• International Journal of Internet, Broadcasting and Communication
• /
• 제15권1호
• /
• pp.113-119
• /
• 2023

This research analyzed the importance and influence of color expression on psychological and emotional changes of visual perception in the creation of art works. This research takes the element of the sky in the works of Vincent William Van Gogh, a Dutch post-Impressionist representative painter, as the basic research objective to prove the influence of color expression of the same thing on the inner emotional communication of the creator. After synthesizing the contents of previous research and investigation on Van Gogh, this research will summarize the works containing sky elements in Van Gogh's works according to his four creative stages, and select representative works for color analysis and comparison. In this paper, by comparing the colors of the same elements of the sky, we can find Van Gogh's guidance of psychological and emotional changes through the expression of colors in his works, which will play a certain inspiring role in the creation of painting art.

• 한국농촌건축학회논문집
• /
• 제25권2호
• /
• pp.43-50
• /
• 2023

This study is an architectural and landscaping analysis view to rural landscape paintings painted by Vincent van Gogh in the late 19th century. The purpose of this research is to discover the expressive techniques of Western art that Van Gogh's landscape paintings have, and to understand the characteristics of the architectural object in his landscape paintings from February 1888 to April 1889 in Arles, southern France. The method of this study is to analyze the landscape paintings of Van Gogh painted during 15 months in Arles. Among the total paintings in Arles, 47% of the paintings he made were landscapes. The following conclusions have three views. First, Vincent van Gogh was born into a Protestant family in the Netherlands and become an artist in his late twenties. While living in Arles, he painted prolific landscapes. Farming, farmers, and rural area related to normal living are the main subjects of paintings. It can be seen as showing the view that everyday life is sublime and should be included as a unitary value. Second, Gogh's rural landscape paintings were painted with linear and aerial perspective with other the expressive techniques, and plane painting structure that leads to two dimension. Third, from an architectural point of view, Van Gogh's paintings depicted simple vernacular architecture such as traditional rural house, mas, thatched houses, and mills in southern France. This means the normal value of the rural landscape through the eyes of the painter.

• 한국자연치유학회지
• /
• 제11권2호
• /
• pp.123-135
• /
• 2022

배경: 본 연구는 반 고흐의 특징적인 노란색 표현에 대한 다양한 가설을 살펴보고 그 원인을 검증함으로써 예술가에게 색채표현의 의미가 무엇인지 살펴보는 것이다. 목적: 본 연구는 노란색의 구도자로 대변되는 빈센트 반 고흐의 특징적인 노란색 표현이 알토올 중독에 의한 생리적 반응의 결과인지, 정신증적인 문제로 인해 나타난 표현특징인지, 아니면 심리적 동기에 기인한 문제인지를 밝히는데 연구의 목적이 있다. 방법: 연구문제를 검증하기 위해 고흐의 증상을 연구한 연구논문들과 고흐 본인의 기술이 담긴 글 그리고 심리학자와 정신의학자 등 다양한 분야에서 고흐의 작품특성을 분석한 연구문헌을 참고하였다. 결과: 고흐의 노란색 선호는 알코올과 관련된 황시증과 정신증적 증상과는 관계가 없는 것으로 보이며 내적 동기 등 심리적 요인인 것으로 추정된다. 결론: 고흐의 특징적인 노란색 색채표현은 심리적 요인이 작용한 것으로 보이며 예술가의 특징적인 색채표현은 그 내부에 심리적 동인이 커다란 영향을 가져다준다는 것을 알 수 있다.

