• 제목/요약/키워드: Western Ideas

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동양 주류사상의 서비스철학성 고찰 (A Study on the Service Philosophy of Major Eastern World Ideology)

  • 김현수
    • 서비스연구
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    • 제9권2호
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    • pp.1-15
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    • 2019
  • 본 연구는 서비스철학 정립을 위해 동양 주류사상의 서비스철학성을 분석하였다. 선행 연구인 한국 대표 사상의 서비스철학성 연구에 이어, 동양 주류 사상인 중국과 인도 사상의 서비스 철학으로서의 정합성을 탐색하였다. 서비스철학의 기존 기본구조와 운용모델을 심화하여 제시하고, 동양 주류사상의 서비스철학성을 도출하였다. 동양 주류사상은 중국사상과 인도사상으로 대별할 수 있다. 인도는 고대 사상이 중심이고, 중국은 고대 및 중세사상을 포괄하여 분석하였다. 서비스철학은 서비스의 구조에 대한 사상, 서비스의 운용에 대한 사상 등으로 제시될 수 있는데 기존 연구를 심화하였다. 서비스의 본질적 특성은 관계성, 쌍방향성, 수평성, 조화성인데 이를 반영한 서비스구조는 유무상생, 즉 제품과 서비스의 상생구조임을 제시하였다. 또한 서비스의 발전과 운용원리는 정반합의 기본 운용구조를 가지되 그 운용사이클이 신속하고 발전적임을 밝혔다. 중국과 인도를 중심으로 동양 주류사상의 서비스철학 부합성을 제시하였는데, 중국 사상은 춘추전국시대의 대표 사상인 도가 유가와 묵가를 분석하고, 후대의 신유학과 외부에서 유입되어 발전된 중국 불교 사상까지 분석하였다. 인도 사상은 고대 베다의 철학사상, 우파니샤드의 철학, 대표적 불교철학들을 중심으로 분석하였다. 중국과 인도 주류 사상의 큰 흐름에서 서비스철학과의 부합성이 뚜렷하게 나타남을 보였다. 중국 도가의 무 사상, 유가의 정명론과 인 사상, 묵가의 겸애사상, 인도 바가바드기타의 카르마요가 사상, 불교의 연기사상 등이 모두 서비스 구조 및 운용 철학과 부합한다. 향후 서비스철학의 구조와 운용원리를 보다 구체화하고 큰 사상으로 발전시키기 위한 후속 연구들이 필요하며, 그리스 로마 및 독일 철학을 중심으로 한 서양 대표사상의 서비스철학 부합성 연구도 필요하다. 궁극적으로 미래 경제사회 발전을 견인하는 사상적 기반으로서 서비스철학 정립이 필요하다.

The Development of Attitudes to Historic Conservation - From Eurocentrism to Cultural Diversity -

  • Chung, Seung-Jin;Kim, Chang-Sung
    • Architectural research
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    • 제12권1호
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    • pp.25-32
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    • 2010
  • This paper investigates the development of attitudes to historic conservation from the turn of the nineteenth century when certain theoretical opinions on the protection of buildings began to be developed, through the time when the Venice Charter was established, to recent international trends in historic conservation. This paper also explores the contribution of these attitudes and ideas towards an international approach for historic conservation. This paper demonstrates that the Venice Charter is the acme of progress in the European stance towards restoration, reflecting European values of architecture and its conservation, and thus it is not sufficiently 'universal' to be unequivocally applied in non-Western countries. Secondly, recent international trends in historic conservation subvert the notions of Western cultural hegemony which have permeated global conservation practices, and accept the diversity of value criteria for heritage and its conservation in different cultural context. Thirdly, this paper argues that the conservation approaches in Asian societies need to move further into the retention and extension of the spirit and naturalistic sensibilities inherent in the architecture. Historic conservation is an expression of different cultural values attached to heritage resources by different societies. For conservation program to be effective, conservation should take place within a socio-cultural context.

근대과학과 서양건축의 관계설정에 관한 연구 - Alberto Perez-Gomez의 견해를 중심으로 - (A Study of Relationship Modern Science and Western Architecture - Focused on the position of Alberto Perez-Gomez -)

  • 김경호
    • 한국실내디자인학회논문집
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    • 제15권5호
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    • pp.52-59
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    • 2006
  • Since the time of Vitruvius, the sciences have impacted on the perspectives for architecture and have had a direct influence on the shaping of built space. In recent years, architects have been looking again at sciences as a source of inspiration in the production of their designs and constructions. There are various ways to look at architecture's relationship to science. It is interesting to see how many of the words of day-to-day architectural speech have been drawn from science, the abundant use of references such as topology, fractals, chaos theory, and so on. The reasons for this may be obvious, insofar as science has become the dominant discourse of our times. The numerous attempts have been made to constitute architectural practice so as to bring it into line with the methods of science. But Alberto Perez-Gomez juxtaposed architectural theory and Husserl's. The Crisis of European Science. In Husserl's 'Crisis', it is modern science itself that is laid open question. Through examining its changing relationships to architectural ideas this paper is intended to describe the problematic relationship between science and architecture, in other words, architecture's as science.

