• Title/Summary/Keyword: White clay

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Development of White Carbon, Silica Gel and Aluminum Sulfate from Clay Minerals (점토광물로부터 백카본, 실리커겔 및 황산반토 개발에 관한 연구)

  • 박희찬;조원제;최경남
    • Journal of the Korean Ceramic Society
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    • v.24 no.5
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    • pp.437-446
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    • 1987
  • In this study the attempts were made to investigate the possibilities of using domestic clay minerals and zeolite, which are available in almost unlimitted quantities, for preparation of aluminum sulfate, white carbon and silica gel. Aluminum sulfate was obtained by the method of sulfuric acid treatment. White carbon and silica gel were prepared by utilizing crystalline silica which was obtained as a by product during preparing the aluminum sulfate. White carbon was obtained by reacting 5.0 weight percent sulfuric acid solution with water glass which was a reaction product of crystalline silica and soldium hydroxide in a autoclave, while silica gel was obtained by reaction 10.0 weight percent acetic acid solution with water glass.

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Hampyong, Kyochon Clay-Its Characteristics and the Effects of Clay-organic Complexes on its. (함평, 교촌 점토의 특성과 점토-유기물 복합체에 관한 연구)

  • 정창주;백용혁;박현수
    • Journal of the Korean Ceramic Society
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    • v.14 no.2
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    • pp.95-103
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    • 1977
  • Characteristics of Ham Pyong clay and clay-organic complexes were investigated by means of geological exploration, chemical analysis, X-ray diffraction, differential thermal analysis, electron microscopy, thermal mechanical analysis, cation exchange capacity and viscosity measurement. The results are as follows; 1) This caly is a transported clay which has black and white colors, and the amounts of deposit are estimated about 1, 600, 000M/T. 2) The major mineral phases identified by X-ray diffraction are kaolinite, sericite and halloysite and the minor phases are quartz and feldspar, these mineral phases can be seperated very easily by the elutriation method. 3) It was supposed that the black colored clay involved a certain clay-organic complexs by the mechanism of intercalation as well as surface absorption. 4) The clay-organic complexes in clay seemed to improve dispersity, to increase the fluidity of clay-water slips, to decrease the firing shrinkage and to promote the thermo-chemical reaction at temperature range up to 50$0^{\circ}C$, but not to effect on the resulted firing color.

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Novel bricks based lightweight Vietnam's white clay minerals for gamma ray shielding purposes: An extensive experimental study

  • Ta Van Thuong;O.L. Tashlykov;K.A. Mahmoud
    • Nuclear Engineering and Technology
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    • v.56 no.2
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    • pp.666-672
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    • 2024
  • In the present work, a new brick series based on the Vietnamese white clay minerals from the Bat Trang was fabricated to be applied in the radiation protection applications during the decommissioning of the nuclear power reactors. The bricks were constructed under various pressure rates varied from 7.61 MPa to 114.22 MPa. The influence of pressure rate on the physical and γ-ray shielding properties were investigated in the study. The experimental measurement for the material's density using the MH-300A density meter showed an enhancement in the prepared bricks' density by 22.5 % with increasing the applied pressure rate while the bricks' porosity reduced by 31.2 % when the pressure rate increased from 7.61 MPa to 114.22 MPa. The increase in the fabricated bricks density and the reduction in their porosities enhances the bricks' linear attenuation coefficients as measured by the NaI (Tl) detector along the energy range extended from 0.662 MeV to 1.332 MeV. The linear attenuation coefficient increased by 13.8 %, 17.6 %, 17.0 %, and 17.1 % at gamma ray energies of 0.662 MeV, 1.173 MeV, 1.252 MeV, and 1.332 MeV, respectively. The enhancement in the linear attenuation coefficient increases the bricks' radiation protection efficiency by 10.22 %, 14.48 %, 14.09 %, and 14.26 % at gamma ray energies of 0.662 MeV, 1.173 MeV, 1.252 MeV, and 1.332 MeV, respectively.

