• 대한가정학회지
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• 제46권8호
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• pp.55-72
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• 2008

The purpose of this study was to analyze the state of Goryoin housing in Uzbekistan and Korea. Using ethnographic methodologies, it was examined that 20 Goryoin households in Korea in relation to their usage of housing space firstly and also tried 20 Goryoin households in Uzbekistan with the same method. The following conclusion were established; 1). The majority of households in both areas preferred separated kitchen and living room areas. 2). Most households in both areas had a washing machine in bathroom and they regarded bathtub and the drain hole of the bathroom as very necessary. They all preferred separate bathroom and toilet areas in order to allow simultaneous use. 3). Their preferred seating style was chairs on sleeping and eating especially but they treated large family and guest without chairs in both areas. 4). All of them were took their shoes off and wore slippers at home usually and also had a preference for designated shoes space at the entrance to the house. 5) All of households in Uzbekistan and half of them in Korea had a carpet or mat in the bedroom or living room, both for keeping warm and aesthetic reasons. 6). The heating system of apartment in Uzbekistan was radiator and most of private houses had a modified Ondol with radiator but their preferred heating system was modified Ondol in both areas. 7). They all considered the living room as the most important housing space for family and guest in both areas.

• 건축역사연구
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• 제24권5호
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• pp.21-32
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• 2015

Sajik, the altar of land and grain was treated as one of the most important national ritual facilities by the Joseon dynasty and the Ming dynasty because it symbolized the legitimacy of a dynasty, and its architectural ordonnance was arranged strictly by the government. But when the Joseon government considered to reconstruct its national Sajik altar in Hanyang during the Sejong period, they found the new architectural ordonnance for local Sajik altars recorded in "Hongwulizhi(洪武禮制)" had been published by the Ming government was hard to adopt, because it was too narrow and totally different from the traditional style. Above all things, they doubt of there was other architectural ordonnance for kingdoms, not for local governments. King Sejong ordered to investigate the origin form and former examples, and tried to get other ritual documents of authority published by the Ming government such as "Damingjili(大明集禮)". After several academic researches and intense debates, they decided to create a new architectural ordonnance for their national Sajik altar, its form was in accord with the traditional style and its size was in accord with the new ordonnance. But they did not know there had already been the architectural ordonnance for the kingdom in the Ming dynasty. Because the first emperor of the Ming dynasty had changed its Sajik ritual system several times, even the whole country of the Ming dynasty also had gone through chaos on this issue even after his death. Consequentially, the official documentation works had been made partially, there was no a complete document on this issue even in the Ming government.

• 한국의상디자인학회지
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• 제14권3호
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• pp.205-216
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• 2012

Korean traditional wedding ceremony was conducted with some regular procedure and there were used special Gyubang crafts for wedding ceremony. Nowadays there is common the western style wedding ceremony and then the use of wedding Gyubang crafts have being decreased. Purposes of this study are to investigate characteristics of and to propose some idea of preservation and application them in the life of today. The results are as follows; Wedding Gyubang crafts can be classified Bojagj(wrapping clothes), Jumeony(cloth bags), ornaments, items related to sewing and others. They were apt to be traditionality, symbolism and shamanism, and were superior in aesthetic sense, the effect of decoration and technical skill. So there was needed preservation them. Some way of preservation and applications them were suggested ; alternation in keeping with modern needs, use of ornament, alteration in present-day life, application their image to Korean cultural products, textile design and so on. Several works were developed by ways suggested and exhibited in order to arouse new understanding Wedding Gyubang Crafts to public.

• KIEAE Journal
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• 제10권3호
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• pp.63-74
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• 2010

The general housing causes various environmental problems on the squandering of the resources and the production of the construction wastes, as it was removed and rebuilt because of the short-life in 20-30 years after constructing. The short-life of the general housing makes the rebuilt-term short and takes a negative attitude in maintenance. In the other hand, the long-life housing is constantly dwelling house that considers the carbon reduction among the world issues, Support and Infill. The long-life housing promotes the durability of Support and maximize the variability of Infill through separation of Support & Infill. It's useful dwelling house in maintenance as well as various life-cycle and life style. As the maintenance guideline of dwelling house is used for long-life housing, there is not distinction considering who controls maintenance and there is not conception considering alteration, variability and convenience. Consequently, it is required to develop the proper maintenance guideline applied maintenance process for long-life housing. Therefore this study shows efficient maintenance guideline for manager in long-life housing.