공간디자인에 있어 에코디자인(Eco-design)적 접근의 유형과 사상적 배경에 관한 연구 - 동서양 자연관의 비교연구를 중심으로 - (A Study on the types of ecological approach in space design and their philosophical backgrounds - A focus on the comparison between eastern and western philosophical views of nature -)

  • 이정민;홍의택;임종훈
    • 한국실내디자인학회논문집
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    • 제14권1호
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    • pp.45-55
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    • 2005
  • The progress made by scientific development achieved the goal for making human environment convenient and functional. However, it also caused excessive expanse of artificial environment, which in turn produced undesirable segregation between human and nature. Recently we frequently see ecological space designs which try to be synchronized with nature not only in technological terms, but also in psychological terms. This paper examines various viewpoints for ecological space design. First, it studies philosophical backgrounds of ecological space design through comparative analysis between eastern and western ideas of nature. Then it classifies the types of viewpoints for ecological space design with supporting explanations from scientific proofs. Finally, it provides case analyses for each of these views. This research aims at proving the value of ecological space design so that it can guide future direction of space design toward reestablishing the organic relationship between human and nature.

한국 현대패션에 표현된 자유분방성 (The Characteristics of Freewheeling Expressed in Korea Contemporary Fashion)

  • 변영희;채금석
    • 복식
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    • 제62권3호
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    • pp.96-111
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    • 2012
  • This study is to analyze fashion phenomenon according to the concept of the characteristics of freewheeling to explain the de-constructive, eclectic, avant-garde tendencies in Contemporary Fashion. This study is to elicit the aesthetic characteristics through 400 pieces of visual data analysis from 2001S/S to 2011F/W that have the characteristics of freewheeling, nontechnical experiments do away with the classical form. The oriental ideas include the thoughts of different tastes that break the stereotypes according to the Western values and the pursuit of unconventional beauty. These also insist that everything in the world including human-being, nature and creation is not divided into two equal parts, and even beauty and ugliness originated from one. This study is to find the possibility of interpreting oriental aesthetics with open concepts that transcends the boundaries of full availability, unlike the Western values that accommodate the relative concept of the pursuit of diversity. Therefore, integrated and systematic approaches of oriental aesthetics that place much value on the coexistence of antithetic concepts are needed to understand the ambiguity of complexity and diversity in Contemporary fashion design.

무릎 수술 후 재활 치료에서의 한양방협진 매뉴얼 제안 (Proposal of East-West Integrative Medicine Manual for Rehabilitation after Knee Surgery)

  • 송민영;조희근;설재욱;임정태
    • 한방재활의학과학회지
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    • 제28권1호
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    • pp.97-107
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    • 2018
  • Objectives This is one of the manuals of East-West integrative medicine which was created by the committee on integrative medicine of Chung-Yeon Korean Medicine Hospital. The purpose of this manual is to support clinical decision-making and communication between Korean and western medical staff in a Korean medicine hospital during the rehabilitation of patients after knee surgery. Methods The draft was made by two rehabilitation specialists in Korean medicine. After a rehabilitation specialist in western medicine reviewed the draft and exchanged their ideas, a revised version that reflects the goal of consultation was made. Then the committee agreed to adopt the manuals through the process of review and feedback in addition to face-to-face discussions. Results This manual describes clinical decision-making for rehabilitation after arthroscopic partial meniscus resection, meniscus refixation, reconstruction of anterior and posterior cruciate ligaments. Therefore, it contains the schedule of rehabilitation treatment by the surgical technique, general goal of the rehabilitation by phase, guide for patients and postoperative infection management. Conclusions Despite some limitations, this manual has significance as the first example of a decision-making protocol suggestion for East-West integrative rehabilitation treatment after a knee surgery in one medical institution.

