• 한국실내디자인학회논문집
• /
• 제19권6호
• /
• pp.47-58
• /
• 2010

Frank Lloyd Wright(1867-1959) was regarded as the pioneer of the modern architecture in the beginning and transition period of 20th century. His works have the pure shape form which have the deep relationship with the organic architecture. Wright told himself that the Froebel System had an influence on his works a lot. This study have researched about the three dimensional application of the Froebel System in his works with assembling and disassembling. Also the two dimensional application in the diagonal and circular plans are the one of the subjects here. The following conclusions are reached. First, The similar of the Wright's works and the Froebel System was the application of the similar principles rather than the copy of the method, which are the accent of the center, the composition of the part and whole, the understanding of the composition principle through the unit system and the unfolding of the crystal by rotation. Even thought the Wright's works have the triangle, square, hexagonal shape, the way of the expansion from the centered space was same. Also the space formed by the division of the center space, unfolds making the part and whole by overlap and continuation. The 2nd Froebel make space decided by the Net and Crystal Lattices which have the crystal characteristics by the rotation. The new geometric architecture, pinwheel, was created by this method. The application of the Froebel in the Wright's works have the several sets which are the 3th, 4th, 5th, 6th Froebels, 2nd, 7th Froebels and the 3th, 5th, 9th Froebels. The geometrical analysis of the square shape and the diagonal shape of the Wright's works was possible. The unfolding of the centered space can be found in the Guggenheim Museum using the analysis of the circular geometric of the 9th Froebel. The above study proves that the Froebel was not a mere tool for the basic shape training but also the main body of Wright's works which consists of the organic idea and philosophy of the space.

• 인터넷정보학회논문지
• /
• 제22권3호
• /
• pp.75-83
• /
• 2021

IT 산업의 발달과 문화 활동의 증가로 저작물에 대한 수요가 증가하고 온라인 환경에서 쉽고 편리하게 이용할 수 있다. 이에 따른 저작물 복제 및 유통이 용이하여 저작권 침해가 심각하게 일어나고 있다. 일부 특수한 유형의 온라인 서비스 제공업체(OSP)는 저작권을 보호하기 위해 필터링 기반 기술을 사용하기만 쉽게 우회할 수 있으며, 모든 불법 저작물을 차단하기에는 한계가 있어 저작권을 보호하기는 갈수록 힘들어지고 있다. 최근 불법저작물 유포자 대부분은 특정 소수이며, 다수 OSP와 다수 ID를 통해 불법저작물을 유포하여 이득을 취한다. 본 논문에는 불법저작물을 바탕으로 주요 분석대상인 대량의 불법저작물 유포자인 대량 유포자(Heavy Uploader) 프로파일링 기술을 제안한다. 이 프로파일링 기술은 불법저작물 전반에 대한 정보가 담긴 특징(Feature)을 생성하고 주요대량 유포자를 식별한다. 이 중 동일인으로 추정되는 대량 유포자를 식별하기 위해 클러스터링 기술을 사용한다. 또한, 불법저작물 유포자 추적과 행위분석을 통해 우선순위가 높은 대량 유포자를 분석할 수 있다. 향후, 대량의 불법저작물을 유포하는 대량 유포자를 식별하고 차단한다면 저작권 피해를 최소화할 것으로 기대한다.

• 한국건설관리학회:학술대회논문집
• /
• 한국건설관리학회 2003년도 학술대회지
• /
• pp.446-449
• /
• 2003

우리나라의 최근의 건설공사의 형태를 보면 초고층 아파트, 대형 주상복합 건물 등 대형주거용 건축물들이 등장하고 입다. 이러한 건설공사의 대형차 추세에 따라 공사기간, 공사비용 등이 크게 증가하였다. 이에 공사기간 및 공사비용을 절약하고 프로젝트의 성공을 위한 건설관리 기법들의 연구가 활발히 진행되고 있다. 본 연구에서는 초고층 주거건축의 마감공사 중에서 공사규모, 자재의 양중 측면에서 많은 부분을 차지하고 있는 가구공사의 관리체계를 정립하기 위하여, 적시생산(Just-In-Time)방식과 린건설(Lean Construction)의 개념을 도입하였다. 생산성 향상을 위한 위의 두 가기 원리를 이용하여 가구공사의 프로세스를 분석하고 그에 따른 개선방안을 제시하고자 한다. 이러한 분석과 개선방안의 제시는 마감공사의 원활한 흐름을 유도할 수 있으며, 또한 공사기간 및 공사 비용을 절약함으로써 프로젝트의 성공에 기여할 수 있다.