• 한국전통조경학회지
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• 제41권3호
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• pp.59-66
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• 2023

본 연구는 근대 시기 일본풍 정원의 확립과정을 인물과 작품의 공간구성과 공간구성요소, 재료 등을 통해 살펴보고 우리 정원의 정체성 구현을 위한 자료로 삼고자 하였다. 그 결과는 다음과 같다. 첫째, 한국성이 수용하고 있는 인자를 한일 근대 시기 정원문화에 대입한 결과, 장소성, 현재성, 주체성에 있어 모두 차이를 보인다. 이는 근대 시기 한국에는 문화적인 단절이 있었던 반면, 일본은 비교적 온전한 문화 계승이 이루어졌다는 점에서 차이가 나타난 것으로 볼 수 있다. 둘째, 근대 시기 이전의 일본의 정원문화는 문화적인 단절 없이 일본 전역의 각기 각층에 보급되고 지속해서 발전해왔다. 근대 시기 메이지 정부는 문명개화 정책을 추진해 유럽과 미국의 선진문명 도입을 주도하여 서양식 건축법이 유행하게 되었다. 급속한 서양문화의 도입은 전통적인 일본문화가 잊히는 결과를 초래했다. 영국의 건축가 조시 콘더(Josiah Condor)는 일본인 건축가를 지도(1879)하고 정원의 화실, 일본정원의 전통적 디자인 등을 설계에 도입하였다. 메이지부터 다이쇼 시대에 교토지역에서 활동했던 오가와 지헤에(小川 治兵衛)의 정원양식은 일본의 전통문화를 지키고자 했던 정·재계 유력자들에게 받아들여졌고 각종 법령의 마련 등으로 보호 제도도 갖춰졌다. 셋째, 일본 근대정원의 정원가, 일본적인 구성요소, 재료, 요소와 일본풍을 중심으로 분석한 결과, 야마가타 아리토모(山縣 有朋), 오가와 지헤에(小川 治兵衛), 시게모리 미레에(重森 三玲) 등이 일본풍을 정원에 계승한 대표적 정원가이며, 공간구성의 특징으로 대지천(大池泉) 정원조성과 자연주의적 차경 수법의 도입, 물의 흐름을 도입하는 것이 특징적으로 나타났다. 일본풍 정원 구성요소의 특징은 잔디 활용, 곡선의 원로, 자연스러운 향토적 식재수종으로의 변화라고 할 수 있다. 넷째, 사례 대상지의 일본풍 인자를 분석한 결과, 공간구성의 개별 요소별로 특히 유수(흐름)의 활용이 47.06%의 비율로 가장 높게 나타났으며, 대지천과 자연주의적 차경도 확인되었다. 잔디의 식재와 곡선 원로의 도입은 각각 65.88%, 78.82% 비율로 나타났다. 수종 변화는 28.24%로 잔디의 식재나 곡선 원로의 적용보다는 비교적 적은 건수가 확인되었다. 다섯째, 우리는 근대 시기의 정원들을 확대 발굴하여 정원의 조성자나 소유주, 공간의 구성, 공간의 구성요소, 재료 등을 세부적으로 기록하고 우리나라 정원의 정체성을 찾는 데도 유용하게 활용해야 한다. 본 연구는 일본의 근대 시기 일본풍의 확립과정을 인물과 사례 정원을 통해 분석한 결과를 토대로 연구를 진행하였으나 보다 다수의 사례와 구체적인 기법의 분류 등 세부적인 연구를 진행하지 못한 것을 연구의 한계로 두고 차후 과제로 삼고자 한다.

