• 한국산학기술학회논문지
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• 제15권11호
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• pp.6484-6491
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• 2014

인류역사와 함께 해온 인간의 미의식에 대한 기본적 욕구가 현대의 경제적 사회적 변화의 추이에 따라 보다 개인화 다양화 되었으며, 여성에 비해 매스미디어의 접속과 경험이 상대적으로 높은 남성들의 경우 외모관리를 위한 정보 획득과 공유를 미디어 상에서 빠르게 적용 및 활용해 가는 특징이 강하다. 본 논문에서는 현대 남성상의 이미지와 특징을 분류 정리하였으며, 남성의 외모관리와 정보탐색의 관계를 정보매체 유형을 분석하였다. 또한 남성의 외모관리행동과 특징을 메이크업, 헤어관리, 피부관리, 손발관리, 성형수술로 구분하여 정보매체별 탐색 관계를 고찰하였다. 이는 남성소비시장을 타깃으로 한 미용, 화장품, 병원 등의 산업군에서 홍보마케팅 정보로 유용한 가치가 있을 것으로 보여 지며, 외모관리를 위한 정보탬색을 위한 매체 유형 선호관계를 이해함으로써 광고마케팅 전략 수립에 가치 있는 정보로 작용하리라 본다.

• 한국산학기술학회논문지
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• 제14권12호
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• pp.6047-6052
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• 2013

화장품제조업은 동일한 제품을 대량으로 생산하고 소비되는 구조로 금형을 통한 생산은 필연적이다. 화장품을 담는 용기는 소비자의 구매의사에도 영향을 주는 요소이며 완제품가격에서 차지하는 부분이 크기 때문에 경제성, 심미성과 기능성을 충족시키는 금형이 필요하다. 화장품 용기 중에 사각형태의 용기는 미성형 불량이 다른 형태의 제품보다 자주 발생하는 특징을 가진다. 기존에 사각형 형태의 화장품용기 제작공정은 2단 금형에 사이드게이트 구조로 금형을 제작하는데 이는 후가공과 게이트 흔적이 남는 단점이 있다. 본 연구에서 제안한 오버랩게이트는 후가공이 거의 없고 음각으로 게이트가 절단되는 특징이 있으며, 사이드게이트와 비교하여 Moldflow를 이용한 유동시스템을 시뮬레이션 하였다. 오버랩게이트가 유동성, 고화, 밀도, 에어트랩 등에서 유동성 향상과 불량률을 낮출 수 있는 결과를 확인하였으며, 해석결과를 기반으로 금형을 제작을 하고 사출성형 하였다. 본 연구를 통해 미성형 불량을 줄이고 심미성, 기능성 등의 특성을 가지는 화장품용기 제품의 대량생산 가능성을 검증하였다

• 한국의류산업학회지
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• 제12권2호
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• pp.156-161
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• 2010

To improve the standard of living of its citizens, local festivals is located in one axis of the new culture. These symptoms shows that there is increasing awareness of traditional culture such as Hanryu. The purpose of this study is to develope the presentative Dress of Andong International Maskdance Festival to stimulate curiosity and participate easily. 24 villages in Andong were present to represent appropriate Dress of Maskdance Festival which have been announced through the fashion show. The characteristics of the maskdance dress which presented in this study has the purpose of making the specialties of each village to tourism resources. Characteristics of the maskdance dress which designed to blend on the mask was as following. (1) Maskdance dress should shown well and must have strong durability of strenuous exercise in maskdance (2) Maskdance dress should be able to get the sympathy of the spectators. (3) Maskdance dress should be sympathetic as modern costumes. (4) Aesthetics as custumes and requirements as product must be met. (5) Acceptance of Andong region's traditional beauty is required. (6) Maskdance dress is likely to require long-term use. (7) Maskdance dress must be able to accommodate a variety of body conditions. Through customer satisfaction survey of 158 spectators and 48 members of fashion show, the relevance of masks and costumes, aesthetic and motility of costumes, commercialization potential, especially costume' motility and functional fitness of clothing sizes was highly evaluated. So maskdance dress or stage costumes as long-term development is likely to be considered. And continued research is needed.

• 복식
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• 제33권
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• pp.5-25
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• 1997