• 한국실내디자인학회논문집
• /
• 제16권2호
• /
• pp.79-86
• /
• 2007

The recent works of architecture and interior design take on too various aspects to be classified as a trend or tendency. Many subjects, seeking the superiority between form and function in space which was the issue of Modernism, got to face the works which transcend the limitation of architecture due to the development of a variety of media and technology these days. In result, we could see the works which are to be Included into the category of art rather than architecture. This study starts from the thought that the common aspects of these works are based on the strangeness to pursue uniqueness, peculiarities or novelty. 'The subject of this study, $'D\acute{e}paysement'$, creates a new relation, disconnected from customs, to an architecture which became familiar through defragment, fixation and abstraction by the habitual relation and makes it reborn as an architecture which gives us a fantasy and a pleasure, by converting into the shape and image which are different from its original shape when a stimulus is given to an architecture. This study starts from the artistic aspect which has a close correlation with the architecture. The subject, $'D\acute{e}paysement'$ could be historically considered in two aspects - $D\acute{e}paysement$ of Surrealism which developed in paintings and Defamiliarization of Russian Formalism in the area of literature. This study is carried in a category of $D\acute{e}paysement$, focusing on the visual aspect of the architecture. This study is composed as follows: In chapter 2, a theoretical research is performed according to the definition and meaning of the $D\acute{e}paysement$ expression techniques, its origination and evolution, and type classification by the features of expression techniques in the era of Surrealism when $D\acute{e}paysement$ developed most vigorously in the area of art. In chapter 3, the system which formalizes the expression method of the techniques is presented, focusing on the case analysis of the artistic works according to the types of $D\acute{e}paysement$. In chapter 4, the application of the expression techniques of $D\acute{e}paysement$ is discussed by conducting cases analysis of the modern interior design.

• Structural Engineering and Mechanics
• /
• 제85권5호
• /
• pp.593-605
• /
• 2023

This work presents a comparison between analytical and finite element analysis for bending of porous sandwich functionally graded material (FGM) plates. The plate is rectangular and simply supported under static sinusoidal loading. Material properties of FGM are assumed to vary continuously across the face sheets thickness according to a power-law function in terms of the volume fractions of the constituents while the core is homogeneous. Four types of porosity are considered. A refined higher-order shear with normal deformation theory is used. The number of unknowns in this theory is five, as against six or more in other shear and normal deformation theories. This theory assumes the nonlinear variation of transverse shear stresses and satisfies its nullity in the top and bottom surfaces of the plate without the use of a shear correction factor. The governing equations of equilibrium are derived from the virtual work principle. The Navier approach is used to solve equilibrium equations. The constitutive law of the porous FGM sandwich plate is implemented for a 3D finite element through a subroutine in FORTRAN (UMAT) in Abaqus software. Results show good agreement between the finite element model and the analytical method for some results, but the analytical method keeps giving symmetric results even with the thickness stretching effect and load applied to the top surface of the sandwich.

• 디자인학연구
• /
• 제18권2호
• /
• pp.315-324
• /
• 2005

본 연구는 정책적으로 법적 구속력이 있는 건축물의 환경조형물을 대상으로 도시환경의 질적 수준을 향상시킬 수 있는 평가 및 심의방법 개선방향을 고찰하고 제시하는데 그 목적이 있다. 이를 위해서 도시환경조형물의 개념을 정립하고 환경조형물의 인지과정 및 도시환경과 불특정다수의 관람자를 포함한 사회적인 상황과 요인을 분석하였다. 본 연구에서는 환경조형물의 미술장식제도에 관한 고찰과 현행제도의 문제점을 분석하고 이를 토대로 개선된 방안을 제시하고자 한다. 대상 주요도시는 서울시를 비롯한 중부권의 대전시, 영남권의 부산시, 호남권의 광주시의 주요 4대도시의 공공미술제도와 심의방식을 분석하였다. 환경조형물의 설치는 건축주와 작가만의 문제가 아닌 도시문화환경 창출이라는 인간 심성의 질적 가치를 제고하는 방안을 고찰하여 제안하는 것이 주요 목적이다. 미술장식제도가 갖는 사회문화적 가치를 재확인하고 도시문화환경개선의 관점에서 보다 효과적인 방향으로 운영상의 문제점과 원인을 개선하여 공공미술심의제도의 수준을 높이고 이를 토대로 인간과 환경을 위한 심의방식 및 평가방법의 개념의 틀을 추출하고자 한다.

