frequency has been shown to be suitable for the luminous color control.

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색상변화를 갖는 객체추적 알고리즘 (An Algorithm for Color Object Tracking)

  • 황인택;최광남
    • 한국멀티미디어학회논문지
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    • 제10권7호
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    • pp.827-837
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    • 2007
  • 기존의 색상 기반의 Mean Shift 알고리즘을 이용한 객체추적 알고리즘은 초기 색상 정보가 사라질 경우 정확한 객체추적을 수행할 수 없다. 본 논문은 객체의 색상이 변할 때 색상 정보를 변경하여 정확히 추적하는 알고리즘을 제안한다. 제안 알고리즘은 현재의 위치를 중심으로 다음 객체 위치에 해당하는 밀도가 가장 높은 위치를 Mean Shift알고리즘으로 구하고, 바꿔 색상 정보를 변경하는 반복적인 기법을 사용한다. 이를 통해 처음 설정한 객체의 색상이 바뀌거나 사라지더라도 정확한 객체추적을 할 수 있게 되었다. 본 논문에서는 제안 알고리즘을 구현하고, 실험 결과로 성능을 입증한다.

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Extraction of figures and characters with the aid of color discrimination

  • Sakai, Y.;Kitazawa, M.;Kuo, Y.
    • 제어로봇시스템학회:학술대회논문집
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    • 제어로봇시스템학회 1995년도 Proceedings of the Korea Automation Control Conference, 10th (KACC); Seoul, Korea; 23-25 Oct. 1995
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    • pp.303-306
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    • 1995
  • The present paper deals with extraction of figures and characters from their background using the knowledge of color. At each pixel of the image on the CRT sent from a video camera, RGB values are transformed into the values in another color system, HSI, where "H" denotes hue;"S" denotes saturation;"I" denotes intensity. Representing color in HSI color space is advantageous, since a human feels color mainly in hue with the aid of brightness and purity. Comparing HSI data thus obtained with the masked original image detects noise-free edges included in the orginal image. Then setting a set of HSI thresholds and changing it identifies the portion of image of the same color. This color information is used in recongnizing characters and figures as an auxiliary system of a hierachical figure categorization method for characters and figures recognition.cters and figures recognition.

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현대 남성수트의 변천과 미학적 특성 (Changing Styles & Aesthetic Charactics of Modern mes's Sutil)

  • 채금석
    • 복식
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    • 제30권
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    • pp.239-259
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    • 1996
  • This research is to observe background of origination and process of changing style for men's suits and also to observe the root of aes-thetics which has made the changing style be maintained for nearly 200 years. The aesthetic characteristics are 1)The revival of the Neo-Classicism beauty in the 18th century could be regarded as the root of incipient style of the modern men's suits design. And the cutters recreated ancient nude hero which was an object of envy at that time and also reproduced men's suits through modifying the existed suits to make the ancientnude conform with the sewing regulations in order to describe and convey the perfect image of gender,. 2) The cutter who pursued merit of the classicismic aesthetics in the late 18th cen-tury artistically upgraded English rough country coat to keep pace with Nordic coat style of netherland Russia Germany while in constrast with the coat style mode which was in fashion in France and Italy then And also they changed the English country coat to a noble natural clothing structure in relation to ancient sculpture to keep the English tradition. 3) Im the 18th century Neo-Classicism art emphasized transparent and monochromatic beauty and thus color was limitedly used. In the use of the limited color however ancient aesthetical simple purity was well described within the more realistic outline. In those days the cutter who admired the English neo-Classicism removed color-luster and preferred colorless finished dimly and transparently. And thus color of the men's suits become to be also dim colored in los brightness. This means that it did not express pure beauty but brought such effect of the Classicism beauty that the nude itself was figured out.

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