꿈에 대한 동서의학적 인식 (Study on Recognition of Dream in Oriental and Western Medicine)

  • 강동윤;김병수;강정수
    • 동의생리병리학회지
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    • 제19권4호
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    • pp.878-883
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    • 2005
  • The dream is a well-known experience in the routine life. It is the image and thought being occurred during the sleep, and the complex reaction of our mental world to the event of everyday. In particular, there are so many opinions of the reason why people have a dream and this thesis is telling about the physical and pathological changes in the human as one of that various opinions. The aspects of this thesis are often founded in the diverse texts of oriental Medicine, including the Internal Classics(내경), and there were some cases that regarded the dream as diagnostic object and put to clinical uses. These attempts were not only tried out by particular orient thoght, also the ancient Greeks thought that the dream would represent important informations about the health. But, these ideas have been treated lightly by the impacts of the western medicine since the modern age. Straightforwardly, before the psycho-analytics was not development, most of the doctors and scientists regarded the dream as things like dregs of mind. The central operating bodies of the dream are the Spirit(신) and Hon and Beak(혼백), and the Spirit(신) is more essential part between the two.

디즈니 장편 애니메이션 캐릭터 의상 분석 (A Study on the Characters' Costumes in the Disney's Animations)

  • 이아람;전재훈
    • 복식
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    • 제65권2호
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    • pp.1-16
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    • 2015
  • This study aims to provide a new perspective on Disney's animations, by examining how Disney systematized and transformed his own ways of cognitive systems of producing meaning through the costumes of his characters. For this purpose, 10 Disney animations of which the main characters were costume-wearing humans were selected and analyzed. First, the characters' costumes of the passive female heroines were much different from those of the active female heroines while the costumes of male heroes did not have any common characteristics. Second, the characters' costumes according to the settings of the animations had different aspects: the Western-Europe-based animations exhibited the appropriate costumes of the set times, but the non-Western-Europe-based animations exhibited the imaginative costumes of Disney rather than the appropriate costumes of the actual countries. Third, the costumes played the role of expressing the situations of the animations, and had their own repetitive conventions in each animation. Changes in the situations or the upward mobility of the status could be found easily through the costumes, but such distinctiveness became less visible in the later animations. Disney displayed his own distinctive formula of visual aesthetics through the characters' costumes. But it is recommended that we should have the critical views on the cultural messages of Disney's to prevent fixed ideas or cultural prejudices.

자포니즘 모드의 시원(始原)과 전개(展開) (The Beginning and Development of Japonism in Mode)

  • 李璟姬
    • 패션비즈니스
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    • 제4권1호
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    • pp.97-111
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    • 2000
  • The term Japonism was coined in France where the predilection for Japanese art forms was immediately apparent, influencing Impressionism, Symbolism, Post-Impressionism, and later the Art Nouveau movement, all of which reflect aspects of Japanese art adapted to Western style. The 1968 May Revolution in Paris changed traditional thinking and shifted the center of fashion of the 1970's from haute couture to pret-a porter. At about the same time, having recovered from the destruction of war, Japan started to emerge as a leading economic force. The Japanese clothing designers, who were inspired by their own traditions, began to present their collections in the West. Hanae Mori's dresses with Japanese floral motifs were the first to appear. The West was captivated by the colorfully layered clothing of Kenzo Takada inspired by peasant and working class kimonos. And Issey Miyake was acclaimed for his innovative concepts of ‘one piece of cloth'. In the 1980s Rei Kawakubo and Yohji Yamamoto achieved recognition with their deconstructivist and minimalist approaches to fashion. The clothing proposed by these Japanese designers has transcended not only national and sexual boundaries, but also those of accepted materials in which to work. These designs suggest new possibilities and are unrestricted by preconceived ideas of kimono or of Western clothing. The emergence of Japanese designers as a powerful creative force in the late twentieth century has created a new dimension to the term Japonism in fashion. By integrating the clothing traditions of the West and Japan, while at the same time departing from them, a new international genre of clothing has been created.

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수학 교실에서 동아시아 수학사 활용하기 (Using History of East Asian Mathematics in Mathematics Classroom)

  • 정해남
    • 한국수학사학회지
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    • 제35권5호
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    • pp.131-146
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    • 2022
  • This study is to find out how to use the materials of East Asian history in mathematics classroom. Although the use of the history of mathematics in classroom is gradually considered advantageous, the usage is mainly limited to Western mathematics history. As a result, students tend to misunderstand mathematics as a preexisting thing in Western Europe. To fix this trend, it is necessary to deal with more East Asian history of mathematics in mathematics classrooms. These activities will be more effective if they are organized in the context of students' real life or include experiential activities and discussions. Here, the study suggests a way to utilize the mathematical ideas of Bāguà and Liùshísìguà, which are easily encountered in everyday life, and some concepts presented in 『Nine Chapter』 of China and 『GuSuRyak』 of Joseon. Through this activity, it is also important for students to understand mathematics in a more everyday context, and to recognize that the modern mathematics culture has been formed by interacting and influencing each other, not by the east and the west.