• 복식
• /
• 제59권1호
• /
• pp.60-76
• /
• 2009

The purpose of this study is to present the viewpoint on the 'clothes' as a part of art works which has the kunstwollen(artistic will) and the philosophy of a creator rather than just an outfit. For the literary research, this study investigates the history of Iconology and the E. Panofsky's theory. In order to make up for the limitation of Panofsky's iconology, applies the theories of H. Gombrich and N. Goodman. For the case research, Vivienne Westwood is selected because her fashion works have been mentioned as the artistic pieces by many fashion critics or the presses. Also Westwood has different social and cultural contexts which based on the periodic background, social influences and cultural actualities. The conclusions of this study are as follows. First, in order to read the symbolic meaning, the kunstwollen and the aesthetic consciousness of the fashion designer's works properly, the systematized interpretation method is necessary. Second, the creative works of Vivienne Westwood have been influenced by the various external elements. Especially her national background and identity are the main elements which have governed her creation. Third, Vivienne Westwood creates her works not just to wear but to incorporate the ideology and the philosophy of herself. She expresses the kunstwollen and the aesthetic consciousness through her works. Forth, Vivienne Westwood pursues the communication between the human being and the world. Fifth, fashion makes various attempts to combine with different artistic fields. The 21st century fashion has developed to new direction with diverse trials and combinations. Fashion is not just making clothes, but accepting and delivering the history and culture, expressing and communicating empathy, and combining the different fields harmoniously.

• 한국문헌정보학회지
• /
• 제27권
• /
• pp.215-228
• /
• 1994

This study is to analyze the background and circumstances of the bibliographical description method appearing in the Hong-ssi Tok-so-rok, or an annotated classified bibliography of Korean and Chinese books edited for the Hongs and their clan. The conclusions are as follows. Each entries of the bibliography are entered under titles, and generally followed by bibliographic elements of volumes, written age, author's name, functional word of authorship, and annotation. The written age is stated by the dynasty name for the first authors within each classes. However some anonymous works and government compiled works are recorded the king's shrine name or the reign title. Entries of the bibliography are arranged by the chronological order in each classes. The writer's name is generally described by 'surname + given name'. However it is sometimes also recorded in the one of the following forms; Appellation (hao, 호) or posthumous title + surname + given name. Sumame + appellation or posthumous title + given name. Appellation ( (hao, 호) or posthumous title + sumame + Sonsaeng (선행) + given name. Sumame + government position title + given name. Appellation (hao, 호) + surname + cha(자, master). surname + ssi(씨). ect. Married women's names are stated by her husband's surname followed by the Chinese character 부 or 절부 which signifies wife or virtuous women, and then her given name. The works written or compiled by King's order (명찬서) are generally described in the form of 명제신+ functional word of authorship. Names of government agencies are occasionally stated as the authors' for the government publications or government compiled works. The functional words of authorship are described in the phrase of 소작야, 소편야 instead of 저, 찬, ect. It is more noticeable that in the case of the collections of individual writers' works the wording of 지문야, 지시야 is written after the name of the author. More complicated descriptive forms are seen in the entries of works for the shared authorship and mixed responsibility. Two or more than two monographic works of the same author classed in the same class are annotated all together.

• 한국의류산업학회지
• /
• 제21권3호
• /
• pp.253-266
• /
• 2019

Street fashion style expressing youth culture has become mainstream in the fashion field. Russian fashion designers who experienced the post-Soviet era in their youth have gained attention for the freshness of a youth inspiration. This study selected two representative young Russian fashion designers, Gosha Rubchinskiy and Tigran Avetisyan and analyzed their fashion works concerning characteristics of youth culture. Literature studies and case studies were conducted as research methods. The subject of the case studies were Gosha Rubchinskiy's fashion works from 2015 S/ S to 2018 F/W and Tigran Avetisyan's fashion works from the 2012 CSM Fashion Show to 2018 F/W. The results of the analysis are as follows. First, their fashion works express 'resistance' against the older generation and society. Second, we can also see the 'conformity' of the use to make a strong cohesion. Third, the fashion works symbolized an 'expression of individuality' of the youth. Fourth, the fashion works express an 'importance of practicality' related to the values of the young who prefer to high cost-effectiveness goods. Last, there is a 'remixed culture' in the Russian designer's works where a previously mixed culture mixes with others in creating a completely new one. This study analyzed the characteristics of a contemporary youth culture that influenced the world fashion market and contributed to understanding that the young generation is active in all aspects of society.

• 한국정밀공학회지
• /
• 제20권11호
• /
• pp.180-187
• /
• 2003

A CAD-based seamless design system for MEMS named DS/MEMS was developed which performs coupled-field analysis, optimal and robust design. DS/MEMS has been developed by means of integrating commercial codes and inhouse code-SolidWorks, FEMAP, ANSYS and CA/MEMS. This strategy results in versatility that means to include various analysis model, corresponding analyses and approximated design sensitivity analysis and user friendliness that design variables are taken to be selectable directly from a CAD model, that the problem is formulated under a window environment and that the manual job during optimization process is almost eliminated. DS/MEMS works on a parametric CAD platform, integrating CAD modeling, analysis, and optimization. Nonlinear programming algorithms, the Taguchi method, and response surface method are made available for optimization. One application problem is taken to illustrate the proposed methodology and show the feasibility of DS/MEMS as a practical tool.