• KSII Transactions on Internet and Information Systems (TIIS)
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• v.11 no.7
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• pp.3558-3577
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• 2017

In 2D-to-3D video conversion process, the virtual left and right view can be generated from 2D video and its corresponding depth map by depth image based rendering (DIBR). The depth map plays an important role in conversion system, so the copyright protection for depth map is necessary. However, the provided virtual views may be distributed illegally and the depth map does not directly expose to viewers. In previous works, the copyright information embedded into the depth map cannot be extracted from virtual views after the DIBR process. In this paper, a new copyright protection scheme for the depth map is proposed, in which the copyright information can be detected from the virtual views even without the depth map. The experimental results have shown that the proposed method has a good robustness against JPEG attacks, filtering and noise.

• Journal of Information Processing Systems
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• v.11 no.2
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• pp.280-294
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• 2015

This paper presents the infectious watermarking model (IWM) for the protection of video contents that are based on biological virus modeling by the infectious route and procedure. Our infectious watermarking is designed as a new paradigm protection for video contents, regarding the hidden watermark for video protection as an infectious virus, video content as host, and codec as contagion medium. We used pathogen, mutant, and contagion as the infectious watermark and defined the techniques of infectious watermark generation and authentication, kernel-based infectious watermarking, and content-based infectious watermarking. We experimented with our watermarking model by using existing watermarking methods as kernel-based infectious watermarking and content-based infectious watermarking medium, and verified the practical applications of our model based on these experiments.

• International journal of advanced smart convergence
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• v.10 no.3
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• pp.181-186
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• 2021

Among human intellectual creations, the right granted by law to what is worth protecting is defined as intellectual property rights. Copyright is a legal right to creative finished products made by individuals, and in recent years, this legal right has been recognized as very important. In other words, copyright is a system created to protect the rights of individuals who created creations and to recognize their efforts. Works subject to copyright vary from poetry, thesis, novels to designs, paintings, music, and architecture, and the scope of the subject is gradually expanding. Recently, research has begun on how far the Metaverse design area absorbed into the real world among works. Computer-generated video productions and software program works are also subject to digital copyright protection, but it is also true that the interpretation of the author protection law for works, designs, and trademarks in the virtual world is unclear. This study aims to analyze copyrights based on case studies and theoretical backgrounds on copyright protection and to discuss the protection limitations of Metaverse design in the virtual world. In other words, the direction for the protection of Metaverse design is presented through clear distinction and definition of copyright protection in the tertiary virtual world. This study aims to present methods for design copyright protection in the era of Metaverse, respect copyright holders' creative activities, and develop our culture through protection of creations.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2008.05a
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• pp.535-539
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• 2008

With the advancement which development and information communication of the computer is quick about lower with multimedia technical diffusion of network base the necessity the use of the digital image technique which is various regarding the protection of sharp increasing multimedia contents raised its head in the social whole. The copyright protection against a multimedia data hazard the authentication techniques it will be able to confirm the content authentication, ownership authentication, illegal copy of the image which stands is demanded. confronts to the water marking technique of existing and the researches the fact that against a picture is most. In this paper, It does not damage the video data. As inserts copyright information and it protects the copyright. It is with a copyright protection which leads the wavelet transform which is a watermark of frequency base from visual system viewpoint in the human being center with it proposes the watermarking technique against a forgery prevention.

• Journal of the Korea Institute of Information Security & Cryptology
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• v.31 no.3
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• pp.387-400
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• 2021

The increase in number of streaming platforms and contents thereof, owing to an advancement of cloud environment, has triggered the rapid proliferation of illegally replicated contents as well as legal contents. This necessitates the development of technology capable of discriminating the copyright infringement of various contents. The Korea Copyright Protection Agency operates a video content demonstration system using AI, but it has limitations on distortions such as resolution changes. In this paper, we propose the powerful mechanism using skeleton, which is resistant against distorted video contents and capable of discriminating copyright infringement of platforms streaming illegal video contents. The proposed mechanism exploits the calculation of Hamming distance to the original video by converting collected data into binary ones for the efficient calculation. As a result of the experiment, the proposed mechanism have demonstrated the discrimination of illegally replicated video contents with an accuracy of 94.79% and average magnitude of 215KB.