The purpose of this study was to analyze the characteristics of the Junk Art represented in the second half 20the century fashion. The highly developed material civilization resulted in human alienations environmental distruption. By this fact human being of the 20the century was to overcome social com-plexity. In this respect this research was focused that how the characteristics of the junk Art was expressed in the second half 20th century fashion. The concepts of the Junk Art lied in the creation of art work in the 2-dimentional plane of 3-dimentional space through the application of all junks (wood pieces industrial debris trash ready-made goods etc) cast by the mod-ern industrial society and the mass production system. Juck Art had been further envigorated in the footstep of the development of the collage method based on the creation of object aes-thetics. And junk artists have untitled social environments with art by assembling junks as a way of exploring the material world of cur-rent society and provided infinite possibilities of expressional medium and technique. Above all junk Art has been reflected in the fashion as well as other art. Especially a lot of the fashion design by the use of junks and the expressive image of junks is produced in the 20th century. That is many of fashion designers have always been aware of what is happening in the arts and have always been able to use the dis-coveries and ideas of the artist to help them solve design problems and creat fashion which are new inventive and reflective of their time. The fashion designers of the junk fashion design could be said to have presented much more possibilities and new development for-mulas to modern fashion design and provided a new order of other formative arts. Unlike the negative and destructive punk cyberpunk fashion junk fashion was a positive and optimistic aesthetics. junk fashion that keeps pace with science and the development of technology is devoted to trying to grasp the real form of ultimate re-ality.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.164-173
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• 2013

This study aims to analyze the aesthetic thought and expression tendency appeared in contemporary architecture by looking at today's architectural art based on the concept of the uncanny that Sigmund Freud contended as an aesthetic principle, of the aesthetic concepts tossed around to define the contemporary times in the aesthetics field and discuss the architectural analysis possibility of the concept of the uncanny. The generation structure of the uncanny that generates experiences of fear and surprise is classified into dual structure, trauma, threatening structure, and repetition compulsion. This is the principle that evokes a sense of experiencing subject, incorporates sensibility, and vitalizes internal process. This is also the methodology to organize and structure the concept of the uncanny. When seen from the four factors drawn from the concept of the uncanny and aesthetic expressions, the uncanny expression characteristics of contemporary architecture includes isolation, subversion, trace, absence, oblique line, flotation, concealment, and disturbance. Isolation and subversion refers to producing the space of the pressure of tension and relaxation caused by repression and relief from repression and eliciting the maximum expansion of the sense of space through spatial change. Trace and absence indicates being able to elicit more intense emotions from the experiencing subject by applying the images of alienation and absence in the way to reproduce historical trauma. This happens by implementing the potential value of physical activity. Oblique line and flotation means visual impulse. This happens in the way to visualize uneasy points. This causes uncanny by threatening the survival. Finally, concealment and disturbance refers to creating unpredictable space. The concept of masquerade and maze space composition are applied in the way to activate spatial perception, including space exploration and unintended subject's forced selection. As stated above, the uncanny expression characteristics shown in contemporary architecture can be presented as indicators that are available to analyze the undecided and diversified contemporary architecture aesthetically. In this respect, this study has great significance.

• 한국의상디자인학회지
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• 제8권1호
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• pp.155-168
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• 2006

The purpose of this study focusing on the gather decorations shown in the modern fashion was to review needlework techniques and design features of gather decorations and thereupon, analyze the aesthetic characteristics of gather decorations shown in designers' works to examine the gather decoration trend in today's fashion. First, the decorative features of gather decorations different from the conventional costumes are shirring, lace and trimming combined or shirring repeated. Second, in view of sensualism, the gather decorations seem to play a role of enhancing the exposure as a mode of expression, while the indirect exposure or beach is mixed with the materials to widen the range of gather decoration expressions. Third, in terms of history, the conventional decorative techniques are combined with new techniques and materials to create a fantastic and romantic mood different from the conventional costumes. Fourth, in view of rhythms, the wave line of the rim for gather decorations serves to express some vivid effects; on the human body, its monotonous plane repetition will turn into a new expression or a voluminous physical sense of motion. However, since expressions or meanings of the gather decorations are much diversified, they should not be regarded as simple decoration details. Our modern designers searching for new expression of creases use unique structural forms to explore the possibility of creative gather decorations. In all, since gather decorations seem to be significant as unique details conducive to a structural pragmatism and aesthetics, it is deemed necessary to continue to develop gather decorations.

• 디자인학연구
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• 제15권1호
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• pp.399-406
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• 2002

21세기에 들어서면서 디자인이 변해가고 있다는 많은 담론적 이야기는 행해지고 있지만 아직 체계적으로 그 새로운 디자인 패러다임의 실체규명을 이루고 이를 근간으로 한 디자인 교육 프로그램의 전략 제시는 연구가 부족한 실정이다. 이에 본 연구는 문화적 관점에서 디자인 패러다임의 구조 변화를 규명하고 이에 맞는 새로운 지식 정보사회의 디자인 교육프로그램의 기본 전략을 개발하고 제시하는 것을 그 연구 목적으로 한다. 우선 문화적 관점에서 디자인을 이해하여 이의 기본 구조를 밝혔다. 문화는 가장 구체적인 '인공물', 그리고 '가치'와 가장 추상적이고 관념적인 '잠재의식' 등의 구조로 형성되어 있으며 이는 상호 순환적인 관계에 있음이 밝혀졌다. 이는 곧 디자인 속성의 기본 구조인 '기능', '심미성', '상징성' 등의 구조와도 부합되는 것으로 이는 곧 디자인 패러다임의 변천에 따른 디자인 방법의 변천을 살펴 볼 수 있는 기본 프레임웍의 기능을 수행하게 된다. 이를 통하여 디자인 패러다임의 변천을 살펴보고 정보지식사회의 디자인 교육 요건의 특성이 파악되었다 이들 특성으로는 '인간중심', '상황의존적', '사용자 참여적', '비촉각적', 등으로 파악되었으며 이를 중심으로 한 새로운 디자인 프로그램의 전략 모형이 제시되었다.