• 복식
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• 제32권
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• pp.163-182
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• 1997

The purpose of this study was intended to analyze artistic formativeness represented in the modern fashion design materials. Nowadays the modern fashion design materials is characterized by variety. The fashion materials the most important of fashion is called a softwear in textile industry and emerged as a new field. Fashion design also escaped from the tra-ditional restraint and extended to pursue lib-eral clothes and the designer's creative inten-tion has resulted in conceptual and conven-tional alteration as a new mode of plastic ex-preseeion. As a results of analysis of the formative fea-ture of Art style represented in the modern fashion design materials. First Surrealism had been searching for a new way of confronting a social and rtistic environment that was stifling and repugnant to them. Accordingly the wide applicaytion of the various object due to the thought of Sur-realism through the modern fashion materials brought the diversification and individua-lization of the modern fashion design. Second Pop Art that is made modern mech-anic culture and commercialism brought the great transformation in the history of Art out of the existing style and the sense of ex-pression. And the plastic characteristics of Pop Art that has a gravity as modern fashion materials on a them of the elements of popular consumer's society. That is the common and cheap objects were introduced into fashion materials itself or pat-tern. Third Minimalism is a trend in art att-empting to seek essence of the object by presenting simple and disciplined expressions by minimal formative means. The features of external form are simplicity clarity unrelated composition and symmetrical structure. Mini-malism was a quest for basic elements repre-senting the fundamental esthetic values of art. The minimal expression in modern fashion materials mean fabrics with simple surface and is contained using simple geometric pattern or utilizing textiles without any patterns. Fourth Eroticism is a kind of psychological revolution in the development of human civilization and is deeply rooted in the cultural tradition of myth religion customs and art. So Eroticism must be distinguished from a mere animal reproduction. These erotic char-acteristics were holded the meanings of sexu-ality through the modern fashion materials. Especially it was expressed the sexual part of body was nakedly showed through trans-parent materials or semitransparent like metalic and opaque materials. Recently the various kinds of new materials such as paper vinyle plastic metal as well as human body were applied to new fashion de-sign. First of all the new materials will give modern fashion designers stimuli and inspi-ration. It can also express values of moderners to despise materialism and uniformed modern society and to recover humanity and self-actualization.

• 한국주거학회논문집
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• 제25권1호
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• pp.81-90
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• 2014

As an emerging market in central Asia, Kazakhstan's housing market is witnessing increasing demands. Though Korean construction industries have attempted to take advantage of this opportunity, inadequate understanding of the local living demands have kept the industries from successfully establishing themselves in the foreign context. The goal of this research is to derive architectural planning implications regarding the living demands by investigating changes being made to the housing structure. By analyzing 11 apartment unit plans, it was found that Kazakhs had a living demand for more spacious living rooms and functional spaces. In the effort to improve the livingroom environment and usability such as enlarging the livingroom, removing the living room wall for open space or expanding the inner space facing outside is understood that the living room is considered as an important space. The fact that spaces such as dress rooms and utility rooms are being added in the housing market, reflects the demand of functional spaces. These demands are considered as the reflection of the traditional life style of nomad culture and the cold local climate. Therefore, it can be said that the apartment unit plans distributed in the Korean housing market are quite compatible with the Kazakh housing market since they offer spatious living rooms, while the latter founding implies the changes that ought to be made for a successful establishment in the foreign market.

• Journal of Preventive Medicine and Public Health
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• 제35권4호
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• pp.287-294
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• 2002

Objectives : To examine whether cumulative chronic stress influences the immune status, and to verify the effect of social support on the relationship between these two dimensions in male manufacturing workers. Methods : A total of 39 workers were recruited for this study. A structured-questionnaire was used to assess general characteristics, job characteristics (work demand and decision latitude), psychosocial distress, and social support. The serum levels of CD4 and CD8 were measured as immune markers, and were collected between 8:00 and 10:00am in order to standardize the markers. Nonparametric statistics were used to estimate the differences between job characteristics and the immune markers. Results : General characteristics, and health-related behaviors, were not associated with CD4, CD8 or CD4/CD8. No relationships were found between job characteristics and the mean levels of immune reactivity. These results were consistent, even after controlling for social support. Social support failed to modify the relationship toward work demand, decision latitude or psychosocial distress to CD4, CD8, and CD4/CD8. Conclusion : Cumulative chronic life stress might not influence the immune status, and the effects of social support on the immune function under chronic stress, may not play a crucial role in modifying the relationships. This implication supports that the effect of stress on the immune function may be determined by the characteristics of that stress. further research should effectively considers the type, magnitude and timing of a stress event, and modifiable factors, such as personality traits, coping style, and hormone excretion levels, on the alteration of immune status.