Adsorptive Removal of Radionuclide Cs+ in Water using Acid Active Clay (산활성 점토를 이용한 수중의 방사성 핵종 Cs+ 흡착 제거)

  • Lee, Jae Sung;Kim, Su Jin;Kim, Ye Eun;Kim, Seong Yun;Kim, Eun;Ryoo, Keon Sang
    • Journal of the Korean Chemical Society
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    • v.66 no.2
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    • pp.78-85
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    • 2022
  • Natural white clay was treated with 6 M of H2SO4 and heated at 80℃ for 6 h under mechanical stirring and the resulting acid active clay was used as an adsorbent for the removal of Cs+ in water. The physicochemical changes of natural white clay and acid active clay were observed by X-ray Fluorescence Spectrometry (XRF), BET Surface Area Analyser and Energy Dispersive X-line Spectrometer (EDX). While activating natural white clay with acid, the part of Al2O3, CaO, MgO, SO3 and Fe2O3 was dissolved firstly from the crystal lattice, which bring about the increase in the specific surface area and the pore volume as well as active sites. The specific surface area and the pore volume of acid active clay were roughly twice as high compared with natural white clay. The adsorption of Cs+ on acid active clay was increased rapidly within 1 min and reached equilibrium at 60 min. At 25 mg L- of Cs+ concentration, 96.88% of adsorption capacity was accomplished by acid active clay. The adsorption data of Cs+ were fitted to the adsorption isotherm and kinetic models. It was found that Langmuir isotherm was described well to the adsorption behavior of Cs+ on acid active clay rather than Freundlich isotherm. For adsorption Cs+ on acid active clay, the Langmuir isotherm coefficients, Q, was found to be 10.52 mg g-1. In acid active clay/water system, the pseudo-second-order kinetic model was more suitable for adsorption of Cs+ than the pseudo-first-order kinetic model owing to the higher correlation coefficient R2 and the more proximity value of the experimental value qe,exp and the calculated value qe,cal. The overall results of study showed that acid active clay could be used as an efficient adsorbent for the removal of Cs+ from water.

Characterization and Analysis of Painted Pigments for the Clay Statues in Donggwanwangmyo Shrine, Seoul (서울 동관왕묘 소조상 채색안료의 정밀분석 및 동정)

  • Lee, Chan-Hee;Yi, Jeong-Eun;Han, Na-Ra
    • Journal of Conservation Science
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    • v.28 no.2
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    • pp.101-112
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    • 2012
  • The Donggwanwangmyo Shrine was built in the period of Joseon Dynasty in 1602. There are Clay Statues (Gwanwo, Jangbi, Woojanggun, Juchang, Jojaryoung and so on) enshrined in the inside of the main hall. Original color of these Clay Statues are deteriorated by inorganic pollutant like dust. And the origanal forms were damaged during several process of restorations and repaintings. This study carried out XRD, SEM-EDS, P-XRF and chromaticity measurement for characterization of pigments which painted on Clay Statues. As a result, cinnabar, hematite and red lead were used to paint in pigments for the red and brown colors. Light red pigment was made by gypsum with these minerals that make colors. Graphite and gold were used to color of black and gold pigment, respectively. Green pigment is identified of malachite, atacamite and glauconite. Blue pigment which is clearly painted on Clay Statues is interpreted a morden industrial pigment that were painted at repair work. White pigments are detected calcite, gypsum and silver white. Orpiment and litharge were used to color of yellow and light yellow pigment.

Development of a new engobe for raku ceramics (적색 RAKU 도자기의 화장토 개발에 관한 연구)

  • Kwon, Young Joo;Hwang, Dong Ha;Lee, Byung Ha
    • Journal of the Korean Crystal Growth and Crystal Technology
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    • v.24 no.1
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    • pp.21-26
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    • 2014
  • Red clay has been used for making rakuyaki for the past 400 years. Because the resources for red clay in Japan are being depleted, many potters in Japan began to develop new materials which can replace red clay. In this study, It is analyzed that the chemical and physical properties of red clay from Shigaraki (Shiga, Japan), and developed a novel engobe which can be used for making Rakuyaki instead of Shigaraki red clay. Results from Raman spectroscopic examination showed that ferric oxide content in Shigaraki red clay is 9.4 % (Goethite 5 %, Wustite 4.4 %), and that the mechanism of red color development by the firing at $900^{\circ}C$ for 10 min is the chemical transformation of Goethite into Hematite, and the subsequent formation of solid solution with Alumina and Silica. To make similar ferric oxide content to that of Shigaraki red clay, we added 5 g of Goethite and 9 g of Wustite to 100 g of White kaolin from Hadong area (Gyeongsangnam-do, Korea). The $L^*a^*b^*$ color scale of the mixture was 56.83, 27.22, and 23.28, respectively, and stable red color was successfully developed under the same firing condition used for Shigaraki red clay.