• 패션비즈니스
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• 제24권4호
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• pp.117-129
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• 2020

Just as the name 'aesthetics' implies, the meaning of 'aisthesis' or 'sense' in Greek, is perceived as an important element in modern social design. Gilles Deleuze emphasized sensory expression over the rational side of the body, and argued for sensory theory, which is the theory of how painting produces new senses. The purpose of this study was to theoretically examine the sensory theory of Deleuze, which has given new value to the senses, apply it to analyze the body expression method shown in the Iris van Herpen collection, and derive its aesthetic characteristics. In his sensory theory, Deleuze argued that the senses can be expressed by the embodiment of force and rhythm, and one can only create art through the senses. To develop one's philosophical logic through Bacon's painting, we divided it into Hysteria, Cops sans organs, Diagram, Becoming, and Paired figures. Based on these analyses, the visualization of the senses in Iris van Herpen fashion resulted in hysteria, organ-free body, diagrams, and heterogeneity combinations. Analysis of the method of expression revealed rhythmicity, atypicality, scalability, and reproducibility as expression characteristics. Applying Deleuze's sensory theory to access experimental Iris van Herpen's fashion could confirm that there was an open system's accessibility. Deleuze's sensory theory, which has given a new value to the senses, will further help to understand modern fashion design in a wide and diverse way and discover the intrinsic value within it.

• Corrosion Science and Technology
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• 제9권5호
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• pp.223-232
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• 2010

NiTi alloy has been used for orthodontic wire due to good mechanical properties, such as elastic strength, friction resistance, and high corrosion resistance. Recently, these wire were coated by polymer and ceramic materials for aesthetics. The purpose of this study was to investigate electrochemical characteristics of tooth colored NiTi wire using various instruments. Wires (round type and rectangular type) were used, respectively, for experiment. Polymer coating was carried out for wire. Specimen was investigated with optical microscopy (OM), field emission scanning electron microscopy (FE-SEM) and energy dispersive x-ray spectroscopy (EDS). The corrosion properties of the specimens were examined using potentiodynamic tests (potential range of -1500 ~ 2000 mV) and electrochemical impedance spectroscopy (frequency range of 100 kHz ~ 10 mHz) in a 0.9 % NaCl solution by potentiostat. From the results of polarization behavior, the passive region of non-coated NiTi wire showed largely, whereas, the passive region of curved NiTi wire showed shortly in anodic polarization curve. In the case of coated NiTi wire, pitting and crevice corrosion occurred severely at interface between non-coated and coated region. From the results of EIS, polarization resistance(Rp) value of non-coated round and rectangular NiTi wire at curved part showed $5.10{\times}10^5{\Omega}cm^2$ and $4.43{\times}10^5{\Omega}cm^2$. lower than that of coated NiTi wire. $R_p$ of coated round and rectangular NiTi wire at curved part showed $1.31{\times}10^6{\Omega}cm^2$ and $1.19{\times}10^6{\Omega}cm^2$.

• 자연과학논문집
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• 제7권
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• pp.121-131
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• 1995

오리엔탈리즘은 20세기 초에 스타일의 변화에서 시작되었다. 현대성은 역사적 개념이전의 거대한 변화의 흐름을 통해 이해될 수 있다. 서양에 있어 스타일의 변화는 동양적, 이국적 취미를 가진 예술가에 의해 시작되었다. 이것은 외형적으로 일본, 모로코, 북아프리카에 대한 외형의 재현이었다. 20세기 양식의 흐름은 표현주의, 큐비즘, 쉬르 뤼얼리즘, 팝아트로 이어진다. 그러나 오리엔탈리즘은 후에 원시주의로 보여지는 에그조티즘 이후 20세기 변화의 원천이 되었다. 현대복식에서는 신체의식을 변화시킨 뽈 뿌와레의 작품과 관련지어 본다. 그는 이브 생 로랑, 샤넬, 발렌시아가와 같은 이미지 창조자였다. 당시 러시아 발레, 야수파, 생생한 색상은 일련의 현대복식의 배경이 되었다. 부드럽고 유연한 신체, 비치는 스타킹, 미나레 튜닉, 터번 등은 오리엔탈 이미지의 시작이었다. 현대복식과 현대 조형은 역사적 개념이전에 미적 기초의 변화에서 비롯된 것이다.