• The Transactions of the Korean Institute of Electrical Engineers P
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• v.62 no.4
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• pp.204-209
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• 2013

FFT based fingerprinting to conceal more information has developed for video copyright protection. More complex information of video is necessary to prove an ownership and legal distributions in invisible form. This paper describes a method to insert more information and to detect them. $3{\times}3$ points structure is used to present information. The possible ways to show are 8bit, $2^8$ = 256 where one point of 9 is always turn on. The points are marked in frequency domain that both real and imaginary party numbers are modified. The five successive frames of same scenes are used to mark because the same scene has very similar shape in FFT result. However, the detail values of coefficients are totally different each other to recognize the marked points. This paper also describes a method to detect the marked points by averaging and correlation algorithm. The PSNRs of marked images by our method had 51.138[dB] to 51.143[dB]. And we could get the correlation values from 0.79 to 0.87.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.9 no.1
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• pp.102-107
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• 2005

With the advancement which development and information communication of the computer is quick about lower with multimedia technical diffusion of network base the necessity the use of the digital image technique which is various regarding the protection of sharp increasing multimedia contents raised its head in the social whole. the copyright protection against a multimedia data hazard the authentication techniques it will be able to confirm the content authentication, ownership authentication, illegal copy of the image which stands is demanded. confronts to the water marking technique of existing and the researches the fact that against a picture is most. In this paper, It does not damage the video data which is a multimedia contents not to be, it inserts copyright information and it protects the right of ownership. It is with a copyright protection which leads the wavelet transform which is a watermark of frequency base from visual system viewpoint in the human being center with it proposes the watermarking technique against a forgery prevention.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.21 no.1
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• pp.27-34
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• 2021

In this paper, we propose a copyright protection scheme for real-time streaming of HEVC(High Efficiency Video Coding) based realistic content. Previous research uses encryption and modular operation for copyright pre-protection and copyright post-protection, which causes delays in ultra high resolution video. The proposed scheme maximizes parallelism by using thread pool based DRM(Digital Rights Management) packaging with only HEVC's CABAC(Context Adaptive Binary Arithmetic Coding) codec and GPU based high-speed bit operation(XOR), thus enabling real-time copyright protection. As a result of comparing this scheme with previous research at three resolutions, PSNR showed an average of 8 times higher performance, and the process speed showed an average of 18 times difference. In addition, as a result of comparing the robustness of the forensic mark, the filter and noise attack, which showed the largest and smallest difference, with a 27-fold difference in recompression attacks, showed an 8-fold difference.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.22 no.9
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• pp.1191-1198
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• 2018

This paper illustrates not only the effectiveness of applying content quota system for on-demand video streaming platform, but also the effect of OTT regulation on copyright protection and cultural industry protection in a single market, focusing on the community's response to Netflix's entry into the EU market. Additionally, this paper examines on-demand video streaming services, growth of Netflix. The EU policy on the on-demand video streaming service market consists of 'portability' in the digital single market and content quota for copyright protection. In this paper, I analyze the market protection and the aspect of improving competitiveness of online streaming service industry. The EU is trying to protect the cultural industry and copyright protection in the region by applying and regulating the OTT business in content quota system, which has been applied only to European broadcasting companies.

• Journal of Broadcast Engineering
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• v.10 no.2
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• pp.131-138
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• 2005

High-quality digital broadcasting contents are susceptible to illegal copy and unauthorized redistribution, which makes broadcasters difficult to protect valuable media assets. So, broadcasters and content providers need the technology for copyright protection of professional digital content. Digital watermarking technology is one of the most actively developed solutions for the copyright protection. This paper suggests the requirements of watermarking technology in DTV(Digital TV) environment for copyright protection and shows the developed real-time watermark embedding/detecting system for HD(High Definition)/SD(Standard Definition) video and experimental results of the system against watermark attack tests. Our watermarking system meets the watermarking requirements of invisibility, robustness and security of DTV environment.