• Proceedings of the Korean Society of Precision Engineering Conference
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• 1996.11a
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• pp.450-455
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• 1996

Emotional intelligence is investigated in terms of a composing machine as a modern abstract art form. Music has the longest tradition of being an art form which has an explicit formal foundation. Formal aspects of traditional and modern music theory are explained in terms of simple numerical relationship and illustrated with examples. The exploration of art in the view of intelligence, information and structure will restore the balanced sense of art and science which seeks happiness in life.

• Journal of Korea Game Society
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• v.17 no.5
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• pp.7-18
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• 2017

This study examines' form 'and' color 'by paying attention to the art of emotional game, which is directed toward abstract, as opposed to the game' s art is directed toward concept. First, the form and color were quantitatively analyzed through the researcher model and the NCS color system, and the result was derived as 'abstract' and color as 'pastel ash'. Based on the results, he insists that 'emotion' game is oriented to abstract form and plane color, and supports the claim through the boring almost abstract impulse and Baudrillard's pastel order.

• The Journal of Natural Sciences
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• v.4
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• pp.221-231
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• 1991

We have thought artistic charactics of modern form is abstract expression and purity and unity sight. Specially, modern sculpture form has strict geometrical form as showed in primitive art. In this circumstances, modern costume has stylized more artistic form in pure sight. Artistic characteristics showed in those collections are picturesque in material and sculpture in shillouette. Picturesque material pointed in decoretive function and simple shillouette pointed in sculpturesque body in modern costume.

• Journal of the Korea Furniture Society
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• v.28 no.4
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• pp.362-370
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• 2017

To improve usability and recognition of product, the term, Affordance, started to be known in the design world by US recognitive psychologist, Donald A. Norman, has the meaning of providing, Act inducement, Act motivation, Expectancy or what environment provides, etc., thus as one of Mental Model, providing ever more importance not only to the everyday life goods but to the time like these days when products for information overflow. Particularly, this study is oriented toward providing basic study framework on Affordance-like approach in pursuing psychological approach in design for changing the limitless phenomena involved in environment and human body and further for inquiring into source of idea from abstract form hint latent in act and further from the act conducted everyday while peoples are unconscious.

• Journal of the Korean Society for Library and Information Science
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• v.32 no.1
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• pp.169-187
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• 1998

The primary purpose of this study is to compare printed index and abstract user's behaviours with digital index and abstract user's behaviours, and to verify of structured characteristics of a printed index and abstract. The major findings are as follows: (1) When the research topic is not specified enough, users tend to rely on printed indexes and abstracts search, whereas they utilize digital form in order to do retrospective search in the stage of research when the topic is determined. (2) Printed index and abstract users are expecting small number of literatures in search, whereas digital index and abstract users are expecting large number of literatures to be found The former are more satisfied with the result of search than the latter. (3) Digital index and abstract users experience more search failure than printed Index and abstract users. When they fail to find wanted materials, both users turn to the other form of indexes and abstracts. (4) Printed index and abstract users shows significantly less knowledge on online searching than digital index and abstract users.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 2008.11a
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• pp.181-187
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• 2008

It's difficult for other designer to understand easily, due to existing abstract form-generation method of digital authors like Greg Lynn and Peter D. Eisenman. This study uses IDEF${\emptyset}$ process diagram in order to remodel procedures and elements of this abstract 3d based form-generation method. IDEF${\emptyset}$ process diagram is the method operated prior to a design of digital program. For object-oriented modeling of each form-generation element technology, IDEF${\emptyset}$ process has been modeled. For this sort of IDEF${\emptyset}$ process modeling, digital architectural theory and analysis method has been generalized With them above, this study suggests the 3d-based form-generation IDEF${\emptyset}{\emptyset}$process model for developing digital tool eventually through the object-oriented components and setting up the mutual roles, relation as well. In conclusion, 3d-based form-generation IDEF${\emptyset}$process model, this study suggests, models form generation methods of existing digital authors using IDEF${\emptyset}$ process for developing digital tool in the future.

• Korean Institute of Interior Design Journal
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• no.39
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• pp.20-27
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• 2003

The purpose of this study is to provide a practical guide for selecting architectural artwork and analyze relationship between artwork and interior space & facade. The problems with many outdoor artwork did not make the characteristics of the specific environment and did not form a big flow in the urban contextualism. Choosing the artwork, architectural environment for artwork is very much part of the designers' task. When artwork is to be specifically acquired for a particular projects, designer and client must work together to make choices and plan placement. The data are collected through evaluation surveys of college students and graduate students majoring in interior architecture & design, and analyzed by using SPSS-WIN program to find the major characterized factors. It is concluded that architectural artwork should be constituted with nine major factors of interior space - theme/scale, situation/contemporay accord, finished materials harmony, line/two-three dimensional form, proportion/rhythm, sequence, natural/artificial form, abstract/reality expression, originality - and eight major factors of facade - situation, abstract/reality expression, finished materials harmony, theme/sequence, natural/artificial form, proportion/rhythm, static/dynamic expression, originality/. contemporay accord.

• Journal of the Korean Mathematical Society
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• v.56 no.4
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• pp.1017-1029
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• 2019

In this paper, blows-up and global solutions for a class of nonlinear divergence form parabolic equations with the abstract form of $({\varrho}(u))_t$ and time dependent coefficients are considered. The conditions are established for the existence of a solution globally and also the conditions are established for the blow up of the solution at some finite time. Moreover, the lower bound and upper bound of the blow-up time are derived if blow-up occurs.

• Journal of People, Plants, and Environment
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• v.24 no.6
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• pp.685-691
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• 2021

Background and objective: Understanding abstract art as an art form requires depth of thought. Moreover, understanding land art as abstract art is challenging, given its focus on the minimalism and abstract concepts. Much focus, research, and work were actively conducted in the 1970s, as it represented an abstract expression of minimalism. The characteristics of minimalism connote abstract meanings in the use of materials. Nevertheless, the original research of works or artists has often been mentioned, but few studies have analyzed the abstract language of land art materials. The aim of this study is to thus determine the abstract meanings of materials in land art from the 1970s to the 2010s. Methods: Art-based research was employed to address the aim. This study classified the land art materials into intangible and tangible materials, where intangible materials focused on lines, circles, and labyrinths, and tangible materials focused on the earth, stones, wood, and snow. Results: Intangible and tangible materials of land art conveyed various abstract meanings. Intangible materials were reflective of connection and symbiosis with nature, delivering abstract languages of 'take-nothing,' 'reflection' and 'opportunity.' Tangible materials reflected the abstract concepts of 'intervention,' 'resistance,' 'unliving,' and 'change,' and conveyed caveats. In other words, taken together, intangible and tangible materials were presented in symbiosis-and with caveats-and delivered messages for the present and the future. Interestingly, intangible materials inherently reflect symbiosis and communicate caveats in works based on a non-contextualized present and future. Conclusion: Interpretation of the abstract languages derived from intangible and tangible materials could imply a symbiosis between humans and nature, while conveying the message that caveats, to humans, are still ongoing. This relationship plays a significant role in an artist's selection of a medium, which is reflective of abstract beliefs reflected in contemporary, nature-based works created on Earth.

• Proceedings of the Zoological Society Korea Conference
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• 1996.04a
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• pp.57.2-57
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• 1996

No Abstract, See Full Text