Reactions of Various Ceramic Materials with Cobalt Sulfate Solution (황산코발트 용액에 의한 다양한 세라믹소지의 반응)

  • Won, Il-An;Kim, Kyung-Nam
    • Korean Journal of Materials Research
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    • v.24 no.2
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    • pp.93-97
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    • 2014
  • In this study, a cobalt sulfate ceramic coating was sintered on various clays at $1250^{\circ}C$. The specimen characteristics were investigated by X-ray diffraction(XRD), scanning electron microscopy(SEM), TG-DTA, UV-vis spectrophotometer, and HRDPM. The ceramic coating had a constant thickness of thousands ${\mu}m$, and the surface was confirmed to be densely fused. Other new compounds were produced by the cobalt sulfate sintering process and reactions. These compounds were a $CoAl_2O_4$ phase, $Co_2SiO_4$ phase, anorthite($CaAl_2Si_2O_8$) phase, and $FeAl_2O_4$ phase, respectively. UV properties of the coated specimen were investigated, celadon clay specimen in 530-550 nm band is showing a dark gray color. The white clay and white mix clay specimen in 460-500 nm band is showing a blue color. The cobalt-aluminate($CoAl_2O_4$) spinel and the cobalt-silicate olivine($Co_2SiO_4$) were the strongest of the ceramic pigments, producing a very pure, navy blue color.

Interpretation of Coloring Technique and Pigment Analysis for King Sejo's Palanquin in Gongju Magoksa Temple, Korea (공주 마곡사 세조대왕연의 안료분석 및 채색기법 해석)

  • Kim, Ji Sun;Lee, Chan Hee
    • Journal of Conservation Science
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    • v.35 no.5
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    • pp.403-415
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    • 2019
  • According to oral tradition, the King Sejo's palanquin is indeed the palanquin of King Sejo, the 7th monarch of the Joseon dynasty who reigned from 1455 to 1468, which was left behind after visiting the Magoksa temple. The palanquin is painted in five colors, mainly black, white, yellow, red and green. The chromaticity measurement of the yellow pigment showed that orpiment and gold are a noticeable distinction between the lightness and b values. In the case of the red pigment, a values of areas painted with cinnabar tend to measure at high values. As a result of the optical microscopy, scanning electron microscopy and energy dispersive spectroscopy analyses, it was determined that Chinese ink was used for the black pigment, lead white and white clay were used for the white, and orpiment and gold for the yellow. The red pigment was found to be the result of minium, cinnabar and red ocher, atacamite was used as green pigment. Though the analysis results of the cross sections on very small exfoliation fragments of pigments, it was confirmed that white clay and lead white were used for the preparation layer. In addition, several coloration techniques were considered based on these analyses.

A Characteristic Analysis on Clay Pigments of Mural Paintings in Sri Lanka

  • Yoo, Seon-Young;Seneviratne, Buddakoralelage Janani Namal;Kim, Gyu-Ho
    • Journal of Conservation Science
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    • v.38 no.4
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    • pp.327-333
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    • 2022
  • Sri Lanka has four types of mural painting styles; Classic, Late Classic, Kandyan, and Southern styles, but there is little research on scientific analysis for mural paintings. In this study, we analyze white, yellow, and red clay pigments which were collected from ancient producing sites. Analyzing pigment samples shows that samples are containing aluminum oxide(Al2O3) and silicon dioxide(SiO2) which are connected to the soil. And a degree of iron oxidation determines yellow or red colors. To understand the characteristics of clay pigment samples, we go over previous pigment analyses of mural paintings in Sri Lanka. Kaolin is identified after the 17th century, yellow and red ochre are applied in early periods, Classic and Late Classic styles. The change in raw materials of pigments occurred in the 17th century.

Making Technique Studies of Mural Paintings in the No. 6 Tomb of Songsanri, Gongju (공주 송산리 6호분 벽화의 제작기술 고찰)

  • Han, Kyeong-Soon
    • Journal of Conservation Science
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    • v.27 no.4
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    • pp.451-458
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    • 2011
  • This study aims at identifying wall painting production technique of Songsanri No. 6 tomb based on optical examination and scientific analysis along with the investigation of written records of ancient wall paintings. The result displays that bricks with mortar were used for the construction of the wall, and masonry joint were made of lime, sand and gypsum. The surface of brick were plastered with black and thereafter with white lime. Finely sifted clay on the top of the white surface, were applied not with plasterer's trowel but with a brush for making ground surface. The clay are mineral particles smaller than $30{\mu}m$ of silt. The wall paintings of Sonsanri No. 6 is the only example of making ground layer with clay for painting of Sasindo (literally four heavenly animals painting) among remaining wall paintings of ancient tombs. The historical value of the painting should be attributed not only in terms that it displays a rare production techniques which were never discovered in any other paintings in Korea and Asia, but also it might had been uncompleted when the tomb were closed, even though it considers the fact that the wall painting were discovered in damaged condition in 1933.