• 건축역사연구
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• 제28권1호
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• pp.25-34
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• 2019

"Stupa of Buddhist Monk, YeomGeo"(844) is known as the earliest Seon-stupa relic remains in Korean peninsula, from which, during late Silla and ealy Goryeo period, there were more than 30 of stupa was built on such canon. and became the well-known material culture in Seon Buddhism in late Silla period. In $9^{th}$ century, with the JeonDeong(delivering the light of Seon)from Tang to Silla, the culture of "GeonTapIpBi(building the pagoda and erecting stele)" was also moved in. And it was right after the style of monk's stupa had been methodically changed in china, from having the room in stupa for the corpse, named as "QuanShenSheLi", to the lessened stupa that contain the cremated. Analyzing the "Master ChengGuang's stupa"（807）and its stele, it can be found the correspondences of octagonal plan and the subjects of ornamentation to that of Stupas built in Silla, reveals they were made by the same canon. By the document in the stele, surmising the historical cause of alteration in Chan stupa, there was the most famous zen master ShenHui at the time, who has the most important role of making the NanZongChan to get the authenticity in Chan Buddhism. His reliqury was the first ${\acute{s}}ar{\bar{i}}ra$ casket discovered among Chan monks' relics, consequentially it was to influence to Chan cuture and size the monks 'stupa for his ${\acute{s}}ar{\bar{i}}ra$. The stupa of master ChengGuang, by its shape and geological location, is the lost piece in the Puzzle of Chan stupa culture between Silla and Tang.

• 보존과학회지
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• 제27권1호
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• pp.101-114
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• 2011

선운사 도솔암마애불(보물 제1200호)은 자연암반의 절벽에 새겨진 높이 13.0m의 거대한 마애불 좌상으로 응회암, 석영안산암질 각력응회암, 각력응회암 및 암편질 응회암 등의 화산암 복합체로 구성되어 있다. 마애불의 상부와 하부는 각각 열수변질과 세편화작용이 발생하였다. 이 마애불에 나타나는 손상유형을 크게 물리적, 화학적 및 생물학적 풍화로 구분하여 요인별 훼손상태를 정밀 진단한 결과, 물리적 풍화양상 중 박리박락과 결실이 각각 11.3%, 9.3%로 가장 높은 점유율을 보였다. 박리와 미세균열이 발생한 부분을 중심으로 적외선열화상 분석을 실시한 결과, 육안으로 확인되지 않았던 박리가 함께 나타났다. 마애불 기반암의 화학적 풍화지수와 풍화잠재지수는 각각 55.16~64.01 및 6.14~9.92로서 상당한 풍화단계에 속하는 것으로 나타났다. 표면변색은 암흑색, 적갈색 및 백색 변색이 주로 하부에서 두드러지며, 적갈색변색이 6.9%로 가장 높다. 이들의 P-XRF 측정결과, 공통적으로 Fe 농도가 높으며, 암흑색변색 부위에서는 Mn, 적갈색과 백색변색 부위에서는 S와 Ca의 함량이 높게 검출되었다. 생물학적 풍화는 황갈색 고착지의류와 흑회색 고착지의류가 각각 20.8%, 13.3%로 가장 높은 점유율을 보였다. 마애불의 종합적 훼손율을 비교하면 물리적 훼손이 21.2%, 무기오염물에 의한 변색이 10.8%, 생물학적 훼손율이 39.4%로 나타났다. 한편 마애불 표면 555지점에 대한 초음파속도 측정결과 1,067~3,215m/s평균 2,274m/s의 범위로, 이를 풍화도지수로 환산하면 마애불은 중간풍화(MW)에서 완전한 풍화(HW) 단계에 속하는 것으로 나타났다.