• 제목/요약/키워드: chinese philosophy

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$\ll$황제내경(黄帝内经)$\gg$ "진액(津液)" 개념고변(概念考辨) (Analysis of the concept of body fluid in "Hwangjenaegyeong(黃帝內經)")

  • 곡봉;김효철
    • 대한한의학원전학회지
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    • 제23권1호
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    • pp.11-13
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    • 2010
  • In this article, the concept of body fluid is explained in three aspects: the word meaning of body fluid, the origins of the definitions of the body fluid concept and the connotation and extension of body fluid. Investigating data about the time Hwangjenaegyeong(黃帝內經) was written, the author discovers that the meaning of "Aek(液)" is clear, but there are still questions about the meaning of "Jin(津)". The concept of body fluid derived from observation of life phenomenon and ancient philosophy on the "water". The concept of body fluid should be expressed as that body fluid is a general term for all normal liquids in the body. Within the meridians, as the composition of blood components; outside the meridians, constituting the intrinsic body fluids of various organs and tissues. This is the main part of body fluid, coming from diet, constituting the human body and maintaining human life activities, playing the roles of moistening and nourishing various of organs and tissues of the body. In addition, Interstitial fluid, all kinds of normal liquid secretion and metabolic products, such as sweat, tears, nasal discharge, saliva, slobber, gastric juice, intestinal fluid, urine, joint fluid, latex and so on, both belong to body fluid.

OBSERVING SITES FOR THE CENTRAL SOLAR ECLIPSES IN ANCIENT CHINESE HISTORY

  • Ahn, Sang-Hyeon
    • 천문학회지
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    • 제53권6호
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    • pp.125-138
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    • 2020
  • We determine the observing sites for eclipses of large magnitude recorded in ancient Chinese chronicles from 200 BCE to 900 CE, by adopting the difference between terrestrial time and universal time, ΔT, given by Morrison & Stephenson (2004). The records of solar eclipses with large magnitude are divided into four groups in accordance with the historical variations of the capital cities of ancient Chinese dynasties. We determine areas in which all the eclipses in each group, with an eclipse magnitude larger than a certain threshold value, could be observed. We find that these areas coincide with the historical capitals, which agrees with the general idea that the solar eclipses were observed at the capital of each dynasty. This result also verifies the ΔT values during the period from 100 BCE to 400 CE, during which historical records of eclipses are so rare that the ΔT values can only be obtained by interpolating the long-term data. Moreover, we show that the eclipses described by the term Ji in East-Asian history are not all total eclipses; their mean magnitude is 0.96 ± 0.04. We find that complementary expressions, such as dark daytime and appearance of stars during the eclipse, strengthen the possibility that eclipses described by the term Ji were total. We also provide quantitative definitions for expressions such as 'being not complete and like a hook', 'being almost complete', 'visibility of stars during the eclipse', and 'darkness during an eclipse.' The literal meanings of these expressions are in agreement with the recent physical modeling of sky brightness during total eclipses provided by Können & Hinz (2008).

조선시대 한국풍속화에 나타난 식생활문화에 관한 연구 (A Study on the Food Culture of Chosun Period Appearing in Korean Genre Painting)

  • 고경희
    • 한국식생활문화학회지
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    • 제18권3호
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    • pp.211-225
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    • 2003
  • This present study suggests a wider view of our ancestors' food culture by examining the generality and peculiarity of the food culture of the Chosun Period by associating the culture with genre paintings made in the $18th{\sim}19th$ century in Korea. People in the Chosun Period outwardly advocated the Confucian idea reflecting the life philosophy of Chinese. However, the vitality of common people's frank and simple lifestyles saturate genre paintings and display Korean food culture and sentiments of the age. Initially this paper examines the history of food sociology through Namjong literary artists' paintings. The meaning and philosophy of drinks are considered in relation to the trend of declining tea culture among scholars in the mid-Chosun Period with the policy of promoting Confucianism and oppressing Buddhism. Secondly, this paper investigates the background of genre paintings in the late Chosun Period, and examines the unique food culture of Koreans appearing in paintings, particularly with regard to the abundance and variety of seasoned vegetables appearing in genre paintings, our ancestors' sentiment appearing in milk-gathering painting, humanity in guest reception, food culture and view of nature in farm villages, fishing life history, food distribution culture, soybean-curd culture, etc.

"관자(管子)" 4편(編)의 심(心)의 의미에 대한 연구(硏究) (A Study on The Meaning of Mind(心) in The Four chapters of "Gwanja(管子)")

  • 박현애;정창현;장우창;백유상
    • 대한한의학원전학회지
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    • 제24권6호
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    • pp.91-100
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    • 2011
  • The four chapters of "Gwanja(管子)" explains the concepts of Do(道), Deok(德), Junggi(精氣) philosophically. Because it contains thoughts about control of Mind(心), it has been considered as one of the useful references of ancient chinese philosophy. In this respect, we can think about the connections between the four chapters of "Gwanja(管子)" and Oriental medicine in philosophical perspectives. In the investigating about Oriental medical philosophy in this study, the meaning of mind(心) is classified from various angles, for example, political, self-improvemental, and physiological. Espesially the physiological meaning of mind(心) may receive attention and meaningful consideration of Oriental medicine.