• 한국실내디자인학회논문집
• /
• 제21권5호
• /
• pp.244-253
• /
• 2012

Vincent van Gogh is a Dutch postimpressionism artist that is one of the most influential painter of the 20th century with his vivid colors and sensibility. 'The Bedroom at Arles' is the art piece that van Gogh himself had admitted to be a great artwork, which also reflects the story of his life and inner thoughts. The spacial characteristics of 'The Bedroom at Arles' are amanufactures the following. First, the space shown at 'The Bedroom at Arles' exhibits the phenomenon of undoing the law of perspective by authorizing individual existence to the objects and space, instead of fitting in the objects into the space in the order given by the law of perspective; entirely rearranging the reminiscent space from past. Secondly, the expression 'bedroom' reflects that the subject was about his own experience with the space and a representation of his imagination, which is a metaphorical symbol. Thirdly, van Gogh used strong colors and brush touches to express his subjective opinion, which aren't the actual shades of the scene, but chosen only to approach the space and objectives with his own symbolic interpretation from his heart. Through a synthetic overview of the characteristics of van Gogh's 'The Bedroom at Arles', it could be told that he holds an essential Space perception system, in hir inner self. The space is intentionally rearranged and strangely altered to form an entirely new relation, breaking the tension from the systematically stable rules and orders. 'The Bedroom at Arles' seems to express an unique and symbolic sensation and experience through the combination of its colors and spacial structure.

• 한국컴퓨터정보학회논문지
• /
• 제21권10호
• /
• pp.21-28
• /
• 2016

The aim of this research is to analyze Perceived Usefulness(PU) and Perceived Ease of Use(PEOU) based on Technology Acceptance Model in , and how viewing experiences and knowledge of motion graphics have an impact on attitude toward using and behavioral intention to use. Both usability for learning and usability for appreciation in terms of PU have significant correlations with the degree of satisfaction and immersion, and behavioral intention to use. On the other hand, PEOU has an influence on degree of exhibition satisfaction and immersion, and onto behavioral intention to use with the exception of intention to revisiting . Unlike PU or PEOU, previous viewing experiences do not have correlation with attitude toward using and behavioral intention to use. Only previous knowledge of motion graphics has a correlation with degree of satisfaction and immersion, and behavioral intention to use. As the influence on PU and PEOU's attitude toward using and and behavioral intention to use has been verified, our findings show that two variables of TAM enable the prediction of user's technology acceptance on digital exhibitions and as a result prove the suitability for TAM as an evaluation model for digital exhibition of remediating the originals. This study offers a fresh understanding of the importance of motion graphic effects which influence attitude toward using and behavioral intention to use from the perspective of curating methodology.

• 한국멀티미디어학회논문지
• /
• 제8권2호
• /
• pp.164-173
• /
• 2005

회화적 렌더링은 색상, 방향, 크기 그리고 모양 등 브러시 스트로크의 특징을 결정하는 파라미터들에 의해서 다양한 결과를 만들어 낼 수 있다. 본 논문에서는 참조 데이터를 이용하여 소스 영상에 가장 적합한 브러시 스트로크 생성에 관한 방법을 제안하고자 한다. 색상은 실제로 화가들이 사용한 팔레트 색상을 생성하여 이용하였다. 팔레트를 생성하기 위하여 본 논문에서는 특정화가(특히, 고흐)의 작품에서 주로 사용된 색상을 참조하였으며 소스 영상에서 사용된 색상과 생성된 팔레트 색상을 비교하여 가장 비슷한 색상으로 색상을 변환하여 브러시 스트로크의 색상을 결정하였다. 방향은 반 고흐 스타일 같은 동적인 방향성을 가지는 브러시스트로크를 표현하기 위해 소스 영상의 에지방향을 참조 데이터로 사용하여 에지 주변의 브러시 스트로크의 방향을 보간하는 방법을 적용하였다. 크기는 그리고자 하는 대상의 크기에 따라 각 레이어 별로 폭이 큰 브러시에서 작은 브러시 순으로 결정하였다. 마지막으로, 모양은 소용돌이치는 듯한 반 고흐 스타일을 표현하기 위해 스플라인 곡선을 적용하였다. 이런 방법으로 만들어진 브러시 스트로크는 영영 분할된 각 레이어별로 적용하였으며 렌더링 후에 각 레이어를 합성하였다.