중의서원(中醫書院) '여산당(侶山堂)' 강학(講學)과 '전당의파(錢塘醫派)' (Education in an Academy of Chinese Medicine L$\"{u}$shantang(侶山堂) and the Qiantang Medical School(錢塘醫派))

  • 이민호
    • 한국한의학연구원논문집
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    • 제16권3호
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    • pp.45-52
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    • 2010
  • This study aims to discuss the establishment and development of the Qiantang Medical School(錢塘醫派) represented by Zhang Zhicong(張志聰) via focusing on an academy of Chinese medicine named L$\"{u}$shantang(侶山堂). The teaching method in L$\"{u}$shantang(侶山堂) displays a representative feature of the Qiantang Medical School(錢塘醫派), but the foundation of the method consisting of lectures and discussions had already been laid by Lu Zhiyi(盧之頤) during the Ming-Qing transition period. The tradition was succeeded by Zhong Xuelu(仲學輅) in the Hangyuan Medical Board(杭垣醫局) even after L$\"{u}$shantang(侶山堂) was burnt down during a war taken place under the Qianlong(乾隆) period. That the function and the role of the local Confucian academies, which had been focused on the discussion of Confucian classics and local issues, were changed to adopt the education of medicine which had been treated as a lesser subject may be interpreted as a gradual change in the social perception of medicine. The change in the function of the Confucian academies combined with the tendency in which the literati elites of the period left the Confucian philosophy for medicine presents one of many examples showing the changes occurred during the Ming-Qing transition period. The education of medicine provided by the Confucian academies is regarded historically significant in that it was offered by ordinary civilians rather than the government before the formal school education system was established in the modern period. This educational tradition played an important role in bridging the Chinese medicine in the medieval times with that in the modern period.

중국과 일본 그래픽 디자인에서의 여백의 비교 및 융합연구 -포스터 디자인에서 여백 표현을 중심으로- (Comparison and Convergence of the Blank Space in Chinese and Japanese Graphic Design -Focusing on the Expression of Blank Space in Poster Design)

  • 혜문천;김원석
    • 한국융합학회논문지
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    • 제8권6호
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    • pp.153-162
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    • 2017
  • 이 논문은 중국과 일본의 상이한 미적, 철학적 차이의 이해와 융합을 기반으로 그래픽 디자인 분야에서 여백을 통한 새로운 표현 창출을 위한 방법에 대해 논했다. 그래픽 디자인에서 동양의 특징적인 여백을 표현하는 것은 디자인의 예술적 표현과 문화적 의미를 풍부하게 하고 디자인의 창작의 가능성을 높을 수 있다. 이 연구에서는 먼저, 중국과 일본의 미술 및 디자인에서의 여백에 대한 인식과정과 표현과정을 중국의 전통회화의 철학과 일본의 현대 그래픽 디자인의 방법이 적용된 포스터 디자인을 통해 비교∙분석한다. 이를 기반으로 포스터 디자인에서 여백을 통해 중국 현대 그래픽 디자인의 새로운 접근방법으로써 융합의 개념을 적용해 그래픽 작업에서의 표현의 가능성을 확장한다. 또한, 여백에 대한 융합적 개념에 의한 표현 창출은 자신의 작품에 새로운 가능성을 제공한다.

The Impact of a Traditional Culture Seminar on the Output of College Students' Chinese Creative Writing

  • Hou, Nai-ming;Cui, Xiang-zhe
    • International journal of advanced smart convergence
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    • 제11권4호
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    • pp.206-215
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    • 2022
  • For a long time, traditional culture has been regarded as one of the sources of the inspiration, method and language of Chinese writing. In this article, we studied the medium- and long-term impact of a traditional Chinese culture seminar attended by college students on the output of creative writing. The seminar included traditional Chinese philosophy, history, literature, art, etc. It spanned three years (22 months) and held lectures lasting for approximately two hours once a week. The subjects of the prospective cohort study included 130 first-year college students who participated in the seminar and 130 controls. From September 2016 to June 2018, 72 lectures were held. We measured the creative writing output from the first lecture (September 2016) to December 2021 (64 months in total), including novels, essays, poems, and plays. Two indicators, the total number of words (TNW) and the quality of yield (QY), were evaluated by a 15-member panel. Although the TNW and QY of the participants and their controls were similar before the seminar, we found that the participants have higher TNW and QY than the controls after participating in the seminar. The difference in TNW became significant after month 51 (p<0.05), and the difference in QY became significant after month 46 (p<0.05). After these dates, the differences stabilized. In addition, text analysis indicates that by month 64, traditional cultural elements in the works of the participating group had a higher frequency (p<0.001). The research shows that the traditional culture seminar not only enhanced the yield of college students' creative writing but also improved the quality of their work. The traditional cultural elements enriched the works of the seminar participants.

중국 기업의 ESG의 특징과 기업가치에 대한 영향 (The Characteristics of ESG and Effect on Corporate Value of Chinese Firms)

  • 소소위;이재현
    • 아태비즈니스연구
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    • 제14권1호
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    • pp.131-148
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    • 2023
  • Purpose - Since the 2020s, the management philosophy of Chinese firms' ESG has been rapidly established under the leadership of the Chinese government. We empirically analyze the ESG characteristics and effects on corporate value of Chinese firms. Design/methodology/approach - Using OLS and random effect panel regression analysis, we identify ESG determinants. In analyzing the impact on corporate value, likewise a large number of literatures, we adopt a 2SLS methodology using instrumental variables in the reason of endogeneity between ESG and firm value. We analyze using the G2SLS methodology, which is improving the efficiency of the estimation coefficients along with 2SLS. Findings - We find that ESG ratings are high in state-owned and foreign capital invested companies, ESG ratings are low in companies with a high proportion of non-floating stocks which implies information asymmetry. However, there are no significance in the institutional investor's, the major 10 largest shareholders' and manager's ownership. Furthermore, we can support most of the hypotheses that ESG ratings will be high in companies with high management performance. ESG ratings are significantly higher in companies with high ROA, rich in cash asset, low debt ratio, and large size. we strongly support the hypothesis that the higher the ESG rating, the higher the firm value, and ESG has a moderating effect on state-owned companies, non-floating shares, the ownership of institutional investors, manager, and the 10 major shareholder. In particular, state-owned companies, the proportion of non-floating shares, and the ownership of the 10 major shareholders have a negative impact on firm value, however, ESG attenuates this negative effect. Research implications or Originality - This study looks forward to enhancing our understanding of ESG characteristics in East Asia.

Do Ethical Consumers Really Love Green Brand? A Comparison of Chinese and Korean Consumers

  • Lee, Han-Suk
    • 유통과학연구
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    • 제14권12호
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    • pp.23-30
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    • 2016
  • Purpose - As socially responsible consumption increases, green marketing emerges as a new philosophy in marketing. A number of companies are now putting forth green marketing strategies. But there is no single definition of "green brand" that can be used interchangeably. In this paper, we attempt to explore the meaning for "green brand," especially in Information and Technology products. Research design, data, and methodology - The author developed qualitative and quantitative research design. In particular, the paper approaches this topic from the Asian consumers' perspective and applies ethical concepts to green brand research. For this, Chinese and Korean consumers were used as consumer segmentation variables to investigate their ethical perspectives. Results - Qualitative research showed that there are several attributes and benefits we need to consider for green brand. Quantitative study showed positive correlations of the two variables: the higher the consumer ethics are, the more they prefer green brands. Conclusions - The current study shows that consumers clearly have a certain propensity toward green brand equity. Thus, marketers should consider the consumers' evaluation about green brands. This paper also proposes that ethics have a close relationship with green brand equity, and companies may use ethics in marketing strategy management.

$\ulcorner$원야$\Ircorner$에 나타난 계성의 원림조영이론 연구 (A study on Ji Cheng's Garden design theory in Yuanye)

  • 이유직
    • 한국조경학회지
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    • 제25권2호
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    • pp.104.2-104.2
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    • 1997
  • Ji Cheng''''s great work on garden design theory, the ''''Yuanye'''', written in 1631 and originally published in 1634 is the first surviving treatise and most famous and comprehensive work on the suvject in the Chinese tradition. He constructed Dongdiyuan in Changzhou about 1623, Wuyuan in Yizheng in 1631, and Yingyuan in Yangzhou about 1634. But no poems and paintings written by him still exist, and none of his known gardens has survived. Therefore his design philosophy is able to be interpreted only by his work, Yuanye. This study aims at investigating the garden design theory in Yuanye. The results were summarized as follows. 1) Yuanye reflected the garden tastes of literati, and Ji Cheng endeavored to express the deas of literati painting into gardens. 2) The essence of the garden design theory is Xingzao, and Yindi, following the existing lie of the land, and Jiejing, to borrow from the scenery, are two major activities of Xingzao. 3) Ji Cheng''''s design theory build up on the basis of recognizing the existence of masters. 4) Yindi is the environmental and ecological planning and design method. This is the activity to reach the state of artistry through suitability. 5) Jiejing is not merely borrowing the landscape but the making use of scenery around the garden. And only the master has the skill in fitting in with the form of the land. 6) Ji Cheng pursuits the garden which will look like something naturally created though manmade. It is the goal of the Chinese traditional gardens and ideal situation. 7) Ji Cheng aims to unify the environment and landscape design dialectically into Xingzao.