• 한국멀티미디어학회논문지
• /
• 제20권4호
• /
• pp.686-695
• /
• 2017

The purpose of the study is to analyze the impact of storytelling factor, technical factor and exhibition environment factor on the degree of satisfaction, degree of immersion and immersion types in and . Our findings show that the degree of satisfaction not only has a significant correlation with the degree of immersion, but also influences on the holding power and behavioral intention. According to the results of correlation analyses, three factors have an impact on the degree of satisfaction and immersion. Immersion factors influence negatively on Focused Attention and Heightened Enjoyment, however, the factors effect positively on Temporal Dissociation and Curiosity. As the influence of immersiveness on the degree of satisfaction and immersion, and immersion types have been verified, this study offers a fresh understanding of the importance of immersion factors as evaluation criteria for digital exhibitions.

• 복식
• /
• 제60권5호
• /
• pp.19-34
• /
• 2010

This study aims to examine associationistic psychology and psychological operation associated with each color image, then to study the relation between particular colors used in paintings produced by Gogh and Klimt in different times and these painters' psychology in a bid to explore the meaning and role of psychological operation of colors. The findings of the study indicated that red and blue colors represent mainly negative images, while yellow and orange colors represent mainly positive images and psychologies. Specifically, in the case of Gogh, red expresses anxiety, a negative image, yellow symbolizes passion, a major positive image of emotional liberation, dark and thick green and the green involving blue symbolize negative images, emptiness and despair, and blue represents negative images of internal desire conflicts, and screaming. Also, purple used together with white represents anxiety and depression. In the case of Klimt, red represents negative images of anger toward mother and suppressed energy, yellow, an alternative to gold color, symbolizes the positive image of hope, passion, desire and eroticism, the arrangement of strong gold and orange colors represents a color of psychological healing more than a color of hope. As such, colors used in paintings produced by modern Western painters express the physiological conditions, psychological feeling and emotion in life, at the time when the artists produced such works. It was found that colors are yet another language of expressing emotions, and symbolize the psychologies of the artists, indicating that colors have something to do with the painters' experience and emotional impulses.

• 한국콘텐츠학회:학술대회논문집
• /
• 한국콘텐츠학회 2018년도 춘계 종합학술대회 논문집
• /
• pp.131-132
• /
• 2018

빈센트 빌렘 반 고흐(1853-1890)는 후기 인상주의를 대표하는 인물이다. 후기 인상주의는 프랑스 미술사에 있어 인상주의를 뒤이은 미술 사조로 20세기 예술 중 특히 야수파와 표현주의에 지대한 영향을 끼쳤다. 반 고흐의 인생과 작품은 시대를 초월해 많은 문학, 영화, 소설, 시, 음악 등을 통해 소개되고, 재현되었다. 본 논문은 이러한 고흐의 인생과 작품세계가 유화 애니메이션을 통해 어떻게 각색되고 재현되는지 살펴보고자 한다. 이를 위해 후기 인상주의 배경과 특성 그리고 고흐의 고독한 일생 및 작품세계에 대한 문헌고찰을 진행하고, 이를 바탕으로 유화애니메이션 에 대해 사례분석을 진행한다.

• 한국산학기술학회논문지
• /
• 제13권8호
• /
• pp.3687-3691
• /
• 2012

다양한 디지털 콘텐츠 생성 기술은 최근의 컴퓨터 및 태블릿 PC의 발전으로 더욱 널리 활용되고 있다. 본 연구에서는 실제 화가의 스케치 작품을 분석해, 그와 유사한 스케치 효과를 생성하는 기법을 제안한다. 이를 위해, 우리는 반 고흐의 실제 드로잉 작품을 분석하고, 각 객체별로 사용된 스케치 스트로크의 패턴을 분석하고 DB를 구성한다. 그리고 이를 기반으로, 각 오브젝트별로 해당 스트로크 패턴을 적용하여 스케치 효과를 